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Was Balthasar Moretus the founder of the Officina Plantiniana?
Answer: False
Explanation: Balthasar Moretus was the grandson of the founder, Christophe Plantin, and took over leadership of the Officina Plantiniana after his father, Jan Moretus.
Balthasar Moretus was born in 1574 and died in 1641.
Answer: True
Explanation: Balthasar I Moretus was born on July 23, 1574, and died on July 6, 1641.
Balthasar Moretus was paralyzed on his left side.
Answer: False
Explanation: Balthasar Moretus was paralyzed on his right side.
Balthasar Moretus pursued higher education abroad before returning to the family business.
Answer: False
Explanation: Balthasar Moretus briefly studied under Justus Lipsius but fell ill and returned home to work in the office, rather than completing higher education abroad.
Balthasar Moretus assumed sole leadership of the Officina Plantiniana in 1610.
Answer: False
Explanation: Balthasar Moretus assumed leadership in 1610 after his father's death, but initially shared this role with his brother, Jan II.
Balthasar Moretus was married and had several children who continued the printing business.
Answer: False
Explanation: Balthasar I Moretus never married and thus had no children to continue the business directly.
The source mentions that Balthasar Moretus's parents were Jan Moretus and Martina Plantin.
Answer: True
Explanation: The source confirms that Balthasar I Moretus's parents were Jan Moretus and Martina Plantin.
Balthasar Moretus briefly studied under the scholar Justus Lipsius before returning to Antwerp.
Answer: True
Explanation: Balthasar Moretus briefly studied under the scholar Justus Lipsius before returning to Antwerp due to illness.
Identify Balthasar Moretus and his principal role.
Answer: Balthasar Moretus, head of the Officina Plantiniana.
Explanation: Balthasar Moretus served as the head of the Officina Plantiniana, a prominent printing company.
Describe Balthasar Moretus's familial relationship with the Plantin printing enterprise.
Answer: He was the grandson of the founder, Christophe Plantin, and headed the company.
Explanation: Balthasar Moretus was the grandson of Christophe Plantin and became the head of the Officina Plantiniana.
What significant physical challenge did Balthasar Moretus encounter?
Answer: Paralysis on his right side.
Explanation: Balthasar Moretus experienced paralysis on his right side.
Ascertain the year Balthasar Moretus assumed leadership of the Officina Plantiniana.
Answer: In 1610, after his father Jan Moretus died.
Explanation: Balthasar Moretus assumed leadership of the Officina Plantiniana in 1610, following his father Jan Moretus's death.
Identify the individual who initially shared leadership responsibilities with Balthasar Moretus upon his assumption of control of the company.
Answer: His brother, Jan II Moretus.
Explanation: Balthasar Moretus initially shared leadership responsibilities with his brother, Jan II Moretus, after taking over in 1610.
Following the death of which family member did Balthasar I Moretus enter into a partnership with Jan van Meurs?
Answer: His brother, Jan II Moretus.
Explanation: Balthasar I Moretus entered into a partnership with Jan van Meurs after the death of his brother, Jan II Moretus.
Balthasar Moretus's early professional path involved working in the office after returning from studying under whom?
Answer: Justus Lipsius
Explanation: Balthasar Moretus's early professional path involved working in the office after returning from studying under Justus Lipsius.
The list of works published during Balthasar I Moretus's tenure is considered exhaustive.
Answer: False
Explanation: The provided list of works is described as a 'very partial list,' encompassing both reprints and new publications.
From 1616 to 1618, the Plantin company's books were officially printed under the names of Jan and Balthasar Moretus.
Answer: True
Explanation: Between 1616 and 1618, the books published by the Plantin company were officially printed under the names of Jan and Balthasar Moretus.
Balthasar I Moretus was the sole printer credited for the company's publications from 1618 until his death.
Answer: False
Explanation: From 1618 to 1629, the widow of Jan II Moretus and Jan van Meurs might be mentioned as co-printers. Balthasar I Moretus was the sole credited printer from 1629 until his death.
Describe the official printing arrangement for the Plantin company's books during the period of 1616 to 1618.
Answer: By Jan and Balthasar Moretus.
Explanation: From 1616 to 1618, the Plantin company's books were officially printed under the names of Jan and Balthasar Moretus.
Identify the sole printer credited for the company's publications from 1629 until Balthasar I Moretus's demise.
Answer: Balthasar I Moretus
Explanation: From 1629 until his death in 1641, Balthasar I Moretus was the sole printer credited for the company's publications.
Describe the official printing arrangement for the Plantin company's books prior to 1616.
Answer: Under the names of the widow and sons of Jan Moretus.
Explanation: Prior to 1616, books published by the Plantin company were officially printed under the names of Jan Moretus's widow and sons.
Peter Paul Rubens was a lifelong friend of Balthasar Moretus and designed numerous illustrations for the company.
Answer: True
Explanation: Peter Paul Rubens was a lifelong friend of Balthasar I Moretus and designed many title pages and other illustrations for the Officina Plantiniana.
Balthasar Moretus commissioned Peter Paul Rubens to create 19 portraits.
Answer: True
Explanation: In addition to designing illustrations, Balthasar I Moretus commissioned Peter Paul Rubens to create 19 portraits.
Which celebrated artist did Balthasar I Moretus commission for the design of title pages, other illustrations, and portraits?
Answer: Peter Paul Rubens
Explanation: Balthasar I Moretus commissioned Peter Paul Rubens for title pages, other illustrations, and portraits.
Characterize the relationship between Balthasar Moretus and Peter Paul Rubens.
Answer: Lifelong friends who collaborated artistically.
Explanation: Balthasar Moretus and Peter Paul Rubens were lifelong friends who collaborated artistically.
The *Imago primi saeculi Societatis Iesu* was published in 1640 to commemorate the founding of the Jesuit congregation.
Answer: True
Explanation: In 1640, the Plantin company published *Imago primi saeculi Societatis Iesu*, commemorating the centenary of the Jesuit congregation's founding.
François d'Aguilon's work on optics, *Opticorum libri sex*, was published in 1613 with illustrations by Theodore Galle.
Answer: False
Explanation: François d'Aguilon's *Opticorum libri sex* was published in 1613 with illustrations by Peter Paul Rubens, not Theodore Galle.
The complete works of Seneca the Younger were published in 1614, featuring illustrations designed by Peter Paul Rubens.
Answer: True
Explanation: The complete works of Seneca the Younger, *Opera, quae exstant omnia*, were published in 1614 with illustrations designed by Peter Paul Rubens.
Justus Lipsius published *De militia romana* in 1614, a work focusing on the Roman military.
Answer: True
Explanation: Justus Lipsius published *De militia romana* in 1614, a study focused on the Roman military.
Leonardus Lessius's work on justice and law, published in 1617, included illustrations by Theodore Galle.
Answer: False
Explanation: Leonardus Lessius's *De iustitia et iure*, published in 1617, included illustrations by Peter Paul Rubens, not Theodore Galle.
The *Biblia Sacra Vulgatae editionis*, the Latin Vulgate Bible, was published by the Plantin company in 1624.
Answer: True
Explanation: In 1624, the Plantin company published the *Biblia Sacra Vulgatae editionis*, the Latin Vulgate version of the Holy Bible.
Balthasar Cordier's 1626 publication on the Gospel of Luke featured engravings by Theodore Galle.
Answer: False
Explanation: Balthasar Cordier's *Catena Sexaginta quinque Graecorum Patrum in S. Lucam* (1626) featured illustrations by Peter Paul Rubens, not Theodore Galle.
Libert Froidmont published a work titled *Meteorologicorum* in 1627, related to the study of weather.
Answer: True
Explanation: Libert Froidmont published *Meteorologicorum* in 1627, a work related to the study of atmospheric phenomena.
The Plantin company published Justus Lipsius's philosophical work *De constantia* in 1628.
Answer: True
Explanation: Justus Lipsius's philosophical work *De constantia* was published in 1628.
Balthasar Cordier's 1630 publication focused on commentaries on the Gospel of Matthew.
Answer: False
Explanation: Balthasar Cordier's 1630 publication, *Catena patrum graecorum in Sanctum Joannem*, focused on commentaries on the Gospel of John.
Erycius Puteanus published a work in 1631 describing a location and devotion related to the Virgin Mary.
Answer: True
Explanation: Erycius Puteanus published *Diva virgo Bellifontana in Sequanis* in 1631, describing a location and devotion related to the Virgin Mary.
Edmund Campion's work containing arguments related to faith was published in 1631.
Answer: True
Explanation: Edmund Campion's *Decem rationes propositae in causa fidei* was published in 1631, presenting arguments related to faith.
Jodocus à Castro's 1633 publication contained sermons for the summer part of the year.
Answer: False
Explanation: Jodocus à Castro's 1633 publication, *Conciones super Evangelia dominicalia. Pars Hiemalis*, contained sermons for the winter part of the year.
Balthasar Cordier compiled writings attributed to Dionysius the Areopagite in 1633, with illustrations by Rubens.
Answer: True
Explanation: Balthasar Cordier compiled and published *Opera S. Dionysii Areopagitae* in 1633, featuring illustrations by Peter Paul Rubens.
Silvester Petra Sancta's 1634 book *De symbolis heroicis* explored the subject of heraldic crests.
Answer: False
Explanation: Silvester Petra Sancta's *De symbolis heroicis* (1634) explored the subject of heroic symbols, which are emblems or devices representing virtues or achievements, rather than specifically heraldic crests.
Benedictus van Haeften's 1635 publication *Regia via Crucis* focused on the path of the cross.
Answer: True
Explanation: Benedictus van Haeften published *Regia via Crucis* in 1635, a devotional text related to Christ's passion, translated as 'The Royal Road of the Cross'.
Maximilianus ab Eynatten published a manual for exorcisms in 1635.
Answer: True
Explanation: Maximilianus ab Eynatten published *Manuale exorcismorum* in 1635, a manual providing instructions and rites for exorcism.
The 1637 publication of Justus Lipsius's complete works was based on earlier editions and did not include his revisions.
Answer: False
Explanation: The 1637 publication of Justus Lipsius's complete works was notable because it was revised and expanded by Lipsius himself before his death.
Vincentius Guinisius published a work on the history of the Church in 1637.
Answer: False
Explanation: Vincentius Guinisius published *Lvcensis e Soc. Iesv Poesis* in 1637, which is a collection of poetry, not a history of the Church.
Carolus Neapolis published an analysis of Ovid's *Metamorphoses* in 1638.
Answer: False
Explanation: Carolus Neapolis published an analysis of Ovid's *Fasti* in 1638, titled *Anaptyxis ad fastos P. Ovidii Nasonis*, not *Metamorphoses*.
Identify a significant 1613 publication on optics, featuring illustrations by Rubens.
Answer: *Opticorum libri sex*
Explanation: François d'Aguilon's *Opticorum libri sex*, a significant treatise on optics, was published in 1613 with illustrations by Peter Paul Rubens.
In what year was the *Missale Romanum*, featuring illustrations by Rubens, first published?
Answer: 1613
Explanation: The *Missale Romanum*, featuring illustrations by Rubens, was first published in 1613.
Whose complete works, published in 1614 by the Officina Plantiniana, featured illustrations designed by Rubens?
Answer: Seneca the Younger
Explanation: The complete works of Seneca the Younger were published in 1614 by the Officina Plantiniana with illustrations designed by Peter Paul Rubens.
Identify a 1626 publication by Balthasar Cordier, featuring illustrations by Rubens, that focused on commentaries on the Gospel of Luke.
Answer: *Catena Sexaginta quinque Graecorum Patrum in S. Lucam*
Explanation: Balthasar Cordier's 1626 publication, *Catena Sexaginta quinque Graecorum Patrum in S. Lucam*, featured illustrations by Peter Paul Rubens and compiled commentaries by Greek Church Fathers on the Gospel of Luke.
What is the subject matter of Libert Froidmont's 1627 publication, *Meteorologicorum*?
Answer: A work related to the study of atmospheric phenomena.
Explanation: Libert Froidmont's *Meteorologicorum*, published in 1627, is related to the study of atmospheric phenomena.
Identify a publication from 1634 that explored the subject of heroic symbols.
Answer: *De symbolis heroicis*
Explanation: Silvester Petra Sancta's *De symbolis heroicis*, published in 1634, explored the subject of heroic symbols.
What work by Benedictus van Haeften, published in 1635, pertains to the path of the cross?
Answer: *Regia via Crucis*
Explanation: Benedictus van Haeften's *Regia via Crucis*, published in 1635, pertains to the path of the cross.
What was the subject of Joannes Malder's 1626 publication?
Answer: The seal of confession in the sacrament of penance.
Explanation: Joannes Malder's 1626 publication was *Tractatus de sigillo confessionis sacramentalis*, concerning the seal of confession.
To which book does the image caption concerning a 1634 title page refer?
Answer: *De symbolis heroicis*
Explanation: The 1634 image caption referring to a title page pertains to Silvester Petra Sancta's book, *De symbolis heroicis*.
Identify a 1633 publication that compiled writings attributed to Dionysius the Areopagite and featured illustrations by Rubens.
Answer: *Opera S. Dionysii Areopagitae*
Explanation: Balthasar Cordier's 1633 publication, *Opera S. Dionysii Areopagitae*, compiled writings attributed to Dionysius the Areopagite and featured illustrations by Rubens.
Identify a work by Leonardus Lessius, published in 1617, that included illustrations by Rubens.
Answer: *De iustitia et iure*
Explanation: Leonardus Lessius's *De iustitia et iure*, published in 1617, included illustrations by Rubens.
Identify a publication from 1622 that offered a commentary on the life of a Belgian prince.
Answer: *De vita Alberti pii, sapientis, prudentis Belgarum principis commentarius* by Aubert Miraeus
Explanation: Aubert Miraeus published *De vita Alberti pii, sapientis, prudentis Belgarum principis commentarius* in 1622, which offered a commentary on the life of a Belgian prince.
What work by Balthasar Cordier, published in 1626, focused on commentaries by Greek Church Fathers on the Gospel of Luke?
Answer: *Catena Sexaginta quinque Graecorum Patrum in S. Lucam*
Explanation: Balthasar Cordier's 1626 work, *Catena Sexaginta quinque Graecorum Patrum in S. Lucam*, focused on commentaries by Greek Church Fathers on the Gospel of Luke.
The 1637 publication of Justus Lipsius's complete works was notable for what reason?
Answer: It was revised and expanded by Lipsius himself before his death.
Explanation: The 1637 publication of Justus Lipsius's complete works was notable because it was revised and expanded by Lipsius himself prior to his death.
Which work by Edmund Campion, published in 1631, is known for presenting arguments related to faith?
Answer: *Decem rationes propositae in causa fidei, et opuscula eius selecta*
Explanation: Edmund Campion's work, *Decem rationes propositae in causa fidei, et opuscula eius selecta*, published in 1631, is known for presenting arguments related to faith.
What is the subject of Pedro de Bivero's 1634 publication, *Sacrum oratorium piarum imaginum immaculatae Mariae*?
Answer: A work containing pious images of the Virgin Mary.
Explanation: Pedro de Bivero's 1634 publication, *Sacrum oratorium piarum imaginum immaculatae Mariae*, contains pious images of the Virgin Mary.
What was the subject of the 1634 image caption referring to the title page of Silvester Petra Sancta's book?
Answer: The book's exploration of heroic symbols.
Explanation: The 1634 image caption referring to Silvester Petra Sancta's book title page relates to the book's exploration of heroic symbols.
Identify a publication from 1640 that marked a centenary milestone for the Jesuit congregation.
Answer: *Imago primi saeculi Societatis Iesu*
Explanation: The publication *Imago primi saeculi Societatis Iesu* from 1640 marked a centenary milestone for the Jesuit congregation.
The Plantin-Moretus Museum buildings were constructed in the Baroque architectural style.
Answer: False
Explanation: The buildings housing the Plantin company, managed by Balthasar I Moretus, were constructed in the Renaissance architectural style.
The Plantin-Moretus Museum has been recognized as a UNESCO World Heritage Site.
Answer: True
Explanation: The Plantin-Moretus Museum, including its building and interior, has been designated a UNESCO World Heritage Site.
Balthasar Moretus is listed in the international authority control database VIAF.
Answer: True
Explanation: Balthasar I Moretus is listed in the Virtual International Authority File (VIAF) database.
Balthasar I Moretus is cataloged in the national authority control database for Spain.
Answer: False
Explanation: While Balthasar I Moretus is cataloged in many national databases, the provided data does not specifically mention Spain's national authority control database.
The Union List of Artist Names (ULAN) is an artist-specific database that includes Balthasar I Moretus.
Answer: True
Explanation: Balthasar I Moretus is included in artist-specific databases such as the Union List of Artist Names (ULAN).
Balthasar Moretus is listed in the biographical database Deutsche Digitale Bibliothek (DDB).
Answer: True
Explanation: Balthasar I Moretus is listed in biographical databases including the Deutsche Digitale Bibliothek (DDB).
In which architectural style were the structures housing the Plantin company developed under Balthasar I Moretus?
Answer: Renaissance
Explanation: The buildings of the Plantin company were constructed in the Renaissance architectural style.
What notable international recognition has been bestowed upon the Plantin-Moretus Museum?
Answer: Inclusion in the UNESCO World Heritage List.
Explanation: The Plantin-Moretus Museum has been designated a UNESCO World Heritage Site.
Identify an international authority control database listed for Balthasar I Moretus.
Answer: VIAF (Virtual International Authority File)
Explanation: VIAF (Virtual International Authority File) is listed as an international authority control database for Balthasar I Moretus.
In which category of databases, focused on artists and their work, is Balthasar I Moretus included?
Answer: Artist-specific databases like ULAN and RKD Artists.
Explanation: Balthasar I Moretus is included in artist-specific databases such as ULAN and RKD Artists.
Identify a database that is NOT listed as a national authority control database for Balthasar I Moretus.
Answer: ULAN (Union List of Artist Names)
Explanation: ULAN (Union List of Artist Names) is an artist-specific database, not a national authority control database.
Identify a biographical database listed for Balthasar I Moretus.
Answer: Biografisch Portaal
Explanation: The Biografisch Portaal is listed as a biographical database for Balthasar I Moretus.
Identify a database that is NOT mentioned as an international authority control database for Balthasar I Moretus.
Answer: GND
Explanation: GND (Gemeinsame Normdatei) is a national authority file, primarily associated with Germany, not typically classified as an international authority control database in the same vein as ISNI, FAST, or WorldCat.