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David (Michelangelo) Wiki2Web Clarity Challenge

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Study Guide: Michelangelo's David: Art, History, and Context

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Michelangelo's David: Art, History, and Context Study Guide

Genesis of the Masterpiece

Michelangelo's David was originally intended to be placed on the roofline of Florence Cathedral.

Answer: True

Explanation: The statue was originally commissioned as one of a series of statues intended for the roofline of the east end of Florence Cathedral.

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The project for the marble David statue was renewed after the Medici family was expelled from Florence.

Answer: True

Explanation: The project for the marble David statue was renewed during a critical period for the Florentine republic, which had recently expelled the Medici family.

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The Operai del Duomo were responsible for commissioning sculptures for Florence Cathedral.

Answer: True

Explanation: The Operai del Duomo, or Overseers of the Office of Works, were the officials responsible for commissioning sculptures for Florence Cathedral.

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The original plan for Florence Cathedral involved a series of twelve sculptures depicting Old Testament patriarchs.

Answer: True

Explanation: The original plan was to commission a series of twelve large sculptures depicting Old Testament prophets for the cathedral.

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The marble block used for David had been previously worked on by Agostino di Duccio and consulted by Leonardo da Vinci.

Answer: True

Explanation: The marble block had been partially worked on by Agostino di Duccio and was later consulted upon by Leonardo da Vinci before Michelangelo received the commission.

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Michelangelo was in his late twenties when he began carving the David.

Answer: True

Explanation: Michelangelo was 26 years old when he received the contract and began carving the David statue.

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The marble used for David was of the 'bianco ordinario' grade, considered less superior than 'statuario'.

Answer: True

Explanation: The marble used for David was 'bianco ordinario' grade, which is considered less superior than 'statuario' grade.

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The plan to place David on the cathedral roofline was abandoned due to practical difficulties in raising the massive sculpture.

Answer: True

Explanation: The plan to place David on the cathedral roofline was abandoned due to the practical difficulties and immense effort required to raise such a massive sculpture to that height.

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Analysis of the marble confirmed its origin from the Fantiscritti quarries in Carrara.

Answer: True

Explanation: Analysis of the marble, including samples from the foot, confirmed its origin from the Fantiscritti quarries in Carrara.

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The 'il gigante' referred to the massive, partially worked marble block before Michelangelo began sculpting.

Answer: True

Explanation: The term 'il gigante' referred to the massive, partially worked marble block itself, not the finished statue of David.

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The 'taroli' cavities found on the marble surface are inherent features of the marble's mineralogical structure.

Answer: True

Explanation: The 'taroli' cavities found on the marble surface are inherent features of the marble's mineralogical structure, not signs of deterioration.

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The marble block for David lay neglected for about twenty-five years before Michelangelo worked on it.

Answer: True

Explanation: The marble block for David lay neglected for approximately twenty-five years before Michelangelo began working on it.

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Andrea Sansovino was consulted about the marble block before Michelangelo received the commission.

Answer: True

Explanation: Andrea Sansovino was one of the prominent artists consulted regarding the massive marble block before Michelangelo secured the commission.

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Michelangelo began carving David on September 13, 1501, at the age of 26.

Answer: True

Explanation: Michelangelo began carving David on September 13, 1501, at the age of 26.

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The original plan was for David to be one of twelve statues on the cathedral roofline.

Answer: True

Explanation: The original plan was for a series of twelve prophet statues, including David, to be placed along the cathedral roofline.

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Between which years was Michelangelo's David created?

Answer: 1501-1504

Explanation: Michelangelo's David was created between the years 1501 and 1504.

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Where was Michelangelo's David originally intended to be placed?

Answer: On the roofline of Florence Cathedral

Explanation: The statue was originally intended to be placed on the roofline of Florence Cathedral as part of a series of prophets.

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Which group were the officials responsible for commissioning sculptures for Florence Cathedral known as?

Answer: The Operai del Duomo

Explanation: The officials responsible for commissioning sculptures for Florence Cathedral were known as the Operai del Duomo.

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What was the original plan for the series of sculptures intended for Florence Cathedral?

Answer: A series of twelve Old Testament prophets for the roofline.

Explanation: The original plan was for a series of twelve Old Testament prophets to be placed along the roofline of Florence Cathedral.

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What happened to the marble block intended for David before Michelangelo began working on it?

Answer: It was partially worked, then lay neglected for about 25 years.

Explanation: The marble block was partially worked by Agostino di Duccio and then lay neglected outdoors for approximately twenty-five years before Michelangelo was commissioned.

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Which prominent artist was consulted about the massive marble block before Michelangelo received the commission?

Answer: Leonardo da Vinci

Explanation: Leonardo da Vinci was among the prominent artists consulted regarding the massive marble block before Michelangelo was awarded the commission.

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At what age did Michelangelo receive the contract to sculpt David?

Answer: 26

Explanation: Michelangelo received the contract to sculpt David at the age of 26.

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What grade of marble was used for the David, and why might this be significant?

Answer: Bianco ordinario grade, considered less superior than statuario.

Explanation: The David was sculpted from 'bianco ordinario' grade marble, which is considered less superior than 'statuario' grade, making Michelangelo's achievement even more remarkable.

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Why was the original plan to place the 5.17-meter statue on the cathedral roofline abandoned?

Answer: Practical difficulties in raising such a massive sculpture were too great.

Explanation: The plan to place the statue on the cathedral roofline was abandoned due to the immense practical difficulties involved in raising such a massive sculpture to that height.

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What does the term 'il gigante' refer to in the context of the David?

Answer: The nickname for the massive, partially worked marble block.

Explanation: The term 'il gigante' referred to the massive, partially worked marble block from which David was carved.

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What do the 'taroli' cavities found on the marble surface indicate?

Answer: Inherent features of the marble's mineralogical structure.

Explanation: The 'taroli' cavities are inherent features of the marble's mineralogical structure, not signs of deterioration.

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The marble block used for David originated from which quarry?

Answer: Fantiscritti quarry

Explanation: The marble block used for David originated from the Fantiscritti quarry in Carrara.

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Which of the following best describes the fate of the marble block before Michelangelo's commission?

Answer: It was partially worked by Agostino di Duccio and then neglected outdoors.

Explanation: Before Michelangelo, the marble block was partially worked by Agostino di Duccio and then lay neglected outdoors for many years.

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Artistic Conception and Execution

Michelangelo's David was the first colossal marble statue created during the High Renaissance.

Answer: True

Explanation: Michelangelo's David is considered a masterpiece of Italian Renaissance sculpture, notable for being the first colossal marble statue created during the High Renaissance, setting a precedent for monumental sculpture.

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The statue of David stands approximately 5.17 meters (17 feet) tall.

Answer: True

Explanation: The statue of David stands approximately 5.17 meters (17 feet) tall.

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Michelangelo notably avoided flat chisels when sculpting the David.

Answer: True

Explanation: Historical accounts indicate Michelangelo utilized specialized tools like the 'subbia' and 'gradina,' and notably avoided flat chisels in his work on the David.

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Michelangelo's David depicts the hero before the battle, emphasizing psychological tension.

Answer: True

Explanation: Michelangelo's David depicts the hero in anticipation before the battle, emphasizing psychological tension, unlike earlier works showing him victorious with Goliath's severed head.

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The contrapposto stance in David conveys a sense of potential energy and imminent movement.

Answer: True

Explanation: The contrapposto stance in David conveys a sense of potential energy and imminent movement, not rigidity and stillness.

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The unusually large head and hands of David are often explained by their original intended placement high on the cathedral.

Answer: True

Explanation: The unusually large head and hands of David are often explained as an artistic choice to appear proportionate when viewed from the statue's originally intended high placement on the cathedral.

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The tree stump supporting David's right leg has potential symbolic meaning, echoing Lorenzo de'Medici's emblem.

Answer: True

Explanation: The tree stump ('broncone') supporting David's right leg, while structurally functional, also carried symbolic meaning, potentially echoing Lorenzo de'Medici's emblem.

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The presence of a foreskin on David's penis contradicts strict Jewish circumcision practices but aligns with Renaissance artistic conventions.

Answer: True

Explanation: The presence of a foreskin on David's penis aligns with Renaissance artistic conventions and classical ideals, prioritizing aesthetics over strict adherence to Jewish circumcision practices.

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Renaissance artists often depicted biblical figures with foreskins, prioritizing classical aesthetic ideals over strict adherence to religious customs.

Answer: True

Explanation: Renaissance artists often depicted biblical figures, including David, with foreskins, prioritizing classical aesthetic ideals over strict adherence to religious customs like circumcision.

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Michelangelo's David is considered a masterpiece of High Renaissance sculpture.

Answer: True

Explanation: Michelangelo's David is considered a masterpiece of the High Renaissance, not the Late Renaissance.

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The statue's nudity was intended to evoke political symbolism and reference classical antiquity.

Answer: True

Explanation: The statue's nudity served as a powerful political metaphor and referenced classical antiquity, rather than evoking shame or modesty.

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The 'broncone' or tree stump was added for structural support and also carries symbolic meaning.

Answer: True

Explanation: The 'broncone' or tree stump served for structural support but also carried symbolic meaning, potentially echoing Lorenzo de'Medici's emblem.

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What is the primary significance of Michelangelo's David in the context of Renaissance sculpture?

Answer: It was the first colossal marble statue created during the High Renaissance and set a precedent for monumental sculpture.

Explanation: Michelangelo's David is significant as the first colossal marble statue of the High Renaissance, establishing a new standard for monumental sculpture.

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Which of the following tools did Michelangelo *not* use according to historical accounts of sculpting David?

Answer: Flat chisel

Explanation: Historical accounts suggest Michelangelo notably avoided using flat chisels when sculpting the David, employing specialized tools like the 'subbia' and 'gradina' instead.

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How does Michelangelo's depiction of David differ from earlier Renaissance works by Donatello and Verrocchio?

Answer: Michelangelo's David is depicted before the battle, emphasizing psychological tension.

Explanation: Michelangelo's depiction differs by showing David before the battle, focusing on psychological tension, whereas earlier works often showed him after defeating Goliath.

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What does the contrapposto stance of Michelangelo's David primarily convey?

Answer: Imminent movement and potential energy

Explanation: The contrapposto stance primarily conveys a sense of imminent movement and potential energy, characteristic of classical Greek sculpture.

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What might explain the unusually large hands and head of Michelangelo's David?

Answer: The original intended placement high on the cathedral, viewed from below.

Explanation: The unusually large hands and head are often explained as an artistic choice to appear proportionate when viewed from the statue's originally intended high placement on the cathedral.

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What potential symbolic connection exists with the tree stump ('broncone') supporting David's leg?

Answer: It echoed Lorenzo de' Medici's emblem, suggesting renewal.

Explanation: The tree stump ('broncone') potentially symbolized renewal, echoing Lorenzo de'Medici's emblem.

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Why might the foreskin detail on David's penis be considered unusual in a strict religious context?

Answer: It implies David was not circumcised, contrary to Jewish practice.

Explanation: The foreskin detail might be considered unusual as it implies David was not circumcised, contrary to strict Jewish practice.

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The statue's focused, wary gaze and tense expression suggest David is:

Answer: Sizing up his opponent before the battle.

Explanation: The statue's focused gaze and tense expression suggest David is sizing up his opponent, Goliath, before engaging in battle.

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What detail suggests David is prepared for battle, holding his weapon?

Answer: The sling draped over his shoulder.

Explanation: The sling draped over David's shoulder signifies his readiness for battle and his chosen weapon.

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The contrapposto pose, exemplified in David, was considered by Renaissance artists to be a hallmark of which artistic tradition?

Answer: Classical Greek sculpture

Explanation: The contrapposto pose was considered by Renaissance artists to be a hallmark of classical Greek sculpture.

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What does the detail of the sling draped over David's shoulder signify?

Answer: His readiness and preparation for combat.

Explanation: The sling draped over David's shoulder signifies his readiness and preparation for combat.

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The presence of a foreskin on David's penis in the sculpture is explained by the source as:

Answer: Adherence to Renaissance artistic conventions and classical ideals.

Explanation: The foreskin detail is explained by adherence to Renaissance artistic conventions and classical ideals, rather than strict religious observance.

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Symbolism and Political Context

The biblical figure of David symbolized the defense of civil liberties and independence for the Republic of Florence.

Answer: True

Explanation: The biblical figure of David came to represent the defense of civil liberties and independence for the Republic of Florence, symbolizing the city's resilience against threats.

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The decision to place David in the Piazza della Signoria was made by a committee of 30 Florentine citizens.

Answer: True

Explanation: The decision to place David in the Piazza della Signoria was made by a committee of 30 Florentine citizens after extensive debate.

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Machiavelli interpreted David as a symbol of the Florentine citizen-soldier and self-reliance.

Answer: True

Explanation: Machiavelli interpreted David as a symbol of the Florentine citizen-soldier and the city's capacity for self-defense and self-reliance.

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Placing David in the Piazza della Signoria transformed it into a potent political symbol.

Answer: True

Explanation: Placing David in the Piazza della Signoria transformed it into a potent political symbol, representing the defense of civil liberties and Florentine independence.

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What did the figure of David come to symbolize for the Republic of Florence?

Answer: The defense of civil liberties and independence

Explanation: For the Republic of Florence, the figure of David symbolized the defense of civil liberties and independence against external threats.

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Who made the final decision regarding the placement of the David in the public square?

Answer: A committee of 30 Florentine citizens

Explanation: A committee comprising 30 Florentine citizens, including prominent artists, ultimately decided on the placement of the David in the public square.

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How did Machiavelli interpret Michelangelo's David in relation to Florentine identity?

Answer: As a symbol of the citizen-soldier and self-reliance.

Explanation: Machiavelli interpreted David as a symbol of the Florentine citizen-soldier and the republic's capacity for self-reliance.

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Placing David in the Piazza della Signoria, the seat of civic government, primarily transformed the statue into what kind of symbol?

Answer: A potent political symbol

Explanation: Placement in the Piazza della Signoria transformed David into a potent political symbol, representing Florentine civic virtues and independence.

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What was the primary symbolic meaning of David for the Republic of Florence, according to the source?

Answer: Defense of civil liberties against threats.

Explanation: The primary symbolic meaning of David for the Republic of Florence was the defense of civil liberties against internal and external threats.

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How did the placement of David in the Piazza della Signoria enhance its political symbolism?

Answer: It replaced Donatello's 'Judith and Holofernes', another symbol of resistance.

Explanation: Placing David in the Piazza della Signoria enhanced its political symbolism by replacing Donatello's 'Judith and Holofernes,' another symbol of resistance against tyranny.

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Historical Journey and Preservation

During the transport of the statue to the Piazza della Signoria, it was moved with some damage from thrown stones.

Answer: True

Explanation: Despite precautions, the statue sustained damage from stones thrown by youths during its transport to the Piazza della Signoria.

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The statue was transported to the Piazza della Signoria using a frame rolled on greased logs.

Answer: True

Explanation: The statue was transported using a wooden frame suspended and rolled on fourteen greased logs, not a single cart.

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The original 16th-century base of the David statue was lost during its move to the Accademia Gallery in 1873.

Answer: True

Explanation: The original 16th-century base of the David statue was lost during its move to the Accademia Gallery in 1873 when the transport crate was disassembled.

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In 1991, the David statue was damaged by a hammer attack on its toe.

Answer: True

Explanation: In 1991, the statue was damaged by a hammer attack, which broke off the tip of the second toe of the left foot, not by fire.

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Finite Element Method (FEM) analysis is used to assess the stability of the David statue.

Answer: True

Explanation: Finite Element Method (FEM) analysis is among the advanced scientific techniques employed to assess the stability and identify structural issues of the David statue.

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Cracks in David's legs are primarily attributed to a slight forward inclination due to foundation issues.

Answer: True

Explanation: Research suggests that cracks in David's legs are primarily attributed to a slight forward inclination of the statue, likely caused by the subsidence and rotation of its foundations over time.

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In 2010, the Italian Culture Ministry claimed sole ownership of the David statue, leading to a dispute.

Answer: True

Explanation: In 2010, a dispute arose when the Italian Culture Ministry asserted sole ownership of the David statue, challenging claims from the municipality of Florence.

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The plaster cast made by Clemente Papi in 1846 was used for creating molds for replicas and testing locations.

Answer: True

Explanation: The plaster cast by Clemente Papi in 1846 served multiple purposes, including creating molds for replicas and testing potential locations for the original statue.

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The fig leaf sometimes associated with David replicas was added to cover the statue's nudity for Queen Victoria.

Answer: True

Explanation: A detachable fig leaf was added to a replica of David to cover its nudity, reportedly for Queen Victoria's sensibilities.

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Routine maintenance of the David statue involves monthly cleaning with soft brushes and vacuum cleaners.

Answer: False

Explanation: Routine maintenance of the David statue involves cleaning every two months using soft brushes and a vacuum cleaner, not weekly cleaning with abrasive materials.

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The 2010 replica installation on Florence Cathedral aimed to show how the statue might have looked in its originally intended high-up position.

Answer: True

Explanation: The 2010 replica installation on Florence Cathedral aimed to provide a visual representation of how the statue might have looked in its originally intended high-up position on the cathedral buttress.

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The statue was moved to the Galleria dell'Accademia in 1873.

Answer: True

Explanation: The statue was moved to the Galleria dell'Accademia in 1873, not in the 20th century.

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What happened during the statue's transport from the workshop to the Piazza della Signoria?

Answer: It was damaged by stones thrown by youths, despite precautions.

Explanation: During transport, the statue was damaged by stones thrown by youths, despite precautions taken to protect it.

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How was the colossal statue transported over half a mile to the Piazza della Signoria?

Answer: Suspending it in a frame and rolling it on greased logs.

Explanation: The statue was transported by suspending it in a wooden frame and rolling it on fourteen greased logs over a distance of half a mile.

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What significant part of the statue was lost during the 1873 move to the Accademia Gallery?

Answer: The original 16th-century base

Explanation: The original 16th-century base of the statue was lost during its move to the Accademia Gallery in 1873 when the transport crate was disassembled.

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Which scientific method is mentioned for assessing the stability and identifying issues with the David statue?

Answer: Finite Element Method (FEM) analysis

Explanation: Finite Element Method (FEM) analysis is a key scientific method used to assess the stability and identify structural issues with the David statue.

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What is the proposed primary cause for the cracks found in the statue's legs?

Answer: A slight forward inclination due to foundation issues.

Explanation: The primary proposed cause for the cracks in the statue's legs is a slight forward inclination resulting from foundation subsidence and rotation over time.

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What type of conservation challenge did the David face in the 19th century?

Answer: Aggressive cleaning attempts with chemicals

Explanation: In the 19th century, the David faced conservation challenges from aggressive cleaning attempts using chemicals.

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The controversy surrounding the 2004 cleaning of the David involved a debate between which two methods?

Answer: Dry cleaning and wet cleaning

Explanation: The 2004 cleaning controversy centered on a debate between dry cleaning and wet cleaning methods for the statue.

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What was the core issue in the 2010 dispute over the ownership of the David?

Answer: Whether the municipality or the Culture Ministry owned the artwork.

Explanation: The 2010 dispute centered on whether the municipality of Florence or the Italian Culture Ministry held ownership of the David statue.

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What was the purpose of the detachable plaster fig leaf added to replicas of David?

Answer: To cover the statue's nudity for Queen Victoria.

Explanation: The detachable plaster fig leaf was added to replicas to cover the statue's nudity, reportedly for Queen Victoria's sensibilities.

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What is the frequency of the routine maintenance performed on the David statue?

Answer: Every two months

Explanation: Routine maintenance on the David statue is performed every two months.

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What conservation issue was addressed by the 2004 cleaning of the David?

Answer: Surface degradation and accumulated dirt/beeswax

Explanation: The 2004 cleaning addressed surface degradation and the removal of accumulated dirt and beeswax.

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Scholarly Interpretation and Legacy

Michelangelo believed that the artist's role was to reveal the ideal form within the marble block.

Answer: True

Explanation: Michelangelo believed that marble contained ideal forms and that the artist's role was to reveal them, influenced by Neo-Platonic philosophy.

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Kathleen Weil-Garris Brandt argued that the pedestal for David was significant and innovative in its use of classical forms.

Answer: True

Explanation: Kathleen Weil-Garris Brandt argued that the pedestal for David was significant, representing an innovative use of classical forms that influenced subsequent sculptural installations.

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The 'Michelangelo phenomenon' describes the psychological process where individuals develop a stronger sense of self when their partners affirm their ideal selves.

Answer: True

Explanation: The 'Michelangelo phenomenon' describes the psychological process where individuals develop a stronger sense of self when their partners affirm their ideal selves, drawing a parallel to Michelangelo's artistic philosophy.

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Giorgio Vasari considered Michelangelo's David superior to all ancient and modern statues known to him.

Answer: True

Explanation: Giorgio Vasari highly praised Michelangelo's David, considering it superior to all ancient and modern statues he had encountered.

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Michelangelo's belief that marble contains ideal forms is influenced by which philosophical school?

Answer: Neo-Platonism

Explanation: Michelangelo's belief in revealing ideal forms within marble was influenced by Neo-Platonism.

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According to Kathleen Weil-Garris Brandt, what was significant about the pedestal designed for David?

Answer: It used an antique socle form, influencing subsequent installations.

Explanation: Kathleen Weil-Garris Brandt noted the pedestal's significance in its innovative use of an antique socle form, which influenced later sculptural presentations.

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The 'Michelangelo phenomenon' in psychology relates to:

Answer: Developing a stronger sense of self through partner affirmation.

Explanation: The 'Michelangelo phenomenon' relates to the psychological process of developing a stronger sense of self when partners affirm one's ideal self.

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Giorgio Vasari's assessment of Michelangelo's David was that it:

Answer: Surpassed all ancient and modern statues known to him.

Explanation: Giorgio Vasari assessed Michelangelo's David as surpassing all ancient and modern statues known to him.

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