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Haruko Okano's birthplace is Vancouver, British Columbia.
Answer: False
Explanation: The source material indicates Haruko Okano was born in Toronto, Ontario, not Vancouver, British Columbia.
Haruko Okano identifies as a 'Yonsei', signifying she is a fourth-generation Japanese Canadian.
Answer: False
Explanation: According to the source, Haruko Okano identifies as a 'Sansei', which denotes a third-generation Japanese Canadian.
Haruko Okano's parents' disputes over her custody resulted in her placement in foster care.
Answer: True
Explanation: The source material confirms that disputes over Haruko Okano's custody led to her being placed in foster care.
The term 'Sansei' refers to the first generation of Japanese immigrants in a family.
Answer: False
Explanation: The term 'Sansei' signifies the third generation of Japanese immigrants in a family, not the first.
Haruko Okano's alienation from her Japanese Canadian identity began after she left foster care.
Answer: False
Explanation: According to Haruko Okano, her alienation from her Japanese Canadian identity began during her time in foster care due to disconnection from her cultural heritage.
Haruko Okano experienced only psychological abuse in foster care.
Answer: False
Explanation: The source indicates that Haruko Okano experienced both psychological and sexual abuse during her time in foster care.
Haruko Okano's parents' disputes were related to her artistic career choices.
Answer: False
Explanation: The source indicates that Haruko Okano's parents' disputes were related to her custody, not her artistic career choices.
Haruko Okano's Japanese grandfather moved to British Columbia in 1918.
Answer: True
Explanation: The source indicates that Haruko Okano's Japanese grandfather relocated to British Columbia in 1918.
Haruko Okano's childhood experiences of displacement influenced her focus on themes of belonging and alienation.
Answer: True
Explanation: Haruko Okano's childhood experiences of displacement and disconnection from her heritage significantly influenced her artistic exploration of themes such as belonging and alienation.
According to the source, where was Haruko Okano born?
Answer: Toronto, Ontario
Explanation: The source material indicates Haruko Okano was born in Toronto, Ontario, Canada.
What does the term 'Sansei' signify in relation to Haruko Okano's heritage?
Answer: She is of Japanese descent, third generation in Canada.
Explanation: The term 'Sansei' signifies that an individual is of Japanese descent and is the third generation born in Canada.
Which of the following factors significantly impacted Haruko Okano's early life and connection to her heritage?
Answer: Her parents' disputes over custody leading to foster care and disconnection from her culture.
Explanation: Haruko Okano's childhood was significantly impacted by her parents' custody disputes, leading to foster care and a disconnection from her Japanese Canadian identity.
How did Haruko Okano's experiences in foster care contribute to her alienation from her Japanese Canadian identity?
Answer: She was removed from all contact with her Japanese cultural heritage.
Explanation: During her foster care experiences, Haruko Okano was disconnected from her Japanese cultural heritage, which she identifies as the origin of her alienation.
Haruko Okano completed her formal art education exclusively at the Banff Centre for the Arts.
Answer: False
Explanation: While Haruko Okano participated in a residency at the Banff Centre for the Arts, her formal art education also included studies at Central Technical School in Toronto and Vancouver Community College.
Haruko Okano's artistic practice primarily utilizes digital media and animation.
Answer: False
Explanation: Haruko Okano's practice encompasses a range of media including painting, sculpture, installation, performance, mixed media, and text, rather than being primarily focused on digital media and animation.
Okano's artistic practice is described as static and solitary.
Answer: False
Explanation: Haruko Okano's artistic practice is characterized as process-based, collaborative, and multidisciplinary, rather than static and solitary.
The term 'process-based' implies Haruko Okano focuses solely on the final artistic product.
Answer: False
Explanation: The term 'process-based' in art refers to an emphasis on the methods and journey of creation, often involving experimentation, rather than solely on the final product.
Haruko Okano's website is primarily used for selling her artwork directly.
Answer: False
Explanation: Haruko Okano's website serves as an official online presence, likely providing information about her work and practice, rather than being primarily for direct sales.
The term 'mixed media' in Okano's art refers to her use of only natural materials.
Answer: False
Explanation: In Haruko Okano's art, 'mixed media' refers to the combination of various artistic materials and techniques, not exclusively natural materials.
Haruko Okano's overall artistic practice is characterized as multidisciplinary and collaborative.
Answer: True
Explanation: Haruko Okano's artistic practice is consistently described as multidisciplinary, collaborative, and process-based.
Where did Haruko Okano pursue her formal art education?
Answer: Central Technical School in Toronto and Vancouver Community College.
Explanation: Haruko Okano pursued formal art education at Central Technical School in Toronto and later studied print production at Vancouver Community College.
What is Haruko Okano's primary artistic approach, as described in the source?
Answer: Process-based, collaborative, and multidisciplinary.
Explanation: Haruko Okano's artistic practice is characterized as process-based, collaborative, and multidisciplinary, often incorporating mixed media.
Which of the following materials is NOT typically incorporated into Haruko Okano's artwork, according to the source?
Answer: Synthetic polymers and plastics
Explanation: Haruko Okano's work often incorporates found materials and natural elements, but typically avoids synthetic polymers and plastics.
Which of the following best describes the 'process-based' aspect of Haruko Okano's art?
Answer: It focuses on the journey and methods of creation, often involving experimentation.
Explanation: The 'process-based' aspect of Haruko Okano's art emphasizes the journey and methods of creation, including experimentation, rather than solely the final product.
The collaborative project 'Looking at the Garden Fence' took place in Toronto.
Answer: False
Explanation: The project 'Looking at the Garden Fence' was situated in Vancouver, British Columbia, at various community gardens, not in Toronto.
Haruko Okano participated in a residency program on Gabriola Island in 2021.
Answer: True
Explanation: The source confirms Haruko Okano's participation in a residency program on Gabriola Island in 2021.
The 'Mount Pleasant Community Fence' project involved community members carving wooden pickets.
Answer: True
Explanation: The 'Mount Pleasant Community Fence' project is noted for its community involvement, specifically with members carving wooden pickets.
John Steil and Aileen Stalker interpreted the 'Mount Pleasant Community Fence' primarily as a barrier.
Answer: False
Explanation: Contrary to being interpreted as a barrier, John Steil and Aileen Stalker viewed the 'Mount Pleasant Community Fence' as a demarcation of garden space and an example of community beautification.
'High(<s>bridi</s>) Tea' was a solo performance piece by Haruko Okano.
Answer: False
Explanation: 'High(<s>bridi</s>) Tea' was a collaborative performance piece developed by Haruko Okano and poet Fred Wah.
The performance of 'High(<s>bridi</s>) Tea' took place in Banff.
Answer: False
Explanation: While the conception of 'High(<s>bridi</s>) Tea' occurred during a residency at the Banff Centre for the Arts, the performance itself took place at the Nice Café in Vancouver's Mount Pleasant neighborhood.
In 'High(<s>bridi</s>) Tea', guests were served kombucha fungus.
Answer: False
Explanation: In the performance 'High(<s>bridi</s>) Tea', guests were served tea, and the napkins were treated with kombucha fungus, rather than guests being served the fungus directly.
During 'High(<s>bridi</s>) Tea', Okano and Wah shared personal recollections of their hybrid identities.
Answer: True
Explanation: The performance 'High(<s>bridi</s>) Tea' involved Haruko Okano and Fred Wah sharing personal experiences related to their hybrid cultural and racial identities.
The 'San Augustine Suite' consists of digital prints created during a residency in Mexico.
Answer: False
Explanation: The 'San Augustine Suite' is comprised of mixed-media sculptures created by Haruko Okano during her residency in Mexico, not digital prints.
The collaboration between Okano and Fred Wah for 'High(<s>bridi</s>) Tea' originated at Vancouver Community College.
Answer: False
Explanation: The collaboration between Haruko Okano and Fred Wah for 'High(<s>bridi</s>) Tea' originated during their residency at the Banff Centre for the Arts, not at Vancouver Community College.
The phrases 'dis-orient' and 'disgust' on napkins in 'High(<s>bridi</s>) Tea' relate to themes of cultural alienation.
Answer: True
Explanation: The phrases 'dis-orient' and 'disgust' on napkins in 'High(<s>bridi</s>) Tea' are interpreted as relating to themes of cultural alienation and prejudice.
The grunt gallery was involved in the 'Mount Pleasant Community Fence' project.
Answer: True
Explanation: The grunt gallery was indeed involved in initiating the 'Mount Pleasant Community Fence' project in collaboration with Haruko Okano and others.
Community gardens were central locations for the 'Looking at the Garden Fence' project.
Answer: True
Explanation: Community gardens served as key locations for Haruko Okano's collaborative project 'Looking at the Garden Fence'.
The 'High(<s>bridi</s>) Tea' performance explored themes of linguistic purity and cultural isolation.
Answer: False
Explanation: The 'High(<s>bridi</s>) Tea' performance explored themes of hybridized languages and cultural contamination, rather than linguistic purity and isolation.
Haruko Okano's residency on Gabriola Island provided an opportunity for focused artistic development.
Answer: True
Explanation: The residency on Gabriola Island offered Haruko Okano dedicated time and space for artistic development.
The mold on bread in 'High(<s>bridi</s>) Tea' symbolized growth and renewal.
Answer: False
Explanation: The mold on bread in 'High(<s>bridi</s>) Tea', alongside other symbolic elements, represented decay, contamination, and negative societal forces, not growth and renewal.
Haruko Okano's 'San Augustine Suite' project documents her daily walks in Mexico.
Answer: True
Explanation: The 'San Augustine Suite' project involved creating mixed-media sculptures that served as artistic records of Haruko Okano's location and daily experiences during her residency in Mexico.
What was the 'Mount Pleasant Community Fence' project notable for?
Answer: Community members collectively designing and carving wooden pickets.
Explanation: The 'Mount Pleasant Community Fence' project was notable for the collective design and carving of wooden pickets by community members.
Which collaborative performance piece involved Haruko Okano and poet Fred Wah?
Answer: 'High(<s>bridi</s>) Tea'
Explanation: 'High(<s>bridi</s>) Tea' was a collaborative performance piece created by Haruko Okano and poet Fred Wah.
What did the words 'corrupt' and 'apartheid' silkscreened onto bread in 'High(<s>bridi</s>) Tea' symbolize?
Answer: Decay, contamination, and negative societal forces impacting identity.
Explanation: The words 'corrupt' and 'apartheid' on the bread in 'High(<s>bridi</s>) Tea' symbolized decay, contamination, and negative societal forces affecting identity.
The 'San Augustine Suite' project involved Haruko Okano creating what type of artwork?
Answer: Mixed-media sculptures
Explanation: The 'San Augustine Suite' project involved Haruko Okano creating mixed-media sculptures.
Which of the following best describes the 'Looking at the Garden Fence' project?
Answer: A collaborative project involving community gardens in Vancouver.
Explanation: The 'Looking at the Garden Fence' project was a collaborative endeavor situated within community gardens in Vancouver.
What themes did the collaboration between Haruko Okano and Fred Wah for 'High(<s>bridi</s>) Tea' explore?
Answer: Hybridized languages, cultural contamination, and race.
Explanation: The collaboration 'High(<s>bridi</s>) Tea' explored themes of hybridized languages, cultural contamination, and race.
What is the significance of the 'San Augustine Suite' sculptures?
Answer: They serve as artistic records of Okano's location and daily experiences during her residency.
Explanation: The 'San Augustine Suite' sculptures are significant as artistic records of Haruko Okano's location and daily experiences during her residency in Mexico.
A central theme in Haruko Okano's work is the exploration of urban planning and architecture.
Answer: False
Explanation: The primary themes in Haruko Okano's work, as indicated by the source, relate to the environment, ecology, race, sexuality, gender, and cultural hybridity, not urban planning and architecture.
Eva Darias-Beautell describes Okano's art as focusing on the resolution of cultural hybridity.
Answer: False
Explanation: Eva Darias-Beautell characterizes Haruko Okano's art as consistently exploring the unresolved condition of cultural hybridity, rather than its resolution.
Haruko Okano's work avoids themes related to the environment or ecology.
Answer: False
Explanation: Haruko Okano's work actively engages with themes related to the environment and ecology, often incorporating natural elements.
According to Eva Darias-Beautell, Okano's art avoids theoretical discussions about diasporic experiences.
Answer: False
Explanation: Eva Darias-Beautell notes that Haruko Okano's art engages with theoretical discussions concerning the experiences of diasporic individuals in Canada.
Haruko Okano's use of natural detritus in her art signifies a detachment from ecological concerns.
Answer: False
Explanation: Haruko Okano's use of natural detritus suggests an engagement with the environment and ecological themes, rather than a detachment from them.
Haruko Okano's work challenges conventional artistic standards and expectations.
Answer: True
Explanation: Haruko Okano's work is noted for challenging conventional artistic standards and expectations, exploring modes of expression outside normativity.
The use of found materials in Okano's art suggests a disregard for environmental issues.
Answer: False
Explanation: The use of found materials in Haruko Okano's art suggests an engagement with the environment and the transformation of objects, rather than a disregard for ecological concerns.
Okano's work explores the potential for creative expression outside of conventional norms.
Answer: True
Explanation: Haruko Okano's work is noted for exploring creative expression that exists outside of conventional artistic and cultural norms.
Haruko Okano's artistic practice is disconnected from her Japanese Canadian identity.
Answer: False
Explanation: Haruko Okano's artistic practice is deeply intertwined with her Japanese Canadian identity, often exploring themes related to heritage and belonging.
Haruko Okano's work addresses the ease of identity formation for diasporic individuals.
Answer: False
Explanation: Haruko Okano's work explores the complexities and challenges of identity formation for diasporic individuals, highlighting that it is not typically an easy process.
The use of 'natural detritus' in Okano's art signifies a focus on artificiality.
Answer: False
Explanation: The use of 'natural detritus' in Haruko Okano's art signifies an engagement with the natural world and organic processes, not a focus on artificiality.
The inclusion of 'living spores and fungus' suggests Okano's interest in sterile environments.
Answer: False
Explanation: The inclusion of 'living spores and fungus' in Haruko Okano's work suggests an interest in themes of decay, regeneration, and ecological processes, rather than sterile environments.
What is a recurring and central theme explored in Haruko Okano's artistic work?
Answer: Cultural and linguistic hybridity.
Explanation: Cultural and linguistic hybridity is identified as a recurring and central theme in Haruko Okano's artistic oeuvre.
How does Eva Darias-Beautell characterize Haruko Okano's artistic exploration of cultural hybridity?
Answer: As a condition that is consistently unresolved and challenging.
Explanation: Eva Darias-Beautell characterizes Okano's exploration of cultural hybridity as a consistently unresolved and challenging condition, rather than a resolved state.
What does Haruko Okano's use of found materials and natural elements in her art suggest?
Answer: An engagement with the environment and the transformation of objects.
Explanation: Haruko Okano's use of found materials and natural elements suggests an engagement with the environment and the transformative potential of objects.
What does Haruko Okano's work reveal about the experience of diasporic subjects in Canada, according to critic Eva Darias-Beautell?
Answer: It highlights the theoretical debates and unresolved conditions surrounding their identity.
Explanation: According to Eva Darias-Beautell, Okano's work highlights the theoretical debates and unresolved conditions surrounding the identity of diasporic subjects in Canada.
How does Haruko Okano's artistic practice connect with ecological themes?
Answer: By incorporating natural detritus and exploring environmental subjects.
Explanation: Haruko Okano's artistic practice connects with ecological themes through the incorporation of natural detritus and exploration of environmental subjects.
What does the inclusion of 'living spores and fungus' in Okano's work suggest?
Answer: An interest in decay, regeneration, and ecological processes.
Explanation: The inclusion of 'living spores and fungus' suggests an interest in themes of decay, regeneration, and ecological processes within Haruko Okano's work.
Haruko Okano has been a resident of the China Creek Housing Co-op since 1993.
Answer: True
Explanation: The source material confirms that Haruko Okano has resided in the China Creek Housing Co-op since 1993.
Haruko Okano frequently acts as an artistic facilitator in community-based projects.
Answer: True
Explanation: The source material identifies Haruko Okano as acting as an artistic facilitator in community-based projects.
Haruko Okano opposed the closure of the Federal Co-operative Housing Program in 2013.
Answer: True
Explanation: The source confirms Haruko Okano's opposition to the proposed closure of the Federal Co-operative Housing Program in 2013.
Haruko Okano's practice demonstrates a clear separation between art and activism.
Answer: False
Explanation: Haruko Okano's practice inherently integrates art with activism, as she is also recognized as a community organizer and activist.
Haruko Okano's 'community-based practice' involves creating art solely for gallery exhibitions.
Answer: False
Explanation: Haruko Okano's 'community-based practice' involves collaborative creation and engagement within communities, extending beyond solely gallery exhibitions.
Haruko Okano's residence in the China Creek Housing Co-op signifies her support for cooperative living models.
Answer: True
Explanation: Haruko Okano's long-term residence in the China Creek Housing Co-op demonstrates her engagement with and support for cooperative living models.
What role does Haruko Okano typically play in her community-based art projects?
Answer: Artistic facilitator guiding projects with external participants.
Explanation: In community-based art projects, Haruko Okano often functions as an artistic facilitator, guiding projects involving external participants.
In which neighborhood of Vancouver does Haruko Okano reside?
Answer: Mount Pleasant
Explanation: Haruko Okano resides in the Mount Pleasant neighborhood of Vancouver.
What was the primary purpose of the Federal Co-operative Housing Program that Haruko Okano advocated for?
Answer: To provide rent subsidies for co-op residents.
Explanation: The Federal Co-operative Housing Program, which Haruko Okano advocated for, primarily served to provide rent subsidies for residents of housing cooperatives.
What does Haruko Okano's artistic practice suggest about the intersection of art and social issues?
Answer: Her practice inherently connects art with activism and community engagement.
Explanation: Haruko Okano's practice demonstrates an inherent connection between art, activism, and community engagement, highlighting art's potential for social impact.
What is the significance of Haruko Okano's involvement with the China Creek Housing Co-op?
Answer: It demonstrates her participation in cooperative living and advocacy for housing programs.
Explanation: Haruko Okano's involvement with the China Creek Housing Co-op signifies her participation in cooperative living and her advocacy for housing programs.
Haruko Okano's artworks are held in the Library of Congress collection.
Answer: True
Explanation: The Library of Congress is listed as one of the institutions holding artworks by Haruko Okano.
Haruko Okano received the VIVA Award in 2000 for her contributions to community organizing.
Answer: False
Explanation: Haruko Okano received the VIVA Award in 2000, an honor recognizing significant artistic achievement, though the source does not specify it was solely for community organizing.
The authority control information helps uniquely identify Haruko Okano in databases.
Answer: True
Explanation: Authority control information, such as that found in VIAF or Library of Congress records, is designed to provide unique identifiers for individuals and entities within databases.
The Library of Congress holds documentation related to the 'Exit Art "Reactions" exhibit collection' featuring Okano.
Answer: True
Explanation: The Library of Congress collection includes documentation related to the 'Exit Art "Reactions" exhibit collection' which featured Haruko Okano.
The Canada Council Art Bank has acquired works by Haruko Okano.
Answer: True
Explanation: The Canada Council Art Bank is among the institutions that hold artworks by Haruko Okano.
Which of the following is NOT listed as a collection holding Haruko Okano's works?
Answer: The National Gallery of Canada
Explanation: The source lists the Canada Council Art Bank, Library of Congress, and Japanese Canadian Citizens Association as holding Okano's works, but not The National Gallery of Canada.
What prestigious award did Haruko Okano receive in the year 2000?
Answer: The VIVA Award
Explanation: In the year 2000, Haruko Okano received the VIVA Award.