Explanation: The foundational mission of the Library of America is not the publication of contemporary bestsellers, but rather the permanent preservation and accessibility of classic American literature to safeguard the nation's cultural heritage.

Explanation: The Library of America received crucial initial financial backing, totaling $1.8 million, from both the National Endowment for the Humanities and the Ford Foundation upon its founding in 1979.

Explanation: The Library of America's publishing model was specifically inspired by the French *Bibliothèque de la Pléiade* series, not the British 'Everyman's Library'.

Explanation: Although founded in 1979, the first volumes of the Library of America series were released to the public in 1982.

Explanation: The core mission of the Library of America is to ensure that significant classic American literature remains permanently accessible, thereby preserving the nation's literary and cultural heritage.

Explanation: The Library of America was established in 1979 with crucial initial financial support amounting to $1.8 million from both the Ford Foundation and the National Endowment for the Humanities.

Explanation: The Library of America adopted a publishing model inspired by the French *Bibliothèque de la Pléiade* series, which also focuses on producing comprehensive and authoritative editions of classic literary works.

Explanation: The Library of America began publishing its volumes in 1982, several years after its founding in 1979.

Explanation: The enduring commitment to permanent in-print availability serves the fundamental purpose of preserving America's rich literary and cultural heritage for contemporary readers and posterity.

Explanation: Edmund Wilson, a prominent literary critic, is recognized as the originator of the idea that would eventually lead to the creation of the Library of America series.

Explanation: Daniel Aaron held the position of the first president of the Library of America, guiding its initial operational phase from 1979 to 1985.

Explanation: Hanna M. Bercovitch, serving as the founding editor and later editor-in-chief, played a pivotal role in solidifying the canon of American literature through her editorial work.

Explanation: Daniel Aaron served as the inaugural president of the Library of America from 1979 to 1985, significantly shaping its initial direction and operational framework.

Explanation: Hanna M. Bercovitch, as founding editor, was instrumental in ensuring the textual integrity of publications, notably overseeing the restoration of previously censored passages in Richard Wright's *Native Son*.

Explanation: The Library of America's publication scope extends beyond classic fiction and poetry to include a diverse range of works such as American journalism, historical documents, selected writings of U.S. presidents, and thematic anthologies.

Explanation: The Library of America's publication policy evolved; while initially concentrating on deceased authors, it expanded in the late 1990s to encompass works by living American writers.

Explanation: The two-volume set *Reporting World War II* marked a significant expansion of the Library of America's scope, introducing American journalism into its publication repertoire.

Explanation: The 'Main series' table serves as a comprehensive catalog of the core Library of America publications, listing foundational works and authors, rather than focusing exclusively on special thematic collections or poetry.

Explanation: The 'American poets project' focuses on publishing selected works of significant American poets, rather than critical essays about them.

Explanation: While the Library of America publishes journalism, historical documents, and presidential writings, its focus is on established literary heritage, not contemporary poetry collections by emerging writers.

Explanation: The Library of America expanded its criteria to include authors who, like Vladimir Nabokov, lived and published significantly in the U.S., even if their primary language was not English.

Explanation: This publication marked a notable expansion for the Library of America, as it represented the first time the series included collections of American journalism.

Explanation: The 'Main series' table serves as an exhaustive catalog, detailing the volumes published in the Library of America's core series, including volume number, author, title, editor, publication year, and ISBN, thereby showcasing the breadth of the collection.

Explanation: This specialized project focuses on curating and publishing collections that represent the significant works of major American poets.

Explanation: Textual accuracy is achieved through the preparation and editing of volumes by recognized scholars, who aim to correct errors and omissions, rather than solely relying on first published editions.

Explanation: Conversely, the Library of America's edition of *Native Son* is notable for restoring passages that had been previously censored or omitted, thereby presenting a more complete text.

Explanation: In alignment with the vision of founder Edmund Wilson, Library of America volumes generally do not include introductory essays or critical examinations, allowing readers to engage with the text directly.

Explanation: The chronologies provided in Library of America volumes are generally highly praised, with *The New York Times* describing them as 'predictably superb' for their detail and relevance.

Explanation: Textual integrity is meticulously maintained through the scholarly preparation and editing of each volume, ensuring accuracy and addressing any deficiencies in prior editions.

Explanation: This edition is significant for reinstating passages that were omitted from earlier publications, thereby presenting a more complete and uncensored version of Wright's novel.

Explanation: Library of America volumes characteristically include extensive scholarly apparatus, such as detailed textual notes, comprehensive author chronologies, and other relevant background information.

Explanation: The deliberate omission of introductory essays is consistent with the foundational design principles established by Edmund Wilson, emphasizing direct engagement with the primary texts.

Explanation: *The New York Times* lauded the chronologies included in Library of America volumes, characterizing them as 'predictably superb' for their comprehensive and pertinent details.

Explanation: The distinctive black dust jackets are a hallmark of the Library of America series, and a core tenet of their publishing is the provision of authoritative text versions, often prepared by leading scholars.

Explanation: Bruce Campbell is credited with the design of the unique and recognizable physical appearance of the Library of America volumes.

Explanation: The hardcover editions employ archival-quality paper meeting permanence guidelines and are Smyth-sewn, a binding method that allows the books to lie flat, rather than being perfect-bound.

Explanation: The dimensions of the Library of America volumes, specifically their standard trim size, are based on the mathematical concept of the golden section.

Explanation: On the contrary, the physical design of the first volumes, released in 1982, was highly praised, with *Publishers Weekly* describing it as 'a triumph of the bookmaker's art'.

Explanation: Library of America volumes are known for their distinctive aesthetic, most notably their black dust jackets, which contribute to their recognizable and consistent presentation.

Explanation: The unique and recognizable physical design of the Library of America volumes is attributed to the work of designer Bruce Campbell.

Explanation: Library of America hardcover volumes utilize Smyth sewing, a robust binding technique that allows the book to remain open and lie flat, facilitating comfortable reading.

Explanation: The dimensions of the Library of America volumes adhere to the principles of the golden section, contributing to their balanced and aesthetically pleasing proportions.

Explanation: While Penguin Random House Publisher Services serves as the exclusive distributor for Library of America books, the organization itself is not a subsidiary of Penguin Random House; its parent entity is Literary Classics of the United States, Inc.

Explanation: The Library of America maintains its headquarters in New York City.

Explanation: Penguin Random House Publisher Services holds the exclusive contract for the distribution of publications issued by the Library of America.

Explanation: Despite operating as a nonprofit, the Library of America relies on and actively accepts individual contributions and donations to sustain its mission and operations.

Explanation: The Library of America operates under the legal entity known as Literary Classics of the United States, Inc.

Explanation: The Library of America maintains its primary administrative offices and headquarters in New York City.

Explanation: Penguin Random House Publisher Services acts as the exclusive distributor for the Library of America's extensive catalog of publications.

Explanation: As a nonprofit, the Library of America relies significantly on financial support from individual donors and contributions to fund its ongoing mission and operational activities.

Explanation: The 'Authority control' section typically provides standardized identifiers and links to databases (e.g., VIAF, GND) that ensure the unique identification and consistent cataloging of the organization, facilitating information retrieval and accuracy.

Explanation: The Library of America has received significant critical acclaim, with its contributions often described as 'invaluable' and essential for establishing and appreciating the American literary canon.

Explanation: Jason Epstein, while a co-founder, later expressed criticisms regarding the Library of America's financial management and certain publication decisions, advocating for a focus on maintaining existing works.

Explanation: A notable criticism regarding the Library of America's marketing was that it exaggerated the perceived peril of American literature, rather than downplaying its importance.

Explanation: The selection of an author for inclusion in the Library of America series is frequently interpreted as a prestigious recognition, signifying the author's established importance and greatness within the American literary canon.

Explanation: A significant criticism targeted the Library of America's marketing strategies, which were perceived by some as exaggerating the precarious state of American literature to bolster the organization's perceived necessity.

Explanation: In his later reflections, Jason Epstein critiqued the Library of America's financial practices and the perceived overproduction of anthologies, suggesting a deviation from its core mission.