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Richard L. Coe was born in Washington D.C. and later died in New York City.
Answer: False
Explanation: Richard L. Coe was born in New York City and subsequently died in Washington D.C.
Richard L. Coe developed his interest in theater and music while attending university.
Answer: False
Explanation: Richard L. Coe's interest in theater and music reportedly originated during his attendance at a choir school, not primarily during his university studies.
Richard L. Coe pursued his higher education at Georgetown University.
Answer: False
Explanation: Richard L. Coe completed his higher education at George Washington University, graduating in 1938.
Richard L. Coe died due to complications from pneumonia.
Answer: False
Explanation: Richard L. Coe died from lymphoma, not complications from pneumonia.
Coe's early education likely had no bearing on his later career in theatre criticism.
Answer: False
Explanation: Coe's early education, particularly his interest in music and theater at a choir school, likely had a significant bearing on his later career in theatre criticism.
Where was Richard L. Coe born, and where did he pass away?
Answer: Born in New York City, died in Washington D.C.
Explanation: Richard L. Coe was born in New York City and passed away in Washington D.C.
Where did Richard L. Coe's early interest in theater and music reportedly originate?
Answer: Attending the choir school of the Cathedral of St. John the Divine in Manhattan.
Explanation: Richard L. Coe's interest in music and theater reportedly began during his formative years attending the choir school of the Cathedral of St. John the Divine in Manhattan.
What university did Richard L. Coe attend for his higher education?
Answer: George Washington University
Explanation: Richard L. Coe completed his higher education at George Washington University, graduating in 1938.
What was the stated cause of Richard L. Coe's death?
Answer: Lymphoma
Explanation: Richard L. Coe died from lymphoma.
How might Coe's early exposure to music and theater at a choir school have influenced his career?
Answer: It provided an early foundation and passion that likely guided him toward arts criticism.
Explanation: His attendance at the choir school, where his interest in music and theater began, likely provided an early foundation and passion that guided him toward a career in arts criticism.
Richard L. Coe's primary professional recognition stemmed from his extensive work as a theatre critic for The Washington Post, not The New York Times.
Answer: False
Explanation: While Richard L. Coe was a prominent critic, his primary affiliation and recognition were with The Washington Post, not The New York Times.
Richard L. Coe's tenure as a critic for The Washington Post lasted over four decades.
Answer: True
Explanation: Richard L. Coe served as a critic for The Washington Post for more than forty years, establishing a long and influential career with the publication.
Coe began his professional career at The Washington Post immediately after graduating in 1938.
Answer: True
Explanation: Richard L. Coe joined The Washington Post immediately after graduating from university in 1938.
Richard L. Coe's initial roles at The Washington Post included being the chief photographer and arts editor.
Answer: False
Explanation: Richard L. Coe's initial roles at The Washington Post included being a radio editor and assistant drama critic, not chief photographer or arts editor.
Richard L. Coe returned to The Washington Post in 1946 to become its chief editor.
Answer: False
Explanation: Upon returning to The Washington Post in 1946, Richard L. Coe assumed the role of drama critic, not chief editor.
Richard L. Coe exclusively contributed to The Washington Post throughout his career.
Answer: False
Explanation: Richard L. Coe contributed to publications beyond The Washington Post throughout his career.
Coe's career path at The Washington Post moved from assistant drama critic to radio editor.
Answer: False
Explanation: Coe's career path at The Washington Post progressed from radio editor and assistant drama critic to chief drama critic.
What was Richard L. Coe's primary professional role?
Answer: An American theatre and cinema critic for The Washington Post.
Explanation: Richard L. Coe was primarily recognized for his extensive career as an American theatre and cinema critic for The Washington Post.
For approximately how many years did Richard L. Coe work as a critic for The Washington Post?
Answer: More than 40 years
Explanation: Richard L. Coe served as a critic for The Washington Post for over four decades.
What were Richard L. Coe's initial roles upon joining The Washington Post in 1938?
Answer: Radio Editor and Assistant Drama Critic
Explanation: Upon joining The Washington Post in 1938, Richard L. Coe initially worked as a radio editor and also served as an assistant drama critic.
Upon returning to The Washington Post in 1946, what primary role did Richard L. Coe assume?
Answer: Drama Critic
Explanation: Richard L. Coe returned to The Washington Post in 1946, resuming his work in the arts section as the drama critic.
How did Richard L. Coe's career at The Washington Post progress over time?
Answer: He started in radio and assistant drama roles, eventually becoming the main drama critic and reviewer of other entertainment forms.
Explanation: Starting as a radio editor and assistant drama critic, Coe progressed to become the main drama critic for The Washington Post. His responsibilities later expanded to include reviewing motion pictures and other forms of entertainment.
Richard L. Coe was considered a minor theatre critic, with his influence largely confined to New York City.
Answer: False
Explanation: Richard L. Coe was recognized as one of the most influential theatre critics operating outside of New York City during his career.
Directors rarely consulted Richard L. Coe's reviews, finding them unhelpful for refining pre-Broadway productions.
Answer: False
Explanation: Directors frequently consulted Richard L. Coe's reviews, finding them valuable for refining pre-Broadway productions.
The Oxford Companion to American Theatre described Coe as a harsh and unforgiving critic.
Answer: False
Explanation: The Oxford Companion to American Theatre described Coe as a warm, knowledgeable advocate and generous reviewer, not harsh or unforgiving.
Broadway producers largely ignored Richard L. Coe's opinions, especially for shows not trying out in Washington.
Answer: False
Explanation: Broadway producers highly valued Richard L. Coe's opinions, even for shows not trying out in Washington, indicating his significant influence.
Describing Coe as a 'warm advocate' suggests his critical approach was primarily negative.
Answer: False
Explanation: Describing Coe as a 'warm advocate' suggests his critical approach was supportive and positive, not primarily negative.
How was Richard L. Coe regarded in the theatre criticism community outside of New York City?
Answer: He was recognized as one of the most influential critics operating outside NYC.
Explanation: Richard L. Coe was regarded as one of the most influential theatre critics operating outside of New York City.
How did directors utilize Richard L. Coe's reviews for Broadway productions?
Answer: They frequently consulted them to help refine shows before the Broadway transfer.
Explanation: Directors frequently consulted Richard L. Coe's reviews to help refine and improve theatrical productions before they transferred to Broadway.
What does *The Oxford Companion to American Theatre* suggest about Richard L. Coe's critical style?
Answer: He was described as a warm, knowledgeable advocate and generous reviewer.
Explanation: *The Oxford Companion to American Theatre* described Richard L. Coe as a warm and knowledgeable advocate for quality theatre, noting that he was considered a generous reviewer.
How did the Broadway theatre community view Richard L. Coe's critical opinions?
Answer: They were highly sought after, even for shows not previewed in D.C.
Explanation: Richard L. Coe's views were highly sought after by Broadway producers, even for shows that did not undergo tryouts in Washington D.C., indicating his significant influence.
The description of Coe as a 'warm, knowledgeable advocate of all good theater' implies his critical philosophy was centered on:
Answer: Promoting and supporting quality theatrical work through understanding.
Explanation: This description implies that Coe possessed a deep understanding and appreciation for the theatrical arts. His role as an 'advocate' suggests he actively supported and promoted quality productions.
During the postwar era, Richard L. Coe was the leading theatre reviewer in Washington D.C., a city known for trying out Broadway-bound shows.
Answer: True
Explanation: During the postwar period, when Washington D.C. was a major tryout location for shows destined for Broadway, Coe served as the leading theatre reviewer in the city.
Richard L. Coe reviewed the original production of "My Fair Lady" at Washington's National Theater.
Answer: False
Explanation: While Richard L. Coe reviewed significant productions at Washington's National Theater, such as David Merrick's "Hello, Dolly!" and "Carnival," the source does not indicate he reviewed the original production of "My Fair Lady."
Plays by Tennessee Williams and Neil Simon were among the works premiered and reviewed by Richard L. Coe.
Answer: True
Explanation: Richard L. Coe reviewed the premiere performances of plays by acclaimed playwrights such as Neil Simon and Tennessee Williams.
In addition to theatre, Richard L. Coe's reviews also covered motion pictures and other entertainment forms.
Answer: True
Explanation: In addition to his primary focus on theatre, Richard L. Coe also reviewed motion pictures and other forms of entertainment during his career.
Washington D.C.'s role as a tryout city meant Coe's reviews had little impact on shows before they reached Broadway.
Answer: False
Explanation: Washington D.C.'s role as a significant tryout city meant Coe's reviews had considerable impact on shows before they reached Broadway.
A photograph with Helen Hayes suggests Coe primarily reviewed films, not stage actors.
Answer: False
Explanation: A photograph with Helen Hayes suggests Coe had professional interactions with prominent figures in the performing arts, not that he primarily reviewed films.
The 'postwar period' is described as a time of decline in Broadway production.
Answer: False
Explanation: The 'postwar period' is described as Broadway's 'last golden era of prolific production,' not a time of decline.
The 'harsher lights of Broadway' implies that New York critics were generally more lenient than those in tryout cities.
Answer: False
Explanation: The phrase 'harsher lights of Broadway' implies that New York critics were generally more rigorous and demanding than those in tryout cities.
Reviewing premieres of plays by William Inge indicates Coe's career was limited to local theatre.
Answer: False
Explanation: Reviewing premieres of plays by prominent playwrights like William Inge indicates Coe's career covered significant theatrical works, not that it was limited to local theatre.
What was the importance of Washington D.C. as a theatre tryout location during Coe's time as a critic?
Answer: It was a major location for shows destined for Broadway, making Coe's role crucial.
Explanation: Washington D.C. was a significant city for pre-Broadway tryouts, making Coe's role as the leading reviewer crucial for shaping these productions.
Which of the following productions was reviewed by Richard L. Coe at Washington's National Theater?
Answer: David Merrick's "Hello, Dolly!"
Explanation: Among the significant original productions Richard L. Coe reviewed at Washington's National Theater were David Merrick's "Hello, Dolly!" and "Carnival."
Richard L. Coe reviewed premiere performances of plays by which group of prominent playwrights?
Answer: Neil Simon, Tennessee Williams, and William Inge
Explanation: Richard L. Coe reviewed the premiere performances of plays by acclaimed playwrights such as Neil Simon, Tennessee Williams, and William Inge.
Besides theatre, what other forms of entertainment did Richard L. Coe review?
Answer: Motion pictures and other entertainment
Explanation: In addition to his primary focus on theatre, Richard L. Coe also reviewed motion pictures and other forms of entertainment during his career.
Why was Coe's role as the leading reviewer in Washington D.C. particularly significant during the postwar era?
Answer: Because Washington was a key city for trying out shows before their Broadway openings.
Explanation: Washington D.C. was a key city for trying out shows before their Broadway openings, making Coe's role as the leading reviewer particularly significant.
What does the mention of a photograph with Helen Hayes suggest about Coe's professional interactions?
Answer: He had professional interactions with prominent figures in the performing arts.
Explanation: The mention of a photograph with Helen Hayes, a celebrated actress, suggests that Richard L. Coe interacted with prominent figures in the performing arts.
What does the phrase 'harsher lights of Broadway' imply about the transition from Washington tryouts to New York?
Answer: Broadway was a more competitive and critical environment.
Explanation: The phrase suggests that Broadway represented a more critical, competitive, and demanding stage compared to the tryout venues like Washington D.C.
During World War II, Richard L. Coe served in the Pacific theater as a cryptographer.
Answer: False
Explanation: During World War II, Richard L. Coe served in the European theater, working for *Stars and Stripes* in Cairo, not as a cryptographer in the Pacific.
Richard L. Coe limited his commentary on the arts to print journalism.
Answer: False
Explanation: Richard L. Coe expanded his commentary on the arts beyond print journalism to include radio and television.
Richard L. Coe used his writing to advocate for racial segregation at the National Theater.
Answer: False
Explanation: Richard L. Coe used his writing to advocate against racial segregation at the National Theater.
Stars and Stripes was a military newspaper Coe worked for in Europe during WWII.
Answer: False
Explanation: *Stars and Stripes* was a military newspaper Coe worked for in Cairo, Egypt, during WWII, not in Europe.
Richard L. Coe's advocacy efforts focused solely on theatrical quality, ignoring social issues.
Answer: False
Explanation: Richard L. Coe's advocacy efforts extended beyond theatrical quality to address significant social issues.
Richard L. Coe's condemnation of racial segregation occurred after his retirement.
Answer: False
Explanation: Richard L. Coe's condemnation of racial segregation occurred during his active career, not after his retirement.
Richard L. Coe's role for *Stars and Stripes* involved writing and editing reports from Cairo.
Answer: True
Explanation: During World War II, Richard L. Coe served as a writer and editor for *Stars and Stripes*, reporting from Cairo.
During World War II, Richard L. Coe contributed to which military publication while stationed in Cairo?
Answer: The Stars and Stripes
Explanation: During World War II, Richard L. Coe worked as a writer and editor for the military newspaper *Stars and Stripes*, reporting from Cairo.
Which of these publications, besides The Washington Post, featured Richard L. Coe's writing?
Answer: The New York Times and The New Republic
Explanation: Richard L. Coe contributed his writing to numerous other publications, including prominent outlets like *The New York Times* and *The New Republic*.
Beyond print journalism, Richard L. Coe also contributed to the arts commentary scene as a:
Answer: Radio and television commentator
Explanation: Richard L. Coe also engaged in public commentary beyond print, serving as a regular radio and television commentator on arts and entertainment.
Richard L. Coe's condemnation of racial segregation occurred after his retirement.
Answer: False
Explanation: Richard L. Coe's condemnation of racial segregation occurred during his active career, not after his retirement.
What was the primary function of the newspaper *Stars and Stripes* during World War II, where Coe worked?
Answer: To provide news and entertainment for American military personnel serving overseas.
Explanation: *Stars and Stripes* was a newspaper specifically for members of the U.S. military serving overseas during World War II.
How did Richard L. Coe's advocacy extend beyond the realm of theatre reviews?
Answer: By actively writing against social injustices like racial segregation and restrictive laws affecting performers.
Explanation: Coe demonstrated a commitment to social issues by writing articles that actively condemned racial segregation within the National Theater and by campaigning for the repeal of a child labor law that restricted opportunities for young performers.
Richard L. Coe retired in 1979 and was subsequently named critic emeritus.
Answer: True
Explanation: Richard L. Coe retired from his position in 1979 and was honored with the title of critic emeritus.
Christine Sadler, Richard L. Coe's wife, was a historian specializing in ancient Rome.
Answer: False
Explanation: Christine Sadler, Richard L. Coe's wife, was a journalist and author known for her work on *America's First Ladies*, not a historian specializing in ancient Rome.
Christine Sadler, Richard L. Coe's wife, passed away in 1983.
Answer: True
Explanation: Christine Sadler died in the year 1983.
Richard L. Coe was honored as Critic of the Year by the Directors' Guild of America in 1963.
Answer: True
Explanation: In 1963, Richard L. Coe was honored by the Directors' Guild of America, receiving the award for Critic of the Year.
In 1980, Richard L. Coe was recognized with the title "New York City Resident of the Year."
Answer: False
Explanation: In 1980, Richard L. Coe was recognized as "Washingtonian of the Year," not "New York City Resident of the Year."
Richard L. Coe championed the establishment of Arena Stage and the Kennedy Center in Washington D.C.
Answer: True
Explanation: Richard L. Coe was a strong supporter of emerging theatrical institutions in Washington D.C., notably advocating for Arena Stage and the Kennedy Center for the Performing Arts.
An award was established in Richard L. Coe's name by The Washington Post in 1980.
Answer: False
Explanation: An award was established in Richard L. Coe's name by the New Playwrights' Theater in 1980, not by The Washington Post.
Richard L. Coe was an honorary member of the Actors' Equity Association.
Answer: False
Explanation: Richard L. Coe was an honorary member of the National Press Club, not the Actors' Equity Association.
The Richard L. Coe Theatre Programs Collection is housed at the Library of Congress.
Answer: True
Explanation: The Richard L. Coe Theatre Programs Collection is indeed housed at the Library of Congress.
The 'Authority control' section indicates Coe's work is not systematically cataloged in major library databases.
Answer: False
Explanation: The 'Authority control' section indicates Coe's work is systematically cataloged in major library and archival databases.
The title 'critic emeritus' suggests Coe completely severed ties with The Washington Post upon retirement.
Answer: False
Explanation: The title 'critic emeritus' suggests Coe retained an honorary status with The Washington Post upon retirement, rather than completely severing ties.
The establishment of an award in Coe's name by the New Playwrights' Theater highlights his support for new works.
Answer: True
Explanation: The creation of an award by the New Playwrights' Theater in his honor signifies that Richard L. Coe was highly respected within the theatrical community, particularly for his support of new works and emerging playwrights.
The Richard L. Coe Theatre Programs Collection likely contains reviews written by Coe himself.
Answer: False
Explanation: The Richard L. Coe Theatre Programs Collection likely contains theatre programs collected by Coe, not necessarily his own reviews.
Christine Sadler's book *America's First Ladies* indicates her journalistic focus was on international politics.
Answer: False
Explanation: Christine Sadler's book *America's First Ladies* indicates her journalistic focus was on American history and prominent figures, not international politics.
Authority control links signify Coe was a minor figure with limited archival presence.
Answer: False
Explanation: Authority control links signify Coe was a notable figure with a systematically cataloged presence in major library and archival systems.
Coe's support for Arena Stage and the Kennedy Center was limited to attending their performances.
Answer: False
Explanation: Coe's support for Arena Stage and the Kennedy Center extended beyond mere attendance, indicating active championship.
What title was Richard L. Coe granted after his retirement from The Washington Post in 1979?
Answer: Critic Emeritus
Explanation: Richard L. Coe retired from his position in 1979 and was honored with the title of critic emeritus.
Who was Christine Sadler, and what was her relationship to Richard L. Coe?
Answer: She was a journalist and author, and his wife.
Explanation: Christine Sadler was a notable Washington journalist and author who was married to Richard L. Coe.
What significant award did Richard L. Coe receive in 1963 from the Directors' Guild of America?
Answer: Critic of the Year
Explanation: In 1963, Richard L. Coe was honored by the Directors' Guild of America, receiving the award for Critic of the Year.
In what year was Richard L. Coe recognized as "Washingtonian of the Year"?
Answer: 1980
Explanation: In 1980, Richard L. Coe was recognized as "Washingtonian of the Year."
Which Washington D.C. theatrical institutions did Richard L. Coe actively champion?
Answer: Arena Stage and the Kennedy Center for the Performing Arts
Explanation: Richard L. Coe was a strong supporter of emerging theatrical institutions in Washington D.C., notably advocating for Arena Stage and the Kennedy Center for the Performing Arts.
What honor did the New Playwrights' Theater bestow upon Richard L. Coe in 1980?
Answer: They established an award in his name.
Explanation: In recognition of his impact, the New Playwrights' Theater in Washington established an award in his name in 1980.
What distinction did Richard L. Coe hold with the National Press Club?
Answer: Honorary Member
Explanation: Richard L. Coe held the distinction of being an honorary member of the National Press Club.
The Richard L. Coe Theatre Programs Collection is a resource located at:
Answer: The Library of Congress
Explanation: The Richard L. Coe Theatre Programs Collection is housed at the Library of Congress.
What does the 'Authority control' information, including links like VIAF and WorldCat, signify about Richard L. Coe?
Answer: His biographical and professional information is systematically cataloged in major library and archival systems.
Explanation: The 'Authority control' information signifies that Richard L. Coe is recognized and cataloged in major international and national databases, confirming his historical significance.
What does the title 'critic emeritus' imply about Coe's relationship with The Washington Post after retirement?
Answer: He retained an honorary status acknowledging his past contributions.
Explanation: The title 'critic emeritus' suggests that Richard L. Coe retained an honorary status and recognition from his former institution, The Washington Post, acknowledging his significant past contributions.
What does the establishment of an award in Richard L. Coe's name signify about his legacy?
Answer: His significant influence and respected legacy, particularly regarding new playwrights.
Explanation: The creation of an award by the New Playwrights' Theater in his honor signifies that Richard L. Coe was highly respected within the theatrical community, particularly for his support of new works and emerging playwrights.
What might the Richard L. Coe Theatre Programs Collection at the Library of Congress contain?
Answer: Theatre programs collected during his career as documentation.
Explanation: This collection likely comprises theatre programs that Coe gathered throughout his career, potentially offering valuable historical documentation of performances he reviewed or was associated with.