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Supper at Emmaus (Caravaggio, London) Wiki2Web Clarity Challenge

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Study Guide: Caravaggio's Supper at Emmaus: Analysis and Context

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Caravaggio's Supper at Emmaus: Analysis and Context Study Guide

Caravaggio's Supper at Emmaus: Identification and Narrative

The painting under discussion is titled "The Supper at Emmaus" and is located in the National Gallery in London.

Answer: True

Explanation: The artwork in question is definitively identified as 'The Supper at Emmaus,' and its permanent location is the National Gallery in London.

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Caravaggio's "The Supper at Emmaus" in London was completed in the year 1601.

Answer: True

Explanation: The London rendition of Caravaggio's 'The Supper at Emmaus' was completed in the year 1601.

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The London version of "The Supper at Emmaus" was created using oil on canvas.

Answer: True

Explanation: The artistic medium utilized for the London version of 'The Supper at Emmaus' is oil on canvas.

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The painting illustrates the Gospel story of the resurrected Jesus's appearance in Emmaus, revealing himself to two disciples.

Answer: True

Explanation: This painting illustrates the biblical account, found within the Gospels, of the resurrected Jesus's appearance in Emmaus, specifically the moment of his self-revelation to two disciples.

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The narrative for Caravaggio's "Supper at Emmaus" is based on the account found in the Gospel of Luke.

Answer: True

Explanation: The narrative underpinning Caravaggio's 'Supper at Emmaus' is drawn directly from the Gospel of Luke.

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The London version of "The Supper at Emmaus" was commissioned and paid for by Ciriaco Mattei.

Answer: True

Explanation: The commission and financial support for the London version of 'The Supper at Emmaus' originated from Ciriaco Mattei.

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Caravaggio's "The Supper at Emmaus" in London was completed in the year 1606.

Answer: False

Explanation: This assertion is factually inaccurate; the London version of 'The Supper at Emmaus' was completed in 1601, not 1606.

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The painting illustrates the moment Jesus reveals himself to two disciples, Luke and Peter.

Answer: False

Explanation: The depiction centers on Jesus revealing himself to Luke and Cleopas, not Peter.

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The reference to 'National Gallery, London' identifies the specific museum where the painting is permanently located.

Answer: True

Explanation: The reference 'National Gallery, London' accurately designates the institution where the painting is permanently housed and publicly accessible.

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What is the title of the painting discussed, and where is it currently housed?

Answer: The Supper at Emmaus, National Gallery, London

Explanation: The artwork under consideration is titled 'The Supper at Emmaus,' and it is permanently housed within the National Gallery in London.

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In what year was Caravaggio's "The Supper at Emmaus" (London version) completed?

Answer: 1601

Explanation: Caravaggio completed the London version of 'The Supper at Emmaus' in the year 1601.

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What medium did Caravaggio use for the London version of "The Supper at Emmaus"?

Answer: Oil on canvas

Explanation: The artistic medium utilized for the London version of 'The Supper at Emmaus' is oil on canvas.

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What biblical event does Caravaggio's "The Supper at Emmaus" depict?

Answer: Jesus's appearance to two disciples after his resurrection

Explanation: This painting illustrates the biblical account, found within the Gospels, of the resurrected Jesus's appearance in Emmaus, specifically the moment of his self-revelation to two disciples.

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Which Gospel provides the narrative basis for the scene depicted in Caravaggio's "Supper at Emmaus"?

Answer: Gospel of Luke

Explanation: The narrative foundation for the painting is derived from the Gospel of Luke.

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Who are the two disciples believed to be present with Jesus in the London version of "Supper at Emmaus"?

Answer: Luke and Cleopas

Explanation: The disciples present with Jesus in the London version are identified as Luke and Cleopas.

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Who commissioned and paid for the London version of "The Supper at Emmaus"?

Answer: Ciriaco Mattei

Explanation: The commission and financial support for the London version of 'The Supper at Emmaus' originated from Ciriaco Mattei.

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Compositional Elements and Symbolism in Supper at Emmaus

Cleopas is depicted wearing a scallop shell, which traditionally symbolizes a pilgrim.

Answer: True

Explanation: The scallop shell adorning Cleopas is a traditional emblem signifying a pilgrim, denoting a traveler undertaking a religious quest.

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The painting features life-sized figures and a dark, blank background.

Answer: True

Explanation: The composition is distinguished by its life-sized figures and a stark, dark background, thereby concentrating the viewer's attention on the pivotal moment.

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The fruit basket in the painting subtly incorporates the ichthys symbol through its wicker design.

Answer: True

Explanation: Within the fruit basket, the arrangement of the wicker subtly delineates the ichthys, an ancient Christian symbol of Christ.

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Cleopas is depicted wearing a crown, symbolizing his royal status.

Answer: False

Explanation: Cleopas is attired with a scallop shell, a symbol denoting pilgrimage, rather than a crown.

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The shadow cast by the fruit onto the tablecloth creates the shape of a cross, reinforcing Christian symbolism.

Answer: False

Explanation: The shadow cast by the fruit on the tablecloth assumes the form of a fish, not a cross.

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The phrase 'perspectively-challenging extension of arms' implies Cleopas's gesture is conventional and static.

Answer: False

Explanation: This phrase implies the contrary: Cleopas's gesture is dynamic and challenges conventional perspectival limitations.

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The standing groom, with his face in darkness, is depicted as recognizing Jesus's divine revelation.

Answer: False

Explanation: The groom, whose face is obscured by shadow, is portrayed as oblivious, thereby creating a contrast with the disciples' recognition of Jesus.

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What symbolic item does Cleopas wear in the painting, and what does it represent?

Answer: A scallop shell, symbolizing a pilgrim

Explanation: Cleopas is depicted wearing a scallop shell, a symbol traditionally associated with pilgrims.

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How is Cleopas's gesture described in relation to the painting's composition?

Answer: A perspectively challenging extension of his arms

Explanation: Cleopas's gesture is characterized as a perspectively challenging extension of his arms, extending both into and beyond the painting's frame.

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What is depicted in the table setting that is noted for its precariousness?

Answer: A basket of food depicted teetering over the edge

Explanation: The table is arranged with a still-life composition, notably featuring a basket of food depicted in a precarious state, teetering on the edge.

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What subtle Christian symbol is incorporated into the fruit basket in the painting?

Answer: An ichthys (fish)

Explanation: Within the fruit basket, the arrangement of the wicker subtly delineates the ichthys, an ancient symbol of Christ.

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How is the ichthys symbol further represented within the painting's composition?

Answer: As a shadow cast by the fruit forming a fish shape

Explanation: The shadow cast by the fruit upon the tablecloth forms the shape of a fish's body and tail, thereby reinforcing the ichthys symbolism.

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What does the phrase 'perspectively-challenging extension of arms' imply about Cleopas's gesture?

Answer: It pushes the boundaries of traditional perspective and adds dynamism.

Explanation: This phrase implies that Cleopas's arm movements are rendered in a manner that experiments with or extends the boundaries of traditional perspective, thereby injecting dynamism into the scene.

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What is the significance of the standing groom's depiction in the painting's narrative?

Answer: His obliviousness contrasts with the disciples' recognition of Jesus.

Explanation: The standing groom, characterized by his obscured face and apparent obliviousness, provides a visual contrast to the disciples' recognition of Jesus, thereby accentuating the divine revelation unfolding.

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Caravaggio's Artistic Style and Thematic Concerns

Caravaggio, the artist of the London version of "The Supper at Emmaus," is primarily associated with the Baroque artistic period.

Answer: True

Explanation: Caravaggio is universally acknowledged as a pivotal figure of the Baroque era, whose innovations significantly shaped the period's artistic trajectory.

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A recurring theme in Caravaggio's art, present in "The Supper at Emmaus," is the dramatic interruption of ordinary life by a significant event.

Answer: True

Explanation: Caravaggio frequently explored the theme of profound or significant moments intruding upon the fabric of everyday existence.

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The phrase 'unexalted humanity' suggests Caravaggio portrayed Jesus in a very human and relatable manner.

Answer: True

Explanation: The descriptor 'unexalted humanity' implies Caravaggio's deliberate portrayal of Jesus emphasizing his profoundly human and accessible characteristics.

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Who is the artist of the London version of "The Supper at Emmaus," and what artistic period is he associated with?

Answer: Caravaggio, Baroque

Explanation: The artist responsible is Caravaggio, an Italian master celebrated for his significant contributions to the Baroque period.

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Why might Caravaggio have depicted Jesus as beardless in this painting, unlike in "The Calling of Saint Matthew"?

Answer: Because the Gospel mentions he appeared 'in another form'

Explanation: The depiction of Jesus as beardless in this work is often attributed to the Gospel of Mark's account of his appearance 'in another form,' a departure from his conventional representation, such as the bearded Christ in 'The Calling of Saint Matthew'.

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What recurring theme in Caravaggio's work is evident in "The Supper at Emmaus"?

Answer: The dramatic interruption of ordinary life by a sublime event

Explanation: A recurring thematic preoccupation in Caravaggio's oeuvre, demonstrably present in 'The Supper at Emmaus,' is the dramatic intrusion of significant events into the quotidian.

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What does the phrase 'sublime interrupting the daily routine' mean in Caravaggio's context?

Answer: Showing profound moments occurring within everyday life

Explanation: This phrase encapsulates Caravaggio's distinctive artistic methodology, which involves depicting profound, often spiritual, occurrences within the framework of ordinary, everyday life.

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Comparative Versions and Artistic Influence

Caravaggio painted another version of "The Supper at Emmaus" in 1606.

Answer: True

Explanation: Caravaggio did indeed produce a subsequent version of 'The Supper at Emmaus' in 1606.

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The second version of Caravaggio's "Supper at Emmaus" is housed in the Pinacoteca di Brera in Milan.

Answer: True

Explanation: The later iteration of 'The Supper at Emmaus,' dating from 1606, is housed within the Pinacoteca di Brera in Milan.

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Both the London and Milan versions of "The Supper at Emmaus" utilize the trompe-l'oeil art technique.

Answer: True

Explanation: Both the London and Milan versions of 'The Supper at Emmaus' incorporate the trompe-l'oeil technique, intended to generate a compelling illusion of reality.

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The Milan version's restrained gestures may reflect Caravaggio's evolving artistic perspective valuing understatement.

Answer: True

Explanation: The subdued gestures evident in the Milan version may signify Caravaggio's evolving artistic philosophy, which increasingly embraced subtlety and understated expression.

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The second version of Caravaggio's "Supper at Emmaus" is located in the National Gallery in London.

Answer: False

Explanation: The second iteration of 'The Supper at Emmaus' resides in the Pinacoteca di Brera in Milan, not the National Gallery in London.

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The gestures in the Milan version are described as more exaggerated and performative compared to the London version.

Answer: False

Explanation: Conversely, the gestures depicted in the Milan version are characterized as more restrained and subtle when contrasted with those in the London version.

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Where is the second version of Caravaggio's "Supper at Emmaus" located?

Answer: The Pinacoteca di Brera, Milan

Explanation: The later iteration of 'The Supper at Emmaus,' dating from 1606, is housed within the Pinacoteca di Brera in Milan.

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How do the gestures of the figures in the Milan version of "Supper at Emmaus" compare to the London version?

Answer: More restrained and subtle in Milan

Explanation: The gestures depicted in the Milan version are characterized as more restrained when contrasted with those in the London version, emphasizing presence over overt performance.

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Potential reasons suggested for the differences between the two versions of "Supper at Emmaus" include Caravaggio's personal circumstances and:

Answer: His evolving artistic perspective valuing understatement

Explanation: The divergences between the two versions may stem from Caravaggio's personal circumstances following his flight from Rome, or from his evolving artistic perspective that increasingly valued understatement.

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What is the significance of the reference to 'The Calling of Saint Matthew' in relation to Caravaggio's work?

Answer: It serves as a comparative example of his depictions of Christ and settings.

Explanation: This reference functions as a comparative example, illustrating Caravaggio's diverse portrayals of Christ and his inclination to situate religious figures within contemporary contexts.

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What does the mention of 'Caravaggisti' in the Navbox signify?

Answer: Artists significantly influenced by Caravaggio's style.

Explanation: The term 'Caravaggisti' denotes artists who were substantially influenced by Caravaggio's distinctive style, signifying the widespread impact and subsequent following his work engendered.

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What does the reference to 'Utrecht Caravaggism' indicate?

Answer: A Dutch artistic movement influenced by Caravaggio.

Explanation: Utrecht Caravaggism denotes a cohort of Dutch painters who were influenced by Caravaggio, illustrating the international dissemination and impact of his artistic style.

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What does the phrase "Caravaggio's Shadow (2022 film)" suggest about the artist's legacy?

Answer: His life and work continue to inspire contemporary media.

Explanation: This reference suggests that Caravaggio's life and artistic output continue to inspire contemporary media productions, evidenced by films created about him long after his demise.

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Scholarly and Archival Context

The Navbox titled 'Caravaggio' lists related topics such as artistic movements and films about the artist.

Answer: True

Explanation: The Navbox titled 'Caravaggio' functions as a navigational aid, enumerating related subjects such as artistic movements and cinematic representations of the artist.

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The information regarding the ichthys symbol is sourced from a BBC article by Kelly Grovier.

Answer: True

Explanation: The details pertaining to the ichthys symbol are attributed to a BBC article authored by Kelly Grovier.

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The ISBN 8835958717 is provided for Roberto Longhi's book on Caravaggio.

Answer: True

Explanation: The ISBN 8835958717 is associated with Roberto Longhi's scholarly work on Caravaggio.

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What does the 'Authority control' section typically provide for a work of art?

Answer: Unique identifiers from various cataloging databases.

Explanation: The 'Authority control' section enumerates unique identifiers sourced from various databases (e.g., VIAF, GND, LoC, BnF, RKD), employed for the cataloging and referencing of the painting.

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