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Edward Steichen's 1904 photograph, titled 'The Pond—Moonrise,' depicts a forest scene.
Answer: False
Explanation: The statement is false. While Edward Steichen created a photograph depicting a forest scene in 1904, its principal title is 'The Pond—Moonlight.' 'The Pond—Moonrise' was an alternative exhibition title, not the primary designation.
The photograph 'The Pond—Moonlight' was created by Alfred Stieglitz.
Answer: False
Explanation: The statement is false. The photograph 'The Pond—Moonlight' was created by Edward Steichen, not Alfred Stieglitz.
Edward Steichen created 'The Pond—Moonlight' in the year 1906.
Answer: False
Explanation: The statement is false. Edward Steichen created 'The Pond—Moonlight' in 1904, not 1906.
The photograph 'The Pond—Moonlight' was taken in Mamaroneck, New York.
Answer: True
Explanation: The statement is true. The photograph 'The Pond—Moonlight' was indeed photographed in Mamaroneck, New York.
Steichen used a standard black and white printing technique for 'The Pond—Moonlight', resulting in a single-color print.
Answer: False
Explanation: The statement is false. Steichen employed a technique involving the manual application of light-sensitive gums, which resulted in multi-colored prints, not a standard single-color black and white process.
All existing prints of 'The Pond—Moonlight' are identical due to the printing process.
Answer: False
Explanation: The statement is false. The manual application of light-sensitive gums used in the printing process results in variations, making each print unique rather than identical.
The image caption identifies the artwork as 'Moonlight Over the Pond' by Edward Steichen, dated 1904.
Answer: False
Explanation: The statement is false. The image caption identifies the artwork as 'The Pond—Moonlight' by Edward Steichen, dated 1904, not 'Moonlight Over the Pond'.
The photograph 'The Pond—Moonlight' shows the full moon clearly visible above the trees.
Answer: False
Explanation: The statement is false. The photograph depicts 'part of the Moon appearing over the horizon,' not the full moon clearly visible above the trees.
What is considered the principal title of Edward Steichen's 1904 photographic work?
Answer: The Pond—Moonlight
Explanation: The primary and most widely recognized title for Edward Steichen's 1904 photographic work is 'The Pond—Moonlight'.
Who created the photograph known as 'The Pond—Moonlight'?
Answer: Edward Steichen
Explanation: The photograph 'The Pond—Moonlight' was created by the renowned photographer Edward Steichen.
In which U.S. state was 'The Pond—Moonlight' photographed?
Answer: New York
Explanation: The photograph 'The Pond—Moonlight' was taken in Mamaroneck, which is located in New York State.
What technique did Steichen use to create 'The Pond—Moonlight' that resulted in multi-colored prints?
Answer: Manual application of light-sensitive gums
Explanation: Steichen employed the technique of manually applying light-sensitive gums to create 'The Pond—Moonlight,' a process that yielded multi-colored prints.
What makes each existing print of 'The Pond—Moonlight' unique?
Answer: The hand-layering process with gums results in variations.
Explanation: The uniqueness of each print stems from the manual application of light-sensitive gums during the printing process, which inherently introduces variations between individual works.
What does the inclusion of 'The Pond—Moonlight' in the Edward Steichen navbox signify?
Answer: It is considered one of his key and most important works.
Explanation: The inclusion of 'The Pond—Moonlight' in Edward Steichen's navbox signifies its recognition as one of his key and most important photographic works.
Which of the following is a correct description of the visual elements in 'The Pond—Moonlight'?
Answer: A forest scene across a pond with the moon visible over the horizon.
Explanation: The photograph 'The Pond—Moonlight' accurately depicts a forest scene situated across a pond, with a portion of the moon visible above the horizon.
The photograph 'The Pond—Moonlight' was also exhibited under which alternative title?
Answer: The Pond—Moonrise
Explanation: Edward Steichen's photograph 'The Pond—Moonlight' was also exhibited under the alternative title 'The Pond—Moonrise'.
Being a 'pictorialist' photograph means 'The Pond—Moonlight' aimed to mimic the appearance of paintings.
Answer: True
Explanation: The statement is true. Pictorialism in photography was an artistic movement that sought to establish photography as a fine art by employing techniques that made photographs resemble paintings in their aesthetic qualities.
What does the term 'pictorialist photograph' imply about the intent behind 'The Pond—Moonlight'?
Answer: It emphasized artistic expression and aesthetic qualities.
Explanation: The term 'pictorialist photograph' implies that the intent behind 'The Pond—Moonlight' was to emphasize artistic expression and aesthetic qualities, aligning photography with fine art traditions.
The reference to 'Faking it: Manipulated Photography Before Photoshop' suggests 'The Pond—Moonlight' is relevant to discussions of:
Answer: Pre-digital photographic manipulation.
Explanation: The reference to 'Faking it: Manipulated Photography Before Photoshop' indicates that 'The Pond—Moonlight' is relevant to discussions concerning photographic manipulation techniques employed prior to the advent of digital editing software.
There are only three known existing versions of 'The Pond—Moonlight'.
Answer: True
Explanation: The statement is true. The source material indicates that only three versions of 'The Pond—Moonlight' are currently known to exist.
The Museum of Modern Art received its version of 'The Pond—Moonlight' from Alfred Stieglitz.
Answer: False
Explanation: The statement is false. While the Museum of Modern Art holds a version of the photograph, it was gifted by Edward Steichen himself, not Alfred Stieglitz.
The Metropolitan Museum of Art acquired its version of 'The Pond—Moonlight' in 1904.
Answer: False
Explanation: The statement is false. The Metropolitan Museum of Art acquired its version of 'The Pond—Moonlight' in 1933, not 1904.
A version of 'The Pond—Moonlight' was reproduced in *Camera Work*, issue number 14.
Answer: True
Explanation: The statement is true. A reproduction of 'The Pond—Moonlight' was indeed published in *Camera Work*, issue number 14.
The reproduction of 'The Pond—Moonlight' in *Camera Work* occurred in April 1904.
Answer: False
Explanation: The statement is false. The reproduction of 'The Pond—Moonlight' in *Camera Work* occurred in April 1906, not April 1904.
The Metropolitan Museum of Art obtained a duplicate print of 'The Pond—Moonlight' through the purchase of the Gilman Paper Company collection.
Answer: True
Explanation: The statement is true. The Metropolitan Museum of Art acquired a duplicate print of 'The Pond—Moonlight' as part of its acquisition of the Gilman Paper Company collection.
How many versions of 'The Pond—Moonlight' are currently known to exist?
Answer: Only three
Explanation: According to the available information, only three known versions of the photograph 'The Pond—Moonlight' currently exist.
Which museum holds a version of 'The Pond—Moonlight' gifted by Edward Steichen?
Answer: The Museum of Modern Art
Explanation: The Museum of Modern Art holds a version of 'The Pond—Moonlight' that was donated directly by the artist, Edward Steichen.
Which museum holds a version of 'The Pond—Moonlight' that was previously in Alfred Stieglitz's collection?
Answer: The Metropolitan Museum of Art
Explanation: The Metropolitan Museum of Art holds a version of 'The Pond—Moonlight' that was formerly part of Alfred Stieglitz's personal collection.
In which influential photography journal was 'The Pond—Moonlight' reproduced?
Answer: Camera Work
Explanation: A version of 'The Pond—Moonlight' was reproduced in the influential photography journal *Camera Work*.
The Museum of Modern Art lists its version of Steichen's photograph under which title?
Answer: Moonrise, Mamaroneck, New York
Explanation: The Museum of Modern Art lists its version of Edward Steichen's photograph under the title 'Moonrise, Mamaroneck, New York'.
The Metropolitan Museum of Art received its version of 'The Pond—Moonlight' in what year?
Answer: 1933
Explanation: The Metropolitan Museum of Art received its version of 'The Pond—Moonlight' in the year 1933.
A print of 'The Pond—Moonlight' sold for a record price in February 2005.
Answer: False
Explanation: The statement is false. The record sale price for a print of 'The Pond—Moonlight' occurred in February 2006, not 2005.
The record sale price for 'The Pond—Moonlight' in February 2006 was US$2.1 million.
Answer: False
Explanation: The statement is false. The record sale price for 'The Pond—Moonlight' in February 2006 was US$2.9 million, not US$2.1 million.
The sale of 'The Pond—Moonlight' for US$2.9 million set a record for the highest price paid for any artwork at auction.
Answer: False
Explanation: The statement is false. While the US$2.9 million sale set a record, it was specifically for the highest price paid for a photograph at auction at that time, not for any artwork in general.
Gallerist Peter MacGill purchased the record-setting print of 'The Pond—Moonlight' for himself.
Answer: False
Explanation: The statement is false. Gallerist Peter MacGill purchased the record-setting print, but he did so on behalf of an anonymous private buyer, not for himself.
The rarity and unique nature of the prints contributed to the high auction price of 'The Pond—Moonlight'.
Answer: True
Explanation: The statement is true. The source indicates that the photograph's unique nature and rarity were significant factors contributing to its high auction price.
The article 'Platinotype Sets Record Price for Photographs' provides context for the sale of Steichen's 'The Pond—Moonlight' because it used the same printing process.
Answer: False
Explanation: The statement is false. While the article provides context for high prices of historical photographs, 'The Pond—Moonlight' was created using gum bichromate, not platinotype, so the printing process was different.
What was the approximate sale price of 'The Pond—Moonlight' when it set a record at auction in February 2006?
Answer: US$2.9 million
Explanation: In February 2006, a print of 'The Pond—Moonlight' achieved a record sale price of US$2.9 million at auction.
What record did the US$2.9 million sale of 'The Pond—Moonlight' set at the time?
Answer: Highest price ever paid for a photograph at auction.
Explanation: The US$2.9 million sale of 'The Pond—Moonlight' in February 2006 established a new record for the highest price ever paid for a photograph at auction.
Who purchased the record-setting print of 'The Pond—Moonlight' at the 2006 auction?
Answer: An anonymous private buyer, represented by Peter MacGill
Explanation: The record-setting print of 'The Pond—Moonlight' was purchased by gallerist Peter MacGill, acting as the representative for an anonymous private buyer.
According to the source, what factors contributed to the high auction price of 'The Pond—Moonlight'?
Answer: Its unique nature, rarity, and the artist's reputation.
Explanation: The significant auction price was attributed to the photograph's unique characteristics, its rarity, and the esteemed reputation of its creator, Edward Steichen.
What does the record auction price of 'The Pond—Moonlight' suggest about its value?
Answer: It is recognized as an exceptionally valuable and significant work.
Explanation: The record-breaking auction price for 'The Pond—Moonlight' strongly suggests that it is recognized within the art market and art history as an exceptionally valuable and significant work.
The auction of 'The Pond—Moonlight' is featured in part 5 of the BBC documentary *The Genius of Photography*.
Answer: False
Explanation: The statement is false. The auction of 'The Pond—Moonlight' is featured in part 6 of the BBC documentary *The Genius of Photography*, not part 5.
FTIR and Raman are analytical methods mentioned for studying pigment-based photographs from the early 20th century.
Answer: True
Explanation: The statement is true. The 'Further reading' section mentions FTIR, Raman, and XRF identification techniques as relevant for analyzing pigment-based photographs from the early 20th century.
Which BBC documentary series featured the auction of 'The Pond—Moonlight'?
Answer: The Genius of Photography
Explanation: The auction of 'The Pond—Moonlight' was highlighted in the BBC documentary series titled *The Genius of Photography*.