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Concord Journeys

An exploration of nature, literature, and the changing American landscape through Thoreau's seminal work.

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Overview

The River Narrative

A Week on the Concord and Merrimack Rivers, published in 1849, is the debut book by American author Henry David Thoreau. It chronicles a boat journey undertaken with his brother, John, along the Concord and Merrimack Rivers. While ostensibly a travelogue detailing their passage from Concord, Massachusetts, to Concord, New Hampshire, and back, the work transcends simple narrative.

Beyond the Journey

The book is characterized by extensive digressions, characteristic of Thoreau's intellectual style. These explorations delve into diverse subjects including religion, poetry, history, and philosophy. Thoreau masterfully weaves these reflections into the narrative, often contextualizing them against the backdrop of profound societal shifts occurring in his native New England during the Industrial Revolution, a transformation he viewed with critical observation.

A Tribute to John Thoreau

The journey itself took place in 1839. Tragically, Thoreau's brother John succumbed to tetanus in 1842. Henry David Thoreau wrote A Week, in part, as a heartfelt tribute to his memory, imbuing the narrative with personal significance and emotional depth.

Composition & Publication

Walden Pond Genesis

The initial draft of A Week on the Concord and Merrimack Rivers was completed during Thoreau's seminal stay at Walden Pond, where he resided from July 4, 1845, for over two years. This period of intense self-reflection and immersion in nature provided fertile ground for the literary and philosophical ideas that permeate the book.

A Costly Endeavor

Despite completing the manuscript, Thoreau faced considerable difficulty finding a publisher. Ultimately, he financed the printing of the book himself. Published in 1849, A Week was Thoreau's first published book. Its initial commercial performance was modest, with only 219 copies sold. By 1853, the printer returned the majority of the unsold stock—706 copies—to Thoreau, leading him to famously remark that he possessed a library of nearly nine hundred volumes, over seven hundred of which he had authored himself.

The Musketaquid's Legacy

The boat used for the journey, named Musketaquid, was later sold by Thoreau to Nathaniel Hawthorne in 1842 for seven dollars and a rowing lesson. Hawthorne, residing at The Old Manse, renamed the boat Pond Lily but found its operation less intuitive than Thoreau, for whom it seemed remarkably responsive.

Transcendentalist Context

A Week on the Concord and Merrimack Rivers emerged within the vibrant intellectual milieu of New England Transcendentalism. It stands alongside other significant nature and travel writings of the era, such as Ralph Waldo Emerson's Nature (1836) and Margaret Fuller's Summer on the Lakes (1844), reflecting a shared philosophical interest in nature, self-reliance, and spiritual inquiry.

Reception & Influence

Contemporary Views

Upon its release, A Week on the Concord and Merrimack Rivers garnered limited attention, receiving only two notable contemporary reviews. The Athenæum critiqued its style, deeming it an "offshoot" of Carlyle and Emerson. While The Westminster Review also found fault with the style, it acknowledged the book as "agreeable." James Anthony Froude, upon receiving a copy, expressed a hopeful sentiment about the future of literature.

Literary Echoes

The work's distinctive style and philosophical depth resonated, albeit sometimes critically, within literary circles. Herman Melville's 1853 short story, "Cock-A-Doodle-Doo!", is widely interpreted as a satirical commentary on Thoreau's book and its transcendentalist leanings.

Artistic Interpretations

The enduring influence of Thoreau's work is evident in its adaptation across artistic mediums. The French composer Robert Piéchaud created The River (2016), a wind quintet inspired by Thoreau's journey, incorporating text from the book's final poem. More recently, John McPhee recreated Thoreau's canoe expedition in 2003, documenting his experience in the essay "Paddling After Henry David Thoreau."

Study Aids

Key Concepts

This section provides flashcards to reinforce understanding of the core concepts discussed in relation to A Week on the Concord and Merrimack Rivers.

Flashcard 1:
Term: Transcendentalism
Definition: A philosophical movement emphasizing intuition, individualism, and the inherent goodness of both nature and humanity. Key figures include Emerson and Thoreau.

Flashcard 2:
Term: Digression
Definition: A temporary departure from the main subject in speech or writing. Thoreau frequently uses digressions in A Week to explore philosophical and historical themes.

Flashcard 3:
Term: Industrial Revolution
Definition: The period of major industrialization and technological innovation in the 18th and 19th centuries. Thoreau reflects critically on its impact on nature and society.

Flashcard 4:
Term: Literary Tribute
Definition: A work created to honor or commemorate another person or work. A Week serves partly as a tribute to Thoreau's deceased brother, John.

Flashcard 5:
Term: Travelogue
Definition: A book or account describing the author's experiences while traveling. While A Week contains travelogue elements, it is significantly more complex.

References

Source Citations

The information presented on this page is derived from the following sources:

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References

References

  1.  Gura, Philip F. American Transcendentalism: A History. New York: Hill and Wang, 2007: 207. ISBN 0-8090-3477-8
  2.  L. J. Budd and E. H. Cady, On Melville: The Best from American Literature (Duke University Press, 1988), p. 116.
A full list of references for this article are available at the A Week on the Concord and Merrimack Rivers Wikipedia page

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Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not literary or historical analysis. The information provided on this website is not a substitute for scholarly research or professional interpretation. While efforts have been made to adhere strictly to the provided source material, nuances and deeper meanings may require consultation with academic experts or primary source analysis.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.