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The Stage of Exchange

A Chronicle of Innovation, Resilience, and the Art of Performance in Abingdon, Virginia.

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Historical Context

Genesis Amidst Hardship

Established on June 10, 1933, Barter Theatre emerged during the depths of the Great Depression, a period marked by profound economic scarcity and widespread unemployment across the United States. This challenging environment severely impacted the arts, leaving many actors without work and audiences unable to afford traditional theatre tickets.

The Ingenious Barter System

Founder Robert Porterfield conceived a revolutionary approach: allowing local patrons to exchange farm produce and goods for theatre admission. This innovative model, summarized by Paul Dellinger as "bringing actors to Abingdon to barter their performances for farm goods," provided vital support for both the theatre and the local agricultural community.

The initial ticket price was a modest 30 cents, or its equivalent in goods. This unique system was so unconventional that Life magazine noted in 1939 that it "sounded like the craziest idea in the history of the U.S. theater" yet had blossomed into a "booming success." This creative solution ensured the theatre's survival and fostered a deep connection with its audience.

The Actor's Multifaceted Role

In this unique environment, actors were not merely performers. They were integral to the theatre's operational success, contributing their labor to set construction, prop collection, directing, and even assisting in the cafeteria at the Barter Inn, where the troupe resided. This holistic involvement fostered a strong sense of community and shared purpose.

The Barter Philosophy

Exchange of Value

At its core, the Barter Theatre concept was a direct response to economic hardship. It transformed the traditional transactional model of theatre attendance into a reciprocal exchange, where the value of artistic performance was equated with the tangible value of essential goods. This fostered a unique relationship between the artists and the community.

Sustenance Through Art

The initial offering, "With vegetables that you cannot sell you can buy a good laugh," encapsulates the symbiotic relationship. Farmers facing unsold crops could find entertainment, while the theatre troupe received sustenance and resources, ensuring their continued artistic endeavors. This pragmatic approach underscored the theatre's deep roots in the local economy.

The Barter Inn Community

The Barter Inn served not only as housing for the actors but also as a communal dining space. This fostered a close-knit environment where actors, staff, and even the public could interact, reinforcing the theatre's integration into the social fabric of Abingdon. The inn became a symbol of the shared experience.

Expanding Horizons

Beyond Abingdon

While firmly anchored in Abingdon, Virginia, Barter Theatre's influence extended far beyond its home base. The theatre companies embarked on extensive tours, bringing live performances to numerous communities across Virginia, Kentucky, Tennessee, and North Carolina, fulfilling its mission to make theatre accessible.

International Acclaim

Demonstrating its artistic caliber and reach, a Barter Theatre company achieved a notable international milestone by producing Shakespeare's Hamlet in Elsinore, Denmark, in 1949. This performance underscored the theatre's capacity to engage with classic repertoire on a global stage.

Nurturing Young Audiences

The establishment of the First Light Players in 1993, now known as the Barter Players, signifies a dedicated commitment to theatre for young audiences. This troupe continues to bring live theatrical experiences to underserved regions along the South and East Coast, cultivating future generations of theatre patrons and artists.

Theatres and Spaces

Historic Venues

Barter Theatre's journey has involved several significant locations. Initially utilizing the Abingdon Opera House, it later relocated to the campus of Stonewall Jackson College for Women in 1935. The current building, originally constructed in 1833 as the Sinking Springs Presbyterian Church, is the second-oldest theatrical structure in the United States, retaining historical significance.

Mobile Stages

The theatre's touring capabilities were famously supported by "Bessie," an ancient bus that transported companies on extended "ten-day tours of mountain towns and resorts." This mobile infrastructure was crucial for reaching dispersed audiences during the theatre's formative years.

Modern Renovations

A substantial $1.7 million renovation in 1996 significantly enhanced the main theatre's capabilities. Stage depth was doubled, new lighting and sound systems were installed, and seating was improved, ensuring a state-of-the-art experience while preserving the venue's historic character.

  • Gilliam Stage: 505 seats (216 in the balcony).
  • Smith Theatre (Barter Stage II): 167 seats.

Adapting to Circumstance

During the COVID-19 pandemic, Barter Theatre demonstrated remarkable adaptability by utilizing the Moonlite Theatre for drive-in style performances from July 2020 to December 2021. This innovative approach allowed for continued staging with social distancing measures, broadcasting audio via car radios.

Notable Performers

Launchpad for Stardom

Barter Theatre has served as a crucial early career venue for numerous luminaries in stage, screen, and television. The rigorous training and diverse repertoire offered have provided a fertile ground for emerging talent to hone their craft.

  • Gregory Peck
  • Ernest Borgnine
  • Patricia Neal
  • Ned Beatty
  • Hume Cronyn
  • Gary Collins
  • Frances Fisher
  • Kevin Spacey
  • Larry Linville
  • John Glover
  • Jim Varney
  • Wayne Knight
  • Will Bigham (Winner, On The Lot)

Recognition and Accolades

State Theatre Designation

In 1946, Barter Theatre was officially designated as the State Theatre of Virginia, a testament to its significant cultural contribution and enduring presence within the Commonwealth.

Tony Award Recognition

The theatre received the prestigious Tony Award for Regional Theatre in 1948, acknowledging its excellence and impact on the American theatrical landscape. This award highlighted its pioneering role among regional theatre institutions.

Business and Community Awards

Beyond artistic accolades, Barter Theatre has been recognized for its business acumen and community impact, receiving awards such as the Business of the Year Award for the Tri-Cities region and The Torchbearer Award from the Virginia Chamber of Commerce.

The Barter Theatre Award

A Unique Distinction

Established in 1939, the Barter Theatre Award was presented annually to honor the outstanding performance by an American player. This award uniquely blended artistic recognition with the theatre's founding ethos.

Award Components

Recipients were bestowed not only with critical acclaim but also with tangible rewards: an acre of mountain land near Abingdon and a Virginia ham. Furthermore, each winner had the privilege of selecting two actors to perform with the theatre, fostering new talent.

  • Laurette Taylor (1939)
  • Dorothy Stickney (1940)

The transfer of the land deed from Taylor to Stickney at the 1940 ceremony highlighted the collaborative and supportive spirit of the award.

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References

References

A full list of references for this article are available at the Barter Theatre Wikipedia page

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Disclaimer

Important Notice

This page has been meticulously crafted by an Artificial Intelligence, drawing upon publicly available data from Wikipedia. It is intended solely for informational and educational purposes, aiming to provide a comprehensive overview of Barter Theatre's history and significance.

This is not professional historical or theatrical advice. The information presented should not be considered a substitute for consultation with arts historians, theatre professionals, or archival experts. While efforts have been made to ensure accuracy based on the source material, the dynamic nature of historical information means it may not be entirely complete or up-to-date. Users are encouraged to consult primary sources and official documentation for definitive information.

The creators of this page assume no liability for any errors, omissions, or actions taken based on the information provided herein.