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Chronicles in Stone

An unparalleled journey through human history, art, and culture, curated within the hallowed halls of the British Museum.

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A Global Repository

The World's First Public National Museum

The British Museum, situated in the Bloomsbury area of London, stands as a preeminent public institution dedicated to the vast tapestry of human history, art, and culture. Established on June 7, 1753, it holds the distinction of being the first public national museum globally, conceived not for church or monarch, but freely accessible to all. Its foundational principle was to collect comprehensively, documenting the human story from its earliest beginnings to the contemporary era.

An Unrivaled Collection

Boasting a permanent collection of approximately eight million objects, the British Museum possesses the largest and most diverse collection in the world. This immense repository chronicles human cultural development across millennia. In 2023, the museum welcomed 5,820,860 visitors, solidifying its status as the most popular attraction in the United Kingdom, a testament to its enduring appeal and scholarly significance.

Origins and Enduring Debates

The museum's genesis is largely attributed to the extensive collections of Sir Hans Sloane, an Anglo-Irish physician and scientist. His vast array of curiosities formed the nucleus of what would become a global institution. However, some of its most iconic acquisitions, such as the Greek Elgin Marbles and the Egyptian Rosetta Stone, remain subjects of long-standing international disputes and calls for repatriation, reflecting complex historical narratives.

Chronicles of Acquisition & Expansion

Sir Hans Sloane's Legacy

The British Museum's origins are deeply rooted in the extraordinary collection of Sir Hans Sloane (1660โ€“1753), a London-based physician and naturalist. Driven by a desire to keep his vast assemblage intact after his death, Sloane bequeathed it to King George II for the nation, for a sum of ยฃ20,000. His collection comprised approximately 71,000 objects, including 40,000 printed books, 7,000 manuscripts, extensive natural history specimens, and antiquities from diverse regions such as Sudan, Egypt, Greece, Rome, the Ancient Near and Far East, and the Americas.

Royal Assent and Foundational Libraries

On June 7, 1753, King George II granted royal assent to the Act of Parliament that formally established the British Museum. This pivotal act also integrated two other significant libraries: the Cottonian Library, dating back to Elizabethan times, and the Harleian Library. In 1757, the "Old Royal Library," now known as the Royal manuscripts, assembled by various British monarchs, was added. These four "foundation collections" included invaluable texts such as the Lindisfarne Gospels and the sole surviving manuscript of Beowulf, solidifying the museum's dual role as a national museum and library.

Global Discoveries and Early Acquisitions

The museum initially opened to the public in Montagu House on January 15, 1759. Early acquisitions included objects from Captain James Cook's voyages, offering a glimpse into previously unknown cultures. The collection of antiquities began to grow significantly with Sir William Hamilton's "first" collection of Greek vases in 1772. The early 19th century saw the acquisition of monumental pieces, including Egyptian sculptures following the Battle of the Nile, and the iconic Rosetta Stone in 1802, presented by King George III, which proved crucial for deciphering hieroglyphs.

Architectural Evolution and Expansion

As the collections rapidly expanded, Montagu House became inadequate. Sir Robert Smirke, a neoclassical architect, was commissioned in 1823 to design the quadrangular building seen today. The East Wing, housing the King's Library, was completed by 1831. Further expansion included the construction of infill galleries for Assyrian sculptures and Sydney Smirke's iconic Round Reading Room, which opened in 1857. This period also saw the natural history collections relocated to a new building in South Kensington, which would eventually become the independent Natural History Museum.

Milestones and Modernization

The 20th century brought further growth and challenges. The Edward VII Galleries were constructed between 1906 and 1914. During World War II, valuable objects were evacuated to protect them from bombing, which nonetheless severely damaged parts of the museum, including the Duveen Gallery. Post-war, the museum continued to acquire significant treasures, such as the Ur treasure and the Sutton Hoo finds. The separation of the British Library in 1998 allowed for the creation of the Queen Elizabeth II Great Court, a stunning covered central square that opened in 2000, enhancing visitor experience and circulation.

Institutional Framework

Public Body Status

The British Museum operates as a non-departmental public body, receiving sponsorship from the Department for Culture, Media and Sport through a structured three-year funding agreement. This classification ensures its public accountability while maintaining a degree of operational independence. Its leadership is vested in the Director of the British Museum, a role that has evolved from its initial designation as 'principal librarian' to its current title, reflecting the museum's changing scope after the separation of its book collections.

The Board of Trustees

The museum's general management and oversight are entrusted to a board of 25 trustees. This board, with the Director serving as its accounting officer for governmental reporting, operates under the mandates of the British Museum Act 1963 and the Museums and Galleries Act 1992. Historically, the board was chaired by prominent figures such as the Archbishop of Canterbury, the Lord Chancellor, and the Speaker of the House of Commons. Today, 15 trustees are appointed by the Prime Minister, one by the Crown, four by relevant industry bodies, and the remaining five by other trustees, ensuring a diverse and expert advisory body.

Architectural Grandeur

The Iconic Greek Revival Facade

The British Museum's imposing Greek Revival facade, fronting Great Russell Street, is a signature work of Sir Robert Smirke. It features 43 columns in the Ionic order, each standing 45 feet (14 meters) high, meticulously modeled after those of the temple of Athena Polias at Priene in Asia Minor. The pediment above the main entrance is adorned with sculptures by Sir Richard Westmacott, installed in 1852, depicting "The Progress of Civilisation" through fifteen allegorical figures, inviting visitors to contemplate humanity's journey.

Evolution of the Building

Construction of the current quadrangular building began in 1823 with the East Wing (The King's Library), followed by the North Wing (1833โ€“1838), which originally housed a reading room. Montagu House was demolished in 1842 to make way for the West Wing, completed in 1846, and the South Wing, finished in 1847. The building is faced with Portland stone, while its perimeter walls and other structural elements were crafted from Haytor granite from Dartmoor. Sydney Smirke, Robert's brother, later added the magnificent Round Reading Room (1854โ€“1857), which, at 140 feet (43 meters) in diameter, was then the second-widest dome globally.

The Great Court and Modern Facilities

A significant transformation occurred with the departure of the British Library in 1998, freeing up the central courtyard. This space was redeveloped into the Queen Elizabeth II Great Court, designed by Buro Happold and Foster and Partners, opening in 2000 as Europe's largest covered square. Its striking glass and steel roof comprises 1,656 uniquely shaped panes. Today, the museum spans over 92,000 square meters (990,000 sq ft) and includes the ยฃ135 million World Conservation and Exhibitions Centre, completed in 2014, which centralizes conservation facilities and provides a large temporary exhibition space.

Scale of Display and Storage

Despite its immense size, the British Museum showcases less than 1% of its entire collection to the public, approximately 50,000 items across nearly one hundred galleries, representing 2 miles (3.2 km) of exhibition space. The vast majority of its 13 million objects are held in extensive storage facilities, including 21,600 square meters (232,000 sq ft) on-site and 9,400 square meters (101,000 sq ft) externally. Recent developments include the British Museum Archaeological Collection near Reading (2024) and Franks House in East London for early prehistory collections, ensuring the preservation and study of its global treasures.

Curatorial Divisions

Department of Egypt and Sudan

This department houses the world's most extensive and comprehensive collection of Egyptian antiquities outside the Egyptian Museum in Cairo, with over 100,000 pieces. It spans an extraordinary 11,000 years, from the Predynastic Neolithic period (c. 10,000 BC) through Coptic (Christian) times (12th century AD). The collection began with Sir Hans Sloane's initial donation and significantly expanded with artifacts confiscated by the British army after the Battle of the Nile in 1801, including the iconic Rosetta Stone. Subsequent acquisitions from excavations by figures like Henry Salt, the Egypt Exploration Fund, and the museum's own fieldwork have enriched this unparalleled collection.

Selected Highlights from the Egyptian and Sudanese Collections:

  • Predynastic and Early Dynastic (c. 6000 BC โ€“ c. 2690 BC):
    • Mummy of "Ginger" and five other individuals from Gebelein (c. 3400 BC)
    • Flint knife with an ivory handle (Pit-Rivers Knife), Sheikh Hamada (c. 3100 BC)
    • The Battlefield Palette and Hunters Palette (c. 3100 BC)
    • King Den's sandal label from Abydos (c. 2985 BC)
  • Old Kingdom (2690โ€“2181 BC):
    • Original casing stones from the Great Pyramid of Giza (c. 2570 BC)
    • Limestone false door of Ptahshepses, Saqqara (2440 BC)
    • Abusir Papyri, some of the oldest papyri from ancient Egypt (2400 BC)
  • Middle Kingdom (2134โ€“1690 BC):
    • Three Granite statues of Senwosret III, Deir el-Bahri (1850 BC)
    • Colossal head of Amenemhat III, Bubastis (1800 BC)
  • New Kingdom (1549โ€“1069 BC):
    • Fragment of the beard of the Great Sphinx of Giza (14th century BC)
    • Colossal quartzite statue of Amenhotep III (1350 BC)
    • Amarna Tablets (99 out of 382 found), second largest collection globally (1350 BC)
    • Papyrus of Ani, one of the finest extant Book of the Dead (1275 BC)
    • The Great Harris Papyrus, the longest surviving papyrus from antiquity (1200 BC)
  • Third Intermediate Period (1069โ€“664 BC):
    • Greenfield papyrus, funerary papyrus of Princess Nesitanebetashru (950โ€“930 BC)
    • Shabaka Stone from Memphis (c. 700 BC)
    • Sphinx of Taharqo (680 BC)
  • Late Period (664โ€“332 BC):
    • Saite Sarcophagus of Sasobek, vizier of Psammetichus I (664โ€“610 BC)
    • Obelisks and sarcophagus of Pharaoh Nectanebo II (360โ€“343 BC)
  • Ptolemaic Dynasty (305โ€“30 BC):
    • The Rosetta Stone, trilingual stela that unlocked ancient Egyptian hieroglyphics (196 BC)
    • Giant sculpture of a scarab beetle (32โ€“30 BC)
  • Roman Period (30 BC โ€“ 641 AD):
    • The Meriotic Hamadab Stela from the Kingdom of Kush (24 BC)
    • Over 30 Fayum mummy portraits from Hawara and other sites (40โ€“250 AD)

Department of Greece and Rome

With over 100,000 objects, the British Museum's Department of Greece and Rome boasts one of the world's most comprehensive collections from the Classical world. These artifacts span from the Greek Bronze Age (around 3200 BC) to the establishment of Christianity in the Roman Empire (313 AD). The collection encompasses items from mainland Greece, the Aegean Islands, Asia Minor, Egypt, Sicily, and southern Italy, representing Cycladic, Minoan, and Mycenaean cultures. Notable pieces include significant sculpture from the Parthenon and elements from two of the Seven Wonders of the Ancient World: the Mausoleum at Halicarnassus and the Temple of Artemis at Ephesos.

Selected Highlights from the Greek and Roman Collections:

  • Architectural Monuments:
    • Parthenon Marbles (Elgin Marbles), Athens (447โ€“438 BC)
    • Caryatid and Ionic column from the Erechtheion, Acropolis of Athens (420โ€“415 BC)
    • Reconstruction of the Nereid Monument, Xanthos, Lycia (c. 390 BC)
    • Elements from the Mausoleum at Halicarnassus, including colossal figures and Amazonomachy frieze (c. 350 BC)
    • Column from the Temple of Artemis in Ephesus (early 4th century BC)
  • Prehistoric Greece and Italy (3300 BC โ€“ 8th century BC):
    • Over thirty Cycladic figures (3300โ€“2000 BC)
    • Minoan gold treasure from Aegina (1850โ€“1550 BC)
    • Bronze Minoan Bull-leaper from Rethymnon, Crete (1600โ€“1450 BC)
  • Etruscan (8th century BC โ€“ 1st century BC):
    • Gold jewellery from Castellani and Galeassi Tombs, Palestrina (8thโ€“6th centuries BC)
    • Ornate gold fibula from the Bernardini Tomb, Cerveteri (675โ€“650 BC)
    • Sarcophagus of Seianti Hanunia Tlesnasa from Chiusi (150โ€“140 BC)
  • Ancient Greece (8th century BC โ€“ 4th century AD):
    • Group of life-size archaic statues from Didyma (600โ€“580 BC)
    • Chatsworth Apollo Head, Tamassos, Cyprus (460 BC)
    • Dedicatory inscription by Alexander the Great from Priene (330 BC)
    • Colossal head of Asclepius of Milos (325โ€“300 BC)
  • Ancient Rome (1st century BC โ€“ 4th century AD):
    • Bronze head of Augustus from Meroรซ in Sudan (27โ€“25 BC)
    • Cameo glass Portland Vase, the most famous glass vessel from ancient Rome (1โ€“25 AD)
    • Silver Warren Cup with homoerotic scenes (5โ€“15 AD)
    • Discobolus (Discus-thrower) statue (1stโ€“2nd centuries AD)
    • Capitals from the pilasters of the Pantheon, Rome (126 AD)
    • Jennings Dog, a statue of a Molossian guard dog (2nd century AD)

Department of the Middle East

The Department of the Middle East houses an extensive collection that documents the rich history and cultures of the ancient Near East. This includes significant artifacts from Mesopotamia, Assyria, Babylonia, and other regions, providing crucial insights into the origins of civilization, writing, and early empires. Among its treasures are the renowned Assyrian palace reliefs, which depict scenes of royal life, warfare, and religious rituals from the Southwest Palace of Sennacherib in Nineveh, dating from 701-681 BC. These monumental works offer a vivid narrative of ancient power and artistry.

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References

References

  1.  The estimated footage of the various libraries as reported to the trustees has been summarised by Harris (1998), 3,6: Sloane 4,600, Harley 1,700, Cotton 384, Edwards 576, The Royal Library 1,890.
  2.  de Beer, Gavin R. (1953). Sir Hans Sloane and the British Museum. London.
  3.  The question of the use of the term 'British' at this period has recently received some attention, e.g. Colley (1992), 85ff. There never has been a serious attempt to change the museum's name.
  4.  Letter to Charles Long (1823), BMCE115/3,10. Scrapbooks and illustrations of the Museum. Wilson, David M. (2002). The British Museum: A History. London: The British Museum Press, p. 346.
  5.  BMCE1/5, 1175 (13 May 1820). Minutes of General Meeting of the Trustees, 1754รขย€ย“63. Wilson, David M. (2002). The British Museum: A History, p. 78.
  6.  Wilson, David, M. (2002). The British Museum: A History. London: The British Museum Press, p. 79
  7.  Caygill, Marjorie (2006). The British Museum: 250 Years. London: The British Museum Press, p. 5.
  8.  Wilson, David M. (2002). The British Museum: A History. London: The British Museum Press, p. 270.
  9.  Wilson, David M. (2002). The British Museum: A History. London: The British Museum Press, p. 327.
  10.  https://www.britishmuseum.org/about-us/british-museum-story/architecture
  11.  Reported in the list of Sloane's collection given to his executors in 1753. Reproduced in MacGregor (1994a:29)
  12.  British Museum collection
  13.  British Museum collection
  14.  British Museum collection
A full list of references for this article are available at the British Museum Wikipedia page

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This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional historical or archaeological advice. The information provided on this website is not a substitute for consulting official museum documentation, academic research, or seeking advice from qualified historians, archaeologists, or museum professionals. Always refer to authoritative sources and expert opinions for specific historical or archaeological inquiries.

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