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Freyr: Echoes of the Golden Age

An in-depth exploration of the revered Norse deity associated with fertility, prosperity, peace, and kingship.

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Etymology and Designation

The Name "Freyr"

The Old Norse appellation Freyr signifies "Lord." This title is believed to derive from a Proto-Germanic root, *frawjaz, cognate with Gothic frauja and Old High German frō, all denoting "lord" or "master." Recent linguistic analysis suggests an alternative etymology connecting the name to the Proto-Scandinavian adjective *fraiw(i)a-, meaning "fruitful" or "generative," aligning with Freyr's association with fertility.

He is also known by numerous other epithets that elucidate his multifaceted roles within religious practice and mythology.

Royal and Divine Lineage

Freyr is identified as a prominent member of the Vanir, a distinct group of Norse deities. He is the son of Njörðr and his sister-wife, and the twin brother of the goddess Freyja. As a testament to his divine status, the realm of the Elves, Álfheimr, was bestowed upon him as a childhood gift.

Furthermore, Freyr is recognized as an ancestor of the Swedish royal house, underscoring his deep connection to kingship and legitimate rule.

Adam of Bremen's Account

Early Testimony and Interpretation

Adam of Bremen's Gesta Hammaburgensis ecclesiae pontificum, composed around 1080 CE, provides one of the earliest written descriptions of pre-Christian Scandinavian religious practices. Adam claims access to firsthand accounts of pagan customs in Sweden, detailing the Temple at Uppsala.

He refers to Freyr by the Latinized name Fricco and notes that an image of him at Skara was destroyed by Bishop Egino. Adam's description of the Uppsala temple places Thor, Woden, and Fricco (Freyr) in a hierarchical arrangement, attributing to Thor dominion over the air, Woden over war, and Fricco over peace and pleasure, notably represented with a phallic statue.

The reliability of Adam's account is a subject of scholarly debate, with potential discrepancies arising from differing regional practices or Snorri Sturluson's later interpretations.

The Uppsala Temple

Adam describes the Temple at Uppsala as being "entirely decked out in gold." Within this sacred structure, statues of three principal deities were venerated. Thor occupied the central position, with Woden and Fricco (Freyr) flanking him. Adam explicitly states that Fricco's likeness was fashioned with an immense phallus, emphasizing his role as a deity of fertility and pleasure. He also mentions that a libation was made to Fricco's image during marriage ceremonies.

In hoc templo, quod totum ex auro paratum est, statuas atrium deorum veneratur populus, ita ut potentissimus eorum Thor in medio solium habeat triclinio; hinc et inde locum possident Wodan et Fricco. Quorum significationes eiusmodi sunt: 'Thor', inquiunt, 'praesidet in aere, qui tonitrus et fulmina, ventos ymbresque, serena et fruges gubernat. Alter Wodan, id est furor, bella gerit, hominique ministrat virtutem contra inimicos. Tertius est Fricco, pacem voluptatem que largiens mortalibus'. Cuius etiam simulacrum fingunt cum ingenti priapo.

Gesta Hammaburgensis 26, Waitz' edition

In this temple, entirely decked out in gold, the people worship the statues of three gods in such wise that the mightiest of them, Thor, occupies a throne in the middle of the chamber; Woden and Frikko have places on either side. The significance of these gods is as follows: Thor, they say, presides over the air, which governs the thunder and lightning, the winds and rains, fair weather and crops. The other, Woden—that is, the Furious—carries on war and imparts to man strength against his enemies. The third is Frikko, who bestows peace and pleasure on mortals. His likeness, too, they fashion with an immense phallus.

Gesta Hammaburgensis 26, Tschan's translation

The Prose Edda's Portrayal

Freyr's Divine Dominion

Snorri Sturluson, writing in 13th-century Iceland, presents Freyr as a preeminent deity in the Gylfaginning section of the Prose Edda. Unlike Adam of Bremen, Snorri attributes control over rain, sunlight, and the earth's produce—key elements for prosperity and good harvest—directly to Freyr. This contrasts with Adam's attribution of these powers to Thor.

Snorri also omits the explicit sexual references found in Adam's account, potentially reflecting a shift in emphasis or regional variations in the cult of Freyr. The text highlights Freyr's role in governing human prosperity and good fortune, making him a deity to be invoked for favorable seasons and peace.

Njörðr í Nóatúnum gat síðan tvau börn, hét sonr Freyr en dóttir Freyja. Þau váru fagr álits ok máttug. Freyr er hinn ágætasti af ásum. Hann ræðr fyrir regni ok skini sólar, ok þar með ávexti jarðar, ok á hann er gott at heita til árs ok friðar. Hann ræðr ok fésælu manna.

Gylfaginning 24, EB's edition

Njörðr in Nóatún begot afterward two children: the son was called Freyr, and the daughter Freyja; they were fair of face and mighty. Freyr is the most renowned of the Æsir; he rules over the rain and the shining of the sun, and therewithal the fruit of the earth; and it is good to call on him for fruitful seasons and peace. He governs also the prosperity of men.

Gylfaginning XXIV, Brodeur's translation

The Courtship of Gerðr

The most detailed narrative concerning Freyr in the Prose Edda recounts his infatuation with the giantess Gerðr. Upon seeing her from Odin's throne, Hliðskjálf, Freyr is struck by her beauty, which illuminates the world. His subsequent melancholy prompts his servant, Skírnir, to undertake a wooing mission.

Freyr bestows his magical, self-wielding sword upon Skírnir as payment for this service. This act, while securing Gerðr's hand for Freyr, has profound implications, as it leaves Freyr disarmed and vulnerable for the prophesied events of Ragnarök, where he is fated to fall to the fire giant Surtr.

Þat var einn dag er Freyr hafði gengit í Hliðskjálf ok sá of heima alla. En er hann leit í norðrætt, þá sá hann á einum bœ mikit hús ok fagrt, ok til þess húss gekk kona, ok er hon tók upp höndum ok lauk hurð fyrir sér þá lýsti af höndum hennar bæði í lopt ok á lög, ok allir heimar birtusk af henni.

Gylfaginning 37, EB's edition

It chanced one day that Freyr had gone to Hliðskjálf, and gazed over all the world; but when he looked over into the northern region, he saw on an estate a house great and fair. And toward this house went a woman; when she raised her hands and opened the door before her, brightness gleamed from her hands, both over sky and sea, and all the worlds were illumined of her.

Gylfaginning XXXVII, Brodeur's translation

The loss of Freyr's sword is a critical narrative element. Without it, Freyr is destined to perish during Ragnarök, the twilight of the gods, in combat against Surtr. This foretold demise highlights the tragic dimension of Freyr's story, emphasizing the consequences of his actions and the inexorable march of fate.

Despite this, Freyr retains two other significant artifacts crafted by dwarfs: the boar Gullinbursti, whose mane illuminates the path, and the ship Skíðblaðnir, which always carries a favorable wind and can be folded and stored.

Skaldic Poetry and Freyr

Warrior and Patron

Freyr is referenced in various skaldic poems, often depicted in contexts related to warfare and divine patronage. In the poem Húsdrápa, preserved partially within the Prose Edda, Freyr is described as riding his boar, Gullinbursti, to Baldr's funeral pyre, leading the assembled people.

Ríðr á björg til borgar
bǫðfróðr sonar Óðins
Freyr ok folkum stýrir
fyrstr enum golli byrsta. Húsdrápa 7
The battle-bold Freyr rideth
First on the golden-bristled
Barrow-boar to the bale-fire
Of Baldr, and leads the people. Húsdrápa 7

Invoked for Aid

The skald Egill Skallagrímsson invokes Freyr, alongside Njörðr, in a poem requesting their intervention to drive Eric Bloodaxe from Norway. Similarly, in Arinbjarnarkviða, Egill mentions that his friend received blessings from both deities, suggesting Freyr's role as a benefactor and protector.

[E]n Grjót björn
of gæddan hefr
Freyr ok Njörðr
at féar afli. Arinbjarnarkviða 17
Frey and Njord
have endowed
rock-bear
with wealth's force. Arinbjarnarkviða 17

The Poetic Edda's Narratives

Ragnarök and Freyr's Fate

The seminal poem Völuspá vividly describes Freyr's final confrontation during Ragnarök, the cataclysmic end of the world. It depicts Surtr, the fire giant, advancing with a blazing sword, signaling the onset of destruction. The poem foretells Freyr's battle against Surtr, a conflict he is fated to lose due to the absence of his magical sword, which he had previously relinquished.

Scholarly interpretations suggest that Surtr's sword might be the very weapon Freyr gave away, adding a layer of tragic irony to his foretold demise.

Surtr fer sunnan
með sviga lævi,
skíðn af sverði
sól valtíva.
Grjótbjörg gnata,
en gífr rata,
troða halir helveg,
en himinn klofnar.
Þá kemr Hlínar
harmr annarr fram,
er Óðinn ferr
við úlf vega,
en bani Belja
bjartr at Surti,
þá mun Friggjar
falla angan. Völuspá 51–52
Surtr moves from the south
with the scathe of branches:
there shines from his sword
the sun of Gods of the Slain.
Stone peaks clash,
and troll wives take to the road.
Warriors tread the path from Hel,
and heaven breaks apart.
Then is fulfilled Hlín's
second sorrow,
when Óðinn goes
to fight with the wolf,
and Beli's slayer,
bright, against Surtr.
Then shall Frigg's
sweet friend fall. Völuspá 50–51

Abode and Companions

In Grímnismál, Freyr's dwelling is identified as Álfheimr, the realm of the Elves. This association suggests a connection between the Vanir and the álfar, a group often shrouded in mystery. The poem also mentions that the sons of Ívaldi crafted Skíðblaðnir for Freyr, noting its exceptional quality as a ship.

Lokasenna reveals Freyr's servants, Byggvir and Beyla, who appear to be associated with the process of grain cultivation and perhaps bread-making, further linking Freyr to themes of sustenance and agriculture. The poem also contains accusations of incest among the Vanir, including Freyr and Freyja, though Týr defends Freyr.

The Courtship of Gerðr in Skírnismál

The poem Skírnismál extensively details Freyr's courtship of Gerðr. Freyr's profound lovesickness, stemming from his sighting of Gerðr, leads him to enlist the aid of Skírnir. Freyr gifts Skírnir his sword and a horse for the perilous journey to Jötunheimr to woo Gerðr.

Skírnir's success is achieved through a combination of persuasion and magical coercion, including threats of destructive curses, which ultimately compel Gerðr to accept Freyr's proposal. This narrative underscores Freyr's determination and the lengths to which he would go for love, albeit at a significant cost.

The exchange of Freyr's sword for Gerðr's hand is a pivotal moment. Skírnir's successful wooing, achieved through a combination of gifts and magical threats, secures Gerðr's agreement to meet Freyr after nine nights. This pact, however, directly leads to Freyr's vulnerability at Ragnarök, as he will face Surtr without his formidable weapon.

Mar ek þér þann gef,
er þik um myrkvan berr
víðan vafrloga,
ok þat sverð,
er sjalft mun vegask
ef sá er horskr, er hefr. Skírnismál 9
My steed I lend thee
to lift thee o'er the weird
ring of flickering flame,
the sword also
which swings itself,
if wise be he who wields it. Skírnismál 9

The Ynglinga Saga and Royal Descent

Euhemerized Origins

Snorri Sturluson's Ynglinga saga presents a euhemerized account of the Norse gods, portraying them as historical figures originating from Asia. In this narrative, the Æsir and Vanir engage in a war, eventually establishing peace through hostage exchange. Freyr and Njörðr are sent to live among the Æsir.

The saga highlights the Vanir's practice of incest, which was forbidden among the Æsir, and Freyr's subsequent role as a priest and influential leader in Sweden. His reign is characterized by peace and abundant harvests, leading the Swedes to venerate him as a god of prosperity.

Þá er Njörðr var með Vönum, þá hafði hann átta systur sína, því at þat váru þar lög; váru þeirra börn Freyr ok Freyja. En þat var bannat með Ásum at byggja svá náið at frændsemi. Ynglinga saga 4

While Njord was with the Vanaland people he had taken his own sister in marriage, for that was allowed by their law; and their children were Frey and Freya. But among the Asaland people it was forbidden to intermarry with such near relations. Ynglinga saga 4

The Cult of Freyr and Uppsala's Wealth

Freyr's reign is marked by significant prosperity, with the Swedes experiencing unprecedented wealth due to peace and good harvests, which they attributed to Freyr's influence. He established a grand temple at Uppsala, designating it his primary seat and dedicating all his taxes, lands, and possessions to it. This act contributed to the immense wealth of Uppsala, a status that persisted.

Freyr's wife was Gerðr, daughter of Gymir, and their son was Fjǫlnir. Freyr was also known as Yngvi, a name that became a title of honor for his descendants, the Ynglings.

Freyr tók ríki eptir Njörð; var hann kallaðr drottinn yfir Svíum ok tók skattgjafir af þeim; hann var vinsæll ok ársæll sem faðir hans. Freyr reisti at Uppsala mikit hof, ok setti þar höfuðstað sinn; lagði þar til allar skyldir sínar, lönd ok lausa aura; þá hófst Uppsala auðr, ok hefir haldizt æ sían. Á hans dögum hófst Fróða friðr, þá var ok ár um öll lönd; kendu Svía þat Frey. Var hann því meir dýrkaðr en önnur goðin, sem á hans dögum varð landsfólkit auðgara en fyrr af friðinum ok árinni. Gerðr Gýmis dóttir hét kona hans; sonr þeirra hét Fjǫlnir. Freyr hét Yngvi öðru nafni; Yngva nafn var lengi síðan haft í hans ætt fyrir tignarnafn, ok Ynglingar váru síðan kallaðir hans ættmenn.

Ynglinga saga 12

Frey took the kingdom after Njord, and was called drot by the Swedes, and they paid taxes to him. He was, like his father, fortunate in friends and in good seasons. Frey built a great temple at Upsal, made it his chief seat, and gave it all his taxes, his land, and goods. Then began the Upsal domains, which have remained ever since. Then began in his days the Frode-peace; and then were good seasons, in all the land, which the Swedes ascribed to Frey, so that he was more worshipped than the other gods, as the people became much richer in his days by reason of the peace and good seasons. His wife was called Gerd, daughter of Gymir, and their son was called Fjolne. Frey was called by another name, Yngve; and this name Yngve was considered long after in his race as a name of honour, so that his descendants have since been called Ynglinger.

Ynglinga saga 12

Following Freyr's death, his cult persisted. The Swedes, believing his spirit remained within his burial mound and continued to ensure peace and prosperity, maintained sacrifices to him for three years. This practice underscores Freyr's enduring significance as a deity of abundance and stability.

Ögmundar þáttr dytts: A Fertility Cult

Freyr's Wagon and Priestess

The 14th-century Icelandic tale, Ögmundar þáttr dytts, preserves a tradition concerning Freyr's cult in Sweden. It describes Freyr being transported in a wagon, attended by a priestess. This narrative emphasizes Freyr's role as a fertility deity, requiring a female counterpart for his divine couple and ritualistic functions.

Great heathen sacrifices were held there at that time, and for a long while Frey had been the god who was worshipped most there – and so much power had been gained by Frey's statue that the devil used to speak to people out of the mouth of the idol, and a young and beautiful woman had been obtained to serve Frey. It was the faith of the local people that Frey was alive, as seemed to some extent to be the case, and they thought he would need to have a sexual relationship with his wife; along with Frey she was to have complete control over the temple settlement and all that belonged to it.

Gunnar's Encounter and Freyr's Demise

The narrative follows Gunnar, who, fleeing accusations of manslaughter, finds refuge in Sweden. He encounters Freyr's priestess and assists her in transporting the god's effigy. Freyr, however, appears to attack Gunnar, who escapes only by promising to return to Christianity. Upon this promise, a demon emerges from the idol, revealing Freyr to be merely wood.

Gunnar then impersonates Freyr, traveling with the priestess. Their union results in the priestess's pregnancy, which the Swedes interpret as confirmation of Freyr's fertility. Ultimately, Gunnar and the priestess flee to Norway, where she is baptized.

Other Icelandic and Continental Sources

Sagas and Mentions

Freyr is alluded to in several Icelandic sagas, including Hrafnkels saga, where the protagonist is a priest of Freyr who dedicates a horse to the god. Gísla saga features Þorgrímr Freysgoði, an ardent worshipper of Freyr, buried in a howe. The sagas suggest that Freyr's favor protected his followers from harsh weather.

Varð og sá hlutur einn er nýnum þótti gegna að aldrei festi snæ utan og sunnan á haugi Þorgríms og eigi fraus; og gátu menn þess til að hann myndi Frey svo ávarður fyrir blótin að hann myndi eigi vilja að freri á milli þeirra.

And now, too, a thing happened which seemed strange and new. No snow lodged on the south side of Thorgrim's howe, nor did it freeze there. And men guessed it was because Thorgrim had been so dear to Frey for his worship's sake that the god would not suffer the frost to come between them.

Other sources mentioning Freyr include Vatnsdæla saga, Hallfreðar saga, and Víga-Glúms saga. The Íslendingabók (c. 1125) is the earliest Icelandic source to mention Freyr in a genealogy of Swedish kings, and Landnámabók records a heathen oath invoking Freyr, Njörðr, and "the almighty áss."

Gesta Danorum and Yngvi

Saxo Grammaticus's 12th-century Danish work, Gesta Danorum, identifies Freyr as Frø, the "viceroy of the gods," and a king of Sweden. He describes Frø altering sacrificial rituals to include human victims, a practice possibly reflecting historical memory of fertility cults.

Frø quoque deorum satrapa sedem haud procul Upsala cepit, ubi veterem litationis morem tot gentibus ac saeculis usurpatum tristi infandoque piaculo mutavit. Siquidem humani generis hostias mactare aggressus foeda superis libamenta persolvit. Gesta Danorum 3

There was also a viceroy of the gods, Frø, who took up residence not far from Uppsala and altered the ancient system of sacrifice practised for centuries among many peoples to a morbid and unspeakable form of expiation. He delivered abominable offerings to the powers above by instituting the slaughter of human victims. Gesta Danorum 3

The Anglo-Saxon rune poem mentions "Ing," who may be identified with Freyr, as the first seen among the East Danes. This connection links Freyr to the Inguaeones tribes mentioned by Tacitus and suggests his role as a progenitor figure for Germanic kings, who often served as priests during sacrifices.

Yngvi: The Ancestral Lord

Royal Ancestry and Titles

Freyr is also known by the name Yngvi. This appellation is significant as it forms the basis of the Swedish royal dynasty's name, the Ynglings, signifying their descent from this ancestral figure. Tacitus, in his work Germania, mentions the Inguaeones, a Germanic tribe descended from Mannus's son, Ingui, further solidifying the connection between this name and early Germanic peoples.

The compound "Ingui-Frea" (Old English) and "Yngvi-Freyr" (Old Norse) likely reflect the intertwined roles of Germanic kings as both rulers and priests, particularly during sacrificial rites. "Frea" and "Freyr" both translate to "Lord," emphasizing their status.

Connections to Fertility and Wagons

The Anglo-Saxon rune poem's description of Ing going "back over the waves, his wagon behind him" potentially links Yngvi to earlier conceptions of wagon processions associated with Nerthus and later Scandinavian ideas of Freyr's ceremonial journeys.

The archaeological evidence of gullgubber—small gold foil pieces found across Scandinavia, often depict paired figures, possibly representing divine couples like Freyr and Gerðr, engaged in symbolic interactions related to fertility and marriage rituals.

Archaeological Evidence

The Rällinge Statuette

Discovered in 1904 on the Rällinge farm in Södermanland, Sweden, a Viking Age statuette is widely identified as a depiction of Freyr. This seven-centimeter bronze figure portrays a cross-legged, bearded male with an erect phallus, wearing a pointed cap or helmet and stroking his beard. Housed at the Swedish Museum of National Antiquities, the statuette provides tangible, albeit iconographically debated, evidence of Freyr's visual representation and cultic significance.

Skog Tapestry and Gullgubber

The Skog tapestry, originating from Hälsingland, Sweden, contains a section depicting three figures interpreted by some scholars as representations of Odin, Thor, and Freyr, aligning with descriptions of statue arrangements at the Temple at Uppsala. Alternatively, these figures might represent Scandinavian kings.

Numerous gullgubber, small gold foil pieces found across Scandinavia, often depict paired figures, possibly representing divine couples like Freyr and Gerðr, engaged in symbolic interactions related to fertility and marriage rituals.

Toponymic Evidence

Freyr's Presence in Place Names

The prevalence of place names incorporating "Freyr" across Scandinavia, particularly in Norway, Sweden, and Denmark, offers substantial evidence of his widespread veneration. Names such as Freysakr ("Freyr's field"), Freyshof ("Freyr's temple"), and Fröslunda ("Freyr's grove") indicate the presence of sanctuaries, fields, or settlements dedicated to him.

These toponyms suggest that Freyr was deeply integrated into the landscape and social fabric of early Germanic societies, with specific locations being focal points for his cultic worship.

Modern Influence and Legacy

Artistic and Literary Resonance

Freyr continues to inspire modern artistic and literary works. He features prominently in Danish poet Adam Gottlob Oehlenschläger's Nordens Guder (1819). More recently, Icelandic poet Gerður Kristný's Blóðhófnir (2010), a feminist retelling of Skírnismál, garnered critical acclaim, winning the Icelandic Literature Award.

These contemporary interpretations demonstrate Freyr's enduring cultural significance, adapting his myths and attributes for modern audiences.

Neo-Paganism and Scholarship

In contemporary times, Freyr's veneration has been revived through the Heathenry movement, a modern Pagan religious movement based on pre-Christian Germanic beliefs. Scholars continue to analyze his multifaceted roles, from fertility and prosperity to kingship and peace, examining his significance within the broader context of Norse mythology and Germanic paganism.

Further Exploration

Related Deities and Concepts

Freyr's mythological context is rich with interconnected figures and concepts. Understanding his relationships with other deities, such as his father Njörðr and sister Freyja, provides deeper insight into the Vanir pantheon. His association with specific artifacts like Gullinbursti and Skíðblaðnir, and his role in key myths like the courtship of Gerðr and the events of Ragnarök, are central to his narrative.

Exploring related concepts such as álfar (elves), the cosmic tree Yggdrasil, and the eschatological event of Ragnarök offers a comprehensive view of the Norse worldview.

Scholarly Notes

Annotations and Citations

The following notes provide context and cite the sources used in this exploration, referencing scholarly works and primary texts that inform our understanding of Freyr.

  • Lindow 2001, p. 121.
  • Davidson 1964, pp. 96–97.
  • de Vries 1962, p. 142.
  • Orel 2003, p. 112.
  • Elmevik 2003.
  • Sundqvist 2013, p. 26.
  • Kroonen 2013, pp. 152–153.
  • Tschan 2002, p. 192 (Book 4, ix (9)).
  • Tschan 2002, p. 207 (Book 4, xxvi (26)).
  • Haastrup 2004, pp. 18–24.
  • A kenning meaning "fire".
  • Heinrichs, Anne: The Search for Identity: A Problem after the Conversion, in alvíssmál 3. pp. 54–55 (PDF).
  • "Gísla saga Súrssonar". www.snerpa.is.
  • "The Story of Gisli The Outlaw". Northvegr.
  • Davidson 1999, Vol. II, p. 55.
  • Swedish Museum of National Antiquities inventory number 14232.
  • Leiren, Terje I. (1999). From Pagan to Christian: The Story in the 12th-Century Tapestry of the Skog Church.
  • Davidson 1988, p. 121.
  • Kristný, Gerður (2010). Blóðhófnir. Mál og menning.
  • Crocker, Christopher; Geeraert, Dustin (2022). Cultural legacies of Old Norse literature: new perspectives. Cambridge: D. S. Brewer. ISBN 978-1-84384-638-3.

Primary and Secondary Sources

Bibliographical References

  • Ásgeir Blöndal Magnússon (1989). Íslensk orðsifjabók. Reykjavík: Orðabók Háskólans.
  • Berger, Pamela (1988). Goddess Obscured: Transformation of the Grain Protectress from Goddess to Saint. Beacon Press. ISBN 978-0-8070-6723-9.
  • Brodeur, Arthur Gilchrist (tr.) (1916). The Prose Edda by Snorri Sturluson. New York: The American-Scandinavian Foundation.
  • Davidson, Hilda E. (1964). Gods and Myths of Northern Europe. Penguin. ISBN 978-0-14-194150-9.
  • Davidson, H. R. Ellis (1988). Myths and Symbols in Pagan Europe: Early Scandinavian and Celtic Religions. Manchester University Press. ISBN 978-0-7190-2579-2.
  • de Vries, Jan (1962). Altnordisches Etymologisches Worterbuch (1977 ed.). Brill. ISBN 978-90-04-05436-3.
  • Dronke, Ursula (1997). The Poetic Edda: Mythological poems. Oxford University Press, USA. ISBN 978-0-19-811181-8.
  • Dumzil, Georges (1973). From Myth to Fiction: The Saga of Hadingus. University of Chicago Press. ISBN 978-0-226-16972-9.
  • Elmevik, Lennart (2003). "Freyr, Freyja, och Freyfaxi". Studia Anthroponymica Scandinavica. 21: 5–13.
  • Eysteinn Björnsson (ed.) (2005). Snorra-Edda: Formáli & Gylfaginning : Textar fjögurra meginhandrita.
  • Finnur Jónsson (1913). Goðafræði Norðmanna og Íslendinga eftir heimildum. Reykjavík: Hið íslenska bókmentafjelag.
  • Finnur Jónsson (1931). Lexicon Poeticum. København: S. L. Møllers Bogtrykkeri.
  • Guðni Jónsson (ed.) (1949). Eddukvæði : Sæmundar Edda. Reykjavík: Íslendingasagnaútgáfan.
  • Kaspersen, Søren; Haastrup, Ulla. (2004). Images of Cult and Devotion: Function and Reception of Christian Images in Medieval and Post-Medieval Europe. Museum Tusculanum Press. ISBN 978-87-7289-903-9.
  • Kroonen, Guus (2013). Etymological Dictionary of Proto-Germanic. Brill. ISBN 978-9004183407.
  • Lee Milton Hollander (1986). The Poetic Edda. University of Texas Press. ISBN 978-0-292-76499-6.
  • Leiren, Terje I. (1999). From Pagan to Christian: The Story in the 12th-Century Tapestry of the Skog Church.
  • Lindow, John (2001). Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs. Oxford University Press. ISBN 978-0-19-983969-8.
  • Orel, Vladimir E. (2003). A Handbook of Germanic Etymology. Brill. ISBN 978-90-04-12875-0.
  • "Rällinge-Frö" Historiska museet.
  • Sundqvist, Olof (2020). "Freyr". In Schjødt, Jens Peter; Lindow, John; Andrén, Andres (eds.). The Pre-Christian Religions of the North: History and Structures. Vol. 3, ch. 43. Turnhout: Brepols. pp. 1195–1245.
  • Sundqvist, Olof (2013). "On Freyr: The 'Lord' or 'The Fertile One'? Some Comments on the Discussion of Etymology from the Historian of Religions' Point of View". Onoma. 48: 11–35.
  • Thordeman, Bengt (ed.) (1954) Erik den helige – historia, kult, reliker. Stockholm: Nordisk rotogravyr.
  • Thorpe, Benjamin (tr.) (1866). Edda Sæmundar Hinns Froða : The Edda of Sæmund The Learned. (2 vols.) London: Trübner & Co.

Primary Sources

  • Adam of Bremen (edited by G. Waitz) (1876). Gesta Hammaburgensis Ecclesiae Pontificum. Berlin.
  • Adam of Bremen (2002). History of the archbishops of Hamburg-Bremen. Tschan, Francis J. (trans.). Columbia University Press. ISBN 978-0-231-12575-8.
  • Saxo, Grammaticus (1979). The History of the Danes. DS Brewer. ISBN 978-0-85991-502-1.
  • Olrik, J. and H. Ræder (1931). Saxo Grammaticus : Gesta Danorum.

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References

References

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This document has been generated by an AI, drawing upon historical and mythological texts. It is intended for academic and educational purposes, providing an overview of Freyr within the context of Norse mythology and historical interpretations.

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