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Subterranean Sentinels

A scholarly exploration of gnomish lore, from their alchemical origins to their modern fantasy portrayals.

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What is a Gnome?

Mythological & Alchemical Roots

A gnome is a mythological creature, a diminutive spirit first introduced by the influential physician and alchemist Paracelsus in the 16th century. These beings are typically depicted as small humanoids residing underground, often associated with Renaissance magic and alchemy. Their characteristics have been fluidly reinterpreted across various literary and artistic traditions over centuries.

Paracelsus's Introduction

Paracelsus's conception of the gnome is believed to have originated from German miners' legends concerning the `Bergmännlein` or `dæmon metallicus` (metallurgical or mineralogical demon). Georg Agricola, a contemporary of Paracelsus, also documented these mining spirits, referring to them as `virunculus montanos` (mountain manikin) or `cobeli`. These early accounts describe them as mischievous pranksters who might throw pebbles at miners but could also lead them to rich veins of silver ore.

Early Descriptions of Stature

Paracelsus described his gnomes as approximately two spans (about 18 inches) in height. In contrast, Agricola's accounts suggested them to be three `dodrans` (three spans, or about 27 inches) tall. This variation highlights the early, evolving nature of their physical representation in folklore and scholarly texts.

Etymology

Latin Origins

The term "gnome" derives from Renaissance Latin `gnomus` or `gnomos` (plural `gnomi`), first appearing in Paracelsus's work, `A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits`, published posthumously in 1566. This seminal text introduced the term into the lexicon of mystical and alchemical discourse.

"Earth-Dweller" Hypothesis

One prominent theory, supported by the Oxford English Dictionary, suggests that Paracelsus may have coined the term from a hypothetical Latin `*gēnomos`, itself derived from a Greek `*gēnomos`, literally meaning "earth-dweller." While this etymology is plausible given the gnomes' subterranean nature, it lacks prior literary attestation, leading some scholars to consider its true origin an enduring mystery.

Paracelsus's Vision

Earth Elementals

Paracelsus classified `Gnomi` as earth elementals, often using the term synonymously with `Pygmæi`. He posited that these beings were approximately two spans (1.5 feet) in height. Crucially, he distinguished them from pure spirits by noting their human-like needs: they eat, drink, and engage in conversation.

Spirit-like Movement

A remarkable characteristic attributed to Paracelsus's gnomes is their ability to traverse solid earth with the same ease that humans move through air. This unique capability led him to describe them as being "like a spirit" in their movement, despite their corporeal needs and social interactions.

Dwarfs as Deformities

In a distinct perspective, Paracelsus considered what were commonly known as "dwarfs" (`Zwerg, Zwerglein` in German) to be mere `monstra` (deformities) of the earth spirit gnome. This highlights a hierarchical and somewhat critical view of other subterranean beings within his alchemical framework.

Historical Precursors

German Mine Spirits

Prior to Paracelsus, early modern Germany harbored beliefs in beings inhabiting mines, known as `Bergmännlein` (or `Bergmännlin`, `Bergmänngen`). These figures are considered equatable to Paracelsus's gnomes and were central to "miners' legends" (`Bergmannssage`).

Agricola's Documentation

Georgius Agricola, a mine supervisor and contemporary of Paracelsus, extensively documented these mythical beings in his monograph, `De animatibus subterraneis` (1549), which translates to "subterranean animate beings." This work is regarded as a foundational treatise on the `Berggeist` (mountain spirit) by scholars like the Brothers Grimm.

The `Kobel` Connection

Johannes Mathesius, a Lutheran reformist theologian, in his 1562 work `Sarepta Oder Bergpostill`, linked the noxious ore `cadmia` (which German miners called `cobelt` or `kobalt`) to a demon named `Kobel`. This `kobel` demon was blamed for the ore's troublesome nature, suggesting a direct connection between these spirits and the challenges faced by miners. The `Kobel` is considered a synonym of `Bergmännlein`, though distinct from the `kobold`.

Agricola's Accounts

The `Daemon Metallicus`

In his earlier Latin work, `Bermanus, sive, de re metallica` (1530), Agricola discussed the `dæmon metallicus` (metallurgical or mine demon). Later editions clarified this being as the German `Bergmännlein` (mountain manikin), a general term for an earth or mine spirit. This demon was believed to be responsible for depositing rich veins of silver ore.

Mimicking & Prankster Spirits

Agricola's `De animatibus subterraneis` (1549) provided more extensive details. He noted that these mountain-cave demons were called `cobalos` in Greek and `kobel` in German, due to their tendency to ape or mimic humans. They were characterized by their laughter and their habit of appearing busy without accomplishing anything substantial. These `virunculi montanos` (mountain manikins) were described as small (around 2 feet tall), appearing aged, and dressed like miners in filleted shirts and leather aprons. While they might pelt miners with pebbles, they were generally harmless unless provoked.

`Güteli` and `Trullis`

Agricola also mentioned beings similar to the `virunculi montanos`, which Germans called `Guteli` (singular: `Gutelos`, German: `Gütel`). These were described as amicable demons, rarely seen, who tended to livestock at their homes. They are sometimes rendered as "goblins." Furthermore, Agricola noted their resemblance to `Trullis` (possibly trolls), particularly among Swedes, who were said to shapeshift and sometimes serve humans.

Folklore

Beneficial Mine Spirits

German folklore generally portrays gnomes or `Berggeister` (mine spirits) as benevolent entities, provided they are treated with respect. They are believed to guide miners to valuable ore veins, highlighting a symbiotic relationship between humans and these subterranean guardians.

The Harz `Bergmönch`

In the Harz Mountains, a specific figure known as the `Bergmönch` (mountain monk) is said to guide miners. This spirit uses a "mining light" (`Grubenlicht` or `Geleucht`), often depicted as an ignited lump of tallow, to lead miners to their quarry or safely out of the mines. Legend suggests the `Bergmönch` was originally a mine supervisor who, after death, continued his oversight. If angered, he could appear in a giant form with cartwheel-sized eyes and a massive silver lantern.

Communication Through Noise

Miners in 19th-century Bohemia and Hungary reported hearing knocking sounds in mines, interpreted as warnings from `kobolds` (or their equivalents, the German `Berggeist`) to avoid certain directions. German miners also spoke of the `Berggeist` appearing as small black men, scouting ahead with hammers, their banging sounds indicating the presence of ore veins or faults, with more knocks signifying richer deposits.

Swiss Lore & Corruption

Swiss folklore associates gnomes with mining riches. They are said to have caused a landslide that destroyed the village of Plurs in 1618. The legend states that the gnomes had created a local gold mine for human benefit, but the villagers' subsequent corruption by newfound wealth offended the gnomes, leading to the disaster.

Cultural References

Romanticism & Fairy Tales

The English word "gnome" gained prominence in the early 18th century, notably in Alexander Pope's "The Rape of the Lock," where gnomes are celestial creatures guarding prudish women. By the 19th century, gnomes became a common figure in Romanticist fairy tales, often synonymous with "goblin" and serving as an antithesis to airy fairies or elves, emphasizing their chthonic nature.

  • Alexander Pope's "The Rape of the Lock" (1712): Gnomes are small, celestial beings, former prudish women, who now watch over their earthly counterparts.
  • Nathaniel Hawthorne's "Twice-Told Tales" (1837): Contrasts gnomes with fairies, emphasizing their ugliness and subterranean nature.
  • William Cullen Bryant's "Little People of the Snow" (1877): Distinguishes gnomes of the mine from elves.
  • Modest Mussorgsky's "Pictures at an Exhibition" (1874): The movement "Gnomus" musically depicts a gnome's erratic movements.
  • Franz Hartmann's "Among the Gnomes" (1896): An allegorical tale where gnomes are subterranean guardians of gold in the Untersberg mountain.

Modern Fantasy & Gaming

Gnomes have been widely adopted in modern fantasy literature and gaming since the mid-19th century, often portrayed as cunning inventors or guardians of underground treasures. Their characteristics vary significantly across different fictional universes.

  • L. Frank Baum's Oz books (1900-1920): The Nomes are chief adversaries, ugly, immortal, and fiercely protective of underground jewels.
  • J. R. R. Tolkien's Legendarium (1914-1973): "Gnomes" was an early, later dropped, name for the Noldor Elves, known for their knowledge, craftsmanship, and pride. In "The Father Christmas Letters," Red Gnomes assist Father Christmas.
  • C. S. Lewis's "The Chronicles of Narnia" (1950-1956): "Earthmen" gnomes live in the Underland, varying in size and appearance, often enslaved until their liberation.
  • Wil Huygen & Rien Poortvliet's "Gnomes" (1976): Popularized a harmonious, nature-loving image of gnomes, inspiring animated films and series.
  • J. K. Rowling's "Harry Potter" series (1997-2007): Gnomes are garden pests, small, potato-headed, and mischievous, generally harmless.
  • "Dungeons & Dragons" (RPG): Gnomes are a core playable race, smaller than dwarves, large-nosed, with an affinity for animals, gemstones, and often illusion magic or engineering.
  • "Warcraft" franchise: Gnomes are technologically advanced, intelligent, and allied with dwarves and humans, known for their engineering prowess.
  • "RuneScape" franchise: Features gnomes as NPCs, with locations like Tree Gnome Village and Gnome Stronghold, and a "Gnome child" becoming a popular meme.

Film & Television

Gnomes have also made their way into various film and television productions, often adapting their traditional characteristics for a broader audience.

  • "The Gnome-Mobile" (1967): A Walt Disney movie.
  • "Gnomeo & Juliet" (2011) & "Sherlock Gnomes" (2018): Animated films featuring garden gnomes in classic literary roles.
  • "The Santa Clauses" (Disney+ Series): Features gnomes in a Christmas-themed context.
  • "David the Gnome" (TV Show): A popular animated series based on Huygen and Poortvliet's books.
  • "Wallace & Gromit: Vengeance Most Fowl" (2024): Features robotic garden gnomes.

Derivative Uses

Garden Gnomes

The most widespread derivative use of gnomes is the garden gnome, introduced as lawn ornaments in the 19th century. Their popularity surged after World War II, with the image evolving in the 1960s-70s to resemble the "Disneyfied" seven dwarves from "Snow White." The illustrated book "Gnomes" (1976) further cemented this image. Garden gnomes share a resemblance with Scandinavian `tomte` and `nisse` figures.

Gnome-Themed Parks

Several entertainment parks are dedicated to the theme of gnomes, offering immersive experiences into their whimsical world. These include: The Gnome Reserve (UK), Gnomeland (UK), Gnome Magic Garden (UK), Gnometown, USA (Minnesota), The Gnome Village (Netherlands), Zwergen-Park Trusetal (Germany), and Gnom's Park (Poland).

Gnome Parades

Gnome parades have become a unique cultural phenomenon, with annual events like those at Atlanta's Inman Park Festival. These parades celebrate the whimsical nature of gnomes, often featuring participants dressed as or carrying gnome figures.

Metaphorical Applications

The term "gnome" has also found its way into metaphorical usage. The "Gnomes of Zurich" refers to Swiss bankers, evoking an image of diminutive figures hoarding gold in subterranean vaults, a phrase popularized in the 1960s. Architect Earl Young's unique stone houses in Charlevoix, Michigan, are often called "gnome homes." In the digital realm, a "WikiGnome" describes a Wikipedia user who makes useful, incremental edits without seeking attention.

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References

References

  1.  Or Latin:cobelus, Greek form cobelos.
  2.  The asterisk(*) at the beginnings of the presumed Latin or Greek words indicates linguistic reconstruction.
  3.  A rhetorical comparison is made to Murray Gell-Mann who did write to the Oxford English Dictionary regarding the word origin of "quark".
  4.  If 1 span is taken to be 9 inches, 2 spans equal 1.5 feet. Cf. below where Agricola gives 3 dodrans (equal to 3 spans, i.e., 2.25 feet).
  5.  The main text itself discusses "dæmon" in relation to "metallum" but the set phrase "dæmon metallicus" occurs in the end gloss.
  6.  (bergmenlein, kobel, guttel [sic].
  7.  Or "mountain dwarf"[67]
  8.  iumentum can mean cattle, etc., though Lavater tr. Harris gives "horses".
  9.  "Die drei Bergleute im Kuttenberg", Deutsche Sagen, No. 1
  10.  Cf. Paracelsus & Sigerist tr. (1941), pp. 231–232
  11.  Paracelsus & Sigerist tr. (1941), translator's preface, p. 221, translated text, p. 248
  12.  For the English "mountain people" "mountain manikins" cf. Paracelsus & Sigerist tr. (1941), passim.
  13.  Grimm, Deutsches Wörterbuch, Band 5, s.v. "Kobel"
  14.  Agricola & Hoovers trr. (1912), pp. 112–113.
  15.  Agricola & Hoovers trr. (1912), 1: 214, n21.
  16.  As also reported by Olaus Magnus,[78] discussed below.
  17.  Praetorius (1666), p. 142; Praetorius (1668), p. 129
  18.  "8. Haußmänner/Kobolde/Gütgen"
  19.  Scott actually says these are "kobolds" which are types of gnomes.[109]
  20.  "Der Berggeist spendet Geleucht" (ch. 5), Heilfurth & Greverus (1967) pp. 438–442
  21.  William Howitt, London Spiritual Magazine, cited by Britten.[116]
  22.  Guerber, H. A. (1899). Legends of Switzerland. Dodd, Mead & Co. pp. 289–290.
  23.  2007: Shadow on the Land, page 115
  24.  2013: Gnomes and Haflings, page 120
A full list of references for this article are available at the Gnome Wikipedia page

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