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Joffrey Ballet

A Legacy of Artistic Evolution in American Dance

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About The Joffrey Ballet

Overview

The Joffrey Ballet stands as a distinguished American dance company and a vital training institution, headquartered in Chicago, Illinois. Renowned for its dynamic annual performance season at the Civic Opera House, the company presents a repertoire that spans both classical ballets and groundbreaking contemporary works, including its cherished annual production of The Nutcracker.

Founding Visionaries

Established in 1956 by the pioneering figures Robert Joffrey and Gerald Arpino, the company rapidly cultivated a reputation for its boundary-pushing performances. This commitment to innovation was exemplified by its 1987 reconstruction of Vaslav Nijinsky's seminal ballet, The Rite of Spring, a work whose original choreography was long thought lost.

Location and Leadership

The Joffrey Ballet is strategically located at Joffrey Tower, 10 East Randolph Street, in the heart of downtown Chicago. Currently, Ashley Wheater MBE serves as the Artistic Director, guiding the company's artistic vision since 2007. Scott Speck leads the musical direction, collaborating with the Chicago Philharmonic.

A Chronicle of Evolution

Humble Beginnings

In 1956, during an era when touring ballet companies primarily performed abridged versions of classical ballets, Robert Joffrey and Gerald Arpino established a six-dancer ensemble. This troupe embarked on extensive tours across the United States, traveling with minimal resources, often utilizing a station wagon and a U-Haul trailer. Their performances featured original ballets choreographed by Joffrey. The ensemble's initial major city performance was in Chicago in 1957. Early benefaction from Rebekah Harkness was instrumental in enabling international tours, such as their 1963 visit to the Soviet Union, though Harkness and Joffrey eventually parted ways in 1964.

New York Residency and Expansion

The company rebuilt and debuted anew in 1965 as the Joffrey Ballet. Following a highly successful season at the New York City Center in 1966, it was appointed the venue's resident ballet company, with Joffrey as artistic director and Arpino as chief choreographer. During this period, Arpino's 1970 rock ballet Trinity garnered acclaim. Joffrey also oversaw revivals of significant works by choreographers such as Kurt Jooss, Frederick Ashton, John Cranko, Michel Fokine, Vaslav Nijinsky, and Lรฉonide Massine. In 1973, Twyla Tharp was commissioned to create her first ballet for the company, Deuce Coupe. The company operated as the City Center Joffrey Ballet until 1977. From 1977, it performed simply as the Joffrey Ballet. An expansion led to a second home in Los Angeles from 1982 to 1992. In 1995, the company relocated from New York City to Chicago, establishing its permanent base.

Chicago's Embrace

The initial years in Chicago presented considerable financial challenges, with the company facing near closure on multiple occasions. However, the engagement with Chicago audiences grew, attracting larger and younger demographics. The Joffrey Ballet marked its 10th anniversary in Chicago in 2005 and concluded a two-season-long 50th-anniversary celebration in 2007, which included a statewide tour of free outdoor performances across Iowa.

Reconstructing a Masterpiece

A landmark achievement was the Joffrey Ballet's 1987 premiere in Los Angeles of a meticulously reconstructed version of Igor Stravinsky's seminal ballet, The Rite of Spring. The original 1913 Paris premiere, choreographed by Vaslav Nijinsky, had its choreography largely lost to time. Dance scholars Millicent Hodson and Kenneth Archer dedicated 18 years to researching and reconstructing the original work. They successfully located and recreated approximately 80% of the original costumes and consulted with Nijinsky's rehearsal assistant, Marie Rambert, prior to her death in 1982.

Artistic Endeavors

Performance Season

The company, comprising 40 dancers, presents its regular performance season from September to May at Chicago's Civic Opera House. This season features a diverse repertoire encompassing both classical ballets and innovative contemporary pieces. A highlight of the season is the annual December presentation of The Nutcracker, performed in collaboration with the Chicago Philharmonic.

Reimagined Nutcracker

Since 2016, the Joffrey has presented Christopher Wheeldon's commissioned version of The Nutcracker. This production uniquely re-sets the narrative during the 1893 Chicago World's Fair, offering a distinct historical and cultural context.

Artistic Direction and New Works

Following Gerald Arpino's retirement from daily operations in 2007, Ashley Wheater MBE, a former Joffrey dancer, assumed the role of Artistic Director. Under his leadership, the company continues to commission and premiere new works. A notable example is the 2019 world premiere of Anna Karenina, a full-length story ballet choreographed by Yuri Possokhov, featuring a new orchestral score commissioned from composer Ilya Demutsky.

Education and Community

The Joffrey Ballet maintains a strong commitment to education and community outreach. Its educational arm includes the Joffrey Academy of Dance, which was renamed the Grainger Academy of The Joffrey Ballet in September 2024 following a significant $5 million donation from the Grainger Foundation. This endowment supports the training of young dancers. The company also engages in extensive community outreach programs and fosters collaborations with other visual and performing arts organizations.

Venue Transition

In 2021, The Joffrey Ballet transitioned its performance venue from the Auditorium Theatre, where it had been based since 1998, to the esteemed Civic Opera House. This move was part of a strategic partnership established with the Lyric Opera of Chicago.

Upcoming Premieres

The company's 70th anniversary season, commencing in September 2025, will feature the United States premiere of Liam Scarlett's ballet Carmen.

Cultural Footprint

Trailblazing Achievements

The Joffrey Ballet holds a distinguished place in the history of American performing arts, marked by numerous pioneering achievements:

  • It was the first dance company to perform at the White House upon the invitation of Jacqueline Kennedy.
  • It was the first classical dance company to appear on American television.
  • It pioneered the use of multi-media in classical dance productions.
  • It was the first company to create a ballet set to rock music.
  • The Joffrey was featured on the cover of TIME magazine.

Cinematic and Television Appearances

The company's artistic journey and impact have been immortalized in various media:

  • Robert Altman's film The Company (2003), a critically acclaimed work, was based on the Joffrey Ballet, with Malcolm McDowell portraying a character inspired by artistic director Gerald Arpino. The film authentically featured company members in many roles, drawing narratives from the dancers, choreographers, and staff.
  • The Joffrey Ballet made a notable appearance in the 2001 film Save the Last Dance, where the protagonists witness the company perform Sea Shadow and Les Prรฉsages in Chicago.
  • In the television series Glee (2012), the character Mike Chang was awarded a scholarship to attend the Joffrey Academy of Dance in Chicago.

Retrospective Exhibitions

In 2024, the New York Public Library for the Performing Arts hosted "The Joffrey + Ballet in the U.S.," the inaugural retrospective exhibition chronicling the company's history and Robert Joffrey's contributions. This exhibition is scheduled to move to Wrightwood 659 in Chicago in October 2025. Curated by Julia Foulkes, with assistance from former Joffrey dancer Nicole Duffy, the exhibition draws extensively from the Joffrey Archives housed at the library.

Related Works

Notable Productions

The Joffrey Ballet has produced numerous significant works throughout its history. One such production is Billboards, a ballet inspired by the music and artistry of the iconic musician Prince.

Further Exploration

Recommended Reading

For a deeper understanding of The Joffrey Ballet's history and impact, the following resources are recommended:

  • Anawalt, Sasha. The Joffrey Ballet: Robert Joffrey and the Making of an American Dance Company. University of Chicago Press, 1998.
  • Smith, Amanda. "The Joffrey has legs: Robert Joffrey's durable dream." The Boston Phoenix, March 23, 1982.

Authority Control

Identifiers

These identifiers link to external databases for standardized information:

  • VIAF: 148923604
  • Library of Congress: n80103527
  • Yale LUX: Yale Center for British Art

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References

References

A full list of references for this article are available at the Joffrey Ballet Wikipedia page

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Important Notice

This page has been generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is derived from publicly available data, primarily the Wikipedia article on The Joffrey Ballet, and may not be entirely exhaustive, current, or free from minor inaccuracies. It is presented to provide a comprehensive overview suitable for academic study.

This content is not professional advice. The information provided herein is not a substitute for consultation with arts professionals, historians, or cultural experts. Always refer to primary sources and consult with qualified professionals for specific inquiries or analyses.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided.