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The Broadcast Archive

Exploring the evolution of radio and television through the lens of the Museum of Broadcast Communications.

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Museum Overview

The Museum of Broadcast Communications (MBC) is an institution dedicated to the preservation and exhibition of historic and contemporary radio and television content. Headquartered in Chicago, Illinois, it serves as a vital repository for the cultural heritage of broadcast media.

Museum Locations

A Chronological Perspective

Established in 1982, the MBC officially opened its doors in June 1987 within the River City condominium complex at 800 S. Wells St. It operated at this location until June 1992, when it relocated to the prestigious Chicago Cultural Center. Following its departure from the Cultural Center in December 2003, the museum embarked on plans for a dedicated new building at 360 N. State St., intended to open in 2005.

Development Challenges

The construction of the new MBC facility faced significant delays and setbacks. Construction halted in 2006, and the half-completed building was slated for sale in December 2008, primarily attributed to a lack of promised state funding. Despite these challenges, funding was eventually secured, and construction resumed in 2010, with the State of Illinois providing a capital grant of $6 million to facilitate completion.

The State Street Reopening

The new 62,000-square-foot facility at 360 N. State St. saw its National Radio Hall of Fame gallery open to the public on December 1, 2011. The museum officially reopened its doors on June 13, 2012, precisely 25 years after its initial launch. The pre-opening ceremony featured notable figures from the entertainment and broadcasting industries, including actors John Mahoney and Betty White, and newscaster Hugh Downs.

Historical Trajectory

Genesis and Early Years

Founded in 1982, the Museum of Broadcast Communications (MBC) began its journey with the mission to preserve and celebrate the rich history of radio and television. Its initial public opening in 1987 marked a significant milestone, establishing a physical space dedicated to the evolving landscape of electronic media.

Navigating Transitions

The museum's early years were characterized by several relocations. From its initial base at River City, it moved to the Chicago Cultural Center, a landmark venue that provided a more prominent platform. However, the pursuit of a purpose-built facility led to ambitious plans for a new building on North State Street, a project that would test the museum's resilience through funding challenges and construction delays.

Digital Archives & Access

Preserving Broadcast Heritage

The MBC has actively worked to make its vast collection accessible. In partnership with Cleversafe, the museum aimed to provide online access to its archives. Between 2009 and early 2011, approximately 70,000 registered users and 4.5 million unique visitors accessed the MBC's extensive online video content, demonstrating a strong public interest in broadcast history.

Technical Setbacks

Despite efforts to digitize and provide online access, the museum faced significant technical challenges. A notable incident in 2013, described as a "server crash," resulted in the loss of access to about 10% of the museum's digitized radio and television programming, highlighting the fragility of digital preservation efforts.

Featured Exhibitions

Saturday Night Live: The Experience

In September 2017, the MBC announced the debut of "Saturday Night Live: The Experience," a substantial exhibit acquired from Premier Exhibitions. This 12,000-square-foot showcase, which opened in October 2017 and ran through the end of 2018, aimed to significantly enhance the museum's appeal and attract greater attention and visitor traffic.

Rock, Power & Politics

On May 24, 2019, the museum launched "Louder Than Words: Rock, Power & Politics," an exhibition on loan from the Rock and Roll Hall of Fame. This exhibit, running for three months on the museum's second floor, represented a collaboration to bring significant cultural content to Chicago audiences.

National Radio Hall of Fame

Honoring Radio's Icons

Until October 2017, the second floor of the MBC's State Street location housed the National Radio Hall of Fame (NRHOF) gallery. Affiliated with the MBC since 1991, the NRHOF celebrates significant figures and contributions to the radio industry. Following the closure of the SNL exhibit and subsequent building sales, efforts were made to partially restore the NRHOF gallery.

Encyclopedia of Television

A Definitive Resource

The MBC hosts the Encyclopedia of Television, an extensive online resource edited by Horace Newcomb. Featuring over 1,000 essays, it is recognized by Library Journal as "the most definitive resource on the history of television worldwide," providing scholarly depth to the museum's mission.

Operational Realities & Future

Financial and Attendance Trends

Following its reopening, the museum experienced a significant drop in attendance, from 225,000 annual visitors at the Cultural Center to approximately 7,300 at its new location with an admission fee. Financial challenges persisted, with reports indicating substantial mortgage debt and operating deficits. The museum also faced operational disruptions, including the aforementioned server crash impacting its digital archive.

Leadership and Building Sale

The museum has undergone several leadership transitions. Bruce DuMont, the founder, planned to retire, leading to changes in chairmanship and executive directorship. In a significant move, the museum's remaining exhibit space at 360 N. State St. was sold to a developer in April 2023, leading to its temporary closure. The MBC anticipates a future reopening within 18 to 24 months, continuing its mission.

Chicago Museums

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References

References

A full list of references for this article are available at the Museum of Broadcast Communications Wikipedia page

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Disclaimer

Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional advice. The information provided on this website is not a substitute for professional consultation regarding media history, museum operations, or archival practices. Always refer to official museum documentation and consult with qualified professionals for specific needs.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.