Where and when was the painter Noe Canjura born, and what was his nationality?

Noe Canjura was born in Apopa, El Salvador, on August 14, 1922. He was a Salvadoran painter.

What is the primary description of Noe Canjura's art provided in the article?

Noe Canjura's art is described as being imbued with a social conscience and laden with religious symbolism.

What was the socio-economic background of Noe Canjura's family in El Salvador?

Noe Canjura came from a humble family of landless peasants in Apopa, El Salvador. The region's infertile soil made survival difficult for his family.

How did Noe Canjura contribute to his family's finances and his own education during his youth?

To help pay for his school expenses and lessen the burden on his father, Canjura worked in a sawmill, sometimes spending the night there.

At what age did Noe Canjura begin drawing, and where did he pursue formal art studies?

Noe Canjura developed an interest in drawing at the age of seventeen. He then studied painting at the Academy of Painting of Valero Lecha in San Salvador from 1942 to 1946.

When did Canjura's artwork first begin to be exhibited, and in which countries?

Canjura's work started being exhibited throughout El Salvador from 1942 onwards. Later, his art was also shown in Guatemala.

What significant artistic influences did Noe Canjura encounter during his time in Mexico City in 1948?

In Mexico City, Canjura was strongly influenced by Diego Rivera, who was at the height of his fame at that time.

Beyond Diego Rivera, which other artist's work influenced Canjura, and in what specific artistic concepts?

Canjura also gained inspiration from the art of Gauguin, particularly appreciating his concepts of formal order in painting and his use of curves.

When did Noe Canjura have his first exhibition in the United States?

Noe Canjura had his first exhibition in the United States in 1948.

What opportunity allowed Noe Canjura to study art in France?

In 1949, Canjura received a five-year government scholarship that enabled him to go to France and study at the École nationale supérieure des Beaux-Arts.

Despite studying in France and being influenced by artists like Courbet and Le Nain, what subject matter did Canjura prioritize in his art?

Canjura preferred to represent the somber, harsh living conditions of his native country, El Salvador, rather than focusing solely on the styles of his French influences.

When and where did Noe Canjura hold his first solo exhibition in Paris?

Noe Canjura held his first one-man show in Paris in 1953.

How did Canjura support himself financially during his initial years living in Paris?

To support himself while living in Paris, Canjura undertook manual labor.

How did Canjura's marriage impact his artistic career?

His marriage to Madeleine Bachelet, who was also an artist, brought greater financial security, which allowed him to dedicate himself more fully to his art.

What effect did Canjura's brief return to El Salvador in 1957 have on his artistic style?

After living in Paris, Canjura's return to El Salvador in 1957 led him to see his country from a new perspective, resulting in color and light playing a more significant role in his works.

How did the city of Paris recognize Canjura's artistic contributions?

Between 1959 and 1965, the city of Paris purchased four of Canjura's paintings for its permanent collection.

In which annual exhibition did Canjura regularly participate as part of Maurice Boitel's group?

Canjura was a regular exhibitor and was invited every year to Maurice Boitel's group in the Salon "Comparaisons."

Besides institutions in Paris and El Salvador, which other museum acquired Canjura's paintings?

The Hamishka Leomanouth Museum at Ein Harod, Israel, also purchased his paintings.

What award did Noe Canjura receive in 1965?

In 1965, Canjura was awarded the "Prune d'Argent" by the Salon Peintres de Provence.

When and where did Noe Canjura pass away, and at what age?

Noe Canjura died in Morienval, France, on September 29, 1970, at the age of 48.

Where is Noe Canjura buried?

He is buried at the cemetery of Notre Dame de Morienval.

How is Noe Canjura often characterized in the context of his life story and artistic achievements?

Noe Canjura is regarded as an almost mythical figure in El Salvador, often described as the barefoot goatherd who went on to become a successful artist in Paris.

What elements from his homeland, El Salvador, are cited as influences on Canjura's artwork?

His work is considered to be influenced by the memory of the dramatic colors and the tropical light of El Salvador.

How did Canjura's artistic style evolve during his time in France?

His time in France led to the development of an increasingly abstract style characterized by luminous colors and diffused shapes.

What does the "More footnotes needed" template at the beginning of the article signify?

The "More footnotes needed" template indicates that the article contains general references but lacks sufficient inline citations to support specific claims, suggesting a need for improved sourcing.

What is the purpose of the "citation needed" tags found within the article's text?

The "citation needed" tags are placed next to statements that require verification, signaling that references to reliable sources must be introduced to support these claims.

What kind of information is presented in the "Authority control" section of the article?

The "Authority control" section provides standardized identifiers and links to various databases, such as ISNI, VIAF, WorldCat, Germany's national library, the U.S. Library of Congress, RKD Artists, IdRef, and SNAC. These links help uniquely identify Noe Canjura and locate further information across different archival and cataloging systems.

What resources are available to readers through the "External links" section?

The external links section offers access to the Museum of Art of El Salvador (MARTE), other language versions of the Wikipedia article (Spanish, French, German), information about Notre Dame de Morienval, and a video presentation on YouTube related to Noe Canjura.

What does the mention of "religious symbolism" in Canjura's art suggest about its thematic content?

The inclusion of religious symbolism suggests that themes related to faith, spirituality, or religious narratives were likely incorporated into his paintings, adding layers of meaning beyond social commentary.

What does the phrase "imbued with a social conscience" imply about the intent behind Canjura's artwork?

This phrase implies that Canjura's art was intended to address or reflect upon societal issues, the conditions of people, or matters of social justice, indicating a commitment to using his art for social commentary.

How did Canjura's artistic perspective on his native country evolve after his experiences in Paris?

After living in Paris, Canjura's return to El Salvador allowed him to view his homeland from a new perspective, which led to color and light playing a more prominent role in his works.

What was the significance of Canjura studying at the École nationale supérieure des Beaux-Arts?

Studying at the École nationale supérieure des Beaux-Arts in Paris, supported by a government scholarship, provided Canjura with formal artistic training at a prestigious European institution, contributing to his development as a modern artist.

What does the reference to "memory of the dramatic colors and of the tropical light of El Salvador" suggest about Canjura's artistic influences?

This suggests that Canjura's artistic output retained a connection to the vivid visual experiences of his homeland, El Salvador, influencing the palette and atmospheric qualities of his paintings even after he established himself in France.

What does the acquisition of his paintings by the city of Paris signify?

The purchase of four of Canjura's paintings by the city of Paris between 1959 and 1965 signifies official recognition and appreciation of his work by a major cultural institution in the city where he lived and worked.

What does the inclusion of multiple language versions of his Wikipedia article in the external links suggest?

The availability of Spanish, French, and German versions of his Wikipedia article suggests that Noe Canjura's life and work have garnered international interest and recognition across different linguistic and cultural contexts.

What does the presence of a YouTube video link in the external links section imply?

The inclusion of a YouTube video link indicates that multimedia content related to Noe Canjura is accessible online, potentially offering viewers visual insights into his life, art, or exhibitions.

What does the reference to "formal order in painting and the use of curves" from Gauguin suggest about Canjura's artistic considerations?

This suggests that Canjura was attentive to the structural and compositional aspects of painting, specifically how forms are organized and how curved lines contribute to the aesthetic qualities of a piece, as explored by Gauguin.

What does the "date: Not available" information in some references imply about the source materials?

This implies that specific publication dates are missing for some of the source materials, such as newspaper articles and gallery pamphlets, which might affect the precise historical context or verification of the information provided.

What is the purpose of the "hide-when-compact" class within the "More footnotes needed" template?

The "hide-when-compact" class is used to ensure that certain parts of the template's message, like instructions on how to remove the template, are hidden when the template is collapsed or viewed on smaller screens, keeping the primary message visible.

What does the "date-container" span showing "August 2016" signify in relation to the article?

This signifies that the "More footnotes needed" template was added to the article in August 2016, marking the time when the need for improved inline citations was identified and flagged by editors.

What does the mention of Canjura's humble origins and difficult childhood suggest about the potential themes in his art?

His humble origins and the mention of difficult survival conditions suggest that the social conscience evident in his art may have been deeply informed by his personal experiences with hardship and the struggles of ordinary people.

How did Canjura's artistic focus in Paris contrast with the typical subjects of some European masters he studied?

While influenced by European artists like Courbet and Le Nain, Canjura chose to focus his artistic representation on the somber and harsh living conditions of his native El Salvador, diverging from potentially more conventional European subject matter.

What does the acquisition of his paintings by the National Museum of El Salvador and the Hamishka Leomanouth Museum indicate?

Acquisitions by these national and international museums indicate that Canjura's work was recognized and valued by significant cultural institutions, extending beyond Parisian collections.

What does the reference to Canjura's art being 'laden with religious symbolism' imply about its deeper meanings?

This implies that beyond social commentary, Canjura's paintings likely explored themes of faith, spirituality, or religious narratives, adding a profound dimension to his artistic expression.

What does the phrase "prominent figure in 20th century modern art in France" suggest about Canjura's standing?

This suggests that Noe Canjura was not just an artist working in France, but one who made a significant impact and was recognized within the modern art movements and circles of 20th-century France.

What does the information about his marriage to Madeleine Bachelet suggest about his personal life and artistic support system?

It suggests that his marriage provided not only personal companionship but also a crucial support system, particularly financial security, which enabled him to dedicate himself more fully to his artistic pursuits.

What does the fact that he supported himself through manual labor imply about his early career in Paris?

This implies that Canjura faced financial challenges during his early years in Paris and had to undertake demanding physical work to sustain himself while pursuing his artistic goals.

What does the description of his art as 'imbued with a social conscience' suggest about its purpose?

This suggests that Canjura's art was intended to reflect on or comment upon the social conditions, struggles, or injustices faced by people, indicating a purpose beyond pure aesthetics.

Noe Canjura Wiki: Noe Canjura: A Life in Color and Conscience

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Early Life & Beginnings

Salvadoran Roots

Born in Apopa, El Salvador, in 1922, Noe Canjura hailed from a humble family of landless peasants. Survival was a constant challenge due to the region's infertile soil. To contribute to his family and fund his education, Canjura worked in a sawmill, often spending nights there.^{[citation needed]}

Artistic Awakening

His passion for drawing emerged at seventeen. From 1942 to 1946, he pursued formal painting studies at the Academy of Painting of Valero Lecha in San Salvador. His early works were exhibited across El Salvador and Guatemala starting in 1942.

Early Influences & Exhibitions

In 1948, Canjura studied in Mexico City, where he was profoundly influenced by the renowned Diego Rivera. He also drew inspiration from Paul Gauguin's principles of formal order and use of curves. That same year marked his first exhibition in the United States.^{[citation needed]}

The Parisian Chapter

Scholarship & Studies

In 1949, a five-year government scholarship enabled Canjura to move to France and study at the prestigious École nationale supérieure des Beaux-Arts in Paris. While influenced by masters like Courbet and Le Nain, his art remained deeply connected to the somber, harsh living conditions of his native country.

Life and Art in Paris

He held his first solo exhibition in Paris in 1953 and settled there permanently. To sustain himself, he undertook manual labor. His marriage to fellow artist Madeleine Bachelet provided greater financial stability, allowing him to fully dedicate himself to his art.^{[citation needed]}

New Perspectives

A brief return to El Salvador in 1957, after his experiences in Paris, offered him a new perspective on his native country. This shift brought a greater emphasis on color and light in his works. Between 1959 and 1965, the city of Paris acquired four of his paintings for its permanent collection.^{[citation needed]}

Artistic Style & Recognition

Themes and Evolution

Canjura's art is described as 'imbued with a social conscience and laden with religious symbolism'. His work often reflects the memory of El Salvador's dramatic colors and tropical light, evolving towards an 'increasingly abstract style of luminous colours and diffused shapes'.

Memberships and Awards

He was an active member of the Société Nationale des Beaux-Arts and the Salon de la Jeune Peinture. Canjura was a regular exhibitor and was annually invited to Maurice Boitel's group in the Salon "Comparaisons". He received the "Prune d'Argent" from the Salon Peintres de Provence in 1965.^{[citation needed]}

Collections and Acclaim

His paintings are held in significant collections, including the National Museum of El Salvador and the Hamishka Leomanouth Museum in Ein Harod, Israel. He is regarded as 'an almost mythical figure in El Salvador – the barefoot goatherd... who went on to be a successful artist in Paris'.

Final Chapter

Passing and Legacy

Noe Canjura passed away in Morienval, France, on September 29, 1970, at the age of 48. He was buried in the cemetery of Notre Dame de Morienval. He was survived by his daughter and granddaughter, leaving behind a legacy celebrated for its unique blend of social commentary and luminous abstraction.

Authority Records

Catalogues and Identifiers

Noe Canjura is cataloged across various international and national databases, providing standardized references for his work and life:

International

ISNI: 0000000018985945
VIAF: 37905508
WorldCat

National

Germany GND: 126266298
Library of Congress: no2012049302

Artists

RKD Artists: 15110

Other

IdRef: 24019988X
SNAC: w6bw0h20

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References

Programa Artista del Mes: Mayo, 2003-2009, Museo de Arte de El Salvador, 2009

A full list of references for this article are available at the Noe Canjura Wikipedia page

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This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

The information provided on this website is not a substitute for professional art historical research, appraisal, or consultation. Always refer to official documentation and consult with qualified professionals for specific needs related to art history or provenance.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.

Noe Canjura: A Life in Color and Conscience

💡 Dive in with Flashcard Learning! 💡

Early Life & Beginnings 🌱

🇸🇻 Salvadoran Roots

🖌️ Artistic Awakening

🏛️ Early Influences & Exhibitions

The Parisian Chapter 🇫🇷

🎓 Scholarship & Studies

💼 Life and Art in Paris

💡 New Perspectives

Artistic Style & Recognition ✨

🎨 Themes and Evolution

🏆 Memberships and Awards

🏛️ Collections and Acclaim

Final Chapter 🕊️

⚰️ Passing and Legacy

Authority Records 🔗

🗂️ Catalogues and Identifiers

International

National

Artists

Other

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Dive in with Flashcard Learning!

Early Life & Beginnings

Salvadoran Roots

Artistic Awakening

Early Influences & Exhibitions

The Parisian Chapter

Scholarship & Studies

Life and Art in Paris

New Perspectives

Artistic Style & Recognition

Themes and Evolution

Memberships and Awards

Collections and Acclaim

Final Chapter

Passing and Legacy

Authority Records

Catalogues and Identifiers

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice