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Robert Frazen: Architect of Cinematic Flow

An academic exploration of a master film editor's contributions to narrative and visual storytelling.

Overview ๐Ÿ‘‡ Filmography ๐ŸŽž๏ธ

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Overview

The Editor's Role

Robert Frazen, A.C.E., is a distinguished American film and television editor whose career spans from 1982 to the present. His work is integral to shaping the narrative, pacing, and emotional resonance of the projects he undertakes.

Professional Acclaim

Frazen's contributions have been recognized with prestigious accolades, including nominations for the ACE Eddie Award and wins for both television and film editing, underscoring his mastery of the craft.

Industry Representation

As a testament to his standing in the industry, Robert Frazen is represented by ICM (International Creative Management), a leading talent and literary agency, indicating his significant professional engagement.

Recognition

ACE Eddie Award Nomination

In 1995, Robert Frazen received a significant nomination for the ACE Eddie Award for Best Edited One-Hour Series for Television. This recognition was for his work on the critically acclaimed series My So-Called Life, highlighting his early impact on television drama.

ACE Eddie Award Win

Frazen achieved a major career milestone in 2000 by winning the ACE Eddie Award for Best Edited Episode from a Television Mini-Series. This award was for his exceptional editing on The '60s, further cementing his reputation for excellence in episodic television.

Satellite Award for Best Editing

His talent was also recognized in the realm of feature films when Frazen won the Satellite Award for Best Editing for his work on Nicole Holofcener's film Please Give. This award acknowledges his skill in crafting compelling narratives within the cinematic medium.

Filmography

Robert Frazen has lent his editing expertise to a diverse range of feature films, collaborating with notable directors. Below is a comprehensive list of his feature film credits:

Year Film Director Notes
2000 Here on Earth Mark Piznarski
2001 Lovely & Amazing Nicole Holofcener
2004 Breakin' All the Rules Daniel Taplitz
Admissions Melissa Painter
2005 The Great New Wonderful Danny Leiner
2006 Friends with Money Nicole Holofcener
Smokin' Aces Joe Carnahan
2008 Smart People Noam Murro
Synecdoche, New York Charlie Kaufman
2010 The Company Men John Wells
Please Give Nicole Holofcener Winner - Satellite Award for Best Editing
2013 Big Sur Michael Polish
Enough Said Nicole Holofcener
2015 The Family Fang Jason Bateman
2016 The Founder John Lee Hancock
2018 The Land of Steady Habits Nicole Holofcener
2019 The Highwaymen John Lee Hancock
2020 I'm Thinking of Ending Things Charlie Kaufman
2021 The Little Things John Lee Hancock
2022 Causeway Lila Neugebauer
Mr. Harrigan's Phone John Lee Hancock
2024 On Swift Horses Daniel Minahan

Editorial Department - Film

Frazen's early career involved foundational roles in the editorial department, honing his skills on significant productions:

Year Film Director Role Notes
1982 I Ought to Be in Pictures Herbert Ross Apprentice editor
1983 The Outsiders Francis Ford Coppola Apprentice editor Uncredited
Cross Creek Martin Ritt Assistant editor
1984 The River Mark Rydell Assistant film editor
1985 Murphy's Romance Martin Ritt Assistant editor
1986 Wisdom Emilio Estevez
1987 Someone to Watch Over Me Ridley Scott
Nuts Martin Ritt First assistant film editor
1988 Arthur 2: On the Rocks Bud Yorkin Assistant editor
1989 Indiana Jones and the Last Crusade Steven Spielberg Uncredited
Glory Edward Zwick
1990 Predator 2 Stephen Hopkins
1991 King Ralph David S. Ward
Point Break Kathryn Bigelow
1993 Jack the Bear Marshall Herskovitz Associate editor
1994 Legends of the Fall Edward Zwick Additional editor
2002 Igby Goes Down Burr Steers Additional film editor
2012 The Perks of Being a Wallflower Stephen Chbosky Additional editor
2013 Fading Gigolo John Turturro

Television Work

Robert Frazen's extensive work in television demonstrates his versatility and consistent quality across various genres and formats:

Year Title Director Other notes
1993 Sirens Various
1994 My So-Called Life Various 5 episodes
Nominated - ACE Eddie Award
1995 Party of Five Ellen S. Pressman 1 episode
1996 Relativity Mark Piznarski Pilot episode. Various episodes
1999 The '60s (TV movie) Mark Piznarski Winner - ACE Eddie Award
Felicity Various 3 episodes (also main title sequence designer)
2000 Roswell Frederick King Keller 1 episode
2002 Leap of Faith Nicole Holofcener Pilot episode
Everwood Mark Piznarski Pilot episode
2004 Veronica Mars Mark Piznarski Pilot episode
2012 Girls Lena Dunham Pilot episode
Nominated - ACE Eddie Award
2014 How and Why Charlie Kaufman Pilot episode

Editorial Department - Television

Frazen's foundational work in television's editorial department provided him with essential experience:

Year Title Director Role Notes
1986 Dress Gray Glenn Jordan Assistant editor 2 episodes

The Editor's Artistry

Shaping Narrative and Emotion

Film editing is far more than simply assembling shots; it is the art of constructing narrative, controlling pacing, and evoking emotion. Robert Frazen's career exemplifies this profound influence. By meticulously selecting and sequencing takes, an editor guides the audience's perception, dictates the rhythm of a scene, and sculpts the emotional arc of a character and story. His work on films like Charlie Kaufman's surreal Synecdoche, New York or John Lee Hancock's biographical drama The Founder demonstrates an ability to navigate complex thematic material and deliver a cohesive, impactful viewing experience.

The Science of Pacing

Pacing is a critical element of cinematic storytelling, and it is largely the domain of the editor. Frazen's ability to manage the temporal flow of a filmโ€”whether accelerating tension in a thriller or allowing moments of quiet reflection in a dramaโ€”is key to his success. His award-winning work on The '60s and his nomination for My So-Called Life suggest a keen understanding of how to capture the essence of an era and the emotional journey of characters within specific timeframes. This mastery of timing ensures that the narrative unfolds effectively, keeping the audience engaged without overwhelming or losing them.

Collaboration and Vision

The editor works in close collaboration with the director, translating the director's vision into the final cut. Frazen's consistent work with acclaimed directors such as Nicole Holofcener, Charlie Kaufman, and John Lee Hancock speaks volumes about his collaborative spirit and his capacity to align with diverse creative sensibilities. This partnership is essential for achieving a unified artistic statement, where the editor's technical skill and creative insight enhance the director's original intent, ultimately serving the story's integrity and the film's overall impact.

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References

References

A full list of references for this article are available at the Robert Frazen Wikipedia page

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Disclaimer

Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional advice. The information provided on this website is not a substitute for professional consultation regarding film production, editing techniques, or career guidance within the film industry. Always refer to official industry resources and consult with qualified professionals for specific needs.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.