Who is Ronnie Landfield and what is his primary artistic medium?

Ronnie Landfield is an American abstract painter, born on January 9, 1947. His primary artistic medium is painting, specifically abstract works.

What artistic movements were associated with Ronnie Landfield during his early career in the mid-1960s through the 1970s?

During his early career, from the mid-1960s through the 1970s, Ronnie Landfield's paintings were associated with Lyrical Abstraction. This movement is related to Postminimalism, Color Field painting, and Abstract Expressionism.

Which prominent galleries represented Ronnie Landfield during his early career?

During his early career, Ronnie Landfield was represented by the David Whitney Gallery and the André Emmerich Gallery.

What is Ronnie Landfield best known for creating?

Ronnie Landfield is best known for his abstract landscape paintings.

How has Ronnie Landfield's exhibition history been described?

Ronnie Landfield has held more than seventy solo exhibitions and has been included in over two hundred group exhibitions throughout his career.

How was Landfield described by the LewAllen Gallerie in 2011?

In 2011, the LewAllen Gallerie described Ronnie Landfield as being "at the forefront of contemporary art...one of the best painters in America."

Where was Ronnie Landfield born and raised?

Ronnie Landfield was born and raised in Pelham Parkway, located in the Bronx, New York.

When did Ronnie Landfield first exhibit his paintings in Manhattan?

Ronnie Landfield first exhibited his paintings in Manhattan in 1962.

Where did Ronnie Landfield pursue painting and drawing classes?

He took painting and drawing classes at the Art Students League of New York and in Woodstock, New York.

What high school did Ronnie Landfield attend?

Ronnie Landfield graduated from the High School of Art and Design in June 1963.

Which art institutes did Ronnie Landfield attend?

Ronnie Landfield attended the Kansas City Art Institute and the San Francisco Art Institute.

When did Landfield rent his first loft and what was notable about that period?

At the age of sixteen, Landfield rented his first loft at 6 Bleecker Street near The Bowery. During this period, his abstract expressionist oil paintings began to feature hard-edged and large painterly shapes.

What artistic style did Landfield explore in Berkeley, California, and what medium did he primarily use?

While living in Berkeley, California, in 1964, Landfield began painting Hard-edge abstractions, primarily using acrylic paint.

What artistic styles did Landfield experiment with between 1964 and 1966?

From 1964 to 1966, Landfield experimented with minimal art, sculpture, hard-edge geometric painting, and found objects, before beginning a series of mystical "border paintings."

What significant event impacted Landfield's studio in February 1966, and how did he respond?

In February 1966, Landfield's loft at 496 Broadway burned down. He returned to painting in April 1966 by sharing a loft with Dan Christensen.

Which of Landfield's early works was acquired by the Sheldon Memorial Art Gallery?

Philip Johnson acquired Landfield's painting 'Tan Painting' from the 'Border Painting' series for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska.

What techniques did Landfield experiment with in his loft on the Bowery starting in July 1967?

In his loft at 94 Bowery, Landfield experimented with rollers, staining, hard-edge borders, and began painting on unstretched canvases laid on the floor.

Who were some of the notable artists and writers Landfield befriended and associated with in 1960s Manhattan?

Landfield was part of a circle of artists including Peter Young, Dan Christensen, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, David Novros, Joan Jonas, Brice Marden, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, and Andy Warhol, among many others, whom he saw regularly at Max's Kansas City.

What significant exhibition did Landfield and Dorothy Herzka co-curate in February 1967?

In February 1967, Landfield and Dorothy Herzka co-curated a group exhibition at the Bianchini Gallery in Manhattan that featured paintings by Dan Christensen, Ronnie Landfield, Kenneth Showell, and Peter Gourfain.

How was Landfield recognized in 1970 regarding abstract art movements?

By 1970, Landfield was recognized as one of the pioneers leading the movement away from geometric, hard-edge, and minimal styles towards more lyrical, sensuous, and romantic abstractions with softer, more vibrant colors.

Which major museum acquired Landfield's painting 'Any Day Now' in 1969?

The Whitney Museum of American Art acquired Landfield's painting 'Any Day Now' (1969, 108 x 93 inches).

Which prominent museum acquired Landfield's painting 'Diamond Lake' and where was it displayed?

Philip Johnson acquired Landfield's painting 'Diamond Lake' (1969, 108 x 168 inches) for the Museum of Modern Art in 1972, and it was displayed in MoMA's lobby for several months.

What happened to the David Whitney Gallery in March 1972, and where did Landfield move his representation?

The David Whitney Gallery closed in March 1972. One month later, in April 1972, Landfield joined the André Emmerich Gallery.

Where did Landfield travel and paint in 1973 and 1975?

In 1973 and again in 1975, Landfield traveled throughout the southwest, camping and painting dozens of works on canvas and limestone in the mountains near Zion National Park in southern Utah with his wife and artist friends Peter Young and Carmen Megeath.

For how long and where did Landfield teach fine arts?

Landfield taught fine arts at the School of Visual Arts in Manhattan from 1975 until 1990.

What was notable about four of Landfield's paintings from Philip Johnson's collection between 1975 and 1984?

From 1975 to 1984, four of Landfield's paintings, owned by Philip Johnson, were installed in the Four Seasons Restaurant in the Seagram Building, New York City, displayed on the wall often referred to as the Mark Rothko wall.

Where did Landfield spend summers painting during the later 1980s and 1990s?

During the later 1980s and 1990s, Landfield often spent his summers in various towns within the western Catskill Mountains, where he painted abstractions and abstract landscapes using oil paint and acrylic.

Which galleries represented Landfield during the 1980s and early 1990s?

During the 1980s and early 1990s, Landfield exhibited his paintings with the Charles Cowles Gallery and Stephen Haller Fine Arts in New York City.

Which major museum acquired Landfield's painting 'St. Augustine' in 1970?

The Norton Simon Museum in Pasadena acquired Landfield's painting 'St. Augustine' (1968, 108 x 120 inches) in 1970.

Which Minneapolis museum acquired Landfield's painting 'Shenandoah (for Eva Hesse)'?

The Walker Art Center in Minneapolis acquired Landfield's painting 'Shenandoah (for Eva Hesse)' (1970, 90 x 113 inches) in 1971.

Which Washington D.C. museum acquired Landfield's painting 'Rain Dance III'?

The Hirshhorn Museum and Sculpture Garden in Washington, D.C. acquired Landfield's painting 'Rain Dance III' in 1972.

Which prominent New York museum acquired Landfield's painting 'From Portal to Paradise'?

The Metropolitan Museum of Art acquired Landfield's painting 'From Portal to Paradise' (1982, 107 x 78 inches) in 1983.

What topic did Landfield begin discussing with art historian Daniel Robbins in 1989-1990?

In 1989-1990, Landfield began corresponding with art historian Daniel Robbins about the historically neglected understanding of abstract painting in New York since the mid-1960s.

What was the theme of the panel discussions Landfield presided over in 1994?

In 1994, Landfield presided over two public panel discussions titled 'Cool and Collected or Too Hot to Handle' at the New York Studio School and the Tenri Institute in Manhattan.

What exhibition did Landfield curate in 1995, and what was its focus?

In 1995, Landfield curated 'Seven Painters' at the Nicholas/Alexander Gallery in SoHo. This exhibition featured seven important abstract painters whose careers began in the mid to late 1960s.

Where did Landfield have a solo exhibition and lecture in 1996?

In 1996, Landfield had a solo exhibition in Sapporo, Japan, and also lectured there on American art.

Which gallery represented Landfield from 1997 to 2007?

Landfield was represented by the Salander/O'Reilly Gallery in New York from 1997 until 2007.

What was the title of Landfield's exhibition of recent paintings at Heidi Cho Gallery in 2007?

In 2007, Landfield had an exhibition of recent paintings entitled 'Toward Monochrome' at the Heidi Cho Gallery in Manhattan.

Where does Ronnie Landfield currently live and work, and where does he teach?

Currently, Ronnie Landfield lives and works in TriBeCa, and he teaches at The Art Students League of New York.

Which galleries represented Landfield's work from 2007 to 2016?

From 2007 until 2016, Landfield's work was exhibited at the Stephen Haller Gallery in New York City and LewAllen Galleries in Santa Fe, New Mexico.

Who currently represents Ronnie Landfield's work?

Ronnie Landfield is currently represented by the Findlay Galleries in New York and Florida.

How did Hurricane Sandy affect Landfield's home and studio?

In late October 2012, Hurricane Sandy adversely affected Ronnie Landfield's home and studio in Tribeca.

What exhibition in the fall of 2013 included Landfield's paintings in response to Hurricane Sandy?

In the fall of 2013, Landfield's paintings were included in an exhibition called 'Come Together: Surviving Sandy, Year One,' curated by Phong Bui and The Daedalus Foundation.

When and where did Landfield and his wife move their home and studio in 2014?

In 2014, Landfield and his wife moved their home and studio to the Hudson Valley in New York state.

What did Louis Zona, director of the Butler Institute of American Art, say about Landfield's paintings?

Louis Zona stated that standing in front of a Landfield painting transports one into a world where color feeds upon color and every inch of the canvas is considered, calling Ronnie Landfield "one of the best painters in America."

What was the debut exhibition at the gallery space of the High School of Art and Design in 2012?

The debut exhibition at the gallery space of the High School of Art and Design in the fall of 2012 was titled 'Ronnie Landfield: Where it All Began'.

What is notable about Landfield's drawing and painting technique?

Landfield draws, paints, and writes left-handed.

What are the names of Ronnie Landfield's two sons, and what are their professions?

Ronnie Landfield's two sons are artists living in New York: Matthew Hart Landfield is an actor, writer, and director, and Noah Landfield is a painter and musician.

What is the title of the painting featured in the infobox, and who was its collector?

The painting featured in the infobox is titled 'Garden of Delight,' created in 1971. It was collected by Philip Johnson and later re-acquired by the artist in 1985.

What notable works are mentioned in the infobox besides 'Garden of Delight'?

Besides 'Garden of Delight,' the infobox lists 'Diamond Lake' and 'Portal To Paradise' as notable works by Ronnie Landfield.

Ronnie Landfield Wiki: Ronnie Landfield: Architect of Abstract Color

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About Ronnie Landfield

Abstract Painter

Ronnie Landfield, born January 9, 1947, is a distinguished American abstract painter. His early career, spanning the mid-1960s through the 1970s, saw his work associated with movements such as Lyrical Abstraction, Postminimalism, Color Field painting, and Abstract Expressionism. He gained significant recognition through exhibitions at prominent galleries like the David Whitney Gallery and the André Emmerich Gallery.

Critical Acclaim

Landfield is celebrated for his abstract landscape paintings, characterized by their vibrant color palettes and dynamic compositions. Throughout his extensive career, he has held over seventy solo exhibitions and participated in more than two hundred group exhibitions. In 2011, he was described by LewAllen Gallerie as being "at the forefront of contemporary art...one of the best painters in America."

Artistic Journey

Born and raised in the Bronx, New York, Landfield's artistic development was shaped by his engagement with the vibrant New York art scene of the 1960s. His education included studies at the Art Students League of New York, Kansas City Art Institute, and San Francisco Art Institute, providing a robust foundation for his exploration of abstract art.

Artistic Movements

Lyrical Abstraction

Landfield is recognized as a key figure in the Lyrical Abstraction movement, which emerged in the late 1960s as a departure from the perceived austerity of Minimalism and Hard-edge painting. This movement emphasized sensuous color, romantic themes, and a more expressive, fluid approach to abstraction.

Postminimalism & Color Field

His work also aligns with Postminimalism, exploring less rigid forms and incorporating more emotional or subjective content than strict Minimalism. Concurrently, his mastery of color places him firmly within the tradition of Color Field painting, where large areas of flat color are used to create visual impact and emotional resonance.

Abstract Expressionism Roots

While developing his distinct style, Landfield's early work showed influences from Abstract Expressionism, particularly in its scale and bold application of paint. However, he evolved beyond its gestural intensity towards a more structured yet deeply chromatic abstract language.

Career Trajectory

Early Career (1960s)

Landfield began exhibiting in Manhattan in 1962. After studies and travels, he returned to New York in 1965, experimenting with Minimal Art, sculpture, and hard-edge geometric painting. His "border paintings" series, completed in 1966, garnered early attention, with works acquired by notable collectors and institutions. By 1970, he was acknowledged for leading a shift towards more lyrical and vibrant abstractions.

First exhibited paintings in Manhattan (1962).
Studied at Art Students League, Kansas City Art Institute, San Francisco Art Institute.
Developed "border paintings" series (1966).
Included in Whitney Museum Annual exhibitions (1967, 1969) and the first Whitney Biennial (1973).
First solo exhibition at David Whitney Gallery (1969).
Works acquired by the Whitney Museum of American Art and The Museum of Modern Art.

Mid Period (1973-1993)

This period saw Landfield travel extensively, particularly in the Southwest, producing numerous paintings inspired by the landscape. He taught Fine Arts at the School of Visual Arts from 1975 to 1990. His works were featured in prestigious venues, including installations at the Four Seasons Restaurant and exhibitions across major cities nationally and internationally.

Traveled and painted in Zion National Park, Utah (1973, 1975).
Taught at the School of Visual Arts (1975-1990).
Paintings installed at the Four Seasons Restaurant (1975-1984).
Exhibited with Charles Cowles Gallery and Stephen Haller Fine Arts.
Major paintings entered collections like the Metropolitan Museum of Art and Hirshhorn Museum.

Recent Work (1994-Present)

Landfield continued his active engagement with the art world, curating exhibitions, teaching at the Art Students League of New York, and exhibiting his work. A significant retrospective, "Ronnie Landfield: Paintings From Five Decades," was held at the Butler Institute of American Art in 2007. His home and studio were affected by Hurricane Sandy in 2012, leading to participation in post-storm exhibitions.

Curated "Seven Painters" exhibition (1995).
Solo exhibition in Sapporo, Japan (1996).
Retrospective at the Butler Institute of American Art (2007).
Taught at the Art Students League of New York.
Represented by Findlay Galleries.
Participated in "Come Together: Surviving Sandy, Year One" exhibition (2013).

Notable Works

Garden of Delight (1971)

This significant work, measuring 87x72 inches, was exhibited at the David Whitney Gallery and later installed at the Four Seasons Restaurant for an extended period. It is part of the collection of Philip Johnson, later re-acquired by the artist.

Diamond Lake (1969)

An expansive painting (108 x 168 inches), "Diamond Lake" was acquired by The Museum of Modern Art from Philip Johnson and was notably displayed in MoMA's lobby. It exemplifies Landfield's early engagement with large-scale abstract landscapes.

Portal To Paradise (1982)

This significant piece, measuring 107 x 78 inches, is held in the collection of The Metropolitan Museum of Art, underscoring Landfield's impact and recognition within major art institutions.

Rite of Spring (1985)

Measuring 79x112 inches, this painting was exhibited at The Brunnier Museum in 1988, showcasing Landfield's continued exploration of dynamic compositions and evocative titles.

The Deluge (1999)

This large-scale work (108x120 inches) was exhibited at Salander/O'Reilly Galleries in 2000, representing Landfield's output from the later part of his career, demonstrating sustained artistic practice.

Museum Collections

The Metropolitan Museum of Art

The Museum of Modern Art

The Whitney Museum of American Art

The Brooklyn Museum

The National Gallery of Art

The Hirshhorn Museum and Sculpture Garden

The Norton Simon Museum

The Art Institute of Chicago

The Walker Art Center

The Seattle Art Museum

The Nelson-Atkins Museum of Art

The High Museum of Art

Munson-Williams-Proctor Arts Institute

Des Moines Art Center

Museum of Contemporary Art, Chicago

Sheldon Museum of Art

Butler Institute of American Art

Grey Art Museum, New York University

Hunter College

Art Gallery of Ontario

Allen Memorial Art Museum

Delaware Art Museum

Herbert F. Johnson Museum of Art

Cantor Center for Visual Arts, Stanford University

Boca Raton Museum of Art

Federal Reserve Board

Yale University Art Gallery

Bayerische Staatsgemaldesammlungen, Munich

CASA CAVAZZINI Museum of Modern and Contemporary Art, Udine

Mississippi Museum of Art

Boise Art Museum

Frost Art Museum

Los Angeles County Museum of Art

Smith College Museum of Art

San Francisco Museum of Modern Art

New Orleans Museum of Art

University of Michigan Museum of Art

Silverstein Properties, New York

University Museum, Southern Illinois University

Indianapolis Museum of Art

Cedar Rapids Museum of Art

Portland Museum of Art, Maine

Portland Art Museum, Oregon

Philadelphia Museum of Art

Frederick R. Weisman Art Museum

Memphis Brooks Museum of Art

New Britain Museum of American Art

University of New Mexico Art Museum

Greenville County Museum of Art

Spencer Museum of Art

Kemper Art Museum

Rhode Island School of Design Museum of Art

Art Museum of South Texas

Ringling Museum of Art

Robert Hull Fleming Museum

Akron Art Museum

Palm Springs Desert Museum

Bowdoin College Museum of Art

Detroit Institute of Arts

Awards & Recognition

Academic & Foundation Grants

Landfield has received significant recognition through various grants and awards, reflecting the sustained quality and impact of his artistic contributions.

Gold Medal for Painting, San Francisco Art Institute (1965)
William and Noma Copley Grant (Cassandra Foundation) (1969)
National Endowment of the Arts Grant (1983)
Pollock-Krasner Foundation Grant (1995, 2001)
Pollock-Krasner Foundation Emergency Grant (2013)
Artist Fellowship Grant (2001, 2002, 2003, 2007, 2012)
Adolph and Esther Gottlieb Foundation Emergency Grant (2012)
Joan Mitchell Foundation Emergency Grant (2012)
New York Foundation for the Arts Emergency Grant (2012)

References & Bibliography

Source Material

The content presented here is derived from publicly available information, primarily the Wikipedia article on Ronnie Landfield and its cited sources. The following details the references and bibliography used:

LewAllen Galleries, "Ronnie Landfield", 2011.
Osterweil, Ara, "Ronnie Landfield", Artforum, January 1, 2020.
Exhibition Catalogue, *Ronnie Landfield: Paintings From Five Decades*, The Butler Institute of American Art, ISBN 1-882790-50-2.
"Bowery Artist Tribute". Archived 2009-02-10 at the Wayback Machine.
Exhibition Catalogue, *Ronnie Landfield: Paintings From Five Decades*, The Butler Institute of American Art, "Seeking the Miraculous", ISBN 1-882790-50-2.
Sewall-Ruskin, Yvonne, *High on Rebellion: Inside the Underground at Max's Kansas City*, Thunder's Mouth Press NYC, 1998.
Aldrich, Larry, *Lyrical Abstraction*, Exhibition Catalogue, The Aldrich Contemporary Art Museum, 1970.
*Lyrical Abstraction*, Exhibition Catalogue, Whitney Museum of American Art, NYC, 1971.
Exhibition Catalogue, *Ronnie Landfield: Paintings From Five Decades*, The Butler Institute of American Art, ISBN 1-882790-50-2.
"Ronnie Landfield. Diamond Lake. 1969 | MoMA". The Museum of Modern Art.
"About the Collection". Norton Simon Museum.
Walker Art Center.
Hirshhorn Museum and Sculpture Garden.
"Ronnie Landfield - From Portal to Paradise". The Metropolitan Museum of Art.
"Repository of Abstract Art, Modern Paintings, and Sculpture". www.abstract-art.com.
"eric gelber on ronnie landfield and peter reginato at heidi cho". Archived from the original on 2021-04-17. Retrieved 2007-08-24.
Art in America, Annual 2007-2008, Museums, Galleries, Artists Guide, 2007-2008 Museum preview p.36.
The Hudson Review, 60th anniversary edition, Spring 2008, "At the Galleries," Karen Wilkin, pp172-177.
"master". Archived from the original on 2017-09-17. Retrieved 2021-11-08.
Noah Landfield.
Zona, Dr. Louis A. Exhibition Catalogue, *Ronnie Landfield: Paintings From Five Decades*, The Butler Institute of American Art, "Introduction", p. 2, ISBN 1-882790-50-2.
"American colorist Ronnie Landfield's Structure and Color opens at Stephen Haller Gallery". Archived from the original on 2016-03-07.
Corwin, William, "Ronnie Landfield: Where it All Began", The Brooklyn Rail, November 2012.
"NY Times, Liz Harris, Where Rent Is Stabilized, Reopening After Storm Is No Certainty".
Fabricant, Annie, "Ronnie Landfield, One of America's Greatest Abstract Painters, Gets Swamped", HuffPost, November 20, 2012.
"artistnetwork, Jerry N. Weiss, After the Deluge: Hurricane Sandy Wreaked Havoc on Artists and Their Work".
"Frieze Magazine, Will Corwin".
Artcritical.
"ARTPULSE MAGAZINE » Reviews » Come Together: Surviving Sandy".
"Ronnie Landfield". whitney.org.
"Two Drawings". Brooklyn Museum.
"Ronnie Landfield | National Gallery of Art". www.nga.gov.
"Untitled (For Matisse)". September 12, 1969 – via Art Institute of Chicago.
"Red River". art.seattleartmuseum.org.
"Night Crossing". art.nelson-atkins.org.
"Vogel 50x50". vogel5050.org.
"Nocturnal Jupiter". emuseum.desmoinesartcenter.org.
Sheldon Museum of Art.
"Cantor Arts Center Login". cantorcollection.stanford.edu.
"Sammlung | Search". www.sammlung.pinakothek.de.
"Two Drawings | LACMA Collections". collections.lacma.org.
"Collections Database". museums.fivecolleges.edu.
"Untitled - New Orleans Museum of Art". noma.org.
"Newfields Collection - Search". The Indianapolis Museum of Art Collection.
"Portland Museum of Art - Home". collections.portlandmuseum.org.
"Iron Plum". www.portlandartmuseum.us.
"Collection | RISD Museum". risdmuseum.org.
"Ringling Museum of Art". Archived from the original on 2019-07-02. Retrieved 2019-07-11.
"Akron Art Museum". Archived from the original on 2019-07-02. Retrieved 2019-07-11.
Detroit Institute of Arts.
"Ronnie Landfield". Pollock Krasner Foundation.

Bibliography:

Morgan, Robert C., Zona, Dr. Louis A., Exhibition Catalogue, *Ronnie Landfield: Paintings From Five Decades*, The Butler Institute of American Art, ISBN 1-882790-50-2.
*Perspectives*, lecture: Ronnie Landfield and Stephen Polcari, January 5, 2006, Art Students League of New York.
Glueck, Grace, *Color Coded, Ronnie Landfield and Peter Reginato*, The New York Times, Art in Review, November 4, 2005.
*Do Aesthetics Matter?* Panel Discussion, Art Students League of New York, January 1999.
Wilkin, Karen, *At the Galleries*, Partisan Review, 1996, #1, pp. 91–93.
Monte, Jim, *Seven Painters at Nicholas Alexander*, Art in America, May, 1996, p. 113.
Karmel, Pepe, *Seven Painters*, New York Times, November 17, 1995, p. C30.
Landfield, Ronnie, *In The Late Sixties*, 1993–95, and other writings, abstract-art.com.
*Cool and Collected or Too Hot to Handle* Panel Discussion, Tenri Cultural Institute, New York, 1994.
*Cool and Collected or Too Hot To Handle. A Modernist Response to Post-Modernism,* Panel Discussion, New York Studio School, New York, 1994.
Negroponte, Diane, *Contemporary American Artists*, Exhibition Catalogue, US Embassy, Manila, Philippines, 1994.
*The Landscape in Twentieth-Century American Art*, Selections from The Metropolitan Museum of Art, Rizzoli, NY 1991.
Wilder, Nicholas, *Nicholas Wilder on Ronnie Landfield*, April 1989.
Messenger, Lisa, *Dialogues in Art*, Exhibition Catalogue, Palazzo Ducale di Gubbio, Italy 1984.
*1973 Biennial*, Exhibition Catalogue, Whitney Museum of American Art, NYC, December 1973.
Prokopoff, Stephen. *Two Generations of Color Painting*, Exhibition Catalogue, Philadelphia Institute of Contemporary Art, 1971.
*Lyrical Abstraction*, Exhibition Catalogue, Whitney Museum of American Art, NYC, 1971.
*Highlights of the 1969-1970 Season*, Exhibition Catalogue, Aldrich Museum of Contemporary Art, Ridgefield Conn.
*Annual Exhibition*, Exhibition Catalogue, Whitney Museum of American Art, NYC, Dec.1969.
Aldrich, Larry, *Young Lyrical Painters*, Art in America, v.57, n6, November–December 1969.
Junker, Howard, *The New Art: It's Way, Way Out*, Newsweek, July 29, 1968.
*Annual Exhibition*, Exhibition Catalogue, Whitney Museum of American Art, NYC, Dec.1967.

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References

"Ronnie Landfield". LewAllen Galleries, 2011. Retrieved 25 July 2011.

Walker Art Center

Hirshhorn Museum and Sculpture Garden

Art in America, Annual 2007-2008, Museums, Galleries, Artists Guide, 2007-2008 Museum preview p.36

The Hudson Review (60th anniversary edition), Spring 2008, At the Galleries, Karen Wilkin, pp172-177.

Artcritical

Detroit Institute of Arts

A full list of references for this article are available at the Ronnie Landfield Wikipedia page

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Disclaimer

Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional art critique or historical analysis. The information provided on this website is not a substitute for consulting official museum archives, scholarly art historical research, or seeking advice from qualified art professionals. Always refer to primary sources and consult with experts for in-depth understanding and validation.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.

Ronnie Landfield: Architect of Abstract Color

💡 Dive in with Flashcard Learning! 💡

About Ronnie Landfield ℹ️

🎨 Abstract Painter

🌟 Critical Acclaim

🌍 Artistic Journey

Artistic Movements 🌀

✨ Lyrical Abstraction

🔷 Postminimalism & Color Field

💥 Abstract Expressionism Roots

Career Trajectory ⏳

🚀 Early Career (1960s)

🏙️ Mid Period (1973-1993)

💡 Recent Work (1994-Present)

Notable Works 🖼️

🖼️ Garden of Delight (1971)

🏞️ Diamond Lake (1969)

🌌 Portal To Paradise (1982)

🌊 Rite of Spring (1985)

⏳ The Deluge (1999)

Museum Collections 🏛️

🏛️ The Metropolitan Museum of Art

🏛️ The Museum of Modern Art

🏛️ The Whitney Museum of American Art

🏛️ The Brooklyn Museum

🏛️ The National Gallery of Art

🏛️ The Hirshhorn Museum and Sculpture Garden

🏛️ The Norton Simon Museum

🏛️ The Art Institute of Chicago

🏛️ The Walker Art Center

🏛️ The Seattle Art Museum

🏛️ The Nelson-Atkins Museum of Art

🏛️ The High Museum of Art

🏛️ Munson-Williams-Proctor Arts Institute

🏛️ Des Moines Art Center

🏛️ Museum of Contemporary Art, Chicago

🏛️ Sheldon Museum of Art

🏛️ Butler Institute of American Art

🏛️ Grey Art Museum, New York University

🏛️ Hunter College

🏛️ Art Gallery of Ontario

🏛️ Allen Memorial Art Museum

🏛️ Delaware Art Museum

🏛️ Herbert F. Johnson Museum of Art

🏛️ Cantor Center for Visual Arts, Stanford University

🏛️ Boca Raton Museum of Art

🏛️ Federal Reserve Board

🏛️ Yale University Art Gallery

🏛️ Bayerische Staatsgemaldesammlungen, Munich

🏛️ CASA CAVAZZINI Museum of Modern and Contemporary Art, Udine

🏛️ Mississippi Museum of Art

🏛️ Boise Art Museum

🏛️ Frost Art Museum

🏛️ Los Angeles County Museum of Art

🏛️ Smith College Museum of Art

🏛️ San Francisco Museum of Modern Art

🏛️ New Orleans Museum of Art

🏛️ University of Michigan Museum of Art

🏛️ Silverstein Properties, New York

🏛️ University Museum, Southern Illinois University

🏛️ Indianapolis Museum of Art

🏛️ Cedar Rapids Museum of Art

🏛️ Portland Museum of Art, Maine

🏛️ Portland Art Museum, Oregon

🏛️ Philadelphia Museum of Art

🏛️ Frederick R. Weisman Art Museum

🏛️ Memphis Brooks Museum of Art

🏛️ New Britain Museum of American Art

🏛️ University of New Mexico Art Museum

🏛️ Greenville County Museum of Art

🏛️ Spencer Museum of Art

🏛️ Kemper Art Museum

🏛️ Rhode Island School of Design Museum of Art

🏛️ Art Museum of South Texas

🏛️ Ringling Museum of Art

🏛️ Robert Hull Fleming Museum

🏛️ Akron Art Museum

🏛️ Palm Springs Desert Museum

🏛️ Bowdoin College Museum of Art

🏛️ Detroit Institute of Arts

Dive in with Flashcard Learning!

About Ronnie Landfield

Abstract Painter

Critical Acclaim

Artistic Journey

Artistic Movements

Lyrical Abstraction

Postminimalism & Color Field

Abstract Expressionism Roots

Career Trajectory

Early Career (1960s)

Mid Period (1973-1993)

Recent Work (1994-Present)

Notable Works

Garden of Delight (1971)

Diamond Lake (1969)

Portal To Paradise (1982)

Rite of Spring (1985)

The Deluge (1999)

Museum Collections

The Metropolitan Museum of Art

The Museum of Modern Art

The Whitney Museum of American Art

The Brooklyn Museum

The National Gallery of Art

The Hirshhorn Museum and Sculpture Garden

The Norton Simon Museum

The Art Institute of Chicago

The Walker Art Center

The Seattle Art Museum

The Nelson-Atkins Museum of Art

The High Museum of Art

Munson-Williams-Proctor Arts Institute

Des Moines Art Center

Museum of Contemporary Art, Chicago

Sheldon Museum of Art

Butler Institute of American Art

Grey Art Museum, New York University

Hunter College

Art Gallery of Ontario

Allen Memorial Art Museum

Delaware Art Museum

Herbert F. Johnson Museum of Art

Cantor Center for Visual Arts, Stanford University

Boca Raton Museum of Art

Federal Reserve Board

Yale University Art Gallery

Bayerische Staatsgemaldesammlungen, Munich

CASA CAVAZZINI Museum of Modern and Contemporary Art, Udine

Mississippi Museum of Art

Boise Art Museum

Frost Art Museum

Los Angeles County Museum of Art

Smith College Museum of Art

San Francisco Museum of Modern Art

New Orleans Museum of Art

University of Michigan Museum of Art

Silverstein Properties, New York

University Museum, Southern Illinois University

Indianapolis Museum of Art

Cedar Rapids Museum of Art

Portland Museum of Art, Maine

Portland Art Museum, Oregon

Philadelphia Museum of Art

Frederick R. Weisman Art Museum

Memphis Brooks Museum of Art

New Britain Museum of American Art

University of New Mexico Art Museum

Greenville County Museum of Art

Spencer Museum of Art

Kemper Art Museum

Rhode Island School of Design Museum of Art

Art Museum of South Texas

Ringling Museum of Art

Robert Hull Fleming Museum

Akron Art Museum

Palm Springs Desert Museum

Bowdoin College Museum of Art

Detroit Institute of Arts

Awards & Recognition