What is the Royal Academy of Arts, and where is it located?

The Royal Academy of Arts, often referred to as the RA, is an art institution situated in Burlington House on Piccadilly in London, England. It is a prominent cultural landmark in the city.

When was the Royal Academy of Arts established, and what is its fundamental purpose?

The Royal Academy of Arts was founded in 1768. Its core purpose is to promote the creation, enjoyment, and appreciation of the fine arts through various activities such as exhibitions, educational programs, and public debate.

What makes the Royal Academy of Arts unique among art institutions?

The Royal Academy of Arts holds a unique position as an independent, privately funded institution. It is distinctively led by a body of eminent artists and architects, rather than being government-controlled.

How did the charter for the Royal Academy of Arts relate to earlier proposals?

The eventual charter, known as an 'Instrument,' used to establish the Royal Academy of Arts over a decade after Henry Cheere's initial attempt in 1755, was almost identical to the one he had drawn up.

What role did Sir William Chambers play in the founding of the Royal Academy of Arts?

Sir William Chambers, a notable architect and head of the British government's Office of Works, utilized his connections with King George III to secure royal patronage and financial backing for the Academy, which was crucial for its establishment.

When exactly was the Royal Academy of Arts officially founded, and what was its initial mission?

The Royal Academy of Arts was officially founded through a personal act of King George III on 10 December 1768. Its mission was 'to establish a school or academy of design for the use of students in the arts' and to hold an annual exhibition.

Who were the first President and Secretary of the Royal Academy of Arts?

The renowned painter Joshua Reynolds was appointed as the first President of the Royal Academy of Arts, while Francis Milner Newton was elected as its first Secretary, a position he held for twenty years until 1788.

How many founder members were named in the Royal Academy's instrument of foundation, and who were some of the notable artists among them?

The instrument of foundation, signed by King George III in 1768, named 34 founder members and allowed for a total of 40. Notable artists among them included Joshua Reynolds, Thomas Gainsborough, William Chambers, Angelica Kauffman, Mary Moser, and Benjamin West. William Hoare and Johann Zoffany were added to this list by the King in 1769.

What was the initial location of the Royal Academy of Arts, and how did its premises evolve over time?

The Royal Academy was initially housed in cramped quarters in Pall Mall. It later moved to temporary accommodation for its library and schools in Old Somerset House in 1771, then to purpose-built apartments in the first completed wing of New Somerset House in 1780. In 1837, it relocated to the east wing of the National Gallery in Trafalgar Square, and finally settled at Burlington House in Piccadilly in 1868, where it remains.

When did the first Royal Academy exhibition of contemporary art take place, and what is it known as today?

The first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769, showcasing 136 works. This exhibition is now famously known as the Royal Academy Summer Exhibition and has been staged annually ever since.

How did the Royal Academy expand its exhibition program in 1870?

In 1870, following the discontinuation of a similar annual exhibition at the British Institution, the Royal Academy expanded its exhibition program to include a temporary annual loan exhibition of Old Masters, showcasing historical artworks.

What significant educational initiative did the Royal Academy introduce early in its history?

The Royal Academy was responsible for staging Britain's first public lectures on art, fulfilling another aspect of its mission to promote the fine arts. The initial program was led by its first president, Joshua Reynolds, and included a lecture by William Hunter.

What major project was completed for the Royal Academy's 250th anniversary in 2018?

For its 250th anniversary in 2018, the Royal Academy unveiled the results of a major £56 million refurbishment project, which included new galleries, a lecture theatre, a public project space for students, and a bridge connecting its Burlington House and Burlington Gardens sites.

Who designed the refurbishment project for the Royal Academy's 250th anniversary?

The major refurbishment project for the Royal Academy's 250th anniversary, which began in 2008, was designed by David Chipperfield Architects.

What was one of the key outcomes of the 2018 refurbishment project regarding the Royal Academy's collection?

As part of the 2018 refurbishment project, 10,000 works from the Royal Academy's collection were digitized and made available online, significantly increasing public access to its holdings.

What is the charitable status and funding model of the Royal Academy of Arts?

The Royal Academy of Arts operates as a charity and receives funding from neither the State nor the Crown. Its home in Burlington House is owned by the UK government and provided to the Academy on a 999-year peppercorn rent leasehold.

What notable exhibition of contemporary art did the Royal Academy host in 1997, and what controversy surrounded it?

In 1997, the Royal Academy hosted the 'Sensation' exhibition, which displayed the collection of works by Young British Artists owned by Charles Saatchi. The show became controversial due to the inclusion of Marcus Harvey's portrait of convicted murderer Myra Hindley, which was subsequently vandalized while on display.

What exhibition did the Royal Academy host in early 2024 to explore connections with colonial histories?

From February 3 to April 28, 2024, the Royal Academy presented the exhibition 'Entangled Pasts, 1768-now,' which aimed to reveal and discuss the connections between art associated with the institution and Britain's colonial histories.

What is the nature of the Royal Academy Summer Exhibition?

The Royal Academy Summer Exhibition is an annual open art exhibition, meaning that any artist can submit their work for consideration. It is recognized as the oldest and largest open submission exhibition in the world and is a fixture in London's Social Season.

Who is responsible for selecting and hanging the artworks in the Royal Academy Summer Exhibition?

The members of the Academy, known as Royal Academicians, are responsible for selecting and hanging the diverse range of artworks, which include painting, sculpture, film, architecture, photography, and printmaking, for the Summer Exhibition.

How did Tracey Emin's acceptance as a Royal Academician reflect a change in the institution?

When Tracey Emin accepted the invitation to become a Royal Academician in March 2007, she commented that it signified the Royal Academy had become 'more open,' indicating a shift towards greater inclusivity and a broader acceptance of contemporary art.

Who founded the 'Friends of the Royal Academy' program, and what is its purpose?

In 1977, Sir Hugh Casson founded the Friends of the Royal Academy, which is a charity specifically designed to provide financial support for the institution.

What kind of literary events does Pin Drop Studio host in collaboration with the Royal Academy?

Pin Drop Studio collaborates with the Royal Academy to host live literary events where well-known authors, actors, and thinkers read short stories chosen as a response to the main exhibition program. These evenings are hosted by Pin Drop Studio founder Simon Oldfield.

What is the 'RA and Pin Drop Short Story Award'?

The RA and Pin Drop Short Story Award is an annual open submission writing prize, structured similarly to the Royal Academy Summer Exhibition. The award ceremony features a live reading of the winning story in its entirety by a special guest, with past readers including Stephen Fry and Dame Penelope Wilton.

What new leadership position was created in 2007, and who was the first to hold it?

In September 2007, the newly created post of Secretary and Chief Executive of the Royal Academy was filled by Sir Charles Saumarez Smith. He stepped down at the end of 2018, and Axel Rüger took over in June 2019.

What is the significance of the Royal Academy Schools in British art education?

The Royal Academy Schools are recognized as the oldest art school in Britain and have been an integral part of the Royal Academy of Arts since its founding in 1768, providing professional training for artists.

What is a key principle of the Royal Academy Schools' post-graduate program?

A fundamental principle of the Royal Academy Schools is that their three-year post-graduate program is offered free of charge to every applicant who is accepted, making art education accessible.

On what model were the Royal Academy Schools' formal training programs based?

The Schools' program of formal training was modeled on that of the French Académie de peinture et de sculpture, which was founded by Louis XIV in 1648, emphasizing classical artistic principles.

How did Sir Joshua Reynolds influence the curriculum of the Royal Academy Schools?

Sir Joshua Reynolds, through his fifteen *Discourses* delivered to pupils between 1769 and 1790, shaped the Schools' curriculum by emphasizing the importance of copying Old Masters and drawing from casts of Antique sculptures and live models.

What was the aim of the training advocated by Sir Joshua Reynolds at the Royal Academy Schools?

Reynolds argued that the training provided at the Royal Academy Schools, focusing on classical methods, would help artists develop the skills and understanding necessary to create works of high moral and artistic worth.

How many students enrolled in the Royal Academy Schools in its first year of operation, and what was the average intake by 1830?

In 1769, its first year, the Schools enrolled 77 students. By 1830, over 1,500 students had enrolled, indicating an average annual intake of 25 students, demonstrating its growing influence.

Name some of the notable male artists who studied at the Royal Academy Schools.

Many prominent male artists studied at the Royal Academy Schools, including John Flaxman, J. M. W. Turner, John Soane, Thomas Rowlandson, William Blake, Thomas Lawrence, Decimus Burton, John Constable, George Hayter, David Wilkie, William Etty, Edwin Landseer, and Charles Lucy.

Who was the first woman to enroll as a student at the Royal Academy Schools, and when did this occur?

Laura Herford was the first woman to enroll as a student of the Royal Academy Schools in 1860, marking a significant step towards gender inclusivity in art education.

Who became the first Honorary Professor of Law at the Royal Academy, and in what year?

Sir Francis Newbolt was made the first Honorary Professor of Law at the Royal Academy in 1928, expanding the academic scope of the institution.

Which two women were appointed as the first female professors in the history of the Royal Academy in 2011?

In 2011, Tracey Emin was appointed Professor of Drawing, and Fiona Rae was appointed Professor of Painting, making them the first women professors in the history of the Royal Academy. Emin was later succeeded by Michael Landy and David Remfry, while Rae was succeeded by Chantal Joffe.

How did the Royal Academy's permanent collection begin, and what is the 'Diploma Work' tradition?

The Royal Academy's collection began with Sir Joshua Reynolds's self-portrait. The 'Diploma Work' tradition requires each elected Member to donate an artwork representative of their artistic style, a practice that continues to this day and forms a core part of the collection's growth.

What types of artworks are included in the Royal Academy's collection, and what does it primarily showcase?

The collection comprises approximately a thousand paintings and a thousand sculptures, which collectively illustrate the development of a British School of art. It also includes significant holdings of drawings and sketchbooks by British artists.

Which artists' drawings and sketchbooks are notably held in the Royal Academy's collection of works on paper?

The Royal Academy's collection of works on paper includes significant holdings of drawings and sketchbooks by artists working in Britain from the mid-18th century onwards, such as George Romney, Lord Leighton, and Dame Laura Knight.

Who are some of the artists whose wall and ceiling paintings decorate the Royal Academy building?

The walls and ceilings of the Royal Academy building are decorated with paintings by artists such as Benjamin West and Angelica Kauffman, which were moved from the previous building at Somerset House.

Describe Benjamin West's notable ceiling painting in the Royal Academy's entrance hall.

In the center of the entrance hall's ceiling is Benjamin West's roundel titled *The Graces Unveiling Nature*, created around 1779, which is surrounded by panels depicting the four classical elements: Fire, Water, Air, and Earth.

What are Angelica Kauffman's contributions to the wall and ceiling paintings in the Royal Academy's entrance hall?

At each end of the entrance hall, two of Angelica Kauffman's circular paintings are mounted: *Composition* at the west end, and *Painting or Colour* and *Genius or Invention* at the east end, adding to the decorative scheme.

What is considered the most prized possession in the Royal Academy's collection, and who bequeathed it?

The most prized possession in the Royal Academy's collection is Michelangelo's *Taddei Tondo*, which was bequeathed to the Academy by Sir George Beaumont. This sculpture is a significant highlight of their holdings.

What is unique about Michelangelo's *Taddei Tondo* in the United Kingdom?

Carved in Florence between 1504 and 1506, Michelangelo's *Taddei Tondo* is the only marble sculpture by the artist in the United Kingdom. It depicts the Virgin Mary and child with the infant St John the Baptist and is usually on display in the Collection Gallery.

What war memorials are located in the entrance portico of the Royal Academy?

The entrance portico of the Royal Academy houses two war memorials: one dedicated to the students of the Royal Academy Schools who died in World War I, and another commemorating the 2,003 men of the Artists Rifles who lost their lives in that war, with an additional plaque for those who died in World War II.

How is membership structured in the Royal Academy of Arts?

Membership of the Royal Academy is limited to a maximum of 80 practicing artists, who are elected by a ballot of the General Assembly of the Royal Academy and are individually known as Royal Academicians (RA). These members collectively govern the institution.

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Overview

An Independent Artistic Citadel

The Royal Academy of Arts (RA), established in 1768, stands as a distinguished art institution located in Burlington House, Piccadilly, London. Its unique status stems from its independence, being privately funded and governed by a collective of eminent artists and architects. The fundamental purpose of the RA is to foster the creation, appreciation, and understanding of the fine arts through a diverse array of exhibitions, educational initiatives, and intellectual discourse.

A Historic London Landmark

Situated in the heart of London, the Royal Academy has been a cultural cornerstone for over two and a half centuries. Its current home at Burlington House, occupied since 1868, places it within a vibrant artistic and academic quarter. The institution's enduring presence in the city underscores its continuous contribution to the British and international art scene, attracting hundreds of thousands of visitors annually, with 709,961 recorded in 2023.^[1]

Mission and Vision

The RA's mission, articulated at its founding, was to "establish a school or academy of design for the use of students in the arts" complemented by an annual exhibition.^[6] This dual focus on education and public engagement has remained central to its identity. By being led by artists for artists, the Academy maintains a direct connection to the creative process, ensuring its programs resonate with both practitioners and the public.

Genesis

Royal Patronage and Foundation

The genesis of the Royal Academy can be traced back to earlier efforts in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, notably sculptor Henry Cheere, to establish an autonomous art academy.^[2] Although Cheere's initial attempt did not succeed, the foundational 'Instrument' that eventually established the RA was remarkably similar to his earlier draft.^[3] Architect Sir William Chambers leveraged his influence with King George III to secure royal patronage and financial backing.^[5] The Royal Academy of Arts was formally founded by King George III on December 10, 1768.^[6]

Founding Members and Early Leadership

The founding instrument named 34 initial members, with provisions for a total of 40. Among these distinguished individuals were the renowned painter Joshua Reynolds, who became the Academy's first president,^[7] and Francis Milner Newton, elected as the first secretary.^[8] Notable artists like Thomas Gainsborough and Angelica Kauffman were also among the founders.^[10] William Hoare and Johann Zoffany were added to this esteemed list by the King in 1769.^[10]

Evolution of Location

The Royal Academy's physical home evolved over its early decades. It began in modest quarters in Pall Mall, then moved to temporary accommodation in Old Somerset House in 1771 for its library and schools.^[11] By 1780, it was housed in purpose-built apartments within the new Somerset House, designed by William Chambers himself.^[11] In 1837, the Academy relocated to the east wing of the National Gallery in Trafalgar Square.^[12] Finally, in 1868, a century after its founding, the RA moved to its current and permanent location at Burlington House, Piccadilly.^[13]>

250th Anniversary Refurbishment

In 2018, coinciding with its 250th anniversary, the Royal Academy unveiled the results of a significant refurbishment project. Initiated in 2008 with David Chipperfield Architects, and supported by the Heritage Lottery Fund, the £56 million development included new galleries, a lecture theatre, a public project space for students, and a connecting bridge between the Burlington House and Burlington Gardens sites.^{[17]>^[18] As part of this extensive renovation, 10,000 works from the RA's collection were digitized and made accessible online.^[17]}

Engage

Charitable Status and Funding

The Royal Academy operates as a charity, receiving no direct funding from the State or the Crown.^[19] Its premises at Burlington House are owned by the UK government and provided to the Academy under a 999-year peppercorn rent leasehold.^[20] A significant portion of its revenue is generated through hosting a dynamic program of temporary loan exhibitions, which are comparable in scope and quality to those found in other leading art galleries globally.^[21]>

Exhibitions and Public Discourse

Under the direction of figures like former exhibitions secretary Sir Norman Rosenthal, the Academy has presented ambitious contemporary art exhibitions. A notable example is the 1997 "Sensation" exhibition, which showcased works by Young British Artists from Charles Saatchi's collection. This exhibition sparked controversy, particularly due to Marcus Harvey's portrait of Myra Hindley, which was vandalized while on display.^[22] More recently, the 2024 exhibition "Entangled Pasts, 1768-now" aimed to explore the connections between art associated with the Royal Academy and Britain's colonial histories, though it was noted for its cautious approach.^{[25]>^[26]}

The Summer Exhibition

A cornerstone of the RA's public engagement is the annual Summer Exhibition. Initiated in 1769, it holds the distinction of being the world's oldest and largest open-submission art exhibition, a highlight of London's Social Season. Works across various media, including painting, sculpture, film, architecture, photography, and printmaking, are selected and hung by the Royal Academicians themselves. The exhibition has featured prominent artists such as Tracey Emin, who later became a Royal Academician, noting the Academy's increasing openness.^[27]>

Literary Collaborations

The Royal Academy extends its cultural reach through literary collaborations, notably with Pin Drop Studio. These events feature well-known authors, actors, and thinkers reading short stories chosen in response to the main exhibition program. Past guests have included Graham Swift, Sebastian Faulks, and Dame Eileen Atkins.^[29] The RA and Pin Drop Short Story Award is an annual open-submission writing prize, with winning stories read by figures such as Stephen Fry and Dame Penelope Wilton.^[30]>

Schools

Britain's Oldest Art School

The Royal Academy Schools represent the oldest art school in Britain, an integral component of the Royal Academy of Arts since its inception in 1768. A defining principle of the RA Schools is its commitment to providing a three-year postgraduate program entirely free of charge to all accepted applicants.^[35] This commitment ensures accessibility and supports emerging artistic talent without financial barriers.

Curriculum and Influences

The Schools' program of formal training was modeled after the French Académie de peinture et de sculpture, founded by Louis XIV. Its pedagogical approach was significantly shaped by the precepts laid down by Sir Joshua Reynolds in his fifteen *Discourses*, delivered to pupils between 1769 and 1790. Reynolds emphasized the importance of copying Old Masters, drawing from antique casts, and working with life models to cultivate artists capable of creating works of high moral and artistic merit. Professorial chairs were established in Chemistry, Anatomy, Ancient History, and Ancient Literature, with Samuel Johnson and Oliver Goldsmith initially holding the latter two.^[36]>

Notable Alumni and Inclusivity

Since its founding, the Schools have educated a remarkable roster of artists. In its first year, 77 students enrolled, and by 1830, over 1,500 students had passed through its doors, including luminaries such as J. M. W. Turner, William Blake, John Soane, John Constable, and Thomas Lawrence.^[38] A significant milestone in the Schools' history was the enrollment of Laura Herford in 1860, marking the first woman to be accepted as a student.^[39] More recently, Tracey Emin and Fiona Rae were appointed as the first women Professors of Drawing and Painting, respectively, in 2011 and 2016, further demonstrating the Academy's evolving commitment to inclusivity.^{[44]>^{[45]>^[47]}}

Collect

The Diploma Works Tradition

The Royal Academy's collection began with a self-portrait gifted by its first president, Sir Joshua Reynolds. This tradition was continued by other founding members and, crucially, by the practice of requiring each newly elected Royal Academician to donate a "Diploma Work" representative of their artistic output. This ongoing tradition has resulted in a rich collection of approximately a thousand paintings and a thousand sculptures, illustrating the evolution of British art.^[48]>

Photographic and Archival Holdings

Beyond paintings and sculptures, the Academy's collection includes significant holdings of drawings and sketchbooks by British artists from the mid-18th century onwards, such as George Romney and Dame Laura Knight.^[48] The photographic collection is equally notable, featuring early portraits by William Lake Price from the 1850s, works by David Wilkie Wynfield, and Eadweard Muybridge's seminal *Animal Locomotion* series (1872–85).^[49]>

Architectural Artistry

The very fabric of the Royal Academy's building is adorned with significant artworks. The entrance hall features wall and ceiling paintings by Benjamin West and Angelica Kauffman, originally from the Somerset House building. West's roundel, *The Graces Unveiling Nature* (c. 1779), is centrally placed, surrounded by panels depicting the elements. Kauffman's circular paintings, *Composition* and *Painting or Colour* and *Genius or Invention*, grace the ends of the hall.^{[50]>^{[51]>^[52]}}

Michelangelo's Taddei Tondo

The most treasured possession within the Academy's collection is Michelangelo's *Taddei Tondo*. This exquisite marble sculpture, carved in Florence between 1504 and 1506, was bequeathed to the Academy by Sir George Beaumont. It is the only marble sculpture by Michelangelo in the United Kingdom and depicts the Virgin Mary and child with the infant St John the Baptist. It is typically displayed in the Collection Gallery, which opened in May 2018.^[53]>

War Memorials

Within the entrance portico of the Royal Academy, two poignant war memorials stand as tributes. One commemorates the students of the Royal Academy Schools who made the ultimate sacrifice in World War I.^[54] The second memorial honors the 2,003 men of the Artists Rifles who lost their lives in the same conflict, with an additional plaque dedicated to those who perished in World War II.^[55]>

Leaders

Royal Academicians: The Governing Body

The Royal Academy is governed by its Royal Academicians (RAs), a body comprising up to 80 practicing artists. These individuals are elected by ballot of the General Assembly of the Royal Academy. The original 1768 Instrument of Foundation limited total membership to 40 artists. Initially, engravers were excluded, but the category of Associate-Engraver was created in 1769, limited to six, who could not become full academicians.^[56] In 1853, membership was expanded to 42 and opened to engravers, reflecting an evolving understanding of artistic practice.

Pioneering Women in Leadership

The Academy has made strides in inclusivity over its history. In 1922, 154 years after its founding, Annie Swynnerton became the first woman Associate of the Royal Academy.^[57] More recently, Rebecca Salter was elected the first female President of the Royal Academy on December 10, 2019, following the retirement of Sir Christopher Le Brun.^{[31]>^[32] This marked a significant moment in the institution's long history, highlighting its commitment to diverse leadership.}

Executive Leadership

In addition to the artist-led governance, the Royal Academy also has executive leadership. In September 2007, Sir Charles Saumarez Smith was appointed as the Secretary and Chief Executive, a newly created position.^[33] He stepped down at the end of 2018, and Axel Rüger, formerly director of the Van Gogh Museum in Amsterdam, assumed the role in June 2019.^[34] The current CEO is Simon Wallis.

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References

Gordon Sutton, Artisan or Artist?: A History of the Teaching of Art and Crafts in English Schools (London: Pergamon Press, 2014) p.297

John Harris, Sir William Chambers Knight of the Polar Star, Chapter 11: The Royal Academy, 1970, A. Zwemmer Ltd

RA. Entangled Pasts: Large Print Guide (Main Galleries). London: RA, 2024, p. 7.

Reynolds, Simon. "Sims, Charles Henry (1873â1928)" in Oxford Dictionary of National Biography, Oxford University Press, 2004.

The Magic of a Line: Drawings by Dame Laura Knight, R.A., Library Print Room, Royal Academy of Arts, 2008

Hutchison, Sidney."The History of the Royal Academy, 1768â1968" Taplinger Publishing Company, 1968

A full list of references for this article are available at the Royal Academy of Arts Wikipedia page

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Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional advice. The information provided on this website is not a substitute for professional art historical research, curatorial expertise, or financial advice regarding art investments. Always refer to official institutional documentation and consult with qualified professionals for specific academic, artistic, or financial needs. Never disregard professional advice because of something you have read on this website.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.

The Royal Academy of Arts

💡 Dive in with Flashcard Learning! 💡

Overview ℹ️

🏛️ An Independent Artistic Citadel

📍 A Historic London Landmark

🌟 Mission and Vision

Genesis 📜

👑 Royal Patronage and Foundation

👥 Founding Members and Early Leadership

🗺️ Evolution of Location

🎉 250th Anniversary Refurbishment

Engage ✨

🤝 Charitable Status and Funding

🖼️ Exhibitions and Public Discourse

☀️ The Summer Exhibition

📚 Literary Collaborations

Schools 🎓

🎨 Britain's Oldest Art School

📚 Curriculum and Influences

🌟 Notable Alumni and Inclusivity

Collect 💎

🎁 The Diploma Works Tradition

📸 Photographic and Archival Holdings

✨ Architectural Artistry

🗿 Michelangelo's *Taddei Tondo*

🕊️ War Memorials

Leaders 👑

🗳️ Royal Academicians: The Governing Body

♀️ Pioneering Women in Leadership

💼 Executive Leadership

Teacher's Corner 🧑‍🏫

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References

📜 References

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Disclaimer ⚠️

📜 Important Notice

Dive in with Flashcard Learning!

Overview

An Independent Artistic Citadel

A Historic London Landmark

Mission and Vision

Genesis

Royal Patronage and Foundation

Founding Members and Early Leadership

Evolution of Location

250th Anniversary Refurbishment

Engage

Charitable Status and Funding

Exhibitions and Public Discourse

The Summer Exhibition

Literary Collaborations

Schools

Britain's Oldest Art School

Curriculum and Influences

Notable Alumni and Inclusivity

Collect

The Diploma Works Tradition

Photographic and Archival Holdings

Architectural Artistry

Michelangelo's Taddei Tondo

War Memorials

Leaders

Royal Academicians: The Governing Body

Pioneering Women in Leadership

Executive Leadership

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice