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A.O. Scott: A Retrospective on Film Criticism and Cultural Commentary

At a Glance

Title: A.O. Scott: A Retrospective on Film Criticism and Cultural Commentary

Total Categories: 6

Category Stats

  • Early Life and Education: 10 flashcards, 14 questions
  • Journalistic Beginnings and The New York Times: 5 flashcards, 9 questions
  • Evolution of a Critic: Roles and Transitions: 4 flashcards, 8 questions
  • Critical Philosophy and Industry Commentary: 10 flashcards, 15 questions
  • Significant Contributions and Public Engagement: 12 flashcards, 17 questions
  • Selected Filmography: Top Picks and Critiques: 9 flashcards, 10 questions

Total Stats

  • Total Flashcards: 50
  • True/False Questions: 37
  • Multiple Choice Questions: 36
  • Total Questions: 73

Instructions

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Study Guide: A.O. Scott: A Retrospective on Film Criticism and Cultural Commentary

Study Guide: A.O. Scott: A Retrospective on Film Criticism and Cultural Commentary

Early Life and Education

A.O. Scott's birth date is July 10, 1966.

Answer: True

A.O. Scott was born on July 10, 1966, as stated in the provided information.

Related Concepts:

  • A.O. Scott's Full Name and Birth Date: Anthony Oliver Scott was born on July 10, 1966.

A.O. Scott completed a Master's degree from Johns Hopkins University prior to commencing his professional career.

Answer: False

A.O. Scott attended Johns Hopkins University for a Master's degree but dropped out before completing it.

Related Concepts:

  • A.O. Scott's Higher Education: A.O. Scott graduated *magna cum laude* from Harvard University in 1988 with a degree in literature. He also commenced a Master's degree program at Johns Hopkins University but did not complete it.

Both of A.O. Scott's parents were professors, with his mother teaching at the Institute for Advanced Study and his father at the City University of New York.

Answer: True

The provided information confirms that both of A.O. Scott's parents were professors, with their respective affiliations as stated.

Related Concepts:

  • A.O. Scott's Parents' Academic Professions: Both of A.O. Scott's parents were professors: his mother, Joan Wallach Scott, at the Institute for Advanced Study, and his father, Donald Scott, at the City University of New York.

A.O. Scott is the nephew of the renowned acting couple Eli Wallach and Anne Jackson.

Answer: False

A.O. Scott is the great-nephew of Eli Wallach and Anne Jackson, not their nephew.

Related Concepts:

  • A.O. Scott's Relatives in the Performing Arts: A.O. Scott is the great-nephew of the acclaimed acting couple Eli Wallach and Anne Jackson.

A.O. Scott attended private schools in New York City prior to his higher education.

Answer: False

A.O. Scott attended public schools in Providence, Rhode Island, including Classical High School.

Related Concepts:

  • A.O. Scott's Secondary Education: A.O. Scott attended public schools in Providence, Rhode Island, including Classical High School.

A pivotal experience that influenced A.O. Scott's path to film criticism was living in London at age 15 and frequently visiting independent cinemas.

Answer: False

The pivotal experience occurred when he was 15 and living in Paris, not London, where he visited independent movie theaters on the Left Bank.

Related Concepts:

  • Formative Cinematic Experience for A.O. Scott: A pivotal experience for A.O. Scott was living in Paris at age 15 with his mother, where he frequently visited independent movie theaters on the Left Bank, cultivating his interest in film.

A.O. Scott's initial traumatic cinematic experience involved the flying monkeys in *The Wizard of Oz*.

Answer: True

A.O. Scott recalled his 'first traumatic encounter with the flying monkeys in *The Wizard of Oz*' as an early cinematic experience.

Related Concepts:

  • A.O. Scott's Early Traumatic Cinematic Experience: A.O. Scott recounted his 'first traumatic encounter with the flying monkeys in *The Wizard of Oz*' as a powerful early cinematic experience, highlighting cinema's capacity to evoke intense emotions and reveal truths.

A.O. Scott identifies as an atheist.

Answer: False

A.O. Scott is Jewish, not an atheist.

Related Concepts:

  • A.O. Scott's Religious Affiliation: A.O. Scott is Jewish.

What is the full birth name of A.O. Scott?

Answer: Anthony Oliver Scott

A.O. Scott's birth name is Anthony Oliver Scott.

Related Concepts:

  • A.O. Scott's Full Name and Birth Date: Anthony Oliver Scott was born on July 10, 1966.

In which city was A.O. Scott born?

Answer: Northampton, Massachusetts

A.O. Scott was born in Northampton, Massachusetts.

Related Concepts:

  • A.O. Scott's Birthplace: A.O. Scott was born in Northampton, Massachusetts.

Which university did A.O. Scott attend for a Master's degree, ultimately not completing the program?

Answer: Johns Hopkins University

A.O. Scott attended Johns Hopkins University for a Master's degree but dropped out before completing it.

Related Concepts:

  • A.O. Scott's Higher Education: A.O. Scott graduated *magna cum laude* from Harvard University in 1988 with a degree in literature. He also commenced a Master's degree program at Johns Hopkins University but did not complete it.

Who are A.O. Scott's notable relatives within the acting profession?

Answer: His great-aunt and great-uncle, Eli Wallach and Anne Jackson

A.O. Scott is the great-nephew of the acting couple Eli Wallach and Anne Jackson.

Related Concepts:

  • A.O. Scott's Relatives in the Performing Arts: A.O. Scott is the great-nephew of the acclaimed acting couple Eli Wallach and Anne Jackson.

What early cinematic experience did A.O. Scott describe as both 'traumatic yet powerful'?

Answer: The flying monkeys in *The Wizard of Oz*

A.O. Scott recalled his 'first traumatic encounter with the flying monkeys in *The Wizard of Oz*' as an early cinematic experience.

Related Concepts:

  • A.O. Scott's Early Traumatic Cinematic Experience: A.O. Scott recounted his 'first traumatic encounter with the flying monkeys in *The Wizard of Oz*' as a powerful early cinematic experience, highlighting cinema's capacity to evoke intense emotions and reveal truths.

What is the religious affiliation of A.O. Scott?

Answer: Jewish

A.O. Scott is Jewish.

Related Concepts:

  • A.O. Scott's Religious Affiliation: A.O. Scott is Jewish.

Journalistic Beginnings and The New York Times

Anthony Oliver Scott is primarily recognized for his contributions as a political commentator and sports journalist.

Answer: False

Anthony Oliver Scott is widely recognized for his work as a film and literary critic, not primarily as a political commentator or sports journalist.

Related Concepts:

  • Anthony Oliver Scott: Overview of Professional Roles: Anthony Oliver Scott (b. July 10, 1966) is an American journalist and cultural critic, primarily known for his extensive work as a film and literary critic at prominent publications.

Prior to joining The New York Times, A.O. Scott authored television reviews for Variety using the pseudonym Tony Scott.

Answer: True

A.O. Scott wrote television reviews for Variety under the name Tony Scott in 1993, before his tenure at The New York Times.

Related Concepts:

  • A.O. Scott's Early Career Before The New York Times: Before joining The New York Times, A.O. Scott worked as an assistant to Robert B. Silvers at The New York Review of Books, served as a book critic for Newsday, and contributed to various publications. He also wrote television reviews for Variety under the pseudonym Tony Scott in 1993.

A.O. Scott joined The New York Times in 2004 as a chief film critic, directly succeeding Janet Maslin.

Answer: False

A.O. Scott joined The New York Times' Arts section in January 2000, taking over film criticism duties after Janet Maslin's transition from that specific role. He became chief film critic in 2004, succeeding Elvis Mitchell.

Related Concepts:

  • A.O. Scott's Initial Role and Entry to The New York Times: A.O. Scott joined The New York Times' Arts section in January 2000, assuming film criticism duties following Janet Maslin's transition from that specific role.
  • A.O. Scott's Appointment as Chief Film Critic at The New York Times: A.O. Scott became a chief film critic for The New York Times in 2004, succeeding Elvis Mitchell and sharing the title with Manohla Dargis.

A.O. Scott shared the designation of chief film critic for The New York Times with Manohla Dargis commencing in 2004.

Answer: True

A.O. Scott became chief film critic in 2004 and shared this title with Manohla Dargis.

Related Concepts:

  • A.O. Scott's Appointment as Chief Film Critic at The New York Times: A.O. Scott became a chief film critic for The New York Times in 2004, succeeding Elvis Mitchell and sharing the title with Manohla Dargis.

A.O. Scott succeeded Elvis Mitchell as chief film critic at The New York Times.

Answer: True

A.O. Scott succeeded Elvis Mitchell as chief film critic of The New York Times in 2004.

Related Concepts:

  • A.O. Scott's Succession as Chief Film Critic at The New York Times: A.O. Scott succeeded Elvis Mitchell as chief film critic at The New York Times, a role he shared with Manohla Dargis. Upon his departure in March 2023, Manohla Dargis became the sole chief critic.
  • A.O. Scott's Appointment as Chief Film Critic at The New York Times: A.O. Scott became a chief film critic for The New York Times in 2004, succeeding Elvis Mitchell and sharing the title with Manohla Dargis.

What was A.O. Scott's initial role at The New York Review of Books at the commencement of his career?

Answer: Assistant to Robert B. Silvers

A.O. Scott began his career at The New York Review of Books as an assistant to Robert B. Silvers.

Related Concepts:

  • A.O. Scott's Early Career Before The New York Times: Before joining The New York Times, A.O. Scott worked as an assistant to Robert B. Silvers at The New York Review of Books, served as a book critic for Newsday, and contributed to various publications. He also wrote television reviews for Variety under the pseudonym Tony Scott in 1993.

When did A.O. Scott first join The New York Times' Arts section?

Answer: January 2000

A.O. Scott joined The New York Times' Arts section in January 2000.

Related Concepts:

  • A.O. Scott's Initial Role and Entry to The New York Times: A.O. Scott joined The New York Times' Arts section in January 2000, assuming film criticism duties following Janet Maslin's transition from that specific role.

Who did A.O. Scott succeed as chief film critic for The New York Times in 2004?

Answer: Elvis Mitchell

A.O. Scott became chief film critic for The New York Times in 2004, following Elvis Mitchell's resignation.

Related Concepts:

  • A.O. Scott's Appointment as Chief Film Critic at The New York Times: A.O. Scott became a chief film critic for The New York Times in 2004, succeeding Elvis Mitchell and sharing the title with Manohla Dargis.
  • A.O. Scott's Succession as Chief Film Critic at The New York Times: A.O. Scott succeeded Elvis Mitchell as chief film critic at The New York Times, a role he shared with Manohla Dargis. Upon his departure in March 2023, Manohla Dargis became the sole chief critic.

Who succeeded A.O. Scott as chief film critic at The New York Times following his departure in March 2023?

Answer: Manohla Dargis

Upon A.O. Scott's departure in March 2023, Manohla Dargis became the sole chief film critic at The New York Times.

Related Concepts:

  • A.O. Scott's Succession as Chief Film Critic at The New York Times: A.O. Scott succeeded Elvis Mitchell as chief film critic at The New York Times, a role he shared with Manohla Dargis. Upon his departure in March 2023, Manohla Dargis became the sole chief critic.

Evolution of a Critic: Roles and Transitions

In March 2020, A.O. Scott permanently ceased his role in film criticism to assume the position of critic at large, concentrating on broader cultural essays.

Answer: False

In March 2020, A.O. Scott took a one-year break from his role as co-chief film critic to become a critic at large; this was not a permanent departure from film criticism at that time.

Related Concepts:

  • A.O. Scott's Transition to Critic at Large in 2020: In March 2020, A.O. Scott transitioned from co-chief film critic to critic at large at The New York Times, focusing on broader cultural essays for a one-year period.

A.O. Scott transitioned from film criticism to The New York Times Book Review in March 2023.

Answer: True

A.O. Scott left his role as a film critic in March 2023 and subsequently joined The New York Times Book Review.

Related Concepts:

  • A.O. Scott's Departure from Film Criticism and New Role: A.O. Scott concluded his role as a film critic in March 2023 to join The New York Times Book Review.

A.O. Scott's departure from film criticism was primarily motivated by a desire to explore more commercial film genres.

Answer: False

A.O. Scott cited increasing difficulty in practicing film criticism and a growing 'disconnection between the critic and the audience' as reasons for his departure, not a desire to explore more commercial film genres.

Related Concepts:

  • A.O. Scott's Stated Reasons for Leaving Film Criticism: A.O. Scott cited increasing difficulty in practicing film criticism and a growing 'disconnection between the critic and the audience' as reasons for his departure.

As of 2023, A.O. Scott retains his listing as a professor of film criticism at Wesleyan University.

Answer: False

A.O. Scott was previously a professor of film criticism at Wesleyan University, but as of 2023, he is no longer listed on the faculty.

Related Concepts:

  • A.O. Scott's Former Academic Affiliation: A.O. Scott previously held a position as a professor of film criticism at Wesleyan University, though he is no longer listed on the faculty as of 2023.

What temporary position did A.O. Scott assume at The New York Times in March 2020?

Answer: Critic at Large

In March 2020, A.O. Scott took a one-year break from his role as co-chief film critic to assume the title of critic at large.

Related Concepts:

  • A.O. Scott's Transition to Critic at Large in 2020: In March 2020, A.O. Scott transitioned from co-chief film critic to critic at large at The New York Times, focusing on broader cultural essays for a one-year period.

When did A.O. Scott formally depart from his role as a film critic to join The New York Times Book Review?

Answer: March 2023

A.O. Scott left his role as a film critic in March 2023 and subsequently joined The New York Times Book Review.

Related Concepts:

  • A.O. Scott's Departure from Film Criticism and New Role: A.O. Scott concluded his role as a film critic in March 2023 to join The New York Times Book Review.

What was a principal reason A.O. Scott articulated for his departure from film criticism?

Answer: A feeling of disconnection between the critic and the audience.

A.O. Scott cited a growing 'disconnection between the critic and the audience' as a primary reason for his departure from film criticism.

Related Concepts:

  • A.O. Scott's Stated Reasons for Leaving Film Criticism: A.O. Scott cited increasing difficulty in practicing film criticism and a growing 'disconnection between the critic and the audience' as reasons for his departure.

Which academic institution formerly listed A.O. Scott as a professor of film criticism?

Answer: Wesleyan University

A.O. Scott was previously a professor of film criticism at Wesleyan University.

Related Concepts:

  • A.O. Scott's Former Academic Affiliation: A.O. Scott previously held a position as a professor of film criticism at Wesleyan University, though he is no longer listed on the faculty as of 2023.

Critical Philosophy and Industry Commentary

A.O. Scott characterized the film industry climate in 2000 as a 'high point,' attributing this to the 'indie boom' of the 1990s.

Answer: True

A.O. Scott described the film industry climate in 2000 as a 'high point,' specifically mentioning the 'indie boom' of the 1990s as a contributing factor.

Related Concepts:

  • A.O. Scott's Assessment of the 2000 Film Industry Climate: A.O. Scott characterized the film industry climate in 2000 as a 'high point,' citing 1999 as a significant year for cinema, comparable to 1974, due to the 'indie boom' of the 1990s and the emergence of independent American filmmakers into the mainstream.

Quentin Tarantino and Paul Thomas Anderson were among the independent American filmmakers A.O. Scott identified as exemplifying the 1990s 'indie boom'.

Answer: False

While Quentin Tarantino was cited as an example of the 1990s 'indie boom,' Paul Thomas Anderson was not explicitly listed among those filmmakers in the provided source, although his film *Magnolia* was highlighted as exciting from 1999.

Related Concepts:

  • Key Filmmakers of the 1990s 'Indie Boom' According to A.O. Scott: A.O. Scott identified Quentin Tarantino, Todd Haynes, Lisa Cholodenko, Julie Dash, and Cheryl Dunye as prominent independent American filmmakers contributing to the 1990s 'indie boom'.

A.O. Scott's objective as a film critic was to exclusively review critically acclaimed art-house films for a specialized audience.

Answer: False

A.O. Scott's mission was to connect movies with their audiences and encourage them to explore a wide range of films, not exclusively art-house films for a niche audience.

Related Concepts:

  • A.O. Scott's Stated Mission as a Film Critic: A.O. Scott articulated his mission as a film critic at The New York Times as connecting movies with their audiences and encouraging readers to explore films they might not initially consider, advocating for adventurous moviegoing.

A.O. Scott found it straightforward to advocate for the film *Freddy Got Fingered* to the readership of The New York Times.

Answer: False

A.O. Scott admitted that 'making the case for *Freddy Got Fingered* to readers of the New York Times was a bit of a challenge.'

Related Concepts:

  • A.O. Scott's Challenge in Reviewing *Freddy Got Fingered*: A.O. Scott acknowledged the difficulty in advocating for *Freddy Got Fingered* to the readership of The New York Times.

A.O. Scott primarily values movies for their consistent ability to uphold reason and refined taste.

Answer: False

A.O. Scott values movies for their ability to 'obliterate reason and abolish taste,' emphasizing their capacity to evoke strong, often irrational, emotional responses.

Related Concepts:

  • A.O. Scott's Appreciation for Cinema's Emotional Impact: A.O. Scott values movies for their capacity to 'obliterate reason and abolish taste,' citing their ability to evoke strong, often irrational, emotional responses such as jump scares, unexpected laughter, and inexplicable tears.

A.O. Scott lauded 'family-friendly' films such as *The Lorax* and *Despicable Me* for their artistic ingenuity.

Answer: False

A.O. Scott objected to the 'pandering cynicism' of 'family-friendly' films such as *The Lorax* and *Despicable Me*.

Related Concepts:

  • A.O. Scott's Critique of 'Pandering Cynicism' in Family Films: A.O. Scott criticized 'family-friendly' films like *The Lorax* and *Despicable Me* for their 'pandering cynicism,' contrasting them with the artistic merit of Studio Ghibli and early Pixar.

A.O. Scott articulated admiration for George Lucas's integration of mythic elements in *Revenge of the Sith*.

Answer: True

A.O. Scott admired how George Lucas connected mythic elements in *Revenge of the Sith*.

Related Concepts:

  • A.O. Scott's Positive Critiques of Select Franchise Films: A.O. Scott expressed positive views on the initial *Spider-Man* films, *Batman Begins*, *The Dark Knight*, and George Lucas's integration of mythic elements in *Revenge of the Sith*.

A.O. Scott perceives modern fandom as a positive force that fosters intellectual discourse and artistic freedom.

Answer: False

A.O. Scott views modern fandom as an 'anti-democratic, anti-intellectual mind-set' that is detrimental to art.

Related Concepts:

  • A.O. Scott's Critique of Modern Fandom: A.O. Scott views modern fandom as an 'anti-democratic, anti-intellectual mind-set' that is detrimental to art, characterized by conformity, obedience, group identity, and mob behavior, which he sees as mirroring intolerant political and communal tendencies.

A.O. Scott finds enduring appeal in the collective experience of attending movies, encompassing the anticipation and post-film discussions.

Answer: True

A.O. Scott finds enduring appeal in the collective experience of cinema, including the anticipation in a darkened theater and the post-screening discussions.

Related Concepts:

  • A.O. Scott's Enduring Appreciation for the Collective Cinema Experience: A.O. Scott finds enduring appeal in the collective experience of cinema, including the anticipation in a darkened theater, the shared attention and surprise during a film, and the post-screening discussions and reactions.

A.O. Scott characterized the film industry climate at the beginning of his tenure at The New York Times in 2000 as a 'high point,' drawing a comparison to which other notable year for cinema?

Answer: 1974

A.O. Scott described the film industry climate in 2000 as a 'high point,' comparable to 1974, among other years.

Related Concepts:

  • A.O. Scott's Assessment of the 2000 Film Industry Climate: A.O. Scott characterized the film industry climate in 2000 as a 'high point,' citing 1999 as a significant year for cinema, comparable to 1974, due to the 'indie boom' of the 1990s and the emergence of independent American filmmakers into the mainstream.

Which of the subsequent filmmakers was NOT explicitly cited by A.O. Scott as an exemplar of the 1990s 'indie boom'?

Answer: Steven Spielberg

A.O. Scott cited Quentin Tarantino, Lisa Cholodenko, and Cheryl Dunye as examples of the 'indie boom' of the 1990s, but not Steven Spielberg.

Related Concepts:

  • Key Filmmakers of the 1990s 'Indie Boom' According to A.O. Scott: A.O. Scott identified Quentin Tarantino, Todd Haynes, Lisa Cholodenko, Julie Dash, and Cheryl Dunye as prominent independent American filmmakers contributing to the 1990s 'indie boom'.

Which film did A.O. Scott particularly highlight as exciting from 1999, in conjunction with Paul Thomas Anderson's *Magnolia*?

Answer: *Three Kings*

A.O. Scott highlighted David O. Russell's *Three Kings* and Paul Thomas Anderson's *Magnolia* as exciting films from 1999.

Related Concepts:

  • A.O. Scott's Highlighted Films from 1999: A.O. Scott specifically highlighted David O. Russell's *Three Kings* and Paul Thomas Anderson's *Magnolia* as particularly exciting films released in 1999.

Which challenging film did A.O. Scott acknowledge presenting a difficult case for to the readership of The New York Times?

Answer: *Freddy Got Fingered*

A.O. Scott admitted that 'making the case for *Freddy Got Fingered* to readers of the New York Times was a bit of a challenge.'

Related Concepts:

  • A.O. Scott's Challenge in Reviewing *Freddy Got Fingered*: A.O. Scott acknowledged the difficulty in advocating for *Freddy Got Fingered* to the readership of The New York Times.

Which of the subsequent 'family-friendly' films did A.O. Scott criticize for their 'pandering cynicism'?

Answer: *The Lorax*

A.O. Scott objected to the 'pandering cynicism' of 'family-friendly' films such as *The Lorax* and *Despicable Me*.

Related Concepts:

  • A.O. Scott's Critique of 'Pandering Cynicism' in Family Films: A.O. Scott criticized 'family-friendly' films like *The Lorax* and *Despicable Me* for their 'pandering cynicism,' contrasting them with the artistic merit of Studio Ghibli and early Pixar.

What is A.O. Scott's overarching perspective on modern fandom?

Answer: He views it as an 'anti-democratic, anti-intellectual mind-set.'

A.O. Scott views modern fandom as an 'anti-democratic, anti-intellectual mind-set' that is detrimental to art.

Related Concepts:

  • A.O. Scott's Critique of Modern Fandom: A.O. Scott views modern fandom as an 'anti-democratic, anti-intellectual mind-set' that is detrimental to art, characterized by conformity, obedience, group identity, and mob behavior, which he sees as mirroring intolerant political and communal tendencies.

Significant Contributions and Public Engagement

A.O. Scott published his book *Better Living Through Criticism* in 2016.

Answer: True

A.O. Scott published the book *Better Living Through Criticism* in 2016.

Related Concepts:

  • A.O. Scott's 2016 Publication: A.O. Scott published his book, *Better Living Through Criticism*, in 2016.

A.O. Scott and Manohla Dargis compiled a list of the best films of the 20th century in 2017.

Answer: False

In 2017, A.O. Scott and Manohla Dargis compiled a list of 'The Best Films of the Twenty-First Century So Far,' not the 20th century.

Related Concepts:

  • A.O. Scott and Manohla Dargis's 2017 Film List: In 2017, A.O. Scott and Manohla Dargis co-compiled a list titled 'The Best Films of the Twenty-First Century So Far'.

A.O. Scott served as a guest critic on 'Ebert & Roeper' during 2008 and 2009.

Answer: False

A.O. Scott served as a guest critic on 'Ebert & Roeper' in 2006 and 2007.

Related Concepts:

  • A.O. Scott's Guest Appearances on 'Ebert & Roeper': A.O. Scott appeared as a guest critic on 'Ebert & Roeper' in 2006 and 2007, during Roger Ebert's medical leave.

A.O. Scott made more than 20 appearances on 'Charlie Rose' between 2002 and 2014.

Answer: False

A.O. Scott made 15 appearances on 'Charlie Rose' between 2002 and 2014.

Related Concepts:

  • A.O. Scott's Appearances on 'Charlie Rose': Between 2002 and 2014, A.O. Scott made 15 appearances on 'Charlie Rose,' serving as a guest, guest host, and discussing films and Academy Award predictions.

A.O. Scott co-hosted 'At the Movies' with Michael Phillips, and their tenure extended for three seasons.

Answer: False

A.O. Scott co-hosted 'At the Movies' with Michael Phillips for one season, from September 2009 to August 2010.

Related Concepts:

  • A.O. Scott's Co-hosting Role on 'At the Movies': A.O. Scott co-hosted 'At the Movies' with Michael Phillips from September 2009 to August 2010, for one season.

A.O. Scott was a finalist for the Pulitzer Prize for Criticism in 2010.

Answer: True

A.O. Scott was a finalist for the 2010 Pulitzer Prize for Criticism.

Related Concepts:

  • A.O. Scott's Pulitzer Prize Finalist Recognition: A.O. Scott was a finalist for the 2010 Pulitzer Prize for Criticism, recognized for his 'incisive film reviews that, with aplomb, embrace a wide spectrum of movies and often explore their connection to larger issues in society or the arts'.

A.O. Scott appeared as a video clue presenter on *Jeopardy!* for ten episodes between 2013 and 2016.

Answer: False

A.O. Scott served as a video clue presenter on *Jeopardy!* for five episodes between 2013 and 2016.

Related Concepts:

  • A.O. Scott's Role as a 'Jeopardy!' Video Clue Presenter: A.O. Scott served as a video clue presenter on the television game show *Jeopardy!* for five episodes between 2013 and 2016.

In the 2014 documentary *Life Itself*, A.O. Scott served as a narrator.

Answer: False

In the 2014 documentary *Life Itself*, A.O. Scott appeared as himself, not as a narrator.

Related Concepts:

  • A.O. Scott's Appearance in 'Life Itself' (2014): A.O. Scott appeared as himself in the 2014 documentary *Life Itself*, which chronicles the life of film critic Roger Ebert.

What was the title of the video podcast co-hosted by A.O. Scott and other film critics at The New York Times?

Answer: Critics' Picks

A.O. Scott and other film critics at The New York Times hosted a video podcast called 'Critics' Picks'.

Related Concepts:

  • A.O. Scott's Co-hosted Video Podcast at The New York Times: A.O. Scott co-hosted 'Critics' Picks,' a video podcast on film, with other critics at The New York Times.

In which year did A.O. Scott publish his book *Better Living Through Criticism*?

Answer: 2016

A.O. Scott published the book *Better Living Through Criticism* in 2016.

Related Concepts:

  • A.O. Scott's 2016 Publication: A.O. Scott published his book, *Better Living Through Criticism*, in 2016.

What notable list did A.O. Scott and Manohla Dargis co-compile in 2017?

Answer: The Best Films of the Twenty-First Century So Far

In 2017, A.O. Scott and Manohla Dargis compiled a list of 'The Best Films of the Twenty-First Century So Far'.

Related Concepts:

  • A.O. Scott and Manohla Dargis's 2017 Film List: In 2017, A.O. Scott and Manohla Dargis co-compiled a list titled 'The Best Films of the Twenty-First Century So Far'.

During which years did A.O. Scott serve as a guest critic on 'Ebert & Roeper'?

Answer: 2006 and 2007

A.O. Scott served as a guest critic on 'Ebert & Roeper' in 2006 and 2007.

Related Concepts:

  • A.O. Scott's Guest Appearances on 'Ebert & Roeper': A.O. Scott appeared as a guest critic on 'Ebert & Roeper' in 2006 and 2007, during Roger Ebert's medical leave.

What was the total number of appearances A.O. Scott made on 'Charlie Rose' between 2002 and 2014?

Answer: 15

Between 2002 and 2014, A.O. Scott made 15 appearances on 'Charlie Rose'.

Related Concepts:

  • A.O. Scott's Appearances on 'Charlie Rose': Between 2002 and 2014, A.O. Scott made 15 appearances on 'Charlie Rose,' serving as a guest, guest host, and discussing films and Academy Award predictions.

Who co-hosted the television program 'At the Movies' with A.O. Scott?

Answer: Michael Phillips

A.O. Scott co-hosted 'At the Movies' with Chicago Tribune critic Michael Phillips.

Related Concepts:

  • A.O. Scott's Co-hosting Role on 'At the Movies': A.O. Scott co-hosted 'At the Movies' with Michael Phillips from September 2009 to August 2010, for one season.

For which particular achievement was A.O. Scott recognized as a finalist for the 2010 Pulitzer Prize?

Answer: For his incisive film reviews

A.O. Scott was a finalist for the 2010 Pulitzer Prize for Criticism, recognized for his 'incisive film reviews'.

Related Concepts:

  • A.O. Scott's Pulitzer Prize Finalist Recognition: A.O. Scott was a finalist for the 2010 Pulitzer Prize for Criticism, recognized for his 'incisive film reviews that, with aplomb, embrace a wide spectrum of movies and often explore their connection to larger issues in society or the arts'.

In which television game show did A.O. Scott function as a video clue presenter?

Answer: Jeopardy!

A.O. Scott served as a video clue presenter on the television game show *Jeopardy!*.

Related Concepts:

  • A.O. Scott's Role as a 'Jeopardy!' Video Clue Presenter: A.O. Scott served as a video clue presenter on the television game show *Jeopardy!* for five episodes between 2013 and 2016.

In the 2014 documentary *Life Itself*, in what capacity did A.O. Scott make an appearance?

Answer: As himself

A.O. Scott appeared as himself in the 2014 documentary *Life Itself*.

Related Concepts:

  • A.O. Scott's Appearance in 'Life Itself' (2014): A.O. Scott appeared as himself in the 2014 documentary *Life Itself*, which chronicles the life of film critic Roger Ebert.

Selected Filmography: Top Picks and Critiques

In 2009, A.O. Scott included *The Godfather* and *La Dolce Vita* among his five favorite films.

Answer: True

In a 2009 conversation with Rotten Tomatoes, A.O. Scott named *La Dolce Vita* and *The Godfather* among his five favorite films.

Related Concepts:

  • A.O. Scott's Five Favorite Films (2009): In 2009, A.O. Scott identified his five favorite films as *La Dolce Vita*, *The Godfather*, *Sullivan's Travels*, *McCabe & Mrs. Miller*, and *The Man Who Shot Liberty Valance*.

A.O. Scott designated *Boyhood* as his best film of the year in 2011.

Answer: False

A.O. Scott selected *Boyhood* as his best film of the year in 2014. His top pick for 2011 was *Bridesmaids*.

Related Concepts:

  • A.O. Scott's Best Film of 2014: A.O. Scott selected *Boyhood* as his best film of the year for 2014.
  • A.O. Scott's Top Film Pick for 2011: A.O. Scott named *Bridesmaids* as his top film pick for 2011.

A.O. Scott selected *Moonlight* as the best film of 2016.

Answer: True

A.O. Scott chose *Moonlight* as the best film of 2016.

Related Concepts:

  • A.O. Scott's Best Film of 2016: A.O. Scott chose *Moonlight* as the best film of 2016.

Which of the subsequent films was NOT enumerated by A.O. Scott as one of his five favorite films during a 2009 discussion with Rotten Tomatoes?

Answer: *Casablanca*

In 2009, A.O. Scott listed *La Dolce Vita*, *The Godfather*, *Sullivan's Travels*, *McCabe & Mrs. Miller*, and *The Man Who Shot Liberty Valance* as his five favorite films. *Casablanca* was not among them.

Related Concepts:

  • A.O. Scott's Five Favorite Films (2009): In 2009, A.O. Scott identified his five favorite films as *La Dolce Vita*, *The Godfather*, *Sullivan's Travels*, *McCabe & Mrs. Miller*, and *The Man Who Shot Liberty Valance*.

Which film did A.O. Scott designate as his best of the year in 2000?

Answer: *Yi Yi*

A.O. Scott selected *Yi Yi* as his best film of the year in 2000.

Related Concepts:

  • A.O. Scott's Best Film of 2000: A.O. Scott selected *Yi Yi* as his best film of the year in 2000.

A.O. Scott's premier selection for the best film of 2004 was:

Answer: *Million Dollar Baby*

A.O. Scott's choice for the best film of 2004 was *Million Dollar Baby*.

Related Concepts:

  • A.O. Scott's Best Film of 2004: A.O. Scott's choice for the best film of 2004 was *Million Dollar Baby*.

Which animated feature did A.O. Scott deem the best of 2008?

Answer: *Wall-E*

A.O. Scott considered *Wall-E* the best film of 2008.

Related Concepts:

  • A.O. Scott's Best Film of 2008: A.O. Scott considered *Wall-E* the best film of 2008.

Which film constituted A.O. Scott's top selection for 2011?

Answer: *Bridesmaids*

For 2011, A.O. Scott named *Bridesmaids* as his top pick.

Related Concepts:

  • A.O. Scott's Top Film Pick for 2011: A.O. Scott named *Bridesmaids* as his top film pick for 2011.

Which film did A.O. Scott designate as his best of the year in 2019?

Answer: *Honeyland*

A.O. Scott's top choice for 2019 was *Honeyland*.

Related Concepts:

  • A.O. Scott's Top Film Pick for 2019: A.O. Scott's top film choice for 2019 was *Honeyland*.

What was A.O. Scott's premier film selection for 2022?

Answer: *Nope*

In 2022, A.O. Scott selected *Nope* as his best film of the year.

Related Concepts:

  • A.O. Scott's Best Film of 2022: A.O. Scott selected *Nope* as his best film of the year in 2022.

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