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The Anti-Folk Music Movement: Origins and Evolution

At a Glance

Title: The Anti-Folk Music Movement: Origins and Evolution

Total Categories: 5

Category Stats

  • Origins and Definition of Anti-Folk: 3 flashcards, 4 questions
  • Musical and Lyrical Characteristics: 7 flashcards, 9 questions
  • Key Figures and Artists: 7 flashcards, 13 questions
  • Scene Development and Venues: 8 flashcards, 14 questions
  • Geographical Spread and UK Scene: 8 flashcards, 13 questions

Total Stats

  • Total Flashcards: 33
  • True/False Questions: 25
  • Multiple Choice Questions: 28
  • Total Questions: 53

Instructions

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Welcome to Your Curriculum Command Center

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⚙️ Kit Manager: Your Kit's Identity

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Step 2: The Magic (The Generator Suite)

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Study Guide: The Anti-Folk Music Movement: Origins and Evolution

Study Guide: The Anti-Folk Music Movement: Origins and Evolution

Origins and Definition of Anti-Folk

Anti-folk originated in the late 1990s in London as a subgenre of indie rock.

Answer: False

The genesis of the anti-folk movement is situated in 1980s New York City, not London in the late 1990s. It emerged as a reaction against the perceived commercialization of folk music, drawing influences from contemporary folk and punk rock.

Related Concepts:

  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.
  • What were the stylistic and cultural origins of anti-folk?: The stylistic origins of anti-folk are rooted in contemporary folk music and punk rock. Culturally, the genre emerged in the United States during the mid-1980s.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

The primary motivation for creating anti-folk was to celebrate the commercial success of mainstream folk artists.

Answer: False

The primary motivation for anti-folk was not to celebrate commercial success but rather to serve as a reaction against the perceived seriousness and commercialization of the contemporary music scene, often through protest and satire.

Related Concepts:

  • What was the primary motivation behind the creation of anti-folk music?: The primary motivation behind anti-folk was to mock the perceived seriousness of the mainstream music scene during its era. Artists aimed to protest through their clever and often mocking lyrical content.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.

What is anti-folk, and what was its primary origin point?

Answer: A music genre that emerged in 1980s New York City as a reaction against commercialized folk music.

Anti-folk is defined as a music genre that originated in 1980s New York City, established as a reaction against the commercialization of folk music.

Related Concepts:

  • What were the stylistic and cultural origins of anti-folk?: The stylistic origins of anti-folk are rooted in contemporary folk music and punk rock. Culturally, the genre emerged in the United States during the mid-1980s.
  • What was the primary motivation behind the creation of anti-folk music?: The primary motivation behind anti-folk was to mock the perceived seriousness of the mainstream music scene during its era. Artists aimed to protest through their clever and often mocking lyrical content.
  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.

What was the main reason artists created anti-folk music?

Answer: To protest and mock the perceived seriousness of the contemporary music scene.

Artists created anti-folk music primarily as a form of protest and mockery directed at the perceived seriousness and commercialism of the contemporary music scene.

Related Concepts:

  • What was the primary motivation behind the creation of anti-folk music?: The primary motivation behind anti-folk was to mock the perceived seriousness of the mainstream music scene during its era. Artists aimed to protest through their clever and often mocking lyrical content.
  • How did anti-folk artists use humor and satire in their music?: Anti-folk artists employed humor and satire in their lyrics and overall presentation as a means to critique societal norms, the music industry, and the perceived pretentiousness of other musical genres, serving as a form of protest and commentary.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.

Musical and Lyrical Characteristics

A core characteristic of anti-folk is its adherence to traditional folk music structures and themes.

Answer: False

Contrary to traditional folk music, anti-folk is characterized by its unconventional songwriting and a deliberate departure from established structures and themes, often employing a do-it-yourself ethos.

Related Concepts:

  • What does the term 'antifolk' imply about its relationship to traditional folk music?: The term 'antifolk' implies a deliberate opposition or reaction against traditional or mainstream folk music. It suggests a subversion of folk conventions, often through lyrical content, musical style, or performance ethos.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.
  • What were the stylistic and cultural origins of anti-folk?: The stylistic origins of anti-folk are rooted in contemporary folk music and punk rock. Culturally, the genre emerged in the United States during the mid-1980s.

Anti-folk music draws stylistic influences from contemporary folk music and punk rock.

Answer: True

The genre's stylistic foundation is indeed rooted in a synthesis of contemporary folk music and the energetic, often anti-establishment ethos of punk rock.

Related Concepts:

  • What were the stylistic and cultural origins of anti-folk?: The stylistic origins of anti-folk are rooted in contemporary folk music and punk rock. Culturally, the genre emerged in the United States during the mid-1980s.
  • How did punk rock influence the anti-folk genre?: Punk rock influenced anti-folk through its stylistic origins and its associated DIY ethos. This influence likely contributed to anti-folk's unconventional songwriting and its rejection of mainstream commercialism.
  • What does the term 'antifolk' imply about its relationship to traditional folk music?: The term 'antifolk' implies a deliberate opposition or reaction against traditional or mainstream folk music. It suggests a subversion of folk conventions, often through lyrical content, musical style, or performance ethos.

The 'DIY ethos' in anti-folk emphasizes reliance on major record labels for production.

Answer: False

The 'DIY ethos' fundamentally emphasizes independence and self-sufficiency, actively avoiding reliance on mainstream industry structures like major record labels.

Related Concepts:

  • What does the 'DIY ethos' mean in the context of anti-folk?: The 'DIY ethos' in anti-folk refers to a do-it-yourself approach, emphasizing self-sufficiency, independence from mainstream industry structures, and often a raw, unpolished aesthetic in music creation and performance.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.
  • What does the term 'antifolk' imply about its relationship to traditional folk music?: The term 'antifolk' implies a deliberate opposition or reaction against traditional or mainstream folk music. It suggests a subversion of folk conventions, often through lyrical content, musical style, or performance ethos.

Anti-folk artists used humor and satire primarily to appeal to a younger audience.

Answer: False

While humor and satire might appeal broadly, their primary function in anti-folk was as a tool for critique and commentary on societal norms and the music industry, rather than solely audience appeal.

Related Concepts:

  • How did anti-folk artists use humor and satire in their music?: Anti-folk artists employed humor and satire in their lyrics and overall presentation as a means to critique societal norms, the music industry, and the perceived pretentiousness of other musical genres, serving as a form of protest and commentary.
  • What was the primary motivation behind the creation of anti-folk music?: The primary motivation behind anti-folk was to mock the perceived seriousness of the mainstream music scene during its era. Artists aimed to protest through their clever and often mocking lyrical content.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.

Which of the following options most accurately delineates the defining characteristics of the anti-folk musical genre?

Answer: A do-it-yourself (DIY) ethos, unconventional songwriting, and humorous or satirical lyrics.

The core tenets of anti-folk encompass a do-it-yourself (DIY) ethos, a penchant for unconventional songwriting structures, and the frequent incorporation of humorous or satirical lyrical content, distinguishing it from traditional folk music.

Related Concepts:

  • What does the term 'antifolk' imply about its relationship to traditional folk music?: The term 'antifolk' implies a deliberate opposition or reaction against traditional or mainstream folk music. It suggests a subversion of folk conventions, often through lyrical content, musical style, or performance ethos.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.
  • How did anti-folk artists use humor and satire in their music?: Anti-folk artists employed humor and satire in their lyrics and overall presentation as a means to critique societal norms, the music industry, and the perceived pretentiousness of other musical genres, serving as a form of protest and commentary.

Stylistically, anti-folk is rooted in which two genres?

Answer: Contemporary Folk and Punk Rock

Stylistically, anti-folk draws its roots from contemporary folk music and punk rock, blending elements of both.

Related Concepts:

  • What were the stylistic and cultural origins of anti-folk?: The stylistic origins of anti-folk are rooted in contemporary folk music and punk rock. Culturally, the genre emerged in the United States during the mid-1980s.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

What does the 'DIY ethos' signify within the anti-folk context?

Answer: A commitment to independent creation and production, avoiding mainstream industry structures.

The 'DIY ethos' in anti-folk signifies a commitment to independent creation and production, emphasizing self-sufficiency and a rejection of conventional mainstream industry structures.

Related Concepts:

  • What does the 'DIY ethos' mean in the context of anti-folk?: The 'DIY ethos' in anti-folk refers to a do-it-yourself approach, emphasizing self-sufficiency, independence from mainstream industry structures, and often a raw, unpolished aesthetic in music creation and performance.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.

How did anti-folk artists utilize humor and satire?

Answer: As a method to critique societal norms and the music industry.

Anti-folk artists employed humor and satire as a critical method to challenge societal norms and critique the music industry, serving as a form of commentary and protest.

Related Concepts:

  • How did anti-folk artists use humor and satire in their music?: Anti-folk artists employed humor and satire in their lyrics and overall presentation as a means to critique societal norms, the music industry, and the perceived pretentiousness of other musical genres, serving as a form of protest and commentary.
  • What was the primary motivation behind the creation of anti-folk music?: The primary motivation behind anti-folk was to mock the perceived seriousness of the mainstream music scene during its era. Artists aimed to protest through their clever and often mocking lyrical content.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.

What is the relationship between anti-folk and folk punk according to the source?

Answer: Folk punk is listed as a related genre, suggesting overlap.

The source indicates that folk punk is a related genre to anti-folk, suggesting a connection and potential overlap between the two subgenres.

Related Concepts:

  • How did punk rock influence the anti-folk genre?: Punk rock influenced anti-folk through its stylistic origins and its associated DIY ethos. This influence likely contributed to anti-folk's unconventional songwriting and its rejection of mainstream commercialism.
  • What is the relationship between anti-folk and folk punk?: Folk punk is listed as a related genre to anti-folk, indicating a connection or overlap between the two subgenres, both often sharing a DIY spirit and unconventional lyrical approaches.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.

Key Figures and Artists

Beck and Michelle Shocked were among the early artists associated with the anti-folk movement.

Answer: True

Both Beck and Michelle Shocked are recognized as early proponents and artists associated with the development of the anti-folk movement in the United States.

Related Concepts:

  • Which artists were considered early proponents of the anti-folk movement in the United States?: Early proponents of the anti-folk movement included the Washington Squares, Cindy Lee Berryhill, Brenda Kahn, Paleface, Beck, Hamell on Trial, Michelle Shocked, Zane Campbell, John S. Hall, Roger Manning, and Kirk Kelly.

Regina Spektor and the Moldy Peaches are artists who achieved broader success and are associated with anti-folk.

Answer: True

Regina Spektor and the Moldy Peaches are indeed cited as examples of artists who gained broader recognition and are connected to the anti-folk movement.

Related Concepts:

  • Which notable artists, who achieved broader success, have been associated with anti-folk?: Artists such as Jeffrey Lewis, Regina Spektor, and the Moldy Peaches have achieved a notable level of success and are considered to be part of the anti-folk movement.

Dan Treacy and Jack Hayter are recognized as key figures within the UK anti-folk community.

Answer: True

Dan Treacy and Jack Hayter are indeed listed among the key figures contributing to the UK anti-folk community.

Related Concepts:

  • Can you name some key figures within the UK anti-folk community?: Key figures in the UK anti-folk community include Dan Treacy of Television Personalities, Jack Hayter, Milk Kan, Extradition Order, Benjamin Shaw, Lucy Joplin, Candythief, JJ Crash, Larry Pickleman, and Paul Hawkins.

Emmy the Great and Laura Marling were added to antifolk rosters for their traditional lyrical approach.

Answer: False

Emmy the Great and Laura Marling were associated with anti-folk due to their incorporation of mocking lyrics, not for a traditional lyrical approach.

Related Concepts:

  • Which artists were considered anti-folk due to their use of mocking lyrics?: Emmy the Great and Laura Marling are mentioned as artists added to the roster of antifolk figures because they incorporated mocking lyrics into their music.

Kate Nash began her career performing in anti-folk style shows, including one promoted by Larry Pickleman in Brighton.

Answer: True

Kate Nash's early career involved performing in anti-folk style shows, notably including one in Brighton promoted by Larry Pickleman and Mertle.

Related Concepts:

  • How was Kate Nash connected to the anti-folk scene?: Kate Nash began her music career by performing in anti-folk style shows, including a concert in Brighton that was promoted by Larry Pickleman and Mertle.

Withered Hand, an Edinburgh-based musician, is often associated with the anti-folk genre.

Answer: True

Dan Willson, performing as Withered Hand, is an Edinburgh-based musician frequently associated with the anti-folk genre.

Related Concepts:

  • Which Edinburgh-based musician is often associated with the anti-folk genre?: Dan Willson, who performs under the name Withered Hand, is an Edinburgh-based musician frequently considered part of the anti-folk genre. His debut album, *Good News*, was released in 2009.

Which of the following artists is NOT mentioned as an early proponent of the US anti-folk movement?

Answer: Kate Nash

While Kate Nash is associated with the UK anti-folk scene, Paleface, Regina Spektor, and John S. Hall are mentioned as early proponents of the US anti-folk movement.

Related Concepts:

  • Which artists were considered early proponents of the anti-folk movement in the United States?: Early proponents of the anti-folk movement included the Washington Squares, Cindy Lee Berryhill, Brenda Kahn, Paleface, Beck, Hamell on Trial, Michelle Shocked, Zane Campbell, John S. Hall, Roger Manning, and Kirk Kelly.
  • Which notable artists, who achieved broader success, have been associated with anti-folk?: Artists such as Jeffrey Lewis, Regina Spektor, and the Moldy Peaches have achieved a notable level of success and are considered to be part of the anti-folk movement.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

Which of these artists, known for broader success, is associated with anti-folk?

Answer: Jeffrey Lewis

Jeffrey Lewis is cited as an artist who achieved broader success and is associated with the anti-folk movement.

Related Concepts:

  • Which notable artists, who achieved broader success, have been associated with anti-folk?: Artists such as Jeffrey Lewis, Regina Spektor, and the Moldy Peaches have achieved a notable level of success and are considered to be part of the anti-folk movement.
  • Which artists were considered early proponents of the anti-folk movement in the United States?: Early proponents of the anti-folk movement included the Washington Squares, Cindy Lee Berryhill, Brenda Kahn, Paleface, Beck, Hamell on Trial, Michelle Shocked, Zane Campbell, John S. Hall, Roger Manning, and Kirk Kelly.
  • How did anti-folk artists use humor and satire in their music?: Anti-folk artists employed humor and satire in their lyrics and overall presentation as a means to critique societal norms, the music industry, and the perceived pretentiousness of other musical genres, serving as a form of protest and commentary.

Which of the following is mentioned as a key figure in the UK anti-folk community?

Answer: Dan Treacy

Dan Treacy is listed among the key figures recognized within the UK anti-folk community.

Related Concepts:

  • Can you name some key figures within the UK anti-folk community?: Key figures in the UK anti-folk community include Dan Treacy of Television Personalities, Jack Hayter, Milk Kan, Extradition Order, Benjamin Shaw, Lucy Joplin, Candythief, JJ Crash, Larry Pickleman, and Paul Hawkins.
  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.
  • Which artists were considered anti-folk due to their use of mocking lyrics?: Emmy the Great and Laura Marling are mentioned as artists added to the roster of antifolk figures because they incorporated mocking lyrics into their music.

Why were artists like Emmy the Great and Laura Marling associated with anti-folk?

Answer: They used mocking lyrics in their music.

Emmy the Great and Laura Marling were associated with the anti-folk movement due to their incorporation of mocking lyrics into their musical output.

Related Concepts:

  • Which artists were considered anti-folk due to their use of mocking lyrics?: Emmy the Great and Laura Marling are mentioned as artists added to the roster of antifolk figures because they incorporated mocking lyrics into their music.

How did Kate Nash begin her music career in relation to anti-folk?

Answer: She performed in anti-folk style shows, including one in Brighton.

Kate Nash commenced her music career by performing in anti-folk style shows, including a notable event in Brighton promoted by Larry Pickleman.

Related Concepts:

  • How was Kate Nash connected to the anti-folk scene?: Kate Nash began her music career by performing in anti-folk style shows, including a concert in Brighton that was promoted by Larry Pickleman and Mertle.

Which Edinburgh-based musician, known for his album 'Good News', is associated with anti-folk?

Answer: Withered Hand (Dan Willson)

Dan Willson, performing under the moniker Withered Hand, is an Edinburgh-based musician frequently associated with the anti-folk genre, known for his album 'Good News'.

Related Concepts:

  • Which Edinburgh-based musician is often associated with the anti-folk genre?: Dan Willson, who performs under the name Withered Hand, is an Edinburgh-based musician frequently considered part of the anti-folk genre. His debut album, *Good News*, was released in 2009.

Besides music, what other creative fields are associated with Lach, the founder of anti-folk?

Answer: Author and comedian

Lach, the founder of the anti-folk movement, is also recognized for his work as an author and comedian, indicating a broader artistic practice.

Related Concepts:

  • Besides music, what other creative fields are mentioned in relation to the founder of anti-folk?: Lach, the founder of anti-folk, is also described as an author and comedian, suggesting a broader artistic background that likely influenced the genre's characteristics.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.
  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.

Scene Development and Venues

The anti-folk scene in New York City initially struggled because artists easily found performance slots in established folk venues.

Answer: False

The initial struggle for the anti-folk scene in New York City stemmed precisely from the difficulty artists encountered in securing performance slots within established folk venues, necessitating the creation of alternative spaces.

Related Concepts:

  • How did the anti-folk scene begin in New York City?: The anti-folk scene began in New York City with artists who found themselves unable to secure performance opportunities at established folk venues, such as Folk City and The Speakeasy in Greenwich Village.
  • How did the anti-folk movement adapt after the closure of its initial venues?: The anti-folk movement demonstrated adaptability by moving its base of operations to different venues, such as bars in the East Village and eventually settling at the SideWalk Cafe, ensuring the scene's continuation despite the loss of original spaces.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

Lach founded 'The Fort,' a venue significant to the anti-folk movement, located in Manhattan's Greenwich Village.

Answer: False

'The Fort,' founded by Lach, was situated on Rivington Street in New York City's Lower East Side, not in Greenwich Village.

Related Concepts:

  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.
  • How did Lach's event become known as the New York Antifolk Festival?: Lach's event, 'The Fort,' was dubbed the New York Antifolk Festival because its opening coincided with the New York Folk Festival, creating a deliberate contrast and association.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

Lach's event 'The Fort' was intentionally named the New York Antifolk Festival to align with the official New York Folk Festival.

Answer: False

The event was named the New York Antifolk Festival because its opening coincided with the New York Folk Festival, creating a deliberate contrast rather than an alignment.

Related Concepts:

  • How did Lach's event become known as the New York Antifolk Festival?: Lach's event, 'The Fort,' was dubbed the New York Antifolk Festival because its opening coincided with the New York Folk Festival, creating a deliberate contrast and association.
  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

After 'The Fort' was shut down, the anti-folk scene immediately found a permanent home at the SideWalk Cafe.

Answer: False

Following the closure of 'The Fort,' the anti-folk scene transitioned through various venues before establishing a more permanent base at the SideWalk Cafe, which occurred later, starting in 1993.

Related Concepts:

  • What is the significance of the SideWalk Cafe in the history of anti-folk?: The SideWalk Cafe in New York City became a significant venue for the anti-folk scene, hosting the New York Antifolk Festival annually from 1993 until the cafe's closure in 2019, providing a stable base for the movement.
  • How did the anti-folk movement adapt after the closure of its initial venues?: The anti-folk movement demonstrated adaptability by moving its base of operations to different venues, such as bars in the East Village and eventually settling at the SideWalk Cafe, ensuring the scene's continuation despite the loss of original spaces.
  • How long did the New York Antifolk Festival run at the SideWalk Cafe?: The New York Antifolk Festival was held annually at the SideWalk Cafe from 1993 until the venue's closure in 2019, significantly outlasting the original New York Folk Festival.

The New York Antifolk Festival continued annually at the SideWalk Cafe for over two decades.

Answer: True

The New York Antifolk Festival maintained an annual presence at the SideWalk Cafe from 1993 until the venue's closure in 2019, spanning a period of more than twenty-five years.

Related Concepts:

  • How long did the New York Antifolk Festival run at the SideWalk Cafe?: The New York Antifolk Festival was held annually at the SideWalk Cafe from 1993 until the venue's closure in 2019, significantly outlasting the original New York Folk Festival.
  • What is the significance of the SideWalk Cafe in the history of anti-folk?: The SideWalk Cafe in New York City became a significant venue for the anti-folk scene, hosting the New York Antifolk Festival annually from 1993 until the cafe's closure in 2019, providing a stable base for the movement.
  • How did the anti-folk movement adapt after the closure of its initial venues?: The anti-folk movement demonstrated adaptability by moving its base of operations to different venues, such as bars in the East Village and eventually settling at the SideWalk Cafe, ensuring the scene's continuation despite the loss of original spaces.

Anti-folk events in New York City have exclusively taken place in indoor venues like bars and cafes.

Answer: False

While indoor venues like bars and cafes have been central, anti-folk events in New York City have also occurred in outdoor settings, such as the band shells in Tompkins Square Park and Central Park.

Related Concepts:

  • Besides indoor venues, where else have anti-folk events taken place in New York City?: Anti-folk events have also been hosted outdoors in the band shells located in Tompkins Square Park and Central Park.
  • How did the anti-folk scene begin in New York City?: The anti-folk scene began in New York City with artists who found themselves unable to secure performance opportunities at established folk venues, such as Folk City and The Speakeasy in Greenwich Village.
  • How did the anti-folk movement adapt after the closure of its initial venues?: The anti-folk movement demonstrated adaptability by moving its base of operations to different venues, such as bars in the East Village and eventually settling at the SideWalk Cafe, ensuring the scene's continuation despite the loss of original spaces.

Why did the anti-folk scene initially emerge in New York City?

Answer: Artists couldn't get performance slots at traditional folk venues.

The anti-folk scene emerged in New York City because artists faced difficulties securing performance opportunities at established folk venues, leading them to create their own spaces and scene.

Related Concepts:

  • How did the anti-folk scene begin in New York City?: The anti-folk scene began in New York City with artists who found themselves unable to secure performance opportunities at established folk venues, such as Folk City and The Speakeasy in Greenwich Village.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.
  • How did the anti-folk movement adapt after the closure of its initial venues?: The anti-folk movement demonstrated adaptability by moving its base of operations to different venues, such as bars in the East Village and eventually settling at the SideWalk Cafe, ensuring the scene's continuation despite the loss of original spaces.

Who founded 'The Fort,' a significant venue for the early anti-folk movement?

Answer: Lach

'The Fort,' a crucial venue for the early anti-folk movement, was founded by the musician, author, and comedian Lach.

Related Concepts:

  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.
  • How did Lach's event become known as the New York Antifolk Festival?: Lach's event, 'The Fort,' was dubbed the New York Antifolk Festival because its opening coincided with the New York Folk Festival, creating a deliberate contrast and association.
  • How did the anti-folk scene begin in New York City?: The anti-folk scene began in New York City with artists who found themselves unable to secure performance opportunities at established folk venues, such as Folk City and The Speakeasy in Greenwich Village.

Where was 'The Fort,' the early anti-folk venue founded by Lach, located?

Answer: Rivington Street, Lower East Side, Manhattan

'The Fort,' founded by Lach, was located on Rivington Street in the Lower East Side of Manhattan, serving as a significant hub for the anti-folk scene.

Related Concepts:

  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.
  • How did Lach's event become known as the New York Antifolk Festival?: Lach's event, 'The Fort,' was dubbed the New York Antifolk Festival because its opening coincided with the New York Folk Festival, creating a deliberate contrast and association.
  • Did Lach contribute to the anti-folk scene outside of New York?: Yes, while Lach was living in San Francisco in the early 1990s, he helped establish a West Coast anti-folk movement at the Sacred Grounds Coffee House.

How did Lach's event gain the name 'New York Antifolk Festival'?

Answer: It coincided with the New York Folk Festival, creating a deliberate contrast.

Lach's event was named the New York Antifolk Festival because its opening occurred concurrently with the New York Folk Festival, establishing a deliberate contrast and association.

Related Concepts:

  • How did Lach's event become known as the New York Antifolk Festival?: Lach's event, 'The Fort,' was dubbed the New York Antifolk Festival because its opening coincided with the New York Folk Festival, creating a deliberate contrast and association.
  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

What happened to the original 'The Fort' venue?

Answer: It was shut down by the police.

The original 'The Fort' venue, founded by Lach, was shut down by the police in 1985.

Related Concepts:

  • What happened to the original 'The Fort' venue, and where did the anti-folk scene move subsequently?: The original 'The Fort' was shut down by the police in 1985. Subsequently, the scene moved through various East Village bars like Sophie's and Chameleon, eventually finding a more permanent home in the back room of the SideWalk Cafe starting in 1993.

Which venue became a more permanent home for the New York Antifolk Festival starting in 1993?

Answer: The SideWalk Cafe

The SideWalk Cafe in New York City became a more permanent venue for the New York Antifolk Festival, hosting it annually from 1993 onwards.

Related Concepts:

  • How long did the New York Antifolk Festival run at the SideWalk Cafe?: The New York Antifolk Festival was held annually at the SideWalk Cafe from 1993 until the venue's closure in 2019, significantly outlasting the original New York Folk Festival.
  • What is the significance of the SideWalk Cafe in the history of anti-folk?: The SideWalk Cafe in New York City became a significant venue for the anti-folk scene, hosting the New York Antifolk Festival annually from 1993 until the cafe's closure in 2019, providing a stable base for the movement.
  • Besides indoor venues, where else have anti-folk events taken place in New York City?: Anti-folk events have also been hosted outdoors in the band shells located in Tompkins Square Park and Central Park.

Besides indoor venues, where else have anti-folk events been held in New York City?

Answer: In the band shells of Tompkins Square Park and Central Park

Anti-folk events in New York City have extended beyond indoor venues to include outdoor performances in the band shells of Tompkins Square Park and Central Park.

Related Concepts:

  • Besides indoor venues, where else have anti-folk events taken place in New York City?: Anti-folk events have also been hosted outdoors in the band shells located in Tompkins Square Park and Central Park.
  • How did the anti-folk scene begin in New York City?: The anti-folk scene began in New York City with artists who found themselves unable to secure performance opportunities at established folk venues, such as Folk City and The Speakeasy in Greenwich Village.
  • What is the significance of the SideWalk Cafe in the history of anti-folk?: The SideWalk Cafe in New York City became a significant venue for the anti-folk scene, hosting the New York Antifolk Festival annually from 1993 until the cafe's closure in 2019, providing a stable base for the movement.

What role did the SideWalk Cafe play in the anti-folk movement?

Answer: It hosted the New York Antifolk Festival annually from 1993 until its closure in 2019.

The SideWalk Cafe served as a significant and long-standing venue for the New York Antifolk Festival, hosting it annually from 1993 until the cafe's closure in 2019.

Related Concepts:

  • What is the significance of the SideWalk Cafe in the history of anti-folk?: The SideWalk Cafe in New York City became a significant venue for the anti-folk scene, hosting the New York Antifolk Festival annually from 1993 until the cafe's closure in 2019, providing a stable base for the movement.
  • How did the anti-folk movement adapt after the closure of its initial venues?: The anti-folk movement demonstrated adaptability by moving its base of operations to different venues, such as bars in the East Village and eventually settling at the SideWalk Cafe, ensuring the scene's continuation despite the loss of original spaces.
  • How did the anti-folk scene begin in New York City?: The anti-folk scene began in New York City with artists who found themselves unable to secure performance opportunities at established folk venues, such as Folk City and The Speakeasy in Greenwich Village.

Geographical Spread and UK Scene

Lach established a West Coast anti-folk movement while residing in Los Angeles.

Answer: False

Lach's involvement in establishing a West Coast anti-folk movement occurred during his time in San Francisco, not Los Angeles.

Related Concepts:

  • Did Lach contribute to the anti-folk scene outside of New York?: Yes, while Lach was living in San Francisco in the early 1990s, he helped establish a West Coast anti-folk movement at the Sacred Grounds Coffee House.
  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

The term 'anti-folk' became popular in Britain during the 1990s.

Answer: False

The term 'anti-folk' gained significant traction in Britain during the 2000s, particularly within the London underground music scene, rather than the 1990s.

Related Concepts:

  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.
  • What were the stylistic and cultural origins of anti-folk?: The stylistic origins of anti-folk are rooted in contemporary folk music and punk rock. Culturally, the genre emerged in the United States during the mid-1980s.
  • What are the defining characteristics of the anti-folk music genre?: Anti-folk is characterized by its do-it-yourself (DIY) ethos, unconventional songwriting approaches, and lyrics that are frequently humorous or satirical. These elements were employed to critique the prevailing seriousness of the mainstream music scene at the time.

David Cronenberg's Wife and The Bobby McGee's were key acts in the early UK anti-folk scene.

Answer: True

David Cronenberg's Wife and The Bobby McGee's are identified as prominent acts within the early UK anti-folk scene, particularly associated with the London underground.

Related Concepts:

  • Which acts were prominent in the early UK anti-folk scene?: Early acts in the UK anti-folk scene included David Cronenberg's Wife and The Bobby McGee's, primarily associated with the London underground.

The UK anti-folk scene was primarily centered in Manchester and featured heavily in *NME* magazine.

Answer: False

The UK anti-folk scene was primarily centered in London and Brighton, and its coverage appeared in publications such as *Plan B* magazine, not extensively in *NME*.

Related Concepts:

  • Where was the UK anti-folk scene primarily centered, and what publication featured it?: The UK antifolk scene was largely centered in London and Brighton. A six-page feature on the scene appeared in the September 2007 issue of *Plan B* magazine.
  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.
  • Which acts were prominent in the early UK anti-folk scene?: Early acts in the UK anti-folk scene included David Cronenberg's Wife and The Bobby McGee's, primarily associated with the London underground.

Filthy Pedro initiated seasonal anti-folk festivals in the UK starting in 2004.

Answer: True

The musician Filthy Pedro is credited with initiating seasonal anti-folk festivals in the UK, commencing around 2004.

Related Concepts:

  • Who initiated seasonal anti-folk festivals in the UK?: The lo-fi musician Filthy Pedro started seasonal anti-folk festivals in 2004, collaborating with Tom Mayne of the band David Cronenberg's Wife for promotion.

Mertle was the main curator of the anti-folk scene in Manchester.

Answer: False

Mertle is identified as the primary curator of the anti-folk scene in Brighton, not Manchester.

Related Concepts:

  • Who curated the anti-folk scene in Brighton?: The anti-folk scene in Brighton was primarily curated by a figure named Mertle.

Crywank, an anti-folk project, originated in Wales and surfaced in 2009.

Answer: False

While Crywank surfaced in 2009, the project originated in Manchester, not Wales.

Related Concepts:

  • Are there any anti-folk artists mentioned from Wales or Manchester?: Yes, the Welsh antifolk artist Mr Duke has gained some popularity in Wales. Additionally, the antifolk project Crywank, originating from Manchester, surfaced in 2009.

Where did Lach help establish a West Coast anti-folk movement?

Answer: San Francisco

Lach was instrumental in establishing a West Coast anti-folk movement while he was residing in San Francisco.

Related Concepts:

  • Did Lach contribute to the anti-folk scene outside of New York?: Yes, while Lach was living in San Francisco in the early 1990s, he helped establish a West Coast anti-folk movement at the Sacred Grounds Coffee House.
  • Who founded 'The Fort' and what was its significance to the anti-folk movement?: Musician Lach founded 'The Fort,' an after-hours club located on Rivington Street in New York City's Lower East Side, in the mid-1980s. This venue became a crucial space for the development and promotion of the anti-folk movement.
  • Define anti-folk and identify its principal origin.: Anti-folk is a distinct music genre that emerged during the 1980s in New York City. Its inception is attributed to musician, author, and comedian Lach, who established it as a deliberate reaction against the perceived commercialization prevalent in the folk music scene of that era.

When did the term 'anti-folk' gain significant traction in Britain?

Answer: During the 2000s

The term 'anti-folk' gained significant traction in Britain during the 2000s, particularly within the London underground music scene.

Related Concepts:

  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.
  • What were the stylistic and cultural origins of anti-folk?: The stylistic origins of anti-folk are rooted in contemporary folk music and punk rock. Culturally, the genre emerged in the United States during the mid-1980s.
  • What was the primary motivation behind the creation of anti-folk music?: The primary motivation behind anti-folk was to mock the perceived seriousness of the mainstream music scene during its era. Artists aimed to protest through their clever and often mocking lyrical content.

Which publication featured a significant article on the UK anti-folk scene in September 2007?

Answer: Plan B magazine

A significant six-page feature on the UK anti-folk scene appeared in the September 2007 issue of *Plan B* magazine.

Related Concepts:

  • Where was the UK anti-folk scene primarily centered, and what publication featured it?: The UK antifolk scene was largely centered in London and Brighton. A six-page feature on the scene appeared in the September 2007 issue of *Plan B* magazine.
  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.

Who started seasonal anti-folk festivals in the UK around 2004?

Answer: Filthy Pedro

The musician Filthy Pedro initiated seasonal anti-folk festivals in the UK, commencing around 2004.

Related Concepts:

  • Who initiated seasonal anti-folk festivals in the UK?: The lo-fi musician Filthy Pedro started seasonal anti-folk festivals in 2004, collaborating with Tom Mayne of the band David Cronenberg's Wife for promotion.

Which city was the primary center for the UK anti-folk scene mentioned in the source?

Answer: London

The UK anti-folk scene, as described in the source, was primarily centered in London, with Brighton also being a notable location.

Related Concepts:

  • Where was the UK anti-folk scene primarily centered, and what publication featured it?: The UK antifolk scene was largely centered in London and Brighton. A six-page feature on the scene appeared in the September 2007 issue of *Plan B* magazine.
  • When did the term 'anti-folk' gain traction in Britain?: The term 'anti-folk' was adopted in Britain during the 2000s, particularly within the London underground music scene.
  • Which acts were prominent in the early UK anti-folk scene?: Early acts in the UK anti-folk scene included David Cronenberg's Wife and The Bobby McGee's, primarily associated with the London underground.

Who is identified as the primary curator of the anti-folk scene in Brighton?

Answer: Mertle

Mertle is identified as the primary curator of the anti-folk scene in Brighton.

Related Concepts:

  • Who curated the anti-folk scene in Brighton?: The anti-folk scene in Brighton was primarily curated by a figure named Mertle.
  • Where was the UK anti-folk scene primarily centered, and what publication featured it?: The UK antifolk scene was largely centered in London and Brighton. A six-page feature on the scene appeared in the September 2007 issue of *Plan B* magazine.
  • Can you name some key figures within the UK anti-folk community?: Key figures in the UK anti-folk community include Dan Treacy of Television Personalities, Jack Hayter, Milk Kan, Extradition Order, Benjamin Shaw, Lucy Joplin, Candythief, JJ Crash, Larry Pickleman, and Paul Hawkins.

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