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Franz Schubert: A Comprehensive Overview

At a Glance

Title: Franz Schubert: A Comprehensive Overview

Total Categories: 6

Category Stats

  • Early Life and Education: 7 flashcards, 12 questions
  • Compositional Output: Lieder and Vocal Music: 7 flashcards, 11 questions
  • Compositional Output: Instrumental and Orchestral Works: 7 flashcards, 12 questions
  • Reception, Influence, and Legacy: 16 flashcards, 25 questions
  • Personal Life and Anecdotes: 10 flashcards, 14 questions
  • Cataloguing and Scholarly Recognition: 5 flashcards, 9 questions

Total Stats

  • Total Flashcards: 60
  • True/False Questions: 60
  • Multiple Choice Questions: 31
  • Total Questions: 91

Instructions

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Welcome to Your Curriculum Command Center

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The Core Concept: What is a "Kit"?

Think of a Kit as your all-in-one digital lesson plan. It's a single, portable file that contains every piece of content for a topic: your subject categories, a central image, all your flashcards, and all your questions. The true power of the Studio is speed—once a kit is made (or you import one), you are just minutes away from printing an entire set of coursework.

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Step 1: Laying the Foundation (The Authoring Tools)

This is where you build the core knowledge of your Kit. Use the left-side navigation panel to switch between these powerful authoring modules.

⚙️ Kit Manager: Your Kit's Identity

This is the high-level control panel for your project.

  • Kit Name: Give your Kit a clear title. This will appear on all your printed materials.
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Flashcards are the fundamental concepts of your Kit. Create them here to define terms, list facts, or pose simple questions.

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Create a bank of questions to test knowledge. These questions are the engine for your worksheets and exams.

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🔗 Intelligent Mapper: The Smart Connection

This is the secret sauce of the Studio. The Mapper transforms your content from a simple list into an interconnected web of knowledge, automating the creation of amazing study guides.

  • Step 1: Select a question from the list on the left.
  • Step 2: In the right panel, click on every flashcard that contains a concept required to answer that question. They will turn green, indicating a successful link.
  • The Payoff: When you generate a Smart Study Guide, these linked flashcards will automatically appear under each question as "Related Concepts."

Step 2: The Magic (The Generator Suite)

You've built your content. Now, with a few clicks, turn it into a full suite of professional, ready-to-use materials. What used to take hours of formatting and copying-and-pasting can now be done in seconds.

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Step 3: Saving and Collaborating

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Study Guide: Franz Schubert: A Comprehensive Overview

Study Guide: Franz Schubert: A Comprehensive Overview

Early Life and Education

Franz Schubert, born in Vienna, Austria, primarily pursued a career as a composer.

Answer: True

Franz Schubert was born in Vienna, Austria, on January 31, 1797. His principal professional occupation was that of a composer.

Related Concepts:

  • Specify the birthplace and birthdate of Franz Schubert.: Franz Schubert was born in Vienna, Austria, on January 31, 1797. His principal professional occupation was that of a composer.

Franz Schubert died at the age of 31; the officially attributed cause of death was typhoid fever, though syphilis has been suggested.

Answer: True

The official cause of death for Franz Schubert was typhoid fever; however, syphilis has been posited as a potential contributing factor by some historical analyses.

Related Concepts:

  • State the age at which Franz Schubert died and identify the officially attributed and theorized causes of his demise.: Franz Schubert died at the age of 31 on November 19, 1828. His death was officially attributed to typhoid fever, but some historians suggest it may have been syphilis.

Franz Schubert's father, Franz Theodor Florian Schubert, held the position of a parish schoolmaster in Vienna.

Answer: True

Franz Schubert's father, Franz Theodor Florian Schubert, was indeed a recognized parish schoolmaster in Vienna.

Related Concepts:

  • Identify Franz Schubert's parents and his father's profession.: Franz Schubert's parents were Franz Theodor Florian Schubert and Maria Elisabeth Katharina Vietz. His father was a well-known parish schoolmaster in Vienna.

Schubert's parents had fourteen children, but only a minority survived into adulthood.

Answer: True

While Schubert's parents had fourteen children, the majority did not survive into adulthood, with nine succumbing in infancy.

Related Concepts:

  • Quantify the number of children born to Franz Schubert's parents and describe the survival rate of most offspring.: Franz Schubert's parents had a total of fourteen children, but nine of them died in infancy.

Schubert's initial musical instruction was not solely from his brother Ignaz, although Ignaz did teach him piano.

Answer: True

Schubert's early musical education included instruction from his father (violin) and his brother Ignaz (piano), alongside private lessons in composition from Antonio Salieri, indicating it was not solely from Ignaz.

Related Concepts:

  • Detail Franz Schubert's early musical education, including locations and primary instructors.: Schubert received his early musical education from his father, who taught him violin, and his brother Ignaz, who taught him piano. He later received private composition lessons from Antonio Salieri.

Upon entering the Stadtkonvikt at age eleven, Schubert gained exposure to the orchestral compositions of prominent figures such as Haydn and Mozart.

Answer: True

At the age of eleven, Schubert enrolled in the Stadtkonvikt, where he encountered the orchestral works of composers including Haydn, Mozart, and Beethoven.

Related Concepts:

  • Specify the age at which Schubert became a Stadtkonvikt pupil and name the significant composers whose orchestral music he encountered.: Schubert became a pupil at the Stadtkonvikt at the age of eleven. There, he was introduced to the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

Schubert's composition of 'Der Hirt auf dem Felsen' during his final illness provides evidence suggesting that neurosyphilis was an unlikely cause of his death.

Answer: True

The composition of 'Der Hirt auf dem Felsen' during his terminal illness supports the hypothesis that neurosyphilis was not the primary cause of Schubert's death.

Related Concepts:

  • Identify Franz Schubert's final musical work and discuss what it suggests about his health.: The last musical work Schubert composed was "Der Hirt auf dem Felsen," which he wrote during his final illness, suggesting that conditions like neurosyphilis are unlikely causes of his death.

Specify the birthplace and birthdate of Franz Schubert.

Answer: Vienna, Austria, on January 31, 1797

Franz Schubert was born in Vienna, Austria, on January 31, 1797.

Related Concepts:

  • Specify the birthplace and birthdate of Franz Schubert.: Franz Schubert was born in Vienna, Austria, on January 31, 1797. His principal professional occupation was that of a composer.

What was the officially recorded cause of Franz Schubert's demise?

Answer: Typhoid fever

Typhoid fever was the officially attributed cause of Franz Schubert's death.

Related Concepts:

  • State the age at which Franz Schubert died and identify the officially attributed and theorized causes of his demise.: Franz Schubert died at the age of 31 on November 19, 1828. His death was officially attributed to typhoid fever, but some historians suggest it may have been syphilis.

Identify the individual who provided Franz Schubert with his initial piano instruction.

Answer: His brother, Ignaz

Schubert's brother, Ignaz, was responsible for teaching him piano during his early musical education.

Related Concepts:

  • Detail Franz Schubert's early musical education, including locations and primary instructors.: Schubert received his early musical education from his father, who taught him violin, and his brother Ignaz, who taught him piano. He later received private composition lessons from Antonio Salieri.

At what age did Franz Schubert commence his studies at the Stadtkonvikt?

Answer: Eleven

Schubert became a pupil at the Stadtkonvikt at the age of eleven.

Related Concepts:

  • Specify the age at which Schubert became a Stadtkonvikt pupil and name the significant composers whose orchestral music he encountered.: Schubert became a pupil at the Stadtkonvikt at the age of eleven. There, he was introduced to the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

Which composers' orchestral works did Franz Schubert encounter during his tenure at the Stadtkonvikt?

Answer: Haydn, Mozart, Beethoven

Schubert encountered the orchestral music of Haydn, Mozart, and Beethoven while attending the Stadtkonvikt.

Related Concepts:

  • Specify the age at which Schubert became a Stadtkonvikt pupil and name the significant composers whose orchestral music he encountered.: Schubert became a pupil at the Stadtkonvikt at the age of eleven. There, he was introduced to the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

Compositional Output: Lieder and Vocal Music

Franz Schubert composed significantly more than approximately 100 Lieder (art songs) in German.

Answer: True

Schubert's prolific output in the genre of Lieder far exceeded 100, with estimates placing the number at over 600.

Related Concepts:

  • Estimate the number of Lieder (art songs) composed by Franz Schubert.: Franz Schubert composed over 600 Lieder, which are art songs in German.

Among Schubert's most celebrated individual songs are 'Erlkönig', 'Gretchen am Spinnrade', and 'Ave Maria'.

Answer: True

The text specifically identifies 'Erlkönig', 'Gretchen am Spinnrade', and 'Ave Maria' as three of Schubert's most famous individual songs.

Related Concepts:

  • List three of Franz Schubert's most famous individual songs as mentioned in the text.: Three of Schubert's famous songs mentioned are "Erlkönig", "Gretchen am Spinnrade", and "Ave Maria".

The genre of the Lied (art song) is widely regarded as Schubert's most significant contribution, wherein he expanded its dramatic and expressive possibilities, rather than opera.

Answer: True

The genre of the Lied (art song) is considered Schubert's most significant musical contribution.

Related Concepts:

  • Beyond Lieder, identify the other major musical genres Schubert composed in.: Schubert also composed seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.
  • Identify Franz Schubert's most significant musical contribution and describe how his approach to this genre diverged from that of earlier composers.: Schubert's most indelible mark was made in the genre of the Lied (art song). Unlike earlier composers who tended towards simpler, strophic treatments, Schubert explored and expanded the genre's potential with dramatic content, innovative harmony, and descriptive musical figures.

Schubert's song cycles 'Die schöne Müllerin' and 'Winterreise' are based on poems by Wilhelm Müller, not Johann Wolfgang von Goethe.

Answer: True

The song cycles 'Die schöne Müllerin' and 'Winterreise' are based on poems by Wilhelm Müller, not Johann Wolfgang von Goethe.

Related Concepts:

  • Identify two of Franz Schubert's most notable song cycles and the poet whose works formed their basis.: Schubert's two most notable song cycles are "Die schöne Müllerin" and "Winterreise," both of which set poems by Wilhelm Müller.

Schubert composed his first large-scale song cycle, 'Die schöne Müllerin', in 1823, not 1814.

Answer: True

The composition date for Schubert's first major song cycle, 'Die schöne Müllerin,' is 1823, not 1814.

Related Concepts:

  • Specify the year Franz Schubert composed his first large-scale song cycle, 'Die schöne Müllerin'.: Schubert composed his first large-scale song cycle, 'Die schöne Müllerin,' in 1823.

The composition of Schubert's renowned song 'Ave Maria', also identified as 'Ellens Gesang III', is associated with his 1825 holiday.

Answer: True

Schubert composed the song 'Ave Maria' ('Ellens Gesang III') during his 1825 holiday in Upper Austria.

Related Concepts:

  • Describe the significant holiday Franz Schubert took in 1825 and the musical works associated with it.: In the summer of 1825, Schubert took a holiday in Upper Austria, during which he produced the seven-song cycle "Fräulein am See," which includes "Ellens Gesang III" ("Ave Maria").

The collection 'Schwanengesang' is not classified as a true song cycle due to its inclusion of poems by multiple authors, unlike cycles based on a single poet.

Answer: True

The collection 'Schwanengesang' is not classified as a true song cycle due to its inclusion of poems by multiple authors, unlike cycles based on a single poet.

Related Concepts:

  • Describe the nature of the collection of songs known as "Schwanengesang" (D. 957).: "Schwanengesang" is a collection of songs published posthumously, featuring poems by different poets (Ludwig Rellstab, Heinrich Heine, and Johann Gabriel Seidl), and is not considered a true song cycle like "Die schöne Müllerin" or "Winterreise."

What is the approximate number of Lieder (art songs) composed by Franz Schubert?

Answer: Over 600

Franz Schubert composed over 600 Lieder.

Related Concepts:

  • Estimate the number of Lieder (art songs) composed by Franz Schubert.: Franz Schubert composed over 600 Lieder, which are art songs in German.

According to the provided text, what is considered Franz Schubert's most significant contribution to the field of music?

Answer: The genre of the Lied (art song)

The genre of the Lied (art song) is considered Schubert's most significant musical contribution.

Related Concepts:

  • Beyond Lieder, identify the other major musical genres Schubert composed in.: Schubert also composed seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.
  • Identify Franz Schubert's most significant musical contribution and describe how his approach to this genre diverged from that of earlier composers.: Schubert's most indelible mark was made in the genre of the Lied (art song). Unlike earlier composers who tended towards simpler, strophic treatments, Schubert explored and expanded the genre's potential with dramatic content, innovative harmony, and descriptive musical figures.

Which of the following is not listed among Franz Schubert's famous individual songs in the provided material?

Answer: Ständchen

'Ständchen' is not mentioned as one of Schubert's famous individual songs in the text.

Related Concepts:

  • List three of Franz Schubert's most famous individual songs as mentioned in the text.: Three of Schubert's famous songs mentioned are "Erlkönig", "Gretchen am Spinnrade", and "Ave Maria".

Which poet's works served as the foundation for Schubert's song cycles 'Die schöne Müllerin' and 'Winterreise'?

Answer: Wilhelm Müller

The song cycles 'Die schöne Müllerin' and 'Winterreise' are based on poems by Wilhelm Müller.

Related Concepts:

  • Identify two of Franz Schubert's most notable song cycles and the poet whose works formed their basis.: Schubert's two most notable song cycles are "Die schöne Müllerin" and "Winterreise," both of which set poems by Wilhelm Müller.

Compositional Output: Instrumental and Orchestral Works

Schubert's compositional output extended beyond Lieder to encompass symphonies, sacred music, operas, and piano music.

Answer: True

Beyond his renowned Lieder, Schubert's oeuvre includes symphonies, sacred compositions, operas, and extensive piano and chamber works.

Related Concepts:

  • Beyond Lieder, identify the other major musical genres Schubert composed in.: Schubert also composed seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.

Schubert's Symphony No. 9 in C major is commonly known as 'The Great' Symphony, not the 'Unfinished' Symphony.

Answer: True

The designation 'Unfinished' Symphony is associated with Schubert's Symphony No. 8 in B minor, whereas Symphony No. 9 in C major is commonly referred to as 'The Great' Symphony.

Related Concepts:

  • Identify Franz Schubert's particularly well-known symphonies and their common nicknames.: Schubert's Symphony No. 8 in B minor is known as the "Unfinished" Symphony, and his Symphony No. 9 in C major is known as "The Great" Symphony.

Schubert's instrumental compositions frequently emphasized melodic development and bold harmonic modulations, sometimes diverging from strict Classical conventions of harmonic drama.

Answer: True

Schubert's instrumental works are characterized by a prioritization of melodic invention and exploratory harmonic modulations, often transcending the conventional harmonic structures of the Classical era.

Related Concepts:

  • Explain how Franz Schubert's musical style, particularly in his instrumental works, diverged from typical Classical approaches.: While influenced by Classical forms, Schubert's style often emphasized melodic development over harmonic drama, leading to a discursive style that Robert Schumann described as having "heavenly lengths." His adventurous modulation and unusual instrumentation also marked his unique approach.

Schubert's Sonata in A minor, D. 821, was composed for the arpeggione, an instrument that enjoyed a brief period of popularity.

Answer: True

Schubert's Sonata in A minor, D. 821, was specifically composed for the arpeggione, an instrument that was briefly fashionable during that period.

Related Concepts:

  • Identify the instrument that inspired Franz Schubert's Sonata in A minor, D. 821.: Schubert's Sonata in A minor, D. 821, was written for the arpeggione, an instrument that was experiencing a minor craze at the time.

Schubert's String Quartet No. 14 in D minor is widely recognized by the title 'Death and the Maiden'.

Answer: True

The String Quartet No. 14 in D minor by Schubert is indeed commonly identified by the title 'Death and the Maiden'.

Related Concepts:

  • Identify which of Franz Schubert's string quartets is famously known as 'Death and the Maiden'.: Schubert's String Quartet No. 14 in D minor, D. 810, is known as "Death and the Maiden."

Schubert's final major compositional efforts in 1828 encompassed his last three piano sonatas and the song collection 'Schwanengesang'.

Answer: True

The year 1828 saw the completion of Schubert's final significant works, including his last three piano sonatas and the posthumously published song collection 'Schwanengesang'.

Related Concepts:

  • List the last major works composed by Franz Schubert in 1828.: In 1828, Schubert composed his Mass in E-flat major, the String Quintet in C major, his last three piano sonatas, and the collection of songs known as "Schwanengesang."

While 'Alfonso und Estrella' was rejected due to its libretto, 'Fierrabras' was not prohibited by the censor but rather rejected due to the dominance of Italian opera; 'Die Verschworenen' was the opera prohibited by the censor.

Answer: True

While 'Alfonso und Estrella' was rejected due to its libretto, 'Fierrabras' was not prohibited by the censor but rather rejected due to the dominance of Italian opera; 'Die Verschworenen' was the opera prohibited by the censor.

Related Concepts:

  • List some of Franz Schubert's operatic projects that encountered failure or prohibition.: Schubert's operatic projects that faced failure or prohibition included "Alfonso und Estrella" (rejected due to libretto), "Fierrabras" (rejected due to popularity of Italian opera), "Die Verschworenen" (prohibited by censor), and "Rosamunde" (withdrawn after two nights due to the play's poor quality).

The 'Unfinished' Symphony is remarkable for its incomplete state (two movements and sketches for a third) and Schubert's apparent lack of discussion regarding it, despite his potential satisfaction with the work.

Answer: True

The 'Unfinished' Symphony's remarkable nature stems from its completion of only two movements and sketches for a third, coupled with Schubert's silence on the matter to his contemporaries.

Related Concepts:

  • Beyond its musical merit, explain why Schubert's "Unfinished" Symphony (D. 759) is considered remarkable.: The "Unfinished" Symphony is remarkable because Schubert left it unfinished after writing two movements and sketches for a third, and he never mentioned it to his friends, despite likely feeling thrilled by his progress.

The 'Unfinished' Symphony (D. 759) was left incomplete by Schubert after two movements and sketches for a third, rather than being finished with four movements.

Answer: True

The 'Unfinished' Symphony (D. 759) was left incomplete by Schubert after two movements and sketches for a third, rather than being finished with four movements.

Related Concepts:

  • Detail what is known about the composition of Franz Schubert's "Unfinished" Symphony (D. 759).: Schubert completed two movements of the "Unfinished" Symphony (D. 759) and wrote sketches for a third movement, but left it unfinished for reasons that are still discussed by scholars.

Which of Franz Schubert's symphonies is commonly referred to as 'The Great' Symphony?

Answer: Symphony No. 9 in C major

Schubert's Symphony No. 9 in C major is famously known as 'The Great' Symphony.

Related Concepts:

  • Identify Franz Schubert's particularly well-known symphonies and their common nicknames.: Schubert's Symphony No. 8 in B minor is known as the "Unfinished" Symphony, and his Symphony No. 9 in C major is known as "The Great" Symphony.

What is the widely recognized nickname for Franz Schubert's Symphony No. 8 in B minor?

Answer: The Unfinished

Schubert's Symphony No. 8 in B minor is commonly known as 'The Unfinished' Symphony.

Related Concepts:

  • Identify Franz Schubert's particularly well-known symphonies and their common nicknames.: Schubert's Symphony No. 8 in B minor is known as the "Unfinished" Symphony, and his Symphony No. 9 in C major is known as "The Great" Symphony.

Which of the following works was NOT among Franz Schubert's major compositions from 1828?

Answer: Symphony No. 8 ('Unfinished')

Schubert's Symphony No. 8 ('Unfinished') was not among his major works completed in 1828.

Related Concepts:

  • List the last major works composed by Franz Schubert in 1828.: In 1828, Schubert composed his Mass in E-flat major, the String Quintet in C major, his last three piano sonatas, and the collection of songs known as "Schwanengesang."

Reception, Influence, and Legacy

Robert Schumann lauded Schubert's Symphony No. 9 in C major, characterizing it with the phrase 'heavenly lengths'.

Answer: True

Robert Schumann's commendation of Schubert's Symphony No. 9 in C major included the notable description of it possessing 'heavenly lengths'.

Related Concepts:

  • Describe Robert Schumann's characterization of Franz Schubert's Symphony No. 9.: Robert Schumann described Schubert's Symphony No. 9 in C major as running to "heavenly lengths."

Antonín Dvořák asserted that Schubert exerted considerable influence on later composers, particularly in shorter musical forms.

Answer: True

Contrary to the assertion, Antonín Dvořák recognized Schubert's significant influence on subsequent composers, particularly in shorter works like Lieder, deeming him epoch-making in this genre.

Related Concepts:

  • Summarize Antonín Dvořák's assessment of Schubert's influence on subsequent composers.: Antonín Dvořák stated that Schubert was clearly influential on shorter works, especially Lieder and piano pieces, and that Schubert created a new epoch with the Lied, with all subsequent songwriters following his footsteps.

The public concert organized by Schubert on March 26, 1828, was unique in his career as the sole occasion featuring exclusively his own compositions.

Answer: True

The concert of March 26, 1828, stands as the singular instance in Schubert's career where a public performance was dedicated exclusively to his compositions.

Related Concepts:

  • Describe the unique aspect of the public concert Franz Schubert gave on March 26, 1828.: The concert on March 26, 1828, was the only time in his career that Franz Schubert gave a public concert solely featuring his own works.

Contrary to the notion of declining appreciation, the recognition of Schubert's music significantly increased following his death, with many composers championing his works.

Answer: True

Posthumously, Schubert's music experienced a surge in appreciation, with prominent composers actively promoting his oeuvre.

Related Concepts:

  • Describe the evolution of appreciation for Franz Schubert's music following his death.: Appreciation for Schubert's music increased greatly in the decades following his death, with composers like Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms discovering and championing his works.

A 2008 survey conducted by ABC Classic FM identified Schubert's chamber works, notably the 'Trout Quintet', as the most popular genre among listeners.

Answer: True

The 'Trout Quintet' and other chamber works by Schubert were found to be the most popular genres in a 2008 ABC Classic FM survey.

Related Concepts:

  • Identify the most popular genre of Franz Schubert's music according to a 2008 ABC Classic FM survey.: According to a 2008 survey by ABC Classic FM, Schubert's chamber works dominated the rankings, with the "Trout Quintet" ranked first and the String Quintet in C major ranked second.

Pianist Radu Lupu expressed regret over Schubert's premature death, believing his life was too short for his full potential.

Answer: True

Pianist Radu Lupu lamented Schubert's early demise, suggesting that his life was too brief for the composer's continued artistic development.

Related Concepts:

  • State the regret expressed by pianist Radu Lupu concerning Franz Schubert's life.: Radu Lupu expressed regret that Schubert died so young, believing that Schubert was still learning and developing, and that his potential future works were lost.

Pianist András Schiff characterized Schubert as a natural genius whose life, though brief, was intensely concentrated, drawing parallels to Mozart.

Answer: True

András Schiff posited that Schubert's life was remarkably concentrated and that he was a natural genius, comparable to Mozart in his impact within a short lifespan.

Related Concepts:

  • Summarize pianist András Schiff's remarks on Franz Schubert's life and genius.: András Schiff stated that Schubert lived a very concentrated life, experiencing more in his 31 years than others might in 100, and considered him one of music's natural geniuses, similar to Mozart.

The Gesellschaft der Musikfreunde did not perform Schubert's 'Great C Major' Symphony shortly after its composition, with its considerable difficulty cited as a potential factor.

Answer: True

The Gesellschaft der Musikfreunde did not perform Schubert's 'Great C Major' Symphony soon after its composition, with its considerable difficulty cited as a potential factor.

Related Concepts:

  • Explain why Franz Schubert's "Great C Major" Symphony (D. 944) was not publicly performed by the Gesellschaft der Musikfreunde, despite its dedication.: The exact reasons for the Gesellschaft der Musikfreunde not scheduling a public performance of Schubert's "Great C Major" Symphony remain unknown, although the symphony's difficulty is considered a possible explanation.

Schubert's unfinished Symphony in D major (D 936A) is noted for anticipating Gustav Mahler's characteristic use of folksong-like harmonies.

Answer: True

Schubert's unfinished Symphony in D major (D 936A) is recognized for foreshadowing Gustav Mahler's stylistic elements, particularly his employment of folksong-inspired harmonies.

Related Concepts:

  • Identify the musical style Franz Schubert anticipated in his unfinished Symphony in D major (D 936A).: In his unfinished Symphony in D major (D 936A), Schubert anticipated Gustav Mahler's use of folksong-like harmonics and bare soundscapes.

Ludwig van Beethoven, on his deathbed, is reported to have acknowledged Schubert's genius, exclaiming, 'Truly, the spark of divine genius resides in this Schubert!'

Answer: True

It is reported that Ludwig van Beethoven, shortly before his death, recognized Schubert's genius, stating, 'Truly, the spark of divine genius resides in this Schubert!'

Related Concepts:

  • State what Ludwig van Beethoven reportedly said about Franz Schubert's genius on his deathbed.: On his deathbed, Beethoven reportedly exclaimed about Schubert, "Truly, the spark of divine genius resides in this Schubert!" and regretted not knowing him better.

Franz Liszt characterized Schubert as 'the most poetic musician who ever lived', rather than specifically a master of opera.

Answer: True

Franz Liszt's assessment of Schubert was that he was 'the most poetic musician who ever lived,' rather than specifically a master of opera.

Related Concepts:

  • Describe Franz Liszt's characterization of Franz Schubert's musicality.: Franz Liszt described Schubert as "the most poetic musician who ever lived."

Schubert's 'Ave Maria' was featured in the 1940 Walt Disney film 'Fantasia', not his Symphony No. 9.

Answer: True

Schubert's 'Ave Maria' was featured in the 1940 Walt Disney film 'Fantasia', not his Symphony No. 9.

Related Concepts:

  • Identify the musical genre featured from Franz Schubert's work in the 1940 Walt Disney film "Fantasia.": The Walt Disney film "Fantasia" (1940) featured Schubert's "Ave Maria" (D. 839).

A movement from Schubert's Piano Trio No. 2 was featured in Stanley Kubrick's 1975 film 'Barry Lyndon'.

Answer: True

Stanley Kubrick's film 'Barry Lyndon' (1975) incorporated a movement from Schubert's Piano Trio No. 2.

Related Concepts:

  • Identify the Stanley Kubrick film in which a movement from Franz Schubert's Piano Trio No. 2 was featured.: The Stanley Kubrick film "Barry Lyndon" (1975) featured the second movement from Schubert's Piano Trio No. 2 in E-Flat Major, Op. 100/D.929.

Kraftwerk, a German electronic music group, included a track titled 'Franz Schubert' on their album 'Trans-Europe Express'.

Answer: True

Kraftwerk, a German electronic music group, included a track titled 'Franz Schubert' on their album 'Trans-Europe Express'.

Related Concepts:

  • Identify the 20th-century German electronic music group that released a track titled "Franz Schubert.": The German electronic music group Kraftwerk released a track titled "Franz Schubert" on their 1977 album "Trans-Europe Express."

Contemporary commentary on 'Winterreise' highlighted its profound emotional impact on both performers and listeners.

Answer: True

Contemporary commentary on 'Winterreise' highlighted its profound emotional impact on both performers and listeners.

Related Concepts:

  • Describe the contemporary reception of Franz Schubert's song cycle "Winterreise.": The "Wiener Theaterzeitung" commented on "Winterreise" at the time, stating it was a work that "none can sing or hear without being deeply moved."

Ernst Krenek's perspective shifted from viewing Schubert as a simple tunesmith to acknowledging his considerable technical prowess and innovative compositional methods.

Answer: True

Ernst Krenek's perspective shifted from viewing Schubert as a simple tunesmith to acknowledging his considerable technical prowess and innovative compositional methods.

Related Concepts:

  • Describe how Ernst Krenek's perception of Franz Schubert's compositional abilities evolved over time.: Ernst Krenek initially viewed Schubert as merely a "lucky inventor of pleasing tunes" lacking dramatic power, but upon closer study, he recognized Schubert's significant technical skill and experimental approach, particularly in his piano sonatas.

How did Robert Schumann characterize Franz Schubert's Symphony No. 9?

Answer: Running to 'heavenly lengths'

Robert Schumann described Schubert's Symphony No. 9 as running to 'heavenly lengths'.

Related Concepts:

  • Describe Robert Schumann's characterization of Franz Schubert's Symphony No. 9.: Robert Schumann described Schubert's Symphony No. 9 in C major as running to "heavenly lengths."

According to Antonín Dvořák, with which musical genre did Schubert establish a new epoch?

Answer: The Lied

Antonín Dvořák stated that Schubert created a new epoch with the Lied.

Related Concepts:

  • Summarize Antonín Dvořák's assessment of Schubert's influence on subsequent composers.: Antonín Dvořák stated that Schubert was clearly influential on shorter works, especially Lieder and piano pieces, and that Schubert created a new epoch with the Lied, with all subsequent songwriters following his footsteps.

Which composer is mentioned as having discovered and championed Schubert's works posthumously?

Answer: Franz Liszt

Franz Liszt is mentioned as a composer who championed Schubert's works after his death.

Related Concepts:

  • Describe the evolution of appreciation for Franz Schubert's music following his death.: Appreciation for Schubert's music increased greatly in the decades following his death, with composers like Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms discovering and championing his works.

As per a 2008 ABC Classic FM survey, which genre of Schubert's music garnered the highest popularity?

Answer: Chamber works

According to a 2008 ABC Classic FM survey, Schubert's chamber works were the most popular genre.

Related Concepts:

  • Identify the most popular genre of Franz Schubert's music according to a 2008 ABC Classic FM survey.: According to a 2008 survey by ABC Classic FM, Schubert's chamber works dominated the rankings, with the "Trout Quintet" ranked first and the String Quintet in C major ranked second.

Pianist András Schiff drew a parallel between Schubert's genius and life intensity and that of which other composer?

Answer: Wolfgang Amadeus Mozart

András Schiff compared Schubert's genius and life intensity to that of Wolfgang Amadeus Mozart.

Related Concepts:

  • Summarize pianist András Schiff's remarks on Franz Schubert's life and genius.: András Schiff stated that Schubert lived a very concentrated life, experiencing more in his 31 years than others might in 100, and considered him one of music's natural geniuses, similar to Mozart.

Which musical piece by Schubert was featured in the 1940 Walt Disney film 'Fantasia'?

Answer: Ave Maria

The Walt Disney film 'Fantasia' (1940) featured Schubert's 'Ave Maria'.

Related Concepts:

  • Identify the musical genre featured from Franz Schubert's work in the 1940 Walt Disney film "Fantasia.": The Walt Disney film "Fantasia" (1940) featured Schubert's "Ave Maria" (D. 839).

In which Stanley Kubrick film was a movement from Franz Schubert's Piano Trio No. 2 featured?

Answer: Barry Lyndon

A movement from Schubert's Piano Trio No. 2 was featured in Stanley Kubrick's film 'Barry Lyndon'.

Related Concepts:

  • Identify the Stanley Kubrick film in which a movement from Franz Schubert's Piano Trio No. 2 was featured.: The Stanley Kubrick film "Barry Lyndon" (1975) featured the second movement from Schubert's Piano Trio No. 2 in E-Flat Major, Op. 100/D.929.

What statement did Ludwig van Beethoven reportedly make about Schubert on his deathbed?

Answer: 'Truly, the spark of divine genius resides in this Schubert!'

On his deathbed, Ludwig van Beethoven reportedly exclaimed, 'Truly, the spark of divine genius resides in this Schubert!'

Related Concepts:

  • State what Ludwig van Beethoven reportedly said about Franz Schubert's genius on his deathbed.: On his deathbed, Beethoven reportedly exclaimed about Schubert, "Truly, the spark of divine genius resides in this Schubert!" and regretted not knowing him better.

How did Ernst Krenek's initial perception of Schubert's compositional abilities contrast with his later assessment?

Answer: Initially saw him as a simple tunesmith, later recognized his technical skill.

Initially viewing Schubert as a simple tunesmith, Krenek later recognized his considerable technical prowess and innovative compositional methods.

Related Concepts:

  • Describe how Ernst Krenek's perception of Franz Schubert's compositional abilities evolved over time.: Ernst Krenek initially viewed Schubert as merely a "lucky inventor of pleasing tunes" lacking dramatic power, but upon closer study, he recognized Schubert's significant technical skill and experimental approach, particularly in his piano sonatas.

Personal Life and Anecdotes

Therese Grob, a soprano, performed in the premiere of Schubert's Mass No. 1 and was an individual Schubert desired to marry.

Answer: True

Therese Grob, a soprano, participated in the premiere of Schubert's Mass No. 1 and was the object of Schubert's desire for marriage, though legal impediments prevented it.

Related Concepts:

  • Identify Therese Grob and describe her role in Franz Schubert's life around 1814.: Therese Grob was a young soprano whom Schubert met in 1814. He wrote several liturgical works for her, and she was a soloist in the premiere of his Mass No. 1. Schubert wished to marry her, but was prevented by law.

In 1816, Schubert chose not to resume teaching duties, which instead facilitated his dedication to composition.

Answer: True

In 1816, Schubert opted against resuming teaching duties, a decision that facilitated his dedication to composition.

Related Concepts:

  • Describe the significant event in Franz Schubert's life in 1816 that facilitated increased focus on composition.: In 1816, Schubert moved into his friend Schober's lodgings, having decided not to resume teaching duties, which allowed him to devote himself more fully to composition.

Johann Michael Vogl, a baritone singer, emerged as a significant proponent of Schubert's work, frequently performing songs composed for him.

Answer: True

Johann Michael Vogl, a baritone, was instrumental in promoting Schubert's music, notably by performing numerous songs written specifically for him.

Related Concepts:

  • Identify Johann Michael Vogl and detail his contribution to Franz Schubert's career.: Johann Michael Vogl was a prominent baritone whom Schubert met in 1817. Vogl became one of Schubert's main proponents in Viennese musical circles, performing many of the songs Schubert wrote for him.

Schubertiads were informal social gatherings centered around Schubert and his artistic acquaintances, rather than formal promotional concerts.

Answer: True

Schubertiads were informal social gatherings centered around Schubert and his artistic acquaintances, rather than formal promotional concerts.

Related Concepts:

  • Define "Schubertiads" and indicate where many of these events occurred.: Schubertiads were social gatherings of Schubert and his close-knit circle of artists and students. Many of these gatherings took place in Ignaz von Sonnleithner's apartment in Vienna.

Schubert's friends affectionately nicknamed him 'Schwammerl', a term translating to 'Little Mushroom'.

Answer: True

The nickname 'Schwammerl,' meaning 'Little Mushroom' or 'Tubby,' was bestowed upon Schubert by his friends.

Related Concepts:

  • Identify the nickname given to Franz Schubert by his friends and its meaning.: Schubert's friends nicknamed him "Schwammerl," which translates to "Tubby" or "Little Mushroom."

Franz Schubert requested burial near the grave of Ludwig van Beethoven, not Wolfgang Amadeus Mozart.

Answer: True

Schubert's burial request specified proximity to Ludwig van Beethoven's grave, reflecting his profound admiration for the latter composer.

Related Concepts:

  • State where Franz Schubert was buried and explain the significance of this location.: Franz Schubert was buried, at his own request, near the grave of Ludwig van Beethoven in the village cemetery of Währing, as he had greatly admired Beethoven.

Franz Schubert utilized pianos manufactured by Conrad Graf and Anton Walter & Sohn, among others.

Answer: True

Pianos manufactured by Conrad Graf and Anton Walter & Sohn were among those utilized by Franz Schubert.

Related Concepts:

  • Identify the types of pianos Franz Schubert had access to during his lifetime.: Franz Schubert had access to pianos made by Benignus Seidner, Anton Walter & Sohn, and Conrad Graf.

Schubert served as a torchbearer at the funeral of composer Ludwig van Beethoven, not Joseph Haydn.

Answer: True

Schubert participated as a torchbearer at the funeral of Ludwig van Beethoven, not Joseph Haydn.

Related Concepts:

  • Describe the role Franz Schubert played at Ludwig van Beethoven's funeral.: Franz Schubert served as a torchbearer at Ludwig van Beethoven's funeral.

Maynard Solomon posited that Schubert was primarily attracted to men; however, this view is contested, with scholars like Lorraine Byrne Bodley questioning such definitive interpretations of his sexuality.

Answer: True

Maynard Solomon posited that Schubert was primarily attracted to men; however, this view is contested, with scholars like Lorraine Byrne Bodley questioning such definitive interpretations of his sexuality.

Related Concepts:

  • Describe the debate concerning Franz Schubert's sexuality and identify the key figures involved.: Musicologist Maynard Solomon suggested Schubert was erotically attracted to men, a thesis debated by scholars like Rita Steblin, who suggests he was "chasing women." Biographer Lorraine Byrne Bodley is skeptical of "outing" Schubert, believing it misunderstands 19th-century homosocial friendships.

Historical records indicate Schubert's membership in the 'Unsinnsgesellschaft' (Nonsenses Society) occurred between 1817 and 1818.

Answer: True

Historical records indicate Schubert's membership in the 'Unsinnsgesellschaft' (Nonsenses Society) occurred between 1817 and 1818.

Related Concepts:

  • Describe the nature of the "Unsinnsgesellschaft" (Nonsenses Society) with which Franz Schubert was associated.: The "Unsinnsgesellschaft" was a society Schubert was a member of between 1817 and 1818, according to historical accounts and scholarly consensus.

Identify Johann Michael Vogl and describe his significance to Franz Schubert's career.

Answer: A baritone singer who became a major proponent and performer of Schubert's songs.

Johann Michael Vogl was a baritone singer who significantly supported Schubert by performing many of his songs.

Related Concepts:

  • Identify Johann Michael Vogl and detail his contribution to Franz Schubert's career.: Johann Michael Vogl was a prominent baritone whom Schubert met in 1817. Vogl became one of Schubert's main proponents in Viennese musical circles, performing many of the songs Schubert wrote for him.

Define the term 'Schubertiads'.

Answer: Social gatherings of Schubert and his circle of friends.

'Schubertiads' were social gatherings involving Schubert and his friends.

Related Concepts:

  • Define "Schubertiads" and indicate where many of these events occurred.: Schubertiads were social gatherings of Schubert and his close-knit circle of artists and students. Many of these gatherings took place in Ignaz von Sonnleithner's apartment in Vienna.

Franz Schubert requested burial near the grave of Wolfgang Amadeus Mozart in Vienna.

Answer: Near the grave of Ludwig van Beethoven

Schubert requested burial near Ludwig van Beethoven, not Mozart.

Related Concepts:

  • State where Franz Schubert was buried and explain the significance of this location.: Franz Schubert was buried, at his own request, near the grave of Ludwig van Beethoven in the village cemetery of Währing, as he had greatly admired Beethoven.

Describe the nature of the 'Unsinnsgesellschaft' (Nonsenses Society).

Answer: A society Schubert was a member of between 1817 and 1818.

The 'Unsinnsgesellschaft' was a society to which Schubert belonged between 1817 and 1818.

Related Concepts:

  • Describe the nature of the "Unsinnsgesellschaft" (Nonsenses Society) with which Franz Schubert was associated.: The "Unsinnsgesellschaft" was a society Schubert was a member of between 1817 and 1818, according to historical accounts and scholarly consensus.

Cataloguing and Scholarly Recognition

The inscription on Schubert's tombstone was authored by his friend, the poet Franz Grillparzer, not Johannes Brahms.

Answer: True

The epitaph on Schubert's tombstone was composed by Franz Grillparzer, a friend, and reads: 'The art of music has here interred a precious treasure, but yet far fairer hopes.'

Related Concepts:

  • Provide the inscription on Franz Schubert's tombstone and identify its author.: The tombstone inscription, written by his friend Franz Grillparzer, reads: "The art of music has here interred a precious treasure, but yet far fairer hopes."

The numbering of Schubert's late symphonies is notably complex, not straightforward, due to inconsistent cataloguing systems.

Answer: True

Inconsistent cataloguing systems have resulted in a complex and often confusing numbering scheme for Schubert's late symphonies.

Related Concepts:

  • Explain the reason for the frequent confusion in numbering Franz Schubert's late symphonies.: The numbering of Schubert's late symphonies is confusing because different publication and cataloguing systems have assigned various numbers (7, 8, 9, and 10) to works like the "Unfinished" Symphony and the "Great C Major" Symphony.

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works, which was published in English in 1951.

Answer: True

Otto Erich Deutsch is credited with compiling the first comprehensive catalogue of Schubert's works, published initially in English in 1951.

Related Concepts:

  • Identify the compiler of the first comprehensive catalogue of Franz Schubert's works and the publication date.: The Austrian musicologist Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works, which was first published in English in 1951.

A primary reason many of Schubert's longer works remained obscure for years post-mortem was their retention within private collections, not necessarily because they were lost.

Answer: True

The obscurity of many of Schubert's longer works after his death was largely due to their circulation within private collections, rather than widespread loss.

Related Concepts:

  • State the principal reason why many of Franz Schubert's longer works remained unknown for years after his death.: Many of Schubert's longer works remained hidden in the personal collections of his family, friends, and publishers for years, and even some friends were unaware of the full scope of his compositions.

In English-language sources, Schubert's Symphony No. 7 in E major (D. 729) is commonly numbered as Symphony No. 7.

Answer: True

English-language sources typically number Schubert's Symphony No. 7 in E major (D. 729) as Symphony No. 7.

Related Concepts:

  • Identify the common numbering for Franz Schubert's Symphony No. 7 in E major (D. 729) within English-language sources.: In English-language sources, Schubert's Symphony No. 7 in E major (D. 729) is commonly numbered as Symphony No. 7.

Who authored the inscription found on Franz Schubert's tombstone?

Answer: Franz Grillparzer

The inscription on Schubert's tombstone was written by Franz Grillparzer.

Related Concepts:

  • Provide the inscription on Franz Schubert's tombstone and identify its author.: The tombstone inscription, written by his friend Franz Grillparzer, reads: "The art of music has here interred a precious treasure, but yet far fairer hopes."

What is the reason for the frequent confusion surrounding the numbering of Schubert's late symphonies?

Answer: Different publication and cataloguing systems assigned various numbers.

The numbering of Schubert's late symphonies is confusing due to differing publication and cataloguing systems.

Related Concepts:

  • Explain the reason for the frequent confusion in numbering Franz Schubert's late symphonies.: The numbering of Schubert's late symphonies is confusing because different publication and cataloguing systems have assigned various numbers (7, 8, 9, and 10) to works like the "Unfinished" Symphony and the "Great C Major" Symphony.

Who compiled the first comprehensive catalogue of Schubert's works, published in 1951?

Answer: Otto Erich Deutsch

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works, published in 1951.

Related Concepts:

  • Identify the compiler of the first comprehensive catalogue of Franz Schubert's works and the publication date.: The Austrian musicologist Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works, which was first published in English in 1951.

What was the principal reason that many of Schubert's longer compositions remained obscure for years following his demise?

Answer: They were kept in personal collections and not widely circulated.

Many of Schubert's longer works remained unknown due to their circulation within personal collections rather than widespread dissemination.

Related Concepts:

  • State the principal reason why many of Franz Schubert's longer works remained unknown for years after his death.: Many of Schubert's longer works remained hidden in the personal collections of his family, friends, and publishers for years, and even some friends were unaware of the full scope of his compositions.

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