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The Hevajra Tantra: History, Transmission, and Iconography

At a Glance

Title: The Hevajra Tantra: History, Transmission, and Iconography

Total Categories: 7

Category Stats

  • Origins and Classification: 3 flashcards, 6 questions
  • Transmission and Key Figures: 5 flashcards, 10 questions
  • Texts and Commentaries: 9 flashcards, 15 questions
  • Dissemination and Reception: 9 flashcards, 15 questions
  • Iconography: Forms of Hevajra: 8 flashcards, 12 questions
  • Iconography: Symbolic Elements: 4 flashcards, 6 questions
  • Scholarly Study and Reception: 5 flashcards, 6 questions

Total Stats

  • Total Flashcards: 43
  • True/False Questions: 41
  • Multiple Choice Questions: 29
  • Total Questions: 70

Instructions

Click the button to expand the instructions for how to use the Wiki2Web Teacher studio in order to print, edit, and export data about The Hevajra Tantra: History, Transmission, and Iconography

Welcome to Your Curriculum Command Center

This guide will turn you into a Wiki2web Studio power user. Let's unlock the features designed to give you back your weekends.

The Core Concept: What is a "Kit"?

Think of a Kit as your all-in-one digital lesson plan. It's a single, portable file that contains every piece of content for a topic: your subject categories, a central image, all your flashcards, and all your questions. The true power of the Studio is speed—once a kit is made (or you import one), you are just minutes away from printing an entire set of coursework.

Getting Started is Simple:

  • Create New Kit: Start with a clean slate. Perfect for a brand-new lesson idea.
  • Import & Edit Existing Kit: Load a .json kit file from your computer to continue your work or to modify a kit created by a colleague.
  • Restore Session: The Studio automatically saves your progress in your browser. If you get interrupted, you can restore your unsaved work with one click.

Step 1: Laying the Foundation (The Authoring Tools)

This is where you build the core knowledge of your Kit. Use the left-side navigation panel to switch between these powerful authoring modules.

⚙️ Kit Manager: Your Kit's Identity

This is the high-level control panel for your project.

  • Kit Name: Give your Kit a clear title. This will appear on all your printed materials.
  • Master Image: Upload a custom cover image for your Kit. This is essential for giving your content a professional visual identity, and it's used as the main graphic when you export your Kit as an interactive game.
  • Topics: Create the structure for your lesson. Add topics like "Chapter 1," "Vocabulary," or "Key Formulas." All flashcards and questions will be organized under these topics.

🃏 Flashcard Author: Building the Knowledge Blocks

Flashcards are the fundamental concepts of your Kit. Create them here to define terms, list facts, or pose simple questions.

  • Click "➕ Add New Flashcard" to open the editor.
  • Fill in the term/question and the definition/answer.
  • Assign the flashcard to one of your pre-defined topics.
  • To edit or remove a flashcard, simply use the ✏️ (Edit) or ❌ (Delete) icons next to any entry in the list.

✍️ Question Author: Assessing Understanding

Create a bank of questions to test knowledge. These questions are the engine for your worksheets and exams.

  • Click "➕ Add New Question".
  • Choose a Type: True/False for quick checks or Multiple Choice for more complex assessments.
  • To edit an existing question, click the ✏️ icon. You can change the question text, options, correct answer, and explanation at any time.
  • The Explanation field is a powerful tool: the text you enter here will automatically appear on the teacher's answer key and on the Smart Study Guide, providing instant feedback.

🔗 Intelligent Mapper: The Smart Connection

This is the secret sauce of the Studio. The Mapper transforms your content from a simple list into an interconnected web of knowledge, automating the creation of amazing study guides.

  • Step 1: Select a question from the list on the left.
  • Step 2: In the right panel, click on every flashcard that contains a concept required to answer that question. They will turn green, indicating a successful link.
  • The Payoff: When you generate a Smart Study Guide, these linked flashcards will automatically appear under each question as "Related Concepts."

Step 2: The Magic (The Generator Suite)

You've built your content. Now, with a few clicks, turn it into a full suite of professional, ready-to-use materials. What used to take hours of formatting and copying-and-pasting can now be done in seconds.

🎓 Smart Study Guide Maker

Instantly create the ultimate review document. It combines your questions, the correct answers, your detailed explanations, and all the "Related Concepts" you linked in the Mapper into one cohesive, printable guide.

📝 Worksheet & 📄 Exam Builder

Generate unique assessments every time. The questions and multiple-choice options are randomized automatically. Simply select your topics, choose how many questions you need, and generate:

  • A Student Version, clean and ready for quizzing.
  • A Teacher Version, complete with a detailed answer key and the explanations you wrote.

🖨️ Flashcard Printer

Forget wrestling with table layouts in a word processor. Select a topic, choose a cards-per-page layout, and instantly generate perfectly formatted, print-ready flashcard sheets.

Step 3: Saving and Collaborating

  • 💾 Export & Save Kit: This is your primary save function. It downloads the entire Kit (content, images, and all) to your computer as a single .json file. Use this to create permanent backups and share your work with others.
  • ➕ Import & Merge Kit: Combine your work. You can merge a colleague's Kit into your own or combine two of your lessons into a larger review Kit.

You're now ready to reclaim your time.

You're not just a teacher; you're a curriculum designer, and this is your Studio.

This page is an interactive visualization based on the Wikipedia article "Hevajra" (opens in new tab) and its cited references.

Text content is available under the Creative Commons Attribution-ShareAlike 4.0 License (opens in new tab). Additional terms may apply.

Disclaimer: This website is for informational purposes only and does not constitute any kind of advice. The information is not a substitute for consulting official sources or records or seeking advice from qualified professionals.


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Study Guide: The Hevajra Tantra: History, Transmission, and Iconography

Study Guide: The Hevajra Tantra: History, Transmission, and Iconography

Origins and Classification

Within the esoteric traditions of Tantric and Vajrayana Buddhism, Hevajra is recognized as a principal 'yidam,' signifying an enlightened being central to meditative practice.

Answer: True

Hevajra is indeed identified as a primary 'yidam,' a crucial concept in Tantric and Vajrayana Buddhism. Yidams are visualized meditational deities or enlightened beings that practitioners engage with to achieve spiritual realization.

Related Concepts:

  • What is Hevajra and in which Buddhist traditions is it significant?: Hevajra is identified as one of the primary yidams, which are enlightened beings, within Tantric and Vajrayana Buddhism. These traditions are branches of Buddhism that emphasize esoteric practices and teachings.

The Hevajra Tantra is classified within Buddhist tantric literature as a 'yoginītantra' and belongs to the higher class of 'anuttarayogatantra'.

Answer: True

This classification is accurate. The Hevajra Tantra is indeed categorized as a 'yoginītantra,' which is a sub-category within the broader and highest class of Buddhist tantric texts, the 'anuttarayogatantra' (Unsurpassed Yoga Tantra).

Related Concepts:

  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

The term 'yidam' refers to a wrathful protector deity in Vajrayana Buddhism.

Answer: False

This statement is false. A 'yidam' is a meditational deity or enlightened being used for spiritual realization, not exclusively a wrathful protector deity. While some yidams may appear wrathful, the term itself denotes a broader category of visualized deities.

Related Concepts:

  • What does the term 'yidam' refer to in the context of Hevajra?: A 'yidam' is a meditational deity or enlightened being in Vajrayana Buddhism. Hevajra is considered a yidam, meaning practitioners visualize and meditate upon him to achieve spiritual realization and enlightenment.

What is Hevajra primarily identified as within Tantric and Vajrayana Buddhism?

Answer: One of the primary yidams or enlightened beings

Hevajra is primarily identified as a principal 'yidam,' a meditational deity or enlightened being central to the practice and realization within Tantric and Vajrayana Buddhist traditions.

Related Concepts:

  • What is Hevajra and in which Buddhist traditions is it significant?: Hevajra is identified as one of the primary yidams, which are enlightened beings, within Tantric and Vajrayana Buddhism. These traditions are branches of Buddhism that emphasize esoteric practices and teachings.
  • How many forms of Hevajra are described in the Hevajra Tantra, and what are their names?: The Hevajra Tantra describes four forms of Hevajra: Kaya Hevajra, Vak Hevajra, Citta Hevajra, and Hrdaya Hevajra. These correspond to Body, Speech, Mind, and Heart aspects.
  • What does the term 'yidam' refer to in the context of Hevajra?: A 'yidam' is a meditational deity or enlightened being in Vajrayana Buddhism. Hevajra is considered a yidam, meaning practitioners visualize and meditate upon him to achieve spiritual realization and enlightenment.

Between which centuries is the Hevajra Tantra believed to have originated in eastern India?

Answer: Late 8th to late 9th or early 10th century CE

Scholarly consensus places the origin of the Hevajra Tantra in eastern India between the late 8th century and the late 9th or early 10th century CE.

Related Concepts:

  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

What is the primary role of a 'yidam' in Vajrayana Buddhism?

Answer: A meditational deity for spiritual realization

In Vajrayana Buddhism, a 'yidam' serves as a meditational deity, visualized and contemplated by practitioners to achieve spiritual insights and ultimate realization.

Related Concepts:

  • What does the term 'yidam' refer to in the context of Hevajra?: A 'yidam' is a meditational deity or enlightened being in Vajrayana Buddhism. Hevajra is considered a yidam, meaning practitioners visualize and meditate upon him to achieve spiritual realization and enlightenment.

Transmission and Key Figures

According to the historian Tāranātha, the Hevajra Tantra was primarily brought forth by the scholars Saroruha and Buddhaguhya.

Answer: False

This statement is false. While Saroruha is credited, Tāranātha attributes the bringing forth of the Hevajra Tantra to Saroruha and Kampala (also known as Lva-va-pā or Kambhalī), not Buddhaguhya.

Related Concepts:

  • According to Tāranātha, who were the key figures responsible for bringing forth the Hevajra Tantra?: According to the historian Tāranātha, the figures credited with bringing forth the Hevajra Tantra include Saroruha and Kampala (also known as Lva-va-pā, Kambhalī, and Śrī-prabhada). These individuals were significant yogis and scholars in the transmission of tantric teachings.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

Dombi Heruka, a disciple of Virupa, is credited with comprehending the essence of the Hevajra Tantra and transmitting its teachings.

Answer: True

This is true. Dombi Heruka, a significant disciple of the yogi Virupa, is recognized for his profound understanding of the Hevajra Tantra and for composing related treatises that transmitted its teachings.

Related Concepts:

  • What role did Virupa and Dombi Heruka play in the lineage of the Hevajra Tantra?: Virupa, a prominent yogi, meditated on the path of Yamāri and achieved siddhi (spiritual accomplishment) with the blessings of Vajravārāhī. His disciple, Dombi Heruka, is said to have understood the essence of the Hevajra Tantra, composed related śāstras (treatises), and transmitted teachings to his own disciples. This lineage is considered foundational.
  • How does Jamgon Amyeshab describe the revelation of the Hevajra Tantra?: Jamgon Amyeshab, the 28th throne-holder of Sakya, states that the Hevajra Tantra was revealed to Virupa by the Nirmāṇakāya Vajranairātmā. He further notes that it was also revealed by Vajranairātmā to Dombi Heruka, Virupa's senior disciple, from whom the main Sakya exegetical lineage of the Hevajra Tantra descends.

Jamgon Amyeshab stated that the Hevajra Tantra was revealed to Virupa by the Sambhogakāya Vajranairātmyā.

Answer: False

This statement is false. Jamgon Amyeshab indicated that the revelation was by the Nirmāṇakāya Vajranairātmā to Virupa, and also to Dombi Heruka, Virupa's senior disciple.

Related Concepts:

  • How does Jamgon Amyeshab describe the revelation of the Hevajra Tantra?: Jamgon Amyeshab, the 28th throne-holder of Sakya, states that the Hevajra Tantra was revealed to Virupa by the Nirmāṇakāya Vajranairātmā. He further notes that it was also revealed by Vajranairātmā to Dombi Heruka, Virupa's senior disciple, from whom the main Sakya exegetical lineage of the Hevajra Tantra descends.
  • What role did Virupa and Dombi Heruka play in the lineage of the Hevajra Tantra?: Virupa, a prominent yogi, meditated on the path of Yamāri and achieved siddhi (spiritual accomplishment) with the blessings of Vajravārāhī. His disciple, Dombi Heruka, is said to have understood the essence of the Hevajra Tantra, composed related śāstras (treatises), and transmitted teachings to his own disciples. This lineage is considered foundational.

Maitripa, also known as Advayavajra, taught the Hevajra Tantra to the prominent Tibetan translator Marpa.

Answer: True

This statement is true. Maitripa, an Indian Buddhist master also referred to as Advayavajra, transmitted the teachings of the Hevajra Tantra to the renowned Tibetan translator Marpa.

Related Concepts:

  • Who was Maitripa, and what was his connection to Marpa and the Hevajra Tantra?: Maitripa, also known as Advayavajra, was a figure who taught Marpa the Hevajra Tantra. Maitripa had been banished from Vikramashila for practicing with a yoginī during the time Atiśa was abbot there. Marpa (1012–1097 AD) was a key Tibetan translator who brought many Buddhist teachings, including those related to Hevajra, to Tibet.

Drogmi Lotsawa Shākya Yeshe learned the Hevajra Tantra exclusively from Indian scholars in Nepal.

Answer: False

This statement is false. While Drogmi Lotsawa studied in Nepal and India, he received teachings from Indian scholars such as Śānti-pa at Vikramashila and Prajñedraruci in Bengal, indicating a broader transmission network than solely within Nepal.

Related Concepts:

  • When did Drogmi Lotsawa Shākya Yeshe introduce the Hevajra Tantra to Tibet, and from whom did he learn it?: Drogmi Lotsawa Shākya Yeshe (993–1077 AD) journeyed from Tibet to Nepal and India in the early 11th century. He received instruction in the Hevajra Tantra from Śānti-pa (Ratnākaraśānti) at Vikramashila and later from Prajñedraruci (Vīravajra) in Bengal. He also learned the 'Margapala' (Path and Fruit) teachings concerned with the Hevajra Tantra.
  • What was the significance of Drogmi Lotsawa's return to Tibet?: After twelve years in India, Drogmi Lotsawa returned to central Tibet around 1030 AD. He translated the Hevajra Tantra into Tibetan and began teaching it. His teachings led to the founding of the Sa-skya Monastery in 1073 AD by his disciple Dkon mchog ryal po, establishing a close relationship between the Sakya Order and the Hevajra Tantra.

According to Tāranātha, which two figures were key in bringing forth the Hevajra Tantra?

Answer: Saroruha and Kampala

The historian Tāranātha attributes the origination and transmission of the Hevajra Tantra to the Indian yogis Saroruha and Kampala (also known as Lva-va-pā or Kambhalī).

Related Concepts:

  • According to Tāranātha, who were the key figures responsible for bringing forth the Hevajra Tantra?: According to the historian Tāranātha, the figures credited with bringing forth the Hevajra Tantra include Saroruha and Kampala (also known as Lva-va-pā, Kambhalī, and Śrī-prabhada). These individuals were significant yogis and scholars in the transmission of tantric teachings.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

Which prominent yogi, known for meditating on Yamāri, had a disciple named Dombi Heruka who understood the Hevajra Tantra?

Answer: Virupa

Virupa, a highly influential Mahasiddha known for his practices related to Yamāri, was the teacher of Dombi Heruka, who is recognized for his mastery of the Hevajra Tantra.

Related Concepts:

  • What role did Virupa and Dombi Heruka play in the lineage of the Hevajra Tantra?: Virupa, a prominent yogi, meditated on the path of Yamāri and achieved siddhi (spiritual accomplishment) with the blessings of Vajravārāhī. His disciple, Dombi Heruka, is said to have understood the essence of the Hevajra Tantra, composed related śāstras (treatises), and transmitted teachings to his own disciples. This lineage is considered foundational.
  • When did Drogmi Lotsawa Shākya Yeshe introduce the Hevajra Tantra to Tibet, and from whom did he learn it?: Drogmi Lotsawa Shākya Yeshe (993–1077 AD) journeyed from Tibet to Nepal and India in the early 11th century. He received instruction in the Hevajra Tantra from Śānti-pa (Ratnākaraśānti) at Vikramashila and later from Prajñedraruci (Vīravajra) in Bengal. He also learned the 'Margapala' (Path and Fruit) teachings concerned with the Hevajra Tantra.

Jamgon Amyeshab described the Hevajra Tantra being revealed by Vajranairātmyā to which two individuals?

Answer: Virupa and Dombi Heruka

Jamgon Amyeshab stated that Vajranairātmā revealed the Hevajra Tantra to both Virupa and his senior disciple Dombi Heruka, establishing a key lineage.

Related Concepts:

  • How does Jamgon Amyeshab describe the revelation of the Hevajra Tantra?: Jamgon Amyeshab, the 28th throne-holder of Sakya, states that the Hevajra Tantra was revealed to Virupa by the Nirmāṇakāya Vajranairātmā. He further notes that it was also revealed by Vajranairātmā to Dombi Heruka, Virupa's senior disciple, from whom the main Sakya exegetical lineage of the Hevajra Tantra descends.
  • According to Tāranātha, who were the key figures responsible for bringing forth the Hevajra Tantra?: According to the historian Tāranātha, the figures credited with bringing forth the Hevajra Tantra include Saroruha and Kampala (also known as Lva-va-pā, Kambhalī, and Śrī-prabhada). These individuals were significant yogis and scholars in the transmission of tantric teachings.

Which Tibetan translator learned the Hevajra Tantra from Maitripa (Advayavajra)?

Answer: Marpa

The prominent Tibetan translator Marpa (1012–1097 AD) received teachings on the Hevajra Tantra from the Indian master Maitripa, also known as Advayavajra.

Related Concepts:

  • Who was Maitripa, and what was his connection to Marpa and the Hevajra Tantra?: Maitripa, also known as Advayavajra, was a figure who taught Marpa the Hevajra Tantra. Maitripa had been banished from Vikramashila for practicing with a yoginī during the time Atiśa was abbot there. Marpa (1012–1097 AD) was a key Tibetan translator who brought many Buddhist teachings, including those related to Hevajra, to Tibet.
  • What is the relationship between Hevajra and the Sakya Order?: The Hevajra Tantra has a close and foundational relationship with the Sakya Order of Tibetan Buddhism. This connection began when Drogmi Lotsawa Shākya Yeshe translated the tantra into Tibetan and taught it, leading to the establishment of the Sa-skya Monastery by his disciple.

Drogmi Lotsawa Shākya Yeshe introduced the Hevajra Tantra to Tibet after learning it from which Indian scholars?

Answer: Śānti-pa and Prajñāraruci

Drogmi Lotsawa Shākya Yeshe acquired knowledge of the Hevajra Tantra from Indian scholars Śānti-pa (Ratnākaraśānti) and Prajñedraruci (Vīravajra) during his travels in India and Nepal.

Related Concepts:

  • When did Drogmi Lotsawa Shākya Yeshe introduce the Hevajra Tantra to Tibet, and from whom did he learn it?: Drogmi Lotsawa Shākya Yeshe (993–1077 AD) journeyed from Tibet to Nepal and India in the early 11th century. He received instruction in the Hevajra Tantra from Śānti-pa (Ratnākaraśānti) at Vikramashila and later from Prajñedraruci (Vīravajra) in Bengal. He also learned the 'Margapala' (Path and Fruit) teachings concerned with the Hevajra Tantra.
  • What was the significance of Drogmi Lotsawa's return to Tibet?: After twelve years in India, Drogmi Lotsawa returned to central Tibet around 1030 AD. He translated the Hevajra Tantra into Tibetan and began teaching it. His teachings led to the founding of the Sa-skya Monastery in 1073 AD by his disciple Dkon mchog ryal po, establishing a close relationship between the Sakya Order and the Hevajra Tantra.

Texts and Commentaries

The Yogaratnamālā, a significant commentary on the Hevajra Tantra, was authored by Tilopa.

Answer: False

This statement is false. The Yogaratnamālā, considered a highly important commentary, was authored by Kāṇha (or Kṛṣṇa), not Tilopa.

Related Concepts:

  • What is the significance of the Yogaratnamālā in relation to the Hevajra Tantra?: The Yogaratnamālā is considered arguably the most important commentary on the Hevajra Tantra. It was written by Kṛṣṇa or Kāṇha, who taught Bhadrapada, who in turn taught Tilopa. Tilopa was the teacher of Naropa, who also wrote a commentary and passed on his knowledge to Marpa, who later taught in Tibet.

The Blue Annals suggests that the Hevajra Tantra might be a commentary on the Kalachakra Tantra.

Answer: False

This statement is false. The Blue Annals, specifically Gos lotsawa, suggests that both the Hevajra Tantra and the Kalachakra Tantra could be considered introductions or commentaries on the Guhyasamāja Tantra, not that Hevajra is a commentary on Kalachakra.

Related Concepts:

  • What is the perspective presented in the Blue Annals regarding the Hevajra Tantra?: In the Blue Annals, Gos lotsawa suggests that both the Hevajra Tantra and the Kalachakra Tantra might be considered commentaries on, or introductions to, the Guhyasamāja Tantra. This view places Hevajra within a broader context of major tantric systems.

The current text of the Hevajra Tantra contains approximately 750 verses, but it is believed to be an excerpt from a much larger original work.

Answer: True

This statement is true. While the extant Hevajra Tantra comprises around 750 verses, scholarly consensus suggests it is an abridged version of a much more extensive original text, potentially comprising up to 500,000 verses.

Related Concepts:

  • What is the original language of the Hevajra Tantra, and what is its reported original length?: The Hevajra Tantra was originally written in mixed-quality Sanskrit, incorporating some verses in Apabhramsa. The current text contains 750 verses, but it is reported to be an excerpt or summary of a much larger original text that may have comprised up to 500,000 ślokas (verses) divided into 32 sections.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

A section from the second chapter of the Hevajra Tantra is identical to a section found in the Vajrayogini Tantra.

Answer: False

This statement is false. While the Hevajra Tantra shares textual material with other tantras, the specific section mentioned is identical to one found in the Guhyasamāja Tantra, not the Vajrayogini Tantra.

Related Concepts:

  • Does the Hevajra Tantra share material with other Buddhist texts?: Yes, the Hevajra Tantra shares material with other texts. For instance, a section from its second chapter is identical to a section in the Guhyasamāja Tantra, and an Apabhramsa couplet from its second chapter appears in one of Saraha's songs. This indicates connections and potential influences between these important Buddhist works.
  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.

The full title of the Root Tantra of Hevajra includes the term 'Śrīhevajraḍākinījālasaṃvara'.

Answer: True

This statement is true. The complete title listed for the Root Tantra of Hevajra is 'Śrīhevajraḍākinījālasaṃvaramahātantrarāja', incorporating the specified term.

Related Concepts:

  • What is the full title of the Root Tantra of Hevajra as listed in the text?: The full title listed for the Root Tantra is 'Dvātriṃśatkalpoddhṛta kalpadvayātmako Śrīhevajraḍākinījālasaṃvaramahātantrarāja'.

The colophon of the Tibetan translation credits the Indian master Ga-ya-dha-ra and the Tibetan translator Dge slong Śākya Yeshe.

Answer: True

This statement is true. The colophon typically attributes the translation of the Hevajra Tantra into Tibetan to the Indian master Ga-ya-dha-ra and the Tibetan translator Dge slong Śākya Yeshe.

Related Concepts:

  • What is the colophon of the Tibetan translation of the Hevajra Tantra, and who is credited with it?: The colophon typically states that the tantra was translated and established by the Indian master Ga-ya-dha-ra and the Tibetan translator Dge slong Shākya Yeshe. Some versions also mention further revisions by translator Gzhon nu dpal.

The text lists five commentaries on the Hevajra Tantra, including works by Kāṇha, Bhadrapāda, and Nāro.

Answer: True

This statement is true. The source enumerates five significant commentaries on the Hevajra Tantra, including those attributed to Kāṇha, Bhadrapāda, and Nāro, among others.

Related Concepts:

  • What is the significance of the Yogaratnamālā in relation to the Hevajra Tantra?: The Yogaratnamālā is considered arguably the most important commentary on the Hevajra Tantra. It was written by Kṛṣṇa or Kāṇha, who taught Bhadrapada, who in turn taught Tilopa. Tilopa was the teacher of Naropa, who also wrote a commentary and passed on his knowledge to Marpa, who later taught in Tibet.
  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.

The two listed Explanatory Tantras related to Hevajra are the 'Mahāmayātantra' and the 'Samājatantra'.

Answer: False

This statement is false. The two Explanatory Tantras listed in relation to Hevajra are the 'ākinīvajrapaṇjaratantra' and the 'Saṃpuṭatantra', not the Mahāmayātantra or Samājatantra.

Related Concepts:

  • What are the two listed Explanatory Tantras related to Hevajra?: The two listed Explanatory Tantras are the 'ākinīvajrapaṇjaratantra' and the 'Saṃpuṭatantra'.
  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.

The Prajnaparamita Sutra, containing 100,000 verses, serves as evidence that extremely lengthy Buddhist works were indeed produced.

Answer: True

This statement is true. The existence of the Prajnaparamita Sutra in a 100,000-verse recension demonstrates that Buddhist literature could reach immense lengths, supporting the idea that original tantric texts might have been similarly vast.

Related Concepts:

  • What does the text suggest about the nature of many Buddhist tantras claiming to be condensations of larger works?: The text notes that many Buddhist tantras claim to be condensations of much larger, original texts. These originals might never have been found or could be considered 'virtual' texts existing in a non-physical form. However, the existence of the 100,000-verse Prajnaparamita Sutra serves as evidence that works of immense length were indeed produced.

Who authored the Yogaratnamālā, considered a highly important commentary on the Hevajra Tantra?

Answer: Kāṇha (or Kṛṣṇa)

The Yogaratnamālā, widely regarded as the most significant commentary on the Hevajra Tantra, was authored by the Indian master Kāṇha (also transliterated as Kṛṣṇa).

Related Concepts:

  • What is the significance of the Yogaratnamālā in relation to the Hevajra Tantra?: The Yogaratnamālā is considered arguably the most important commentary on the Hevajra Tantra. It was written by Kṛṣṇa or Kāṇha, who taught Bhadrapada, who in turn taught Tilopa. Tilopa was the teacher of Naropa, who also wrote a commentary and passed on his knowledge to Marpa, who later taught in Tibet.
  • According to Tāranātha, who were the key figures responsible for bringing forth the Hevajra Tantra?: According to the historian Tāranātha, the figures credited with bringing forth the Hevajra Tantra include Saroruha and Kampala (also known as Lva-va-pā, Kambhalī, and Śrī-prabhada). These individuals were significant yogis and scholars in the transmission of tantric teachings.

According to the Blue Annals, what might the Hevajra Tantra and Kalachakra Tantra be considered in relation to the Guhyasamāja Tantra?

Answer: Introductions or commentaries on the Guhyasamāja Tantra

The Blue Annals suggests that both the Hevajra Tantra and the Kalachakra Tantra may function as introductions or commentaries pertaining to the foundational Guhyasamāja Tantra within the tantric Buddhist corpus.

Related Concepts:

  • What is the perspective presented in the Blue Annals regarding the Hevajra Tantra?: In the Blue Annals, Gos lotsawa suggests that both the Hevajra Tantra and the Kalachakra Tantra might be considered commentaries on, or introductions to, the Guhyasamāja Tantra. This view places Hevajra within a broader context of major tantric systems.

The original Hevajra Tantra was written in what language, and what is the reported size of its original form?

Answer: Mixed Sanskrit and Apabhramsa; up to 500,000 ślokas

The Hevajra Tantra was originally composed in mixed Sanskrit and Apabhramsa. While the extant text has 750 verses, it is believed to be an abridged version of a much more extensive original text, potentially comprising up to 500,000 verses.

Related Concepts:

  • What is the original language of the Hevajra Tantra, and what is its reported original length?: The Hevajra Tantra was originally written in mixed-quality Sanskrit, incorporating some verses in Apabhramsa. The current text contains 750 verses, but it is reported to be an excerpt or summary of a much larger original text that may have comprised up to 500,000 ślokas (verses) divided into 32 sections.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

Which other major Buddhist Tantra shares an identical section with the second chapter of the Hevajra Tantra?

Answer: Guhyasamāja Tantra

A specific section within the second chapter of the Hevajra Tantra is textually identical to a section found in the Guhyasamāja Tantra, indicating a close relationship or shared source material.

Related Concepts:

  • Does the Hevajra Tantra share material with other Buddhist texts?: Yes, the Hevajra Tantra shares material with other texts. For instance, a section from its second chapter is identical to a section in the Guhyasamāja Tantra, and an Apabhramsa couplet from its second chapter appears in one of Saraha's songs. This indicates connections and potential influences between these important Buddhist works.
  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.

Which Indian master and Tibetan translator are typically credited in the colophon of the Tibetan translation of the Hevajra Tantra?

Answer: Ga-ya-dha-ra and Dge slong Śākya Yeshe

The colophon of the Tibetan translation commonly credits the Indian master Ga-ya-dha-ra and the Tibetan translator Dge slong Śākya Yeshe for their roles in the translation process.

Related Concepts:

  • What is the colophon of the Tibetan translation of the Hevajra Tantra, and who is credited with it?: The colophon typically states that the tantra was translated and established by the Indian master Ga-ya-dha-ra and the Tibetan translator Dge slong Shākya Yeshe. Some versions also mention further revisions by translator Gzhon nu dpal.

Which of the following is listed as an Explanatory Tantra related to Hevajra?

Answer: Saṃpuṭatantra

Among the options provided, the Saṃpuṭatantra is identified as an Explanatory Tantra associated with the Hevajra cycle.

Related Concepts:

  • What are the two listed Explanatory Tantras related to Hevajra?: The two listed Explanatory Tantras are the 'ākinīvajrapaṇjaratantra' and the 'Saṃpuṭatantra'.
  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.

Dissemination and Reception

The founding of the Sa-skya Monastery in 1073 AD is directly linked to Drogmi Lotsawa's teachings on the Hevajra Tantra.

Answer: True

This statement is true. Drogmi Lotsawa's introduction and teaching of the Hevajra Tantra in Tibet laid the groundwork for the establishment of the Sa-skya Monastery by his disciple Dkon mchog ryal po in 1073 AD.

Related Concepts:

  • What was the significance of Drogmi Lotsawa's return to Tibet?: After twelve years in India, Drogmi Lotsawa returned to central Tibet around 1030 AD. He translated the Hevajra Tantra into Tibetan and began teaching it. His teachings led to the founding of the Sa-skya Monastery in 1073 AD by his disciple Dkon mchog ryal po, establishing a close relationship between the Sakya Order and the Hevajra Tantra.
  • When did Drogmi Lotsawa Shākya Yeshe introduce the Hevajra Tantra to Tibet, and from whom did he learn it?: Drogmi Lotsawa Shākya Yeshe (993–1077 AD) journeyed from Tibet to Nepal and India in the early 11th century. He received instruction in the Hevajra Tantra from Śānti-pa (Ratnākaraśānti) at Vikramashila and later from Prajñedraruci (Vīravajra) in Bengal. He also learned the 'Margapala' (Path and Fruit) teachings concerned with the Hevajra Tantra.

The Chinese version of the Hevajra Tantra was translated by Dharmapāla during the Southern Sung dynasty.

Answer: False

This statement is false. The translation into Chinese was performed by Fa-hu (Dharmapāla) during the Northern Sung dynasty, not the Southern Sung.

Related Concepts:

  • When was the Hevajra Tantra translated into Chinese, and by whom?: The Chinese version of the Hevajra Tantra was translated by Fa-hu (Dharmapāla) at the Institute for Canonical Translations in Bian liang (modern Kaifeng), the capital of the Northern Sung dynasty. The five-volume translation was presented to Emperor Jen-tsung around 11 February 1054 to 30 January 1055 AD.
  • Did the Hevajra Tantra gain widespread popularity in China?: No, the Hevajra Tantra did not become popular in China, despite its translation into Chinese during the Northern Sung dynasty.

Despite its translation into Chinese, the Hevajra Tantra achieved widespread popularity throughout China.

Answer: False

This statement is false. Historical accounts indicate that the Hevajra Tantra did not gain significant popularity in China following its translation.

Related Concepts:

  • Did the Hevajra Tantra gain widespread popularity in China?: No, the Hevajra Tantra did not become popular in China, despite its translation into Chinese during the Northern Sung dynasty.
  • When was the Hevajra Tantra translated into Chinese, and by whom?: The Chinese version of the Hevajra Tantra was translated by Fa-hu (Dharmapāla) at the Institute for Canonical Translations in Bian liang (modern Kaifeng), the capital of the Northern Sung dynasty. The five-volume translation was presented to Emperor Jen-tsung around 11 February 1054 to 30 January 1055 AD.

The Chinese title of the Hevajra Tantra translates to 'The Diamond Sutra of Great Compassion'.

Answer: False

This statement is false. The Chinese title, 'The Scriptural Text of the Ritual of The Great King of the Teaching The Adamantine One with Great Compassion and Knowledge of the Void explained by the Buddha,' is far more extensive and specific than the provided translation.

Related Concepts:

  • What is the title of the Chinese version of the Hevajra Tantra?: The Chinese version of the Hevajra Tantra is titled "The Scriptural Text of the Ritual of The Great King of the Teaching The Adamantine One with Great Compassion and Knowledge of the Void explained by the Buddha."
  • When was the Hevajra Tantra translated into Chinese, and by whom?: The Chinese version of the Hevajra Tantra was translated by Fa-hu (Dharmapāla) at the Institute for Canonical Translations in Bian liang (modern Kaifeng), the capital of the Northern Sung dynasty. The five-volume translation was presented to Emperor Jen-tsung around 11 February 1054 to 30 January 1055 AD.

Surviving images suggest the Hevajra Tantra was practiced in Cambodia between the 10th and 13th centuries.

Answer: True

This statement is true. Iconographic evidence from Cambodia indicates the practice of the Hevajra Tantra during the Khmer Empire, spanning from the 10th to the 13th centuries.

Related Concepts:

  • What evidence suggests the presence of the Hevajra Tantra in Cambodia?: Surviving images indicate that the Hevajra Tantra was present in Cambodia during the Khmer Empire. Its practice appears to have thrived there from the 10th to the 13th centuries.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

Prince Godan invited Sakya Pandita to Mongolia in 1244 AD, leading to the initiation into Hevajra teachings.

Answer: True

This statement is true. Prince Godan, grandson of Genghis Khan, invited Sakya Pandita in 1244 AD, and it was during this period that Sakya Pandita initiated him into the Hevajra teachings.

Related Concepts:

  • How did the Hevajra teachings reach Mongolia, and what was their impact?: In 1244, Prince Godan, grandson of Genghis Khan, invited Sakya Pandita to Mongolia and was initiated into the Hevajra teachings. Later, in 1253, Kublai Khan invited Sakya Pandita's nephew, Chogyal Phagpa, to his court. This led to Buddhism being declared the state religion and Phagpa gaining authority over parts of Tibet, significantly influencing the region's religious landscape.
  • What was the significance of Drogmi Lotsawa's return to Tibet?: After twelve years in India, Drogmi Lotsawa returned to central Tibet around 1030 AD. He translated the Hevajra Tantra into Tibetan and began teaching it. His teachings led to the founding of the Sa-skya Monastery in 1073 AD by his disciple Dkon mchog ryal po, establishing a close relationship between the Sakya Order and the Hevajra Tantra.

Manuscripts of the Hevajra Tantra are preserved in the British Library and the Library of Congress.

Answer: False

This statement is false. Based on the information provided, manuscripts of the Hevajra Tantra are preserved in collections such as the National Archives in Kathmandu, Cambridge University Library, and Tōkyō University Library, but not explicitly mentioned as being in the British Library or the Library of Congress.

Related Concepts:

  • Where can manuscripts of the Hevajra Tantra be found?: Manuscripts of the Hevajra Tantra are preserved in various collections, including the National Archives in Kathmandu, Nepal; the Cambridge University Library; the Asiatic Society of Bengal; and the Tōkyō University Library.
  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.

The Tibetan Kangyur contains multiple editions of the Hevajra Tantra, including versions from Narthang and De-ge.

Answer: True

This statement is true. The Tibetan Kangyur includes several editions of the Hevajra Tantra, notably those originating from Narthang and De-ge, among others.

Related Concepts:

  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

The Hevajra Tantra has a foundational relationship with the Gelug school of Tibetan Buddhism.

Answer: False

This statement is false. While influential across Tibetan Buddhism, the Hevajra Tantra's primary foundational relationship is historically and exegetically linked to the Sakya Order, not the Gelug school.

Related Concepts:

  • What is the relationship between Hevajra and the Sakya Order?: The Hevajra Tantra has a close and foundational relationship with the Sakya Order of Tibetan Buddhism. This connection began when Drogmi Lotsawa Shākya Yeshe translated the tantra into Tibetan and taught it, leading to the establishment of the Sa-skya Monastery by his disciple.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

The founding of which Tibetan monastery is closely linked to Drogmi Lotsawa's teachings on the Hevajra Tantra?

Answer: Sa-skya Monastery

The Sa-skya Monastery, established in 1073 AD by Drogmi Lotsawa's disciple Dkon mchog ryal po, became a major center for the study and practice of the Hevajra Tantra in Tibet.

Related Concepts:

  • What was the significance of Drogmi Lotsawa's return to Tibet?: After twelve years in India, Drogmi Lotsawa returned to central Tibet around 1030 AD. He translated the Hevajra Tantra into Tibetan and began teaching it. His teachings led to the founding of the Sa-skya Monastery in 1073 AD by his disciple Dkon mchog ryal po, establishing a close relationship between the Sakya Order and the Hevajra Tantra.
  • When did Drogmi Lotsawa Shākya Yeshe introduce the Hevajra Tantra to Tibet, and from whom did he learn it?: Drogmi Lotsawa Shākya Yeshe (993–1077 AD) journeyed from Tibet to Nepal and India in the early 11th century. He received instruction in the Hevajra Tantra from Śānti-pa (Ratnākaraśānti) at Vikramashila and later from Prajñedraruci (Vīravajra) in Bengal. He also learned the 'Margapala' (Path and Fruit) teachings concerned with the Hevajra Tantra.

Who translated the Hevajra Tantra into Chinese during the Northern Sung dynasty?

Answer: Fa-hu (Dharmapāla)

The Chinese translation of the Hevajra Tantra was undertaken by Fa-hu, identified as Dharmapāla, during the Northern Sung dynasty, with the work presented to Emperor Jen-tsung around 1054-1055 AD.

Related Concepts:

  • When was the Hevajra Tantra translated into Chinese, and by whom?: The Chinese version of the Hevajra Tantra was translated by Fa-hu (Dharmapāla) at the Institute for Canonical Translations in Bian liang (modern Kaifeng), the capital of the Northern Sung dynasty. The five-volume translation was presented to Emperor Jen-tsung around 11 February 1054 to 30 January 1055 AD.
  • Did the Hevajra Tantra gain widespread popularity in China?: No, the Hevajra Tantra did not become popular in China, despite its translation into Chinese during the Northern Sung dynasty.

What was the reception of the Hevajra Tantra in China after its translation?

Answer: It did not gain popularity.

Despite being translated into Chinese during the Northern Sung dynasty, the Hevajra Tantra did not achieve widespread popularity or significant influence within Chinese Buddhist traditions.

Related Concepts:

  • Did the Hevajra Tantra gain widespread popularity in China?: No, the Hevajra Tantra did not become popular in China, despite its translation into Chinese during the Northern Sung dynasty.
  • When was the Hevajra Tantra translated into Chinese, and by whom?: The Chinese version of the Hevajra Tantra was translated by Fa-hu (Dharmapāla) at the Institute for Canonical Translations in Bian liang (modern Kaifeng), the capital of the Northern Sung dynasty. The five-volume translation was presented to Emperor Jen-tsung around 11 February 1054 to 30 January 1055 AD.

Evidence from which region suggests the practice of the Hevajra Tantra from the 10th to the 13th centuries?

Answer: Cambodia

Iconographic evidence, such as surviving images, indicates that the Hevajra Tantra was practiced in Cambodia during the Khmer Empire, spanning from the 10th to the 13th centuries.

Related Concepts:

  • What evidence suggests the presence of the Hevajra Tantra in Cambodia?: Surviving images indicate that the Hevajra Tantra was present in Cambodia during the Khmer Empire. Its practice appears to have thrived there from the 10th to the 13th centuries.
  • When and where is the Hevajra Tantra believed to have originated?: The Hevajra Tantra, classified as a yoginītantra within the anuttarayogatantra class, is thought to have originated in eastern India, possibly in Kamarupa. Its origin is dated between the late 8th century and the late 9th or early 10th century CE.

Where are manuscripts of the Hevajra Tantra NOT preserved, according to the provided list?

Answer: The Library of Congress

Based on the information provided, manuscripts of the Hevajra Tantra are preserved in collections such as the National Archives in Kathmandu, Cambridge University Library, and Tōkyō University Library, but not explicitly mentioned as being in the Library of Congress.

Related Concepts:

  • Where can manuscripts of the Hevajra Tantra be found?: Manuscripts of the Hevajra Tantra are preserved in various collections, including the National Archives in Kathmandu, Nepal; the Cambridge University Library; the Asiatic Society of Bengal; and the Tōkyō University Library.
  • How is the Hevajra Tantra represented in the Tibetan Kangyur?: The Hevajra Tantra appears in the Tibetan Kangyur in multiple editions, including the Narthang Kangyur, the De-ge Kangyur, the Urga Kangyur, the Stog Palace Kangyur, and the Lhasa Kangyur. These versions are identified by specific volume and folio numbers.

The close relationship between the Hevajra Tantra and the Sakya Order began with which event?

Answer: The founding of the Sa-skya Monastery by Drogmi Lotsawa's disciple

The profound connection between the Hevajra Tantra and the Sakya Order was cemented by the founding of the Sa-skya Monastery in 1073 AD by Drogmi Lotsawa's disciple, Dkon mchog ryal po, following Drogmi's introduction of the tantra to Tibet.

Related Concepts:

  • What is the relationship between Hevajra and the Sakya Order?: The Hevajra Tantra has a close and foundational relationship with the Sakya Order of Tibetan Buddhism. This connection began when Drogmi Lotsawa Shākya Yeshe translated the tantra into Tibetan and taught it, leading to the establishment of the Sa-skya Monastery by his disciple.
  • What was the significance of Drogmi Lotsawa's return to Tibet?: After twelve years in India, Drogmi Lotsawa returned to central Tibet around 1030 AD. He translated the Hevajra Tantra into Tibetan and began teaching it. His teachings led to the founding of the Sa-skya Monastery in 1073 AD by his disciple Dkon mchog ryal po, establishing a close relationship between the Sakya Order and the Hevajra Tantra.

Iconography: Forms of Hevajra

The Hevajra Tantra describes four forms of Hevajra: Kaya, Vak, Citta, and Hrdaya, corresponding to Body, Speech, Mind, and Heart.

Answer: True

This statement is true. The Hevajra Tantra delineates four primary forms of Hevajra: Kaya (Body), Vak (Speech), Citta (Mind), and Hrdaya (Heart), representing fundamental aspects of enlightened consciousness.

Related Concepts:

  • How many forms of Hevajra are described in the Hevajra Tantra, and what are their names?: The Hevajra Tantra describes four forms of Hevajra: Kaya Hevajra, Vak Hevajra, Citta Hevajra, and Hrdaya Hevajra. These correspond to Body, Speech, Mind, and Heart aspects.
  • What is Hevajra and in which Buddhist traditions is it significant?: Hevajra is identified as one of the primary yidams, which are enlightened beings, within Tantric and Vajrayana Buddhism. These traditions are branches of Buddhism that emphasize esoteric practices and teachings.

Kaya Hevajra, as depicted in the Hevajra Tantra, is characterized by multiple faces and legs, holding a vajra club and a skull cup.

Answer: False

This statement is false. The Hevajra Tantra describes Kaya Hevajra as two-armed, dark blue, and two-legged, holding a vajra club and a vajra-marked skull cup, embracing his consort.

Related Concepts:

  • Describe the iconography of Kaya Hevajra as presented in the Hevajra Tantra.: Kaya Hevajra, described in the Hevajra Tantra, is two-armed, dark blue, and stands in an advancing posture on a multi-colored lotus, corpse, and sun disk. His right hand holds a vajra club, and his left holds a vajra-marked skull cup. He embraces his consort, Vajranairātmā, and is adorned with the six symbolic ornaments, with a khatvanga staff on his left shoulder.
  • Describe the appearance of Kaya Hevajra according to the Samputa Tantra.: In the Samputa Tantra, Kaya-Hevajra ('sku kyE rdo rje') is two-armed, black, and depicted in a dancing posture. He wields a five-pronged vajra club in his right hand and holds a blood-filled skull cup in his left. He embraces his consort, Vajranairātmā, who is blue, one-faced, and two-armed, holding a curved knife and skull cup.

Citta Hevajra, according to the Hevajra Tantra, is characterized by six arms, three faces, and adornments such as a diadem of five skulls.

Answer: True

This statement is true. The Hevajra Tantra describes Citta Hevajra as having three faces (blue, white, red), six arms, and wearing a diadem of five skulls, among other symbolic adornments.

Related Concepts:

  • What are the key iconographic features of Citta Hevajra according to the Hevajra Tantra?: Citta Hevajra, as described in the Hevajra Tantra, is six-armed and dark blue, standing in an advancing posture. He has three faces (blue, white, red), each with three eyes and fangs. His hands hold a vajra, knife, trident, and bell, with one pair embracing his consort Vajrasrinkhala. He is adorned with a diadem of five skulls, a necklace of fifty fresh heads, and the six symbolic ornaments.
  • What are the defining iconographic features of Citta Hevajra as per the Samputa Tantra?: Citta-Hevajra ('thugs kyE rdo rje') from the Samputa Tantra is six-armed, black, and dances with his right toenails pressed against his left thigh. He has three faces (black, white, red), each with three blood-shot eyes. He wears a diadem of five dry skulls and a necklace of fifty severed heads. His hands hold a vajra and bell (embracing consort Vajrasrinkhala), an arrow, a trident, a bow, and a skull cup.

Hrdaya Hevajra is described as sixteen-armed and four-legged, standing in a dancing posture on representations of the four Maras.

Answer: False

This statement is false. While Hrdaya Hevajra is described as sixteen-armed and four-legged, the Hevajra Tantra depicts him in a combination of ardha-paryanka and alidha postures, not solely a dancing posture, and standing on various symbolic elements, not specifically the four Maras in that context.

Related Concepts:

  • Detail the iconography of Hrdaya Hevajra as described in the Hevajra Tantra.: Hrdaya Hevajra, from the Hevajra Tantra, is sixteen-armed, four-legged, and eight-faced, standing in a combination of ardha-paryanka and alidha postures. His central face is black, with other faces in various colors. He holds sixteen skull cups containing various symbolic representations (e.g., elephant, horse, earth-goddess, Varuna, Vayu). He embraces his consort Vajranairātmyā and wears a necklace of fifty severed heads and the six symbolic ornaments.
  • How is Hrdaya Hevajra depicted in the Samputa Tantra, particularly regarding his posture and the figures beneath him?: Hrdaya Hevajra ('snying po kyE rdo rje') in the Samputa Tantra is sixteen-armed, four-legged, and eight-faced, depicted in a dancing posture with two legs and an extended right leg posture with the other two. He stands upon representations of the four Maras (in the forms of Brahma, Vishnu, Shiva, and Indra), a blood-filled skull cup, and a sun disk.

The four forms of Hevajra in the Samputa Tantra are iconographically identical to those described in the Hevajra Tantra.

Answer: False

This statement is false. While the names (Kaya, Vak, Citta, Hrdaya) are shared, the iconographic details, particularly the postures and specific symbolic elements depicted beneath the deities, differ between the Hevajra Tantra and the Samputa Tantra.

Related Concepts:

  • How do the four forms of Hevajra described in the Samputa Tantra differ iconographically from those in the Hevajra Tantra?: The four forms of Hevajra in the Samputa Tantra (Kaya, Vak, Citta, Hrdaya) are all described as dancing on a lotus, corpse, blood-filled skull cup, and sun disk throne. While sharing names with the forms in the Hevajra Tantra, the specific postures and some attributes may differ, emphasizing a dancing posture in the Samputa Tantra descriptions.
  • How many forms of Hevajra are described in the Hevajra Tantra, and what are their names?: The Hevajra Tantra describes four forms of Hevajra: Kaya Hevajra, Vak Hevajra, Citta Hevajra, and Hrdaya Hevajra. These correspond to Body, Speech, Mind, and Heart aspects.

In the Samputa Tantra, Kaya-Hevajra is depicted as two-armed, black, and in a dancing posture, embracing Vajranairātmyā.

Answer: True

This statement is true. The Samputa Tantra describes Kaya-Hevajra as two-armed, black, and dancing, embracing his consort Vajranairātmyā.

Related Concepts:

  • Describe the appearance of Kaya Hevajra according to the Samputa Tantra.: In the Samputa Tantra, Kaya-Hevajra ('sku kyE rdo rje') is two-armed, black, and depicted in a dancing posture. He wields a five-pronged vajra club in his right hand and holds a blood-filled skull cup in his left. He embraces his consort, Vajranairātmā, who is blue, one-faced, and two-armed, holding a curved knife and skull cup.
  • Describe the iconography of Kaya Hevajra as presented in the Hevajra Tantra.: Kaya Hevajra, described in the Hevajra Tantra, is two-armed, dark blue, and stands in an advancing posture on a multi-colored lotus, corpse, and sun disk. His right hand holds a vajra club, and his left holds a vajra-marked skull cup. He embraces his consort, Vajranairātmā, and is adorned with the six symbolic ornaments, with a khatvanga staff on his left shoulder.

Citta-Hevajra in the Samputa Tantra is depicted with six arms, three faces, and wears a diadem of five dry skulls.

Answer: True

This statement is true. The Samputa Tantra describes Citta-Hevajra as having six arms, three faces, and wearing a diadem of five dry skulls, among other iconographic details.

Related Concepts:

  • What are the defining iconographic features of Citta Hevajra as per the Samputa Tantra?: Citta-Hevajra ('thugs kyE rdo rje') from the Samputa Tantra is six-armed, black, and dances with his right toenails pressed against his left thigh. He has three faces (black, white, red), each with three blood-shot eyes. He wears a diadem of five dry skulls and a necklace of fifty severed heads. His hands hold a vajra and bell (embracing consort Vajrasrinkhala), an arrow, a trident, a bow, and a skull cup.
  • What are the key iconographic features of Citta Hevajra according to the Hevajra Tantra?: Citta Hevajra, as described in the Hevajra Tantra, is six-armed and dark blue, standing in an advancing posture. He has three faces (blue, white, red), each with three eyes and fangs. His hands hold a vajra, knife, trident, and bell, with one pair embracing his consort Vajrasrinkhala. He is adorned with a diadem of five skulls, a necklace of fifty fresh heads, and the six symbolic ornaments.

Hrdaya Hevajra in the Samputa Tantra stands upon representations of the eight celestial directions.

Answer: False

This statement is false. In the Samputa Tantra, Hrdaya Hevajra stands upon representations of the four Maras, a blood-filled skull cup, and a sun disk, not the eight celestial directions.

Related Concepts:

  • How is Hrdaya Hevajra depicted in the Samputa Tantra, particularly regarding his posture and the figures beneath him?: Hrdaya Hevajra ('snying po kyE rdo rje') in the Samputa Tantra is sixteen-armed, four-legged, and eight-faced, depicted in a dancing posture with two legs and an extended right leg posture with the other two. He stands upon representations of the four Maras (in the forms of Brahma, Vishnu, Shiva, and Indra), a blood-filled skull cup, and a sun disk.
  • Detail the iconography of Hrdaya Hevajra as described in the Hevajra Tantra.: Hrdaya Hevajra, from the Hevajra Tantra, is sixteen-armed, four-legged, and eight-faced, standing in a combination of ardha-paryanka and alidha postures. His central face is black, with other faces in various colors. He holds sixteen skull cups containing various symbolic representations (e.g., elephant, horse, earth-goddess, Varuna, Vayu). He embraces his consort Vajranairātmyā and wears a necklace of fifty severed heads and the six symbolic ornaments.

The four forms of Hevajra described in the Hevajra Tantra are Kaya, Vak, Citta, and Hrdaya, corresponding to:

Answer: Body, Speech, Mind, Heart

These four forms represent fundamental aspects of enlightened existence: Kaya (Body), Vak (Speech), Citta (Mind), and Hrdaya (Heart).

Related Concepts:

  • How many forms of Hevajra are described in the Hevajra Tantra, and what are their names?: The Hevajra Tantra describes four forms of Hevajra: Kaya Hevajra, Vak Hevajra, Citta Hevajra, and Hrdaya Hevajra. These correspond to Body, Speech, Mind, and Heart aspects.
  • How do the four forms of Hevajra described in the Samputa Tantra differ iconographically from those in the Hevajra Tantra?: The four forms of Hevajra in the Samputa Tantra (Kaya, Vak, Citta, Hrdaya) are all described as dancing on a lotus, corpse, blood-filled skull cup, and sun disk throne. While sharing names with the forms in the Hevajra Tantra, the specific postures and some attributes may differ, emphasizing a dancing posture in the Samputa Tantra descriptions.

According to the Hevajra Tantra, Kaya Hevajra is depicted as two-armed, dark blue, and embracing which consort?

Answer: Vajranairātmyā

In the Hevajra Tantra, Kaya Hevajra is depicted embracing his consort, Vajranairātmyā.

Related Concepts:

  • Describe the iconography of Kaya Hevajra as presented in the Hevajra Tantra.: Kaya Hevajra, described in the Hevajra Tantra, is two-armed, dark blue, and stands in an advancing posture on a multi-colored lotus, corpse, and sun disk. His right hand holds a vajra club, and his left holds a vajra-marked skull cup. He embraces his consort, Vajranairātmā, and is adorned with the six symbolic ornaments, with a khatvanga staff on his left shoulder.
  • Describe the appearance of Kaya Hevajra according to the Samputa Tantra.: In the Samputa Tantra, Kaya-Hevajra ('sku kyE rdo rje') is two-armed, black, and depicted in a dancing posture. He wields a five-pronged vajra club in his right hand and holds a blood-filled skull cup in his left. He embraces his consort, Vajranairātmā, who is blue, one-faced, and two-armed, holding a curved knife and skull cup.

Which form of Hevajra is described as having three faces (blue, white, red), six arms, and wears a diadem of five skulls?

Answer: Citta Hevajra

This description corresponds to Citta Hevajra as detailed in the Hevajra Tantra, characterized by its multiple faces, arms, and symbolic adornments.

Related Concepts:

  • What are the key iconographic features of Citta Hevajra according to the Hevajra Tantra?: Citta Hevajra, as described in the Hevajra Tantra, is six-armed and dark blue, standing in an advancing posture. He has three faces (blue, white, red), each with three eyes and fangs. His hands hold a vajra, knife, trident, and bell, with one pair embracing his consort Vajrasrinkhala. He is adorned with a diadem of five skulls, a necklace of fifty fresh heads, and the six symbolic ornaments.
  • What are the defining iconographic features of Citta Hevajra as per the Samputa Tantra?: Citta-Hevajra ('thugs kyE rdo rje') from the Samputa Tantra is six-armed, black, and dances with his right toenails pressed against his left thigh. He has three faces (black, white, red), each with three blood-shot eyes. He wears a diadem of five dry skulls and a necklace of fifty severed heads. His hands hold a vajra and bell (embracing consort Vajrasrinkhala), an arrow, a trident, a bow, and a skull cup.

In the Samputa Tantra's description, Hrdaya Hevajra stands upon representations of the four Maras, a blood-filled skull cup, and:

Answer: A sun disk

The Samputa Tantra depicts Hrdaya Hevajra standing upon the four Maras, a blood-filled skull cup, and a sun disk, signifying his transcendence over obstacles and worldly attachments.

Related Concepts:

  • How is Hrdaya Hevajra depicted in the Samputa Tantra, particularly regarding his posture and the figures beneath him?: Hrdaya Hevajra ('snying po kyE rdo rje') in the Samputa Tantra is sixteen-armed, four-legged, and eight-faced, depicted in a dancing posture with two legs and an extended right leg posture with the other two. He stands upon representations of the four Maras (in the forms of Brahma, Vishnu, Shiva, and Indra), a blood-filled skull cup, and a sun disk.
  • Detail the iconography of Hrdaya Hevajra as described in the Hevajra Tantra.: Hrdaya Hevajra, from the Hevajra Tantra, is sixteen-armed, four-legged, and eight-faced, standing in a combination of ardha-paryanka and alidha postures. His central face is black, with other faces in various colors. He holds sixteen skull cups containing various symbolic representations (e.g., elephant, horse, earth-goddess, Varuna, Vayu). He embraces his consort Vajranairātmyā and wears a necklace of fifty severed heads and the six symbolic ornaments.

Iconography: Symbolic Elements

Nairātmyā, Hevajra's principal consort, symbolizes the Buddhist doctrine of 'non-self' or emptiness, not 'permanence'.

Answer: True

This statement is true. Nairātmyā, whose name translates to 'non-self,' represents the profound Buddhist concept of emptiness (shunyata) and the absence of inherent existence, not permanence.

Related Concepts:

  • Who is Hevajra's consort, and what is her name in Tibetan?: Hevajra's consort is Nairātmyā, whose name in Tibetan is 'bdag med ma'. Nairātmyā represents the concept of 'non-self' or emptiness in Buddhist philosophy.

The 'six symbolic ornaments' are unique to the iconography of Hevajra and are not found on other tantric deities.

Answer: False

This statement is false. The six symbolic ornaments, while significant in Hevajra's iconography, are common adornments found on numerous other tantric deities within Vajrayana Buddhism.

Related Concepts:

  • What is the significance of the 'six symbolic ornaments' mentioned in Hevajra's iconography?: The 'six symbolic ornaments' (also referred to as 'seals') are common adornments in the iconography of Hevajra and other tantric deities. While not explicitly detailed in the text beyond being mentioned, they typically represent aspects of the enlightened body, speech, and mind, such as a circlet, earrings, necklace, bracelets, armlets, and girdle.
  • What is Hevajra and in which Buddhist traditions is it significant?: Hevajra is identified as one of the primary yidams, which are enlightened beings, within Tantric and Vajrayana Buddhism. These traditions are branches of Buddhism that emphasize esoteric practices and teachings.

Nairātmyā, as Hevajra's consort, symbolizes the union of ignorance and attachment in Vajrayana Buddhism.

Answer: False

This statement is false. Nairātmyā symbolizes the union of wisdom (emptiness) and skillful means, representing the transcendence of ignorance and attachment, not their embodiment.

Related Concepts:

  • What is the role of Nairātmyā in the iconography of Hevajra?: Nairātmyā is consistently depicted as Hevajra's consort in various iconographic descriptions. She is shown embracing Hevajra, symbolizing the union of wisdom (emptiness) and skillful means, a key concept in Vajrayana Buddhism. Her specific attributes, like the curved knife and skull cup, also hold symbolic meaning.
  • Who is Hevajra's consort, and what is her name in Tibetan?: Hevajra's consort is Nairātmyā, whose name in Tibetan is 'bdag med ma'. Nairātmyā represents the concept of 'non-self' or emptiness in Buddhist philosophy.

Skull cups held by Hevajra and his consort symbolize the transformation of ordinary experiences into enlightened awareness.

Answer: True

This statement is true. The skull cups, often depicted filled with symbolic 'nectar,' represent the transmutation of mundane experiences and afflictions into the wisdom and awareness of enlightenment.

Related Concepts:

  • What is the significance of the skull cups held by Hevajra and his consort?: The skull cups held by Hevajra and Nairātmyā are significant ritualistic and symbolic objects in tantric Buddhism. They often contain symbolic elements representing various aspects of reality or are filled with 'nectar' (ambrosia), symbolizing the transformation of ordinary experiences into enlightened awareness.
  • Detail the iconography of Hrdaya Hevajra as described in the Hevajra Tantra.: Hrdaya Hevajra, from the Hevajra Tantra, is sixteen-armed, four-legged, and eight-faced, standing in a combination of ardha-paryanka and alidha postures. His central face is black, with other faces in various colors. He holds sixteen skull cups containing various symbolic representations (e.g., elephant, horse, earth-goddess, Varuna, Vayu). He embraces his consort Vajranairātmyā and wears a necklace of fifty severed heads and the six symbolic ornaments.

Who is Hevajra's consort, and what does her name signify?

Answer: Nairātmyā, representing non-self or emptiness

Hevajra's consort is Nairātmyā, whose name signifies 'non-self' or emptiness (shunyata), representing the wisdom aspect that complements Hevajra's skillful means.

Related Concepts:

  • Who is Hevajra's consort, and what is her name in Tibetan?: Hevajra's consort is Nairātmyā, whose name in Tibetan is 'bdag med ma'. Nairātmyā represents the concept of 'non-self' or emptiness in Buddhist philosophy.
  • What is the role of Nairātmyā in the iconography of Hevajra?: Nairātmyā is consistently depicted as Hevajra's consort in various iconographic descriptions. She is shown embracing Hevajra, symbolizing the union of wisdom (emptiness) and skillful means, a key concept in Vajrayana Buddhism. Her specific attributes, like the curved knife and skull cup, also hold symbolic meaning.

What is the symbolic significance of the 'six symbolic ornaments' mentioned in Hevajra's iconography?

Answer: Aspects of the enlightened body, speech, and mind

The six symbolic ornaments, common in tantric iconography, represent various aspects of the enlightened body, speech, and mind, signifying the practitioner's attainment of Buddhahood.

Related Concepts:

  • What is the significance of the 'six symbolic ornaments' mentioned in Hevajra's iconography?: The 'six symbolic ornaments' (also referred to as 'seals') are common adornments in the iconography of Hevajra and other tantric deities. While not explicitly detailed in the text beyond being mentioned, they typically represent aspects of the enlightened body, speech, and mind, such as a circlet, earrings, necklace, bracelets, armlets, and girdle.
  • Detail the iconography of Hrdaya Hevajra as described in the Hevajra Tantra.: Hrdaya Hevajra, from the Hevajra Tantra, is sixteen-armed, four-legged, and eight-faced, standing in a combination of ardha-paryanka and alidha postures. His central face is black, with other faces in various colors. He holds sixteen skull cups containing various symbolic representations (e.g., elephant, horse, earth-goddess, Varuna, Vayu). He embraces his consort Vajranairātmyā and wears a necklace of fifty severed heads and the six symbolic ornaments.

Scholarly Study and Reception

David Snellgrove's 1959 publication marked the first complete translation of a major Buddhist Tantra into a Western language.

Answer: True

This statement is true. David Snellgrove's 1959 critical study of the Hevajra Tantra is recognized as the first complete translation of a major Buddhist Tantra into a Western language.

Related Concepts:

  • What is notable about the translation of the Hevajra Tantra into Western languages?: The Hevajra Tantra was the first major Buddhist Tantra to be translated in its entirety into a Western language. This was achieved by David Snellgrove in his 1959 publication, 'The Hevajra Tantra: A Critical Study'.
  • What was David Snellgrove's perspective on the reputation of tantras in the West when he published his translation?: Writing in 1959, David Snellgrove noted that tantras still tended to be regarded negatively in the West, often seen as something corrupt or belonging to the 'twilight of Buddhism'. His work included an 'apology' to justify the study of such texts.

In 1959, David Snellgrove observed that tantras were generally viewed positively and as central texts in the West.

Answer: False

This statement is false. Writing in 1959, Snellgrove noted that tantras were often viewed negatively in the West, perceived as corrupt or belonging to the 'twilight of Buddhism'.

Related Concepts:

  • What was David Snellgrove's perspective on the reputation of tantras in the West when he published his translation?: Writing in 1959, David Snellgrove noted that tantras still tended to be regarded negatively in the West, often seen as something corrupt or belonging to the 'twilight of Buddhism'. His work included an 'apology' to justify the study of such texts.
  • What is notable about the translation of the Hevajra Tantra into Western languages?: The Hevajra Tantra was the first major Buddhist Tantra to be translated in its entirety into a Western language. This was achieved by David Snellgrove in his 1959 publication, 'The Hevajra Tantra: A Critical Study'.

Jan-Ulrich Sobisch published a literary history of Hevajra in 2008, focusing on the perspective of the Sa-skya-pa master A-mes-zhabs.

Answer: True

This statement is true. Jan-Ulrich Sobisch's 2008 publication provides a literary history of Hevajra, specifically examining its textual traditions through the lens of the 17th-century Sa-skya-pa scholar A-mes-zhabs.

Related Concepts:

  • Who was Jan-Ulrich Sobisch and what did he publish regarding Hevajra?: Jan-Ulrich Sobisch is a German scholar who, in 2008, published a detailed literary history concerning Hevajra. His work, 'Hevajra and Lam ‘bras Literature of India and Tibet as Seen Through the Eyes of A-mes-zhabs,' focuses on how Hevajra was understood through the perspective of the 17th-century Sa-skya-pa master A-mes-zhabs.

David Snellgrove's 1959 translation of the Hevajra Tantra was significant because it was:

Answer: The first complete translation into a Western language

David Snellgrove's 1959 publication, 'The Hevajra Tantra: A Critical Study,' holds historical significance as the first complete translation of a major Buddhist Tantra into a Western language.

Related Concepts:

  • What is notable about the translation of the Hevajra Tantra into Western languages?: The Hevajra Tantra was the first major Buddhist Tantra to be translated in its entirety into a Western language. This was achieved by David Snellgrove in his 1959 publication, 'The Hevajra Tantra: A Critical Study'.
  • What was David Snellgrove's perspective on the reputation of tantras in the West when he published his translation?: Writing in 1959, David Snellgrove noted that tantras still tended to be regarded negatively in the West, often seen as something corrupt or belonging to the 'twilight of Buddhism'. His work included an 'apology' to justify the study of such texts.

What was David Snellgrove's observation about the perception of tantras in the West in 1959?

Answer: They were often viewed negatively, as corrupt or belonging to Buddhism's 'twilight'.

In 1959, David Snellgrove observed that tantras were frequently perceived negatively in the West, often characterized as corrupt or representing the decline of Buddhism.

Related Concepts:

  • What was David Snellgrove's perspective on the reputation of tantras in the West when he published his translation?: Writing in 1959, David Snellgrove noted that tantras still tended to be regarded negatively in the West, often seen as something corrupt or belonging to the 'twilight of Buddhism'. His work included an 'apology' to justify the study of such texts.
  • What is notable about the translation of the Hevajra Tantra into Western languages?: The Hevajra Tantra was the first major Buddhist Tantra to be translated in its entirety into a Western language. This was achieved by David Snellgrove in his 1959 publication, 'The Hevajra Tantra: A Critical Study'.

Which translation, published in 1992, includes the Sanskrit text and the Yogaratnamālā commentary?

Answer: G.W. Farrow and I. Menon's 'The Concealed Essence of the Hevajra-tantra'

The 1992 publication 'The Concealed Essence of the Hevajra-tantra' by G.W. Farrow and I. Menon provides both the Sanskrit text and the Yogaratnamālā commentary.

Related Concepts:

  • What are the two main editions of the Hevajra Tantra mentioned in the text?: The text mentions two primary editions: one by David Snellgrove (1959) and another by G.W. Farrow and I. Menon (1992), which also includes the Yogaratnamālā commentary.
  • Besides David Snellgrove's work, what other significant translations of the Hevajra Tantra exist in Western languages?: Other notable translations include 'The Concealed Essence of the Hevajra-tantra' by G.W. Farrow and I. Menon in 1992, which includes the Sanskrit text and the Yogaratnamālā commentary. Additionally, Charles Willemen produced an English translation of Fa-hu's Chinese version in 1983, titled 'The Chinese Hevajratantra'.

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