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Total Categories: 8
Following its establishment, the National Gallery of Canada was initially housed in the Second Supreme Court of Canada building located on Parliament Hill.
Answer: True
The National Gallery's initial home after its establishment was indeed the Second Supreme Court of Canada building on Parliament Hill, commencing its operations there in 1882.
The passage of the National Gallery Act in 1913 served to formally delineate the institution's mandate as Canada's national art museum.
Answer: True
The National Gallery Act, enacted in 1913, was a pivotal piece of legislation that formally defined the institution's role and mandate as the national art museum of Canada.
The National Gallery of Canada is located in Ottawa, Ontario, not Vancouver, British Columbia.
Answer: True
The National Gallery of Canada is situated in Ottawa, Ontario, and not in Vancouver, British Columbia.
The National Gallery of Canada was established in 1880, not 1913.
Answer: False
The National Gallery of Canada was officially established in 1880, whereas the National Gallery Act, which formalized its mandate, was passed in 1913.
In what year was the National Gallery of Canada officially established?
Answer: 1880
The National Gallery of Canada was officially established in 1880.
What was the primary significance of the National Gallery Act, enacted in 1913?
Answer: It formally outlined the institution's mandate as a national art museum.
The National Gallery Act of 1913 was significant because it formally defined the institution's role and responsibilities as Canada's national art museum.
The concrete pylons supporting the expansive glass wall of the southern facade are architecturally designed to evoke the structural form of flying buttresses characteristic of Gothic cathedrals.
Answer: True
The design of the concrete pylons supporting the southern facade's glass wall intentionally mimics the structural principles of flying buttresses found in Gothic cathedral architecture.
The interior entrance lobby is characterized by a pink granite floor and a prominent ramp that ascends towards the west, guiding visitors to the Great Hall.
Answer: True
The interior entrance lobby features a pink granite floor and a ramp that slopes upward towards the west, leading to the Great Hall.
Architect Moshe Safdie conceived the interior ramp not merely as a functional access point, but as a deliberate element designed to foster a sense of procession and ascent, akin to a ritualistic experience.
Answer: True
Moshe Safdie intended the interior ramp to serve a conceptual purpose, creating a sense of ritualistic procession and ascent for visitors.
The interior courtyard houses the Taiga Garden, an element whose design was inspired by A. Y. Jackson's painting *Terre Sauvage*, not Tom Thomson.
Answer: True
The Taiga Garden in the interior courtyard was inspired by A. Y. Jackson's painting *Terre Sauvage*, contrary to the notion that it was inspired by Tom Thomson.
What is the total floor area, in square metres and square feet, of the National Gallery of Canada's building?
Answer: Approximately 46,621 square metres (501,820 sq ft)
The National Gallery of Canada's building encompasses a total floor area of approximately 46,621 square metres, equivalent to 501,820 square feet.
The design of the concrete pylons supporting the southern facade's glass wall intentionally emulates which characteristic architectural feature of Gothic cathedrals?
Answer: Flying buttresses
The concrete pylons on the southern facade are designed to visually echo the structural element known as flying buttresses, commonly found in Gothic cathedrals.
According to the architect Moshe Safdie, what was the intended conceptual significance of the ramp within the National Gallery's interior design?
Answer: To create a sense of procession and ascent, akin to a ritual.
Moshe Safdie envisioned the interior ramp as a means to cultivate a sense of ritualistic procession and ascent for visitors entering the gallery space.
Tom Thomson's seminal painting, *The Jack Pine*, created between 1916 and 1917, was acquired by the National Gallery in 1918, shortly after its completion.
Answer: True
The National Gallery acquired Tom Thomson's significant work, *The Jack Pine*, in 1918, reflecting its importance shortly after its creation.
While the National Gallery's collection prominently features Canadian art, it is not exclusively limited to it; the institution also holds significant works by global artists.
Answer: True
The National Gallery's permanent collection encompasses works by global artists, in addition to its primary focus on Canadian art.
As of October 2018, what was the approximate number of works comprising the National Gallery of Canada's permanent collection?
Answer: Over 93,000 works
As of October 2018, the National Gallery of Canada's permanent collection contained in excess of 93,000 works.
Which specific painting by Tom Thomson is noted for its acquisition by the Gallery in 1918?
Answer: The Jack Pine
The painting *The Jack Pine* by Tom Thomson is specifically mentioned as having been acquired by the National Gallery in 1918.
The National Gallery of Canada possesses the most extensive collection of works by which specific Canadian artist?
Answer: Alex Colville
The National Gallery holds the largest collection of works by the Canadian artist Alex Colville.
The National Gallery's acquisition of *The North American Iceberg* (1985), by Ojibwe artist Carl Beam, marked the institution's first acquisition of contemporary Indigenous Canadian artwork.
Answer: True
Indeed, the acquisition of Carl Beam's *The North American Iceberg* in 1985 represented a significant milestone as the first contemporary Indigenous Canadian artwork to enter the National Gallery's collection.
At what point did the National Gallery's mandate formally evolve to encompass the collection of art by Indigenous peoples?
Answer: In the mid-1980s, after earlier criticisms regarding its exclusion.
The formal inclusion of art by Indigenous peoples within the National Gallery's mandate began in the mid-1980s, subsequent to prior critiques concerning its omission.
Identify the first contemporary Indigenous Canadian artwork acquired by the National Gallery and its artist.
Answer: *The North American Iceberg* (1985) by Carl Beam
The first contemporary Indigenous Canadian artwork acquired by the National Gallery was *The North American Iceberg* (1985), created by Ojibwe artist Carl Beam.
The National Gallery acquired M.C. Escher's notable print, *Stars*, in 1948.
Answer: True
M.C. Escher's print *Stars* was indeed acquired by the National Gallery in the year 1948.
In December 2000, the National Gallery disclosed the possibility that approximately one hundred works within its collection might be linked to Nazi plunder from World War II.
Answer: True
The National Gallery announced in December 2000 that a portion of its collection, estimated at around 100 works, was suspected of being linked to Nazi plunder during World War II.
Although the National Gallery's collection is primarily focused on Canadian art, what other significant category of artistic works does it prominently feature?
Answer: Works from global artists
While Canadian art is its primary focus, the National Gallery's collection also prominently includes works by artists from around the globe.
Which of the following paintings, by Benjamin West, is included in the National Gallery's European collection?
Answer: The Death of General Wolfe
Benjamin West's painting *The Death of General Wolfe* is part of the National Gallery's European collection.
Which specific artwork by Auguste Rodin, cast in 1901, is noted as part of the Gallery's European collection?
Answer: Age of Bronze
Auguste Rodin's sculpture *Age of Bronze*, cast in 1901, is included in the National Gallery's European collection.
Identify the Vincent van Gogh painting from the following options that is part of the National Gallery's European collection.
Answer: Iris
The painting *Iris* by Vincent van Gogh is part of the National Gallery's European collection.
Kathleen Fenwick held the distinction of being the National Gallery's first curator, a role she fulfilled from 1929 to 1968.
Answer: True
Kathleen Fenwick served as the inaugural curator of the National Gallery, holding this position for an extended period from 1929 to 1968.
The National Gallery of Canada operates as a Crown corporation under the legislative framework of the *Museums Act*, which was proclaimed in 1990.
Answer: True
The National Gallery functions as a Crown corporation, governed by the *Museums Act* proclaimed in 1990.
Under the provisions of which legislative act does the National Gallery of Canada operate as a Crown corporation?
Answer: The Museums Act
The National Gallery of Canada operates as a Crown corporation under the authority of the *Museums Act*.
Who was Kathleen Fenwick, and what was her seminal role within the National Gallery's organizational structure?
Answer: The first gallery curator, serving from 1929 to 1968.
Kathleen Fenwick was the National Gallery's first curator, holding this position from 1929 to 1968.
By 1980, the Lorne Building, which served as the National Gallery's accommodation, was in a state of disrepair, characterized by asbestos contamination and insufficient exhibition space.
Answer: True
The Lorne Building, housing the Gallery by 1980, was indeed in poor condition, containing asbestos and lacking adequate space, which severely limited exhibition capacity.
Following the patriation of Canada's Constitution in 1982, Prime Minister Pierre Trudeau's administration notably prioritized the enrichment of Canadian identity through support for the arts, including the commitment to new museum buildings, rather than solely focusing on economic recovery.
Answer: True
Post-1982 constitutional patriation, the Trudeau government emphasized arts funding for national identity, including plans for new museum structures, rather than exclusively prioritizing economic recovery.
During the 1970s, the National Museums of Canada Corporation (NMC) reallocated funds away from the National Gallery, directing them towards the establishment and support of regional galleries.
Answer: True
In the 1970s, the NMC diverted funds from the National Gallery to bolster the development and support of regional art institutions across Canada.
By 1980, what was the condition of the Lorne Building, and how did it affect the National Gallery's exhibition capabilities?
Answer: It contained asbestos and had inadequate space, allowing only two percent of the collection to be exhibited.
By 1980, the Lorne Building was in poor condition due to asbestos and insufficient space, restricting exhibition to only about two percent of the collection.
What was the effect of the National Museums of Canada Corporation (NMC) on the National Gallery during the 1970s?
Answer: The NMC diverted funds from the National Gallery to help establish regional galleries.
During the 1970s, the NMC diverted funds from the National Gallery to support the development of regional galleries.
During the directorship of Alexandra Suda, the National Gallery implemented a significant rebranding initiative, known as Ankosé, with the stated objectives of enhancing inclusivity and advancing reconciliation.
Answer: True
Under Alexandra Suda's leadership, the National Gallery undertook a major rebranding effort named Ankosé, focusing on inclusivity and reconciliation.