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New Wave music is primarily defined as a genre that emerged in the late 1960s, evolving from psychedelic rock.
Answer: False
The provided sources indicate that New Wave music emerged in the mid-to-late 1970s, evolving from punk rock rather than psychedelic rock, and is characterized by pop-oriented styles.
Seymour Stein, founder of Sire Records, is credited with coining the term 'New Wave' to market diverse musical styles emerging after punk.
Answer: True
Seymour Stein, founder of Sire Records, utilized the term 'New Wave' as a marketing category for the varied musical styles that followed punk rock, aiming for broader commercial appeal.
New Wave music drew influences solely from punk rock and glam rock.
Answer: False
New Wave music drew influences from a wide array of genres, including punk rock, pop rock, glam rock, electronic music, krautrock, pub rock, art pop, funk, reggae, progressive rock, disco, and bubblegum music, not solely punk and glam rock.
Compared to punk rock, New Wave music generally featured a more abrasive and overtly political tone.
Answer: False
While sharing punk's do-it-yourself ethos, New Wave music generally adopted a lighter, more melodic, and often quirky tone, moving away from the abrasive and overtly political stances sometimes associated with punk.
The term 'New Wave' in music was partly inspired by the French New Wave film movement, signifying a shared spirit of innovation.
Answer: True
The term 'New Wave' in music was indeed partly inspired by the French New Wave film movement, reflecting a shared ethos of artistic experimentation and departure from convention.
The 'Don't Call It Punk' campaign aimed to associate New Wave artists more closely with the aggressive sounds of punk.
Answer: False
The 'Don't Call It Punk' campaign, initiated by Seymour Stein, aimed to distance artists from the negative stigma associated with punk rock in the American media, rather than associate them more closely.
In the mid-to-late 1970s, 'New Wave' and 'Punk' were always considered distinct and separate musical categories.
Answer: False
In the mid-to-late 1970s, the terms 'New Wave' and 'Punk' were often used interchangeably by journalists and fans, with 'New Wave' frequently applied to bands related to the punk scene but exploring different sounds or aesthetics.
New Wave artists did not share the DIY ethic prominent in punk rock.
Answer: False
New Wave artists shared punk's do-it-yourself (DIY) artistic philosophy, often channeling it into pop songwriting and electronic experimentation.
Seymour Stein believed the 'punk' label was ideal for marketing because it evoked energy and rebellion.
Answer: False
Seymour Stein believed the 'punk' label was unmarketable due to negative media associations, and thus promoted 'New Wave' as a more commercially viable term for emerging artists.
What is the primary definition of New Wave music?
Answer: Pop-oriented musical styles evolving from punk culture in the mid-to-late 1970s.
New Wave music is primarily defined as pop-oriented musical styles that emerged in the mid-to-late 1970s, characterized as a lighter and more melodic evolution from punk culture.
Who is credited with coining the term 'New Wave' for marketing purposes?
Answer: Seymour Stein
Seymour Stein, the founder of Sire Records, is credited with coining the term 'New Wave' as a marketing strategy to categorize and promote diverse musical styles emerging after the punk movement.
How did New Wave music generally differ from Punk Rock?
Answer: New Wave adopted a lighter, more melodic, and often quirky tone.
New Wave music generally adopted a lighter, more melodic, and often quirky tone, distinguishing itself from the more abrasive and overtly political style sometimes associated with punk rock.
The term 'New Wave' in music was partly inspired by which artistic movement?
Answer: The French New Wave film movement
The term 'New Wave' in music was partly inspired by the French New Wave film movement, reflecting a shared spirit of innovation and departure from traditional forms.
What was the purpose of Seymour Stein's 'Don't Call It Punk' campaign?
Answer: To distance artists from the negative stigma of punk in the American media.
The 'Don't Call It Punk' campaign was designed to distance artists from the negative connotations of the punk label in the American media, thereby facilitating broader market acceptance under the 'New Wave' banner.
How did New Wave artists utilize the DIY ethic inherited from punk?
Answer: By channeling it into pop songwriting and electronic experimentation.
New Wave artists channeled the DIY ethic inherited from punk into pop songwriting structures and electronic experimentation, differentiating their approach from punk's rawest forms.
Key musical characteristics of New Wave include choppy rhythm guitars, prominent use of synthesizers, and stop-start song structures.
Answer: True
New Wave music frequently featured choppy rhythm guitars, angular riffs, fast tempos, prominent use of keyboards and synthesizers, and stop-start song structures, contributing to its distinctive sound.
The Velvet Underground and David Bowie are considered key forerunners and influences on New Wave music.
Answer: True
Key influences and forerunners of New Wave music include artists such as The Velvet Underground and David Bowie, alongside glam rock, art rock, and German electronic music scenes.
Talking Heads' album 'Remain in Light' integrated African musical styles alongside New Wave elements.
Answer: True
Talking Heads' album 'Remain in Light' is noted for its significant integration of African musical styles, blending them with New Wave elements.
Jon Savage coined 'post-punk' and 'new musick' to describe bands moving beyond garage rock conventions and incorporating wider influences.
Answer: True
Jon Savage coined the terms 'post-punk' and 'new musick' to denote bands that transcended punk's garage rock foundations by integrating broader influences, often overlapping with the 'New Wave' categorization.
Ian Dury and Nick Lowe were influential UK pub rock artists connected to the New Wave scene.
Answer: True
Ian Dury and Nick Lowe were indeed influential UK pub rock artists whose work was connected to and influenced the New Wave scene.
Which of the following was NOT listed as a key influence on New Wave music?
Answer: Baroque Classical Music
While New Wave drew from genres like Krautrock, Disco, and Glam Rock, Baroque Classical Music was not listed as a key influence in the provided materials.
Which musical characteristic was common in New Wave?
Answer: Prominent use of synthesizers and keyboards.
A prominent use of synthesizers and keyboards was a common characteristic in New Wave music, alongside other features like choppy rhythm guitars and stop-start song structures.
Which earlier artists were cited as key influences or forerunners of New Wave?
Answer: The Velvet Underground and David Bowie
Key influences and forerunners of New Wave music included The Velvet Underground and David Bowie, alongside other artists from glam rock, art rock, and German electronic music scenes.
The album 'Remain in Light' by Talking Heads is noted for blending New Wave with what other musical influence?
Answer: African musical styles
Talking Heads' album 'Remain in Light' is renowned for its innovative blend of New Wave elements with African musical styles.
What did Jon Savage mean by coining 'post-punk' and 'new musick'?
Answer: Terms for bands moving beyond punk's garage rock conventions and incorporating wider influences.
Jon Savage coined 'post-punk' and 'new musick' to describe bands that evolved beyond punk's garage rock conventions, incorporating broader musical influences and often overlapping with the 'New Wave' categorization.
Which UK pub rock artists were influential in the New Wave scene?
Answer: Ian Dury and Nick Lowe
Ian Dury and Nick Lowe were influential UK pub rock artists whose work connected with and influenced the New Wave scene.
MTV's launch in 1981 had minimal impact on the popularity of New Wave music in the United States.
Answer: False
The launch of MTV in 1981 significantly boosted New Wave's popularity in the US, as the channel heavily promoted new-wave acts through their music videos.
Music critic Simon Reynolds described New Wave vocalists as typically having deep, resonant voices.
Answer: False
According to music critic Simon Reynolds, New Wave vocalists were often characterized by high-pitched, geeky, and suburban-sounding voices, which contributed to the genre's distinct persona.
A nervous, nerdy persona, reflected in robotic dancing and jittery vocals, was commonly associated with New Wave fans and artists.
Answer: True
A nervous, often intellectual or nerdy persona was commonly associated with New Wave, manifesting in styles like robotic dancing and jittery vocal delivery, contrasting with the hedonistic aesthetics of disco.
New Wave's aesthetic aligned with the hedonistic and overtly sexual styles of disco dancing prevalent in the late 1970s.
Answer: False
New Wave's aesthetic, often characterized by a nervous or intellectual persona, contrasted sharply with the hedonistic and overtly sexual styles of disco dancing prevalent in the late 1970s.
The CBGB club in New York City was a significant incubator for early New Wave bands.
Answer: True
The CBGB club in New York City served as a crucial incubator for many early New Wave bands, including prominent acts like Talking Heads and Blondie.
The Buggles' song 'Video Killed the Radio Star' was historically significant as the first music video played on MTV.
Answer: True
'Video Killed the Radio Star' by The Buggles, a New Wave hit, holds historical significance as the first music video broadcast on MTV upon its launch in 1981.
In the early 1980s, New Wave in the US became more associated with experimental noise rather than pop and rock acts.
Answer: False
In the early 1980s, New Wave in the US evolved into a broader category encompassing pop and rock acts, shedding its direct association with punk and utilizing synthesizers and distinct visual styles, further popularized by MTV.
Robert Christgau viewed New Wave as a lasting genre with significant long-term impact.
Answer: False
Music critic Robert Christgau characterized New Wave as a polite term for those intimidated by punk, suggesting it was a short-lived phenomenon rather than a lasting genre with significant long-term impact.
The US music industry readily embraced the 'punk' label due to its marketability.
Answer: False
The US music industry found the 'punk' label largely unmarketable due to negative media portrayals linking it to danger and violence, leading to the adoption of 'New Wave' as a more commercially viable alternative.
New Wave music faced significant resistance in the US due to its perceived rawness and working-class associations, despite critical acclaim.
Answer: True
In the mid-1970s US context, New Wave faced resistance partly due to perceived rawness and associations that differed from dominant genres, although critical acclaim existed. The resistance was more pronounced for punk, but New Wave also navigated a challenging market.
New Wave artists positioned themselves in opposition to mainstream 'corporate rock', viewing it as creatively stagnant.
Answer: True
New Wave artists often defined themselves in opposition to mainstream 'corporate rock,' which they perceived as creatively stagnant, embracing a more independent and experimental approach.
The television program 'New Wave Theatre,' hosted by Peter Ivers, showcased established mainstream pop artists.
Answer: False
The television program 'New Wave Theatre,' hosted by Peter Ivers, served as a platform for underground and emerging artists within the New Wave scene, rather than showcasing established mainstream pop artists.
The music industry's slump in the late 1970s indirectly benefited New Wave due to cheaper production costs and the success of hits like 'My Sharona'.
Answer: True
A slump in the music industry during the late 1970s indirectly aided New Wave, as albums were cheaper to produce, and successes like The Knack's 'My Sharona' encouraged record labels to sign more New Wave acts.
Critics sometimes described New Wave acts heavily featured on MTV as shallow, and some musicians faced homophobic slurs.
Answer: True
New Wave acts prominent on MTV in the 1980s sometimes faced criticism for being shallow, and some musicians encountered homophobic slurs, reflecting societal attitudes of the era.
The visual aesthetic of New Wave artists was unimportant for their success, especially with the rise of MTV.
Answer: False
The visual aesthetic of New Wave artists was critically important for their success, particularly with the rise of MTV, as it helped define the genre's identity.
What role did MTV play in the popularity of New Wave in the United States?
Answer: MTV heavily promoted New Wave acts through their music videos.
MTV played a significant role in popularizing New Wave in the US by heavily promoting the genre's artists through their music videos, which were often readily available from British artists.
According to music critic Simon Reynolds, what was a common characteristic of New Wave vocalists?
Answer: High-pitched, geeky, and suburban-sounding voices
Music critic Simon Reynolds noted that New Wave vocalists often exhibited high-pitched, geeky, and suburban-sounding voices, contributing to the genre's distinctive persona.
Which of the following best describes the persona commonly associated with New Wave fans and artists?
Answer: Reserved, intellectual, and sometimes nerdy
A nervous, nerdy, and sometimes reserved or intellectual persona was commonly associated with New Wave fans and artists, often reflected in their style and delivery.
Which New York City venue was a significant incubator for early New Wave bands?
Answer: CBGB
The CBGB club in New York City was a pivotal venue that nurtured and incubated many early New Wave bands, contributing significantly to the genre's development.
The song 'Video Killed the Radio Star' by The Buggles is notable for what reason?
Answer: It was the first music video played on MTV.
The Buggles' song 'Video Killed the Radio Star' is historically significant because it was the very first music video broadcast on MTV when the channel launched in 1981.
Which statement reflects Robert Christgau's view on New Wave?
Answer: It was a polite, short-lived term for those intimidated by punk.
Robert Christgau viewed New Wave as a polite term for musicians and listeners intimidated by punk, suggesting it was a brief phenomenon rather than a genre with profound long-term impact.
In the UK, how did the term 'New Wave' gain traction in the late 1970s?
Answer: Via punk fanzines and music weeklies.
In the UK, the term 'New Wave' gained traction in late 1976 through punk fanzines and music weeklies, which helped define and disseminate the term for emerging bands.
Why did the US music industry find the 'punk' label unmarketable?
Answer: Negative media portrayals linked it to danger and violence.
The US music industry perceived the 'punk' label as unmarketable due to negative media portrayals associating it with danger and violence, leading them to favor the term 'New Wave'.
How did the music industry's slump in the late 1970s indirectly help New Wave?
Answer: New Wave albums were cheaper to produce, and successes encouraged signings.
During the late 1970s music industry slump, New Wave albums offered cheaper production costs. Combined with commercial successes, this encouraged record labels to sign more New Wave artists.
What criticism was sometimes leveled against New Wave acts heavily featured on MTV in the 1980s?
Answer: They were perceived as shallow, and some faced homophobic slurs.
New Wave acts featured prominently on MTV in the 1980s sometimes faced criticism for being shallow, and some musicians also endured homophobic slurs.
The commercial peak for New Wave music occurred exclusively in the early 1990s.
Answer: False
New Wave music reached its commercial peak during the late 1970s and extended into the early 1980s, not exclusively in the early 1990s.
By the mid-to-late 1980s, New Wave was overshadowed in the UK by the New Romantic movement and in the US by genres like 'new music'.
Answer: True
In the mid-to-late 1980s, New Wave's prominence waned, being overshadowed in the UK by the New Romantic movement and in the US by emerging genres often categorized as 'new music' or 'new pop'.
New Wave's influence is not evident in any later music genres.
Answer: False
New Wave's influence is demonstrably evident in numerous later music genres and aesthetics, including various internet microgenres and the development of alternative rock.
The 'Second British Invasion' primarily involved British blues-rock bands in the early 1980s.
Answer: False
The 'Second British Invasion' in the early 1980s was characterized by artists associated with New Wave, synth-pop, and the New Romantic movement, rather than blues-rock bands.
Director John Hughes exclusively used punk rock soundtracks in his influential 1980s films.
Answer: False
Director John Hughes frequently incorporated New Wave and related British pop music into his influential 1980s films, such as 'The Breakfast Club' and 'Pretty in Pink,' rather than exclusively using punk rock.
By the 2000s, critics generally agreed that 'New Wave' was a narrowly defined genre with a consistent sound.
Answer: False
By the 2000s, critical consensus often viewed 'New Wave' as a broad umbrella term encompassing diverse styles like power pop, synth-pop, and ska revival, rather than a narrowly defined genre with a consistent sound.
In the UK, the term 'New Wave' gained currency primarily through mainstream radio play in the early 1970s.
Answer: False
In the UK, the term 'New Wave' gained currency in late 1976 through punk fanzines and music weeklies like 'Melody Maker' and 'NME,' not primarily through mainstream radio in the early 1970s.
The 'Second British Invasion' featured musical styles similar to the first British Invasion, focusing on blues and rock and roll.
Answer: False
The 'Second British Invasion' was characterized by New Wave, synth-pop, and New Romanticism, differing significantly from the blues and rock and roll focus of the first British Invasion.
Billboard's 'Modern Rock' chart, launched in 1988, reflected the legacy of New Wave by featuring influenced artists and echoing the genre's marketing.
Answer: True
Billboard's 'Modern Rock' chart, established in 1988, acknowledged the enduring legacy of New Wave by featuring influenced artists and reflecting the genre's marketing as contemporary music.
The 'new wave of new wave' movement in the 1990s was a revival overtly influenced by the sounds of Britpop.
Answer: False
The 'new wave of new wave' (NWONW) movement in the 1990s was primarily influenced by punk and the original New Wave sounds, rather than being overtly influenced by Britpop, although Britpop itself drew from New Wave.
The 'indie sleaze' internet aesthetic drew inspiration from New Wave and post-punk through the electroclash and bloghouse scenes.
Answer: True
The 'indie sleaze' internet aesthetic, emerging in the 2000s, drew inspiration from New Wave and post-punk via the electroclash and bloghouse scenes, linking it to the broader New Wave lineage.
The 'egg punk' or 'devo-core' microgenre is characterized by its resemblance to the zany, lo-fi aspects of the New Wave band DEVO.
Answer: True
The 'egg punk' or 'devo-core' microgenre is recognized for its zany, lo-fi characteristics, drawing clear inspiration from the distinctive style of the New Wave band DEVO.
New Wave influences were adopted by artists like Prince, contributing to the development of the 'Minneapolis sound'.
Answer: True
New Wave influences were indeed integrated by artists such as Prince, contributing significantly to the development of the distinctive 'Minneapolis sound'.
Steve Graves argues that the 'indie spirit' of New Wave was irrelevant to the development of later rock genres like grunge.
Answer: False
Steve Graves argues that the 'indie spirit' of New Wave was crucial and relevant to the development of later rock genres, including college rock and alternative genres like grunge.
Neue Deutsche Welle (New German Wave) is unrelated to the broader New Wave movement.
Answer: False
Neue Deutsche Welle (New German Wave) is a related scene that emerged in Germany, drawing inspiration from and contributing to the broader New Wave movement.
The 'new wave of new wave' movement in the 1990s was a revival overtly influenced by the sounds of Britpop.
Answer: False
The 'new wave of new wave' (NWONW) movement in the 1990s was primarily influenced by punk and the original New Wave sounds, rather than being overtly influenced by Britpop.
By the 2000s, 'New Wave' was commonly seen as a specific subgenre focused solely on synth-pop.
Answer: False
By the 2000s, 'New Wave' was generally viewed as a broad umbrella term encompassing diverse styles, not solely focused on synth-pop, although synth-pop was a significant component.
New Wave influences were integrated into the 'Minneapolis sound' primarily by white rock musicians.
Answer: False
New Wave influences were integrated into the 'Minneapolis sound' significantly by artists like Prince, an African-American musician, demonstrating cross-cultural adoption.
The Smiths were seen by the music press as part of a move away from guitar-driven music, reacting against New Wave.
Answer: False
The Smiths were characterized by the music press as a return to guitar-driven music, reacting against the perceived excesses of 'New Pop' and the keyboard-heavy sound of New Romantics, while still echoing some of New Wave's jangle.
New Wave music had a longer and more sustained period of popularity in the UK than in the United States.
Answer: False
New Wave music maintained its influence for a longer duration in the United States, into the mid-1980s, compared to its relatively shorter and more intense period of popularity in the UK and Western Europe.
Paul Weller described New Wave as 'the pop music of the Seventies', implying it was outdated.
Answer: False
Paul Weller's description of New Wave as 'the pop music of the Seventies' implied it represented the contemporary, relevant pop music of its era, rather than suggesting it was outdated.
When did New Wave music reach its commercial peak?
Answer: Late 1970s and early 1980s
New Wave music achieved its commercial peak during the period spanning the late 1970s and extending into the early 1980s.
How did New Wave evolve in the US during the early 1980s?
Answer: It shed its association with punk and became a broader pop/rock category.
In the early 1980s US, New Wave evolved by shedding its direct punk associations and becoming a broader pop/rock category, often characterized by synthesizer use and distinct visual styles popularized by MTV.
What trends overshadowed New Wave in the mid-to-late 1980s?
Answer: The New Romantic movement (UK) and 'new music' (US).
In the mid-to-late 1980s, New Wave was overshadowed by the New Romantic movement in the UK and by emerging genres often termed 'new music' or 'new pop' in the US.
Which of the following is an example of an internet microgenre influenced by New Wave?
Answer: Chillwave
Chillwave is an example of an internet microgenre that draws influence from New Wave, often incorporating its electronic sounds and nostalgic aesthetics.
The 'Second British Invasion' in the 1980s was characterized by which musical style?
Answer: New Wave, synth-pop, and New Romanticism
The 'Second British Invasion' of the 1980s was primarily characterized by the sounds of New Wave, synth-pop, and the New Romantic movement, distinguishing it from earlier British musical waves.
Which director is strongly associated with featuring New Wave soundtracks in popular 1980s films?
Answer: John Hughes
Director John Hughes is strongly associated with prominently featuring New Wave and related British pop music in his influential 1980s films, such as 'The Breakfast Club' and 'Pretty in Pink'.
By the 2000s, how was the term 'New Wave' often viewed by critics?
Answer: As a marketing term for a diverse collection of styles.
By the 2000s, critics often viewed 'New Wave' as a broad marketing term encompassing diverse styles, sometimes leading to its dismissal as a narrowly defined genre.
How did the 'Second British Invasion' differ from the first?
Answer: It was characterized by New Wave and synth-pop sounds.
The 'Second British Invasion' differed from the first by being characterized by New Wave, synth-pop, and New Romantic sounds, rather than the blues and rock and roll focus of the 1960s wave.
What did the launch of Billboard's 'Modern Rock' chart in 1988 signify regarding New Wave?
Answer: The legacy of New Wave and its influence on contemporary music.
The launch of Billboard's 'Modern Rock' chart in 1988 signified the enduring legacy of New Wave, featuring influenced artists and echoing the genre's marketing as contemporary music.
The 'new wave of new wave' (NWONW) movement in the 1990s was primarily influenced by:
Answer: Punk and the original New Wave
The 'new wave of new wave' (NWONW) movement in the 1990s was primarily influenced by the sounds of punk and the original New Wave era.
Which microgenre, emerging from an internet meme, is noted for its zany, lo-fi aspects reminiscent of DEVO?
Answer: Egg punk / Devo-core
The 'egg punk' or 'devo-core' microgenre, originating from an internet meme, is characterized by its zany, lo-fi qualities that strongly resemble the style of the New Wave band DEVO.
Which artist is mentioned as incorporating New Wave influences into the 'Minneapolis sound'?
Answer: Prince
Prince is the artist mentioned as incorporating New Wave influences into his music, contributing significantly to the development of the 'Minneapolis sound'.
According to Steve Graves, what was the significance of New Wave's 'indie spirit'?
Answer: It was crucial for the development of college rock and later alternative genres.
Steve Graves posits that the 'indie spirit' inherent in New Wave was crucial for the evolution of college rock and subsequent alternative genres like grunge.
What does 'Neue Deutsche Welle' refer to in relation to New Wave?
Answer: A related scene from Germany that drew inspiration from New Wave.
'Neue Deutsche Welle' (New German Wave) refers to a related musical scene from Germany that was inspired by and contributed to the broader New Wave movement.
How did the music press characterize The Smiths in relation to New Wave and other contemporary genres?
Answer: As a return to guitar-driven music, reacting against 'New Pop' but echoing New Wave's jangle.
The music press characterized The Smiths as a return to guitar-driven music, reacting against 'New Pop' and New Romanticism, while still echoing some of New Wave's melodic jangle.
Compared to the UK and Western Europe, how long did New Wave music maintain its influence in the United States?
Answer: For a longer duration, into the mid-1980s.
New Wave music maintained its influence for a longer duration in the United States, extending into the mid-1980s, compared to its relatively shorter period of peak popularity in the UK and Western Europe.
What did Paul Weller imply by calling New Wave 'the pop music of the Seventies'?
Answer: That it represented the contemporary, relevant pop music of its era.
Paul Weller's description implied that New Wave represented the contemporary, relevant pop music of its time, characterized by catchy hooks and guitar riffs, distinguishing it from other genres.