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Sergei Diaghilev and the Ballets Russes: A Legacy in Modern Art

At a Glance

Title: Sergei Diaghilev and the Ballets Russes: A Legacy in Modern Art

Total Categories: 6

Category Stats

  • Early Life and Artistic Formation (1872-1906): 13 flashcards, 25 questions
  • Transition to International Impresario (1906-1908): 5 flashcards, 8 questions
  • The Ballets Russes: Founding and Early Triumphs (1909-1913): 8 flashcards, 16 questions
  • The Ballets Russes: Evolution and Later Years (1914-1929): 5 flashcards, 10 questions
  • Personal Life and Character: 7 flashcards, 12 questions
  • Legacy and Commemoration: 12 flashcards, 22 questions

Total Stats

  • Total Flashcards: 50
  • True/False Questions: 47
  • Multiple Choice Questions: 47
  • Total Questions: 94

Instructions

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Welcome to Your Curriculum Command Center

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The Core Concept: What is a "Kit"?

Think of a Kit as your all-in-one digital lesson plan. It's a single, portable file that contains every piece of content for a topic: your subject categories, a central image, all your flashcards, and all your questions. The true power of the Studio is speed—once a kit is made (or you import one), you are just minutes away from printing an entire set of coursework.

Getting Started is Simple:

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Step 1: Laying the Foundation (The Authoring Tools)

This is where you build the core knowledge of your Kit. Use the left-side navigation panel to switch between these powerful authoring modules.

⚙️ Kit Manager: Your Kit's Identity

This is the high-level control panel for your project.

  • Kit Name: Give your Kit a clear title. This will appear on all your printed materials.
  • Master Image: Upload a custom cover image for your Kit. This is essential for giving your content a professional visual identity, and it's used as the main graphic when you export your Kit as an interactive game.
  • Topics: Create the structure for your lesson. Add topics like "Chapter 1," "Vocabulary," or "Key Formulas." All flashcards and questions will be organized under these topics.

🃏 Flashcard Author: Building the Knowledge Blocks

Flashcards are the fundamental concepts of your Kit. Create them here to define terms, list facts, or pose simple questions.

  • Click "➕ Add New Flashcard" to open the editor.
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Create a bank of questions to test knowledge. These questions are the engine for your worksheets and exams.

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  • The Explanation field is a powerful tool: the text you enter here will automatically appear on the teacher's answer key and on the Smart Study Guide, providing instant feedback.

🔗 Intelligent Mapper: The Smart Connection

This is the secret sauce of the Studio. The Mapper transforms your content from a simple list into an interconnected web of knowledge, automating the creation of amazing study guides.

  • Step 1: Select a question from the list on the left.
  • Step 2: In the right panel, click on every flashcard that contains a concept required to answer that question. They will turn green, indicating a successful link.
  • The Payoff: When you generate a Smart Study Guide, these linked flashcards will automatically appear under each question as "Related Concepts."

Step 2: The Magic (The Generator Suite)

You've built your content. Now, with a few clicks, turn it into a full suite of professional, ready-to-use materials. What used to take hours of formatting and copying-and-pasting can now be done in seconds.

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Instantly create the ultimate review document. It combines your questions, the correct answers, your detailed explanations, and all the "Related Concepts" you linked in the Mapper into one cohesive, printable guide.

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Step 3: Saving and Collaborating

  • 💾 Export & Save Kit: This is your primary save function. It downloads the entire Kit (content, images, and all) to your computer as a single .json file. Use this to create permanent backups and share your work with others.
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Study Guide: Sergei Diaghilev and the Ballets Russes: A Legacy in Modern Art

Study Guide: Sergei Diaghilev and the Ballets Russes: A Legacy in Modern Art

Early Life and Artistic Formation (1872-1906)

Diaghilev's mother, Elena Panaeva, lovingly raised him after his birth in Selishchi.

Answer: False

The source indicates that Elena Panaeva was Sergei Diaghilev's stepmother, who lovingly raised him after his biological mother died shortly after his birth.

Related Concepts:

  • Where was Sergei Diaghilev born, and what were the circumstances of his early family life?: Sergei Diaghilev was born in Selishchi, Novgorod Governorate, Russian Empire. His biological mother died from childbed fever shortly after his birth. In 1873, his father, Pavel Diaghilev, married Elena Panaeva, who lovingly raised Sergei as her own child.

The Diaghilev family home in Perm was primarily known for its extensive library, which fostered Sergei's early literary interests.

Answer: False

The Diaghilev family home in Perm was known for hosting musical evenings, which fostered Sergei's early musical talent, not primarily for a library or literary interests.

Related Concepts:

  • How did the cultural environment of the Diaghilev household in Perm influence Sergei's early development?: The Diaghilev family home in Perm was a significant local cultural center, where they hosted musical evenings every second Thursday. This environment exposed Sergei to prominent figures like Modest Mussorgsky and fostered his early musical talent, leading him to compose his first romance at the age of 15.

Sergei Diaghilev completed his university degree in the standard four years while also receiving private music lessons from Nikolai Rimsky-Korsakov.

Answer: False

Sergei Diaghilev took six years to graduate from Saint Petersburg Imperial University, not the standard four, although he did receive private music lessons from Nikolai Rimsky-Korsakov during this time.

Related Concepts:

  • What was Sergei Diaghilev's academic and early musical education like?: Sergei Diaghilev attended Saint Petersburg Imperial University, taking six years to graduate instead of the usual four, as he used this time to explore his interests. During this period, he also received private music lessons from the renowned composer Nikolai Rimsky-Korsakov.

Alexandre Benois was instrumental in helping Diaghilev develop a deep understanding of Russian and Western art within 'The Nevsky Pickwickians' group.

Answer: True

The source confirms that Alexandre Benois played a key role in helping Diaghilev develop his understanding of art within 'The Nevsky Pickwickians' group.

Related Concepts:

  • Who were 'The Nevsky Pickwickians,' and how did they influence Diaghilev's artistic knowledge?: 'The Nevsky Pickwickians' was a group of art-loving friends, including Diaghilev's cousin Dmitry Filosofov, Alexandre Benois, Walter Nouvel, Konstantin Somov, and Léon Bakst, whom Diaghilev joined during his university years. Alexandre Benois particularly helped Diaghilev develop a deep understanding of Russian and Western art, quickly establishing him as a respected connoisseur within the group.

Diaghilev's early art exhibitions in the late 1890s focused exclusively on showcasing young Russian painters in Germany.

Answer: False

Diaghilev's early exhibitions included British and German watercolorists, Russian and Finnish artists, and young Russian painters in Germany, indicating a broader focus than exclusively young Russian painters in Germany.

Related Concepts:

  • What were some of Diaghilev's initial successes in organizing art exhibitions in the late 1890s?: In the late 1890s, Diaghilev successfully organized several art exhibitions, including a 1897 exposition of British and German watercolorists at the Imperial Society for the Encouragement of the Arts, and a 1898 exhibition of Russian and Finnish artists, such as Mikhail Vrubel, Valentin Serov, and Isaac Levitan, at the Stieglitz Academy. He also presented an exhibition of young Russian painters in Germany.

Sergei Diaghilev secured high-level patronage for his artistic endeavors primarily through his inherited family wealth.

Answer: False

The source explicitly states that Sergei Diaghilev did not have a private fortune and instead secured patronage from influential nobility.

Related Concepts:

  • How did Sergei Diaghilev manage to secure high-level patronage for his artistic endeavors despite lacking personal wealth?: Despite not having a private fortune, Sergei Diaghilev skillfully gained the protection and support of influential nobility, including Grand Duke Vladimir Alexandrovich and later Emperor Nicholas II, which was crucial for funding his ambitious art projects and exhibitions.

'Mir iskusstva' was an art society and journal co-founded by Diaghilev and Léon Bakst in 1898.

Answer: False

The 'Mir iskusstva' society and journal was co-founded by Diaghilev and Alexandre Benois, not Léon Bakst.

Related Concepts:

  • What was the 'Mir iskusstva' society and journal, and who were its co-founders and key members?: 'Mir iskusstva' (World of Art) was an art society and journal co-founded by Diaghilev and Alexandre Benois in 1898. Key members included Konstantin Somov, Dmitry Filosofov, Léon Bakst, and Eugene Lansere. The journal, supported by Savva Mamontov and Princess Maria Tenisheva, aimed to promote modern art.

As art director of 'Mir iskusstva,' Diaghilev was responsible for the publication's style and design, and he also wrote critical essays.

Answer: True

The source confirms that Diaghilev, as art director, shaped the style and design of 'Mir iskusstva' and contributed critical essays.

Related Concepts:

  • What specific roles and contributions did Diaghilev make to the 'Mir iskusstva' journal?: As the art director of 'Mir iskusstva,' Diaghilev was responsible for shaping the publication's style and design. He also wrote critical essays and, in 1904, published a monograph on Dmitry Levitzky, although Alexandre Benois noted his lesser interest in philosophy and literature compared to other members.

Diaghilev's 1905 exhibition of 'Russian portraits' was innovative because he personally acquired all 4,000 artworks and displayed them without any accompanying notes.

Answer: False

Diaghilev's 1905 exhibition was innovative for its design and the inclusion of notes and a catalog, not for displaying artworks without notes. He also compiled a catalog of 2,300 pieces, not necessarily acquiring all 4,000.

Related Concepts:

  • Describe the innovative aspects and success of Diaghilev's 1905 exhibition of 'Russian portraits of the 18th and 19th centuries.': On March 6, 1905, Diaghilev opened an exhibition at the Tauride Palace featuring over 4,000 portraits collected from 450 owners. Diaghilev personally acquired the artworks and compiled a catalog of 2,300 pieces, while Alexandre Benois designed the innovative exposition. The paintings were grouped, accompanied by notes, and displayed in differently decorated interiors to enhance their meaning and impact, leading to enormous success and elevating Diaghilev's status in the art and society elite.

Diaghilev transformed his role at the Imperial Theaters into an active one, becoming editor-in-chief of the Annual of the Imperial Theaters and reforming it into a luxurious magazine.

Answer: True

The source confirms that Diaghilev transformed his role at the Imperial Theaters by actively reforming the Annual into a luxurious magazine.

Related Concepts:

  • What role did Diaghilev assume at the Imperial Theaters in 1899, and how did he transform it?: In 1899, Prince Serge Wolkonsky appointed Diaghilev as an officer on special duty at the Imperial Theaters. Diaghilev transformed this typically nominal position into an active role, becoming editor-in-chief of the Annual of the Imperial Theaters. He reformed it into a luxurious, full-scale magazine featuring critical essays, playbills, articles about artists, and numerous pictures, even changing the paper quality and inviting his 'Mir iskusstva' colleagues to contribute.

Diaghilev's dismissal from the Imperial Theaters in 1901 was primarily due to his refusal to stage Léo Delibes' ballet 'Sylvia.'

Answer: False

Diaghilev's dismissal was due to conflicts over his elaborate production plans for 'Sylvia' and his subsequent refusal to continue editing the Annual of the Imperial Theaters, not simply a refusal to stage the ballet.

Related Concepts:

  • What incident led to Diaghilev's dismissal from the Imperial Theaters in 1901?: Diaghilev's dismissal from the Imperial Theaters in 1901 stemmed from conflicts over his elaborate production plans for Léo Delibes' ballet 'Sylvia,' which he was entrusted to stage in 1900 with Alexandre Benois. These plans clashed with the established personnel, leading to increasing antagonism. After refusing to continue editing the Annual of the Imperial Theaters, he was discharged by Prince Wolkonsky, an event that also led to Wolkonsky's own firing.

In East Slavic naming customs, 'Pavlovich' in Sergei Pavlovich Diaghilev's name signifies his family lineage, similar to a surname.

Answer: False

In East Slavic naming customs, 'Pavlovich' is a patronymic, indicating he is the son of Pavel, not signifying his family lineage similar to a surname.

Related Concepts:

  • What is the significance of Diaghilev's full name, Sergei Pavlovich Diaghilev, in East Slavic naming customs?: In East Slavic naming customs, as seen in Sergei Pavlovich Diaghilev's full name, 'Pavlovich' is the patronymic, indicating he is the son of Pavel, and 'Diaghilev' is the family name. He was also commonly known by the shorter form, Serge Diaghilev.

Sergei Diaghilev's career is divided into two main periods. Which years define his early years spent in Saint Petersburg?

Answer: 1898 to 1906

Related Concepts:

  • Into what two main periods can Sergei Diaghilev's career be divided?: Sergei Diaghilev's career is divided into two distinct periods: his early years spent in Saint Petersburg, which spanned from 1898 to 1906, and his later career as an emigrant, which lasted from 1906 until his death in 1929.

Where was Sergei Diaghilev born?

Answer: Selishchi, Novgorod Governorate

Related Concepts:

  • Where was Sergei Diaghilev born, and what were the circumstances of his early family life?: Sergei Diaghilev was born in Selishchi, Novgorod Governorate, Russian Empire. His biological mother died from childbed fever shortly after his birth. In 1873, his father, Pavel Diaghilev, married Elena Panaeva, who lovingly raised Sergei as her own child.

What significant cultural activity did the Diaghilev family home in Perm host that influenced Sergei's early development?

Answer: Musical evenings every second Thursday

Related Concepts:

  • How did the cultural environment of the Diaghilev household in Perm influence Sergei's early development?: The Diaghilev family home in Perm was a significant local cultural center, where they hosted musical evenings every second Thursday. This environment exposed Sergei to prominent figures like Modest Mussorgsky and fostered his early musical talent, leading him to compose his first romance at the age of 15.

Who provided Sergei Diaghilev with private music lessons during his university years?

Answer: Nikolai Rimsky-Korsakov

Related Concepts:

  • What was Sergei Diaghilev's academic and early musical education like?: Sergei Diaghilev attended Saint Petersburg Imperial University, taking six years to graduate instead of the usual four, as he used this time to explore his interests. During this period, he also received private music lessons from the renowned composer Nikolai Rimsky-Korsakov.

Which member of 'The Nevsky Pickwickians' group particularly helped Diaghilev develop a deep understanding of Russian and Western art?

Answer: Alexandre Benois

Related Concepts:

  • Who were 'The Nevsky Pickwickians,' and how did they influence Diaghilev's artistic knowledge?: 'The Nevsky Pickwickians' was a group of art-loving friends, including Diaghilev's cousin Dmitry Filosofov, Alexandre Benois, Walter Nouvel, Konstantin Somov, and Léon Bakst, whom Diaghilev joined during his university years. Alexandre Benois particularly helped Diaghilev develop a deep understanding of Russian and Western art, quickly establishing him as a respected connoisseur within the group.

Which of the following was NOT one of Diaghilev's initial successes in organizing art exhibitions in the late 1890s?

Answer: A retrospective of French Impressionist painters

Related Concepts:

  • What were some of Diaghilev's initial successes in organizing art exhibitions in the late 1890s?: In the late 1890s, Diaghilev successfully organized several art exhibitions, including a 1897 exposition of British and German watercolorists at the Imperial Society for the Encouragement of the Arts, and a 1898 exhibition of Russian and Finnish artists, such as Mikhail Vrubel, Valentin Serov, and Isaac Levitan, at the Stieglitz Academy. He also presented an exhibition of young Russian painters in Germany.

How did Sergei Diaghilev primarily secure funding for his ambitious art projects despite lacking personal wealth?

Answer: By gaining the protection and support of influential nobility

Related Concepts:

  • How did Sergei Diaghilev manage to secure high-level patronage for his artistic endeavors despite lacking personal wealth?: Despite not having a private fortune, Sergei Diaghilev skillfully gained the protection and support of influential nobility, including Grand Duke Vladimir Alexandrovich and later Emperor Nicholas II, which was crucial for funding his ambitious art projects and exhibitions.

Who co-founded the 'Mir iskusstva' (World of Art) society and journal with Diaghilev in 1898?

Answer: Alexandre Benois

Related Concepts:

  • What was the 'Mir iskusstva' society and journal, and who were its co-founders and key members?: 'Mir iskusstva' (World of Art) was an art society and journal co-founded by Diaghilev and Alexandre Benois in 1898. Key members included Konstantin Somov, Dmitry Filosofov, Léon Bakst, and Eugene Lansere. The journal, supported by Savva Mamontov and Princess Maria Tenisheva, aimed to promote modern art.

What was one of Diaghilev's specific contributions to the 'Mir iskusstva' journal?

Answer: He was responsible for shaping the publication's style and design.

Related Concepts:

  • What specific roles and contributions did Diaghilev make to the 'Mir iskusstva' journal?: As the art director of 'Mir iskusstva,' Diaghilev was responsible for shaping the publication's style and design. He also wrote critical essays and, in 1904, published a monograph on Dmitry Levitzky, although Alexandre Benois noted his lesser interest in philosophy and literature compared to other members.

What innovative aspect characterized Diaghilev's 1905 exhibition of 'Russian portraits of the 18th and 19th centuries'?

Answer: Paintings were grouped, accompanied by notes, and displayed in differently decorated interiors.

Related Concepts:

  • Describe the innovative aspects and success of Diaghilev's 1905 exhibition of 'Russian portraits of the 18th and 19th centuries.': On March 6, 1905, Diaghilev opened an exhibition at the Tauride Palace featuring over 4,000 portraits collected from 450 owners. Diaghilev personally acquired the artworks and compiled a catalog of 2,300 pieces, while Alexandre Benois designed the innovative exposition. The paintings were grouped, accompanied by notes, and displayed in differently decorated interiors to enhance their meaning and impact, leading to enormous success and elevating Diaghilev's status in the art and society elite.

What was Diaghilev's primary action upon being appointed an officer on special duty at the Imperial Theaters in 1899?

Answer: He reformed the Annual of the Imperial Theaters into a luxurious magazine.

Related Concepts:

  • What role did Diaghilev assume at the Imperial Theaters in 1899, and how did he transform it?: In 1899, Prince Serge Wolkonsky appointed Diaghilev as an officer on special duty at the Imperial Theaters. Diaghilev transformed this typically nominal position into an active role, becoming editor-in-chief of the Annual of the Imperial Theaters. He reformed it into a luxurious, full-scale magazine featuring critical essays, playbills, articles about artists, and numerous pictures, even changing the paper quality and inviting his 'Mir iskusstva' colleagues to contribute.

What was the main reason for Diaghilev's dismissal from the Imperial Theaters in 1901?

Answer: His refusal to continue editing the Annual of the Imperial Theaters after conflicts over ballet production plans.

Related Concepts:

  • What incident led to Diaghilev's dismissal from the Imperial Theaters in 1901?: Diaghilev's dismissal from the Imperial Theaters in 1901 stemmed from conflicts over his elaborate production plans for Léo Delibes' ballet 'Sylvia,' which he was entrusted to stage in 1900 with Alexandre Benois. These plans clashed with the established personnel, leading to increasing antagonism. After refusing to continue editing the Annual of the Imperial Theaters, he was discharged by Prince Wolkonsky, an event that also led to Wolkonsky's own firing.

What is the significance of 'Pavlovich' in Sergei Pavlovich Diaghilev's full name according to East Slavic naming customs?

Answer: It indicates he is the son of Pavel.

Related Concepts:

  • What is the significance of Diaghilev's full name, Sergei Pavlovich Diaghilev, in East Slavic naming customs?: In East Slavic naming customs, as seen in Sergei Pavlovich Diaghilev's full name, 'Pavlovich' is the patronymic, indicating he is the son of Pavel, and 'Diaghilev' is the family name. He was also commonly known by the shorter form, Serge Diaghilev.

Transition to International Impresario (1906-1908)

The 1906 'Two Centuries of the Russian art and Sculpture' exhibition in Paris was designed by Alexandre Benois and featured only modern Russian artists.

Answer: False

The 1906 Paris exhibition was designed by Léon Bakst and showcased a broad range of Russian art, from modern artists to ancient icons, not exclusively modern artists.

Related Concepts:

  • How did Diaghilev's 1906 exhibition at the Salon d'Automne contribute to promoting Russian art abroad?: In 1906, Diaghilev organized the 'Two Centuries of the Russian art and Sculpture' exhibition at the Salon d'Automne in Paris, showcasing 750 works from 103 authors, from modern artists to ancient icons. Designed by Léon Bakst and occupying 12 rooms in the Grand Palais, this exhibition was a huge success, significantly contributing to the future triumph of the Ballets Russes and fostering a 'fashion à la russe' in France.

Sergei Diaghilev accepted the Legion of Honour award in 1906 for his successful exhibition in Paris.

Answer: False

Sergei Diaghilev declined the Legion of Honour award for himself in 1906, choosing to accept it in honor of Léon Bakst.

Related Concepts:

  • Why did Sergei Diaghilev decline the Legion of Honour award in 1906?: Sergei Diaghilev was offered the Legion of Honour award in recognition of the immense success of his 1906 Russian art exhibition in Paris. However, he refused the prestigious honor, choosing instead to accept it in honor of Léon Bakst, who had designed the exhibition.

The 'Concerts historiques russes' in 1907 were organized by Diaghilev to introduce Russian music to major cultural capitals like Paris, following the success of his 1906 art exhibition.

Answer: True

The source confirms that Diaghilev organized the 'Concerts historiques russes' in 1907, motivated by the success of his 1906 art exhibition, to promote Russian music internationally.

Related Concepts:

  • What motivated Diaghilev to organize the 'Concerts historiques russes' in Paris in 1907?: The significant success of his 1906 art exhibition in Paris inspired Diaghilev to further promote Russian culture internationally. This led him to organize the 'Concerts historiques russes' in 1907, aiming to introduce Russian music to major cultural capitals like Paris.

Despite artistic success, Diaghilev's initial international music and opera productions, such as 'Boris Godunov,' were financially profitable.

Answer: False

The source explicitly states that Diaghilev's initial international music and opera productions, including 'Boris Godunov,' were financially unprofitable despite their artistic success.

Related Concepts:

  • What was the financial outcome of Diaghilev's initial international music and opera tours?: Despite the overwhelming artistic sensation and success of the 'Concerts historiques russes' in 1907 and the 'Boris Godunov' production in 1908, both ventures were financially unprofitable. The 'Boris Godunov' tour, for example, resulted in a loss of 85,000 francs.

What was a significant outcome of Diaghilev's 1906 exhibition at the Salon d'Automne in Paris?

Answer: It fostered a 'fashion à la russe' in France and contributed to the future triumph of the Ballets Russes.

Related Concepts:

  • How did Diaghilev's 1906 exhibition at the Salon d'Automne contribute to promoting Russian art abroad?: In 1906, Diaghilev organized the 'Two Centuries of the Russian art and Sculpture' exhibition at the Salon d'Automne in Paris, showcasing 750 works from 103 authors, from modern artists to ancient icons. Designed by Léon Bakst and occupying 12 rooms in the Grand Palais, this exhibition was a huge success, significantly contributing to the future triumph of the Ballets Russes and fostering a 'fashion à la russe' in France.

Why did Sergei Diaghilev decline the Legion of Honour award in 1906?

Answer: He chose to accept it in honor of Léon Bakst

Related Concepts:

  • Why did Sergei Diaghilev decline the Legion of Honour award in 1906?: Sergei Diaghilev was offered the Legion of Honour award in recognition of the immense success of his 1906 Russian art exhibition in Paris. However, he refused the prestigious honor, choosing instead to accept it in honor of Léon Bakst, who had designed the exhibition.

What inspired Diaghilev to organize the 'Concerts historiques russes' in Paris in 1907?

Answer: The significant success of his 1906 art exhibition in Paris.

Related Concepts:

  • What motivated Diaghilev to organize the 'Concerts historiques russes' in Paris in 1907?: The significant success of his 1906 art exhibition in Paris inspired Diaghilev to further promote Russian culture internationally. This led him to organize the 'Concerts historiques russes' in 1907, aiming to introduce Russian music to major cultural capitals like Paris.

What was the financial outcome of Diaghilev's initial international music and opera tours, such as the 'Concerts historiques russes' and 'Boris Godunov'?

Answer: They were financially unprofitable despite artistic success.

Related Concepts:

  • What was the financial outcome of Diaghilev's initial international music and opera tours?: Despite the overwhelming artistic sensation and success of the 'Concerts historiques russes' in 1907 and the 'Boris Godunov' production in 1908, both ventures were financially unprofitable. The 'Boris Godunov' tour, for example, resulted in a loss of 85,000 francs.

The Ballets Russes: Founding and Early Triumphs (1909-1913)

Misia Sert provided crucial financial assistance to Diaghilev, enabling the Ballets Russes to rent the prestigious Palais Garnier for its first season in 1909.

Answer: False

Misia Sert provided crucial financial assistance, but it enabled the Ballets Russes to rent the Théâtre du Châtelet, which was a less prestigious venue than the Palais Garnier, for its first season.

Related Concepts:

  • What challenges did Diaghilev overcome to establish the Ballets Russes in 1909?: By 1909, Diaghilev faced significant challenges, including a strained relationship with Mathilde Kschessinska and the Russian state treasury's refusal to fund future tours. His friend Misia Sert provided crucial assistance, enabling the company to rent the Théâtre du Châtelet in Paris, a less prestigious venue than the Palais Garnier, to launch the first ballet season.

Diaghilev initially held a high regard for ballet, believing it required significant intellectual engagement from the audience.

Answer: False

Diaghilev initially held a dismissive view of ballet, stating that 'anyone with no special wit can enjoy it, there is no sense or subject in ballet,' indicating a low regard for its intellectual demands.

Related Concepts:

  • What was Diaghilev's initial, somewhat dismissive, view of ballet?: Diaghilev initially held a skeptical view of ballet, stating that 'anyone with no special wit can enjoy it, there is no sense or subject in ballet.' Serge Lifar also recalled that Diaghilev referred to corps-de-ballet dancers as 'a herd of cattle' even late in his career.

The inaugural 1909 Saison Russe featured only ballets, with no opera productions included.

Answer: False

The inaugural 1909 Saison Russe included both ballets and operas, such as 'Boris Godunov' and 'The Maid of Pskov,' not only ballets.

Related Concepts:

  • Which ballets and operas were presented during the highly successful first Saison Russe in 1909?: The inaugural 1909 Saison Russe included ballets such as 'Le Pavillon d'Armide,' 'Polovtsian Dances,' 'Nuit d’Egypte,' and 'Les Sylphides.' It also featured operas like 'Boris Godunov,' 'The Maid of Pskov,' and the first part of 'Ruslan and Lyudmila,' with ballets performed after the second intermission.

Vaslav Nijinsky, Anna Pavlova, and Tamara Karsavina were among the leading dancers who achieved international stardom during the first Ballets Russes season.

Answer: True

The source identifies Vaslav Nijinsky, Anna Pavlova, and Tamara Karsavina as leading dancers who achieved international stardom during the first Ballets Russes season.

Related Concepts:

  • Name some of the leading dancers who became international stars during the first Ballets Russes season.: During the first Ballets Russes season in 1909, several dancers achieved immediate international stardom, including Vaslav Nijinsky, Anna Pavlova, Tamara Karsavina, Ida Rubinstein, and Mikhail Mordkin.

Diaghilev's innovative approach with the Ballets Russes was to focus solely on the dance itself, minimizing the importance of music and visual arts.

Answer: False

Diaghilev's innovative approach was to synthesize dance, music, and visual arts into a unified performance, not to minimize the importance of music and visual arts.

Related Concepts:

  • What was Diaghilev's innovative approach to performance that defined the Ballets Russes?: Diaghilev's innovation was to synthesize dance, music, and visual arts, including elaborate set decorations and costumes, into a single, unified performance. This approach aimed to create a comprehensive theatrical experience that appealed to a broad audience, not just the aristocracy.

Diaghilev's balletic adaptation of Rimsky-Korsakov's 'Sheherazade' in 1910 was widely praised by the composer's family.

Answer: False

Diaghilev's balletic adaptation of Rimsky-Korsakov's 'Sheherazade' drew strong criticism from the composer's widow, Nadezhda Rimskaya-Korsakova, who published open letters of protest.

Related Concepts:

  • How did Diaghilev's adaptations of Nikolai Rimsky-Korsakov's music sometimes lead to controversy?: Diaghilev staged several of Rimsky-Korsakov's compositions, including operas like 'The Maid of Pskov' and 'The Golden Cockerel.' However, his balletic adaptation of the orchestral suite 'Sheherazade' in 1910 drew strong criticism from the composer's widow, Nadezhda Rimskaya-Korsakova, who published open letters of protest.

Léonide Massine served as the primary artistic director for the Ballets Russes, working closely with Diaghilev.

Answer: False

Léon Bakst served as the artistic director for the Ballets Russes, while Léonide Massine was a key choreographer.

Related Concepts:

  • Who were the key artistic collaborators, including choreographers and artistic directors, for the Ballets Russes under Diaghilev?: Key artistic collaborators for the Ballets Russes included choreographers Michel Fokine, who often adapted music for ballet, and Léonide Massine. Léon Bakst served as the artistic director, working closely with Diaghilev to develop the company's distinctive and publicly appealing ballet style.

Igor Stravinsky's first commission from Diaghilev was for his original ballet score, 'The Rite of Spring,' in 1913.

Answer: False

Igor Stravinsky's first original ballet score commissioned by Diaghilev was 'The Firebird' in 1910, not 'The Rite of Spring' in 1913.

Related Concepts:

  • Describe the extent of Igor Stravinsky's collaboration with Sergei Diaghilev.: Igor Stravinsky was arguably Diaghilev's most significant composer-collaborator. After being impressed by Stravinsky's early orchestral works, Diaghilev first commissioned him to arrange Chopin pieces, then his first original ballet score, 'The Firebird,' in 1910. This successful partnership continued with 'Petrushka' (1911), 'The Rite of Spring' (1913), 'Les noces' (1923), and 'Pulcinella' (1920), with Pablo Picasso designing costumes and sets for the latter.

Who provided crucial assistance to Diaghilev, enabling the Ballets Russes to rent the Théâtre du Châtelet for its first ballet season in 1909?

Answer: Misia Sert

Related Concepts:

  • What challenges did Diaghilev overcome to establish the Ballets Russes in 1909?: By 1909, Diaghilev faced significant challenges, including a strained relationship with Mathilde Kschessinska and the Russian state treasury's refusal to fund future tours. His friend Misia Sert provided crucial assistance, enabling the company to rent the Théâtre du Châtelet in Paris, a less prestigious venue than the Palais Garnier, to launch the first ballet season.

What was Diaghilev's initial, somewhat dismissive, view of ballet?

Answer: He stated that 'anyone with no special wit can enjoy it, there is no sense or subject in ballet.'

Related Concepts:

  • What was Diaghilev's initial, somewhat dismissive, view of ballet?: Diaghilev initially held a skeptical view of ballet, stating that 'anyone with no special wit can enjoy it, there is no sense or subject in ballet.' Serge Lifar also recalled that Diaghilev referred to corps-de-ballet dancers as 'a herd of cattle' even late in his career.

Which of the following ballets was NOT part of the inaugural 1909 Saison Russe?

Answer: The Firebird

Related Concepts:

  • Which ballets and operas were presented during the highly successful first Saison Russe in 1909?: The inaugural 1909 Saison Russe included ballets such as 'Le Pavillon d'Armide,' 'Polovtsian Dances,' 'Nuit d’Egypte,' and 'Les Sylphides.' It also featured operas like 'Boris Godunov,' 'The Maid of Pskov,' and the first part of 'Ruslan and Lyudmila,' with ballets performed after the second intermission.

Which of these dancers achieved immediate international stardom during the first Ballets Russes season in 1909?

Answer: Vaslav Nijinsky

Related Concepts:

  • Name some of the leading dancers who became international stars during the first Ballets Russes season.: During the first Ballets Russes season in 1909, several dancers achieved immediate international stardom, including Vaslav Nijinsky, Anna Pavlova, Tamara Karsavina, Ida Rubinstein, and Mikhail Mordkin.

What was Diaghilev's innovative approach that defined the Ballets Russes?

Answer: Synthesizing dance, music, and visual arts into a single, unified performance.

Related Concepts:

  • What was Diaghilev's innovative approach to performance that defined the Ballets Russes?: Diaghilev's innovation was to synthesize dance, music, and visual arts, including elaborate set decorations and costumes, into a single, unified performance. This approach aimed to create a comprehensive theatrical experience that appealed to a broad audience, not just the aristocracy.

Diaghilev's balletic adaptation of which Nikolai Rimsky-Korsakov orchestral suite drew strong criticism from the composer's widow?

Answer: Scheherazade

Related Concepts:

  • How did Diaghilev's adaptations of Nikolai Rimsky-Korsakov's music sometimes lead to controversy?: Diaghilev staged several of Rimsky-Korsakov's compositions, including operas like 'The Maid of Pskov' and 'The Golden Cockerel.' However, his balletic adaptation of the orchestral suite 'Sheherazade' in 1910 drew strong criticism from the composer's widow, Nadezhda Rimskaya-Korsakova, who published open letters of protest.

Who served as the artistic director for the Ballets Russes under Diaghilev?

Answer: Léon Bakst

Related Concepts:

  • Who were the key artistic collaborators, including choreographers and artistic directors, for the Ballets Russes under Diaghilev?: Key artistic collaborators for the Ballets Russes included choreographers Michel Fokine, who often adapted music for ballet, and Léonide Massine. Léon Bakst served as the artistic director, working closely with Diaghilev to develop the company's distinctive and publicly appealing ballet style.

Which of Igor Stravinsky's ballets was his first original score commissioned by Diaghilev?

Answer: The Firebird

Related Concepts:

  • Describe the extent of Igor Stravinsky's collaboration with Sergei Diaghilev.: Igor Stravinsky was arguably Diaghilev's most significant composer-collaborator. After being impressed by Stravinsky's early orchestral works, Diaghilev first commissioned him to arrange Chopin pieces, then his first original ballet score, 'The Firebird,' in 1910. This successful partnership continued with 'Petrushka' (1911), 'The Rite of Spring' (1913), 'Les noces' (1923), and 'Pulcinella' (1920), with Pablo Picasso designing costumes and sets for the latter.

The Ballets Russes: Evolution and Later Years (1914-1929)

Sergei Prokofiev and Claude Debussy were among the distinguished composers commissioned by Diaghilev to create original ballet music.

Answer: True

The source lists Sergei Prokofiev and Claude Debussy among the distinguished composers commissioned by Diaghilev for original ballet music.

Related Concepts:

  • Which notable composers did Diaghilev commission to create original ballet music for the Ballets Russes?: Diaghilev commissioned ballet music from a wide range of distinguished composers, including Nikolai Tcherepnin, Claude Debussy, Maurice Ravel, Erik Satie, Manuel de Falla, Richard Strauss, Sergei Prokofiev, Ottorino Respighi, and Francis Poulenc.

Diaghilev's 1921 London production of Tchaikovsky's 'The Sleeping Beauty' was a financial success, despite being less acclaimed by the public.

Answer: False

Diaghilev's 1921 production of 'The Sleeping Beauty' was a significant financial disaster, despite receiving public acclaim.

Related Concepts:

  • What was the outcome of Diaghilev's lavish 1921 London production of Tchaikovsky's 'The Sleeping Beauty'?: Diaghilev's 1921 London staging of Tchaikovsky's 'The Sleeping Beauty' was a production of remarkable magnificence in both settings and costumes, featuring legendary ballerinas Olga Spessivtseva and Lubov Egorova. Despite public acclaim, it proved to be a significant financial disaster for Diaghilev and the theatre owner, Oswald Stoll. Diaghilev notably insisted on calling it 'The Sleeping Princess,' quipping, 'Because I have no beauties!'

In its later years, the Ballets Russes' productions were often considered too 'intellectual' and 'stylish,' leading to less widespread success than earlier seasons.

Answer: True

The source indicates that in its later years, Ballets Russes productions were perceived as too 'intellectual' and 'stylish,' resulting in less widespread success compared to earlier seasons.

Related Concepts:

  • How did critical perceptions of the Ballets Russes change in its later years?: In its later years, the Ballets Russes' productions were often considered too 'intellectual' and 'stylish,' and they rarely achieved the same widespread, unconditional success as the earlier seasons. However, this period was also significant for the emergence of younger choreographers like George Balanchine, who found their stride with the company.

Diaghilev pioneered the adaptation of new musical styles in modern ballet, moving towards greater freedom in tonality, harmony, rhythm, and meter.

Answer: True

The source highlights Diaghilev's pioneering role in adapting new musical styles for modern ballet, embracing greater freedom in musical elements.

Related Concepts:

  • How did Sergei Diaghilev pioneer the adaptation of new musical styles in modern ballet?: Diaghilev was a pioneer in adapting new musical styles to modern ballet, embracing developments in tonality, harmony, rhythm, and meter that moved towards greater freedom. Until then, rigid harmonic schemes had kept rhythmic patterns relatively simple, but Diaghilev's approach allowed for more complex and unpredictable rhythms, liberating the art form.

To maintain rhythm in Ravel's 'Daphnis and Chloe,' Ballets Russes dancers would count out the 5/4 time signature aloud.

Answer: False

To maintain rhythm in Ravel's 'Daphnis and Chloe,' Ballets Russes dancers would sing 'Ser-gei-dia-ghi-lev' during rehearsals, rather than simply counting aloud.

Related Concepts:

  • What unique method did Ballets Russes dancers use to keep rhythm in Ravel's 'Daphnis and Chloe'?: When Maurice Ravel incorporated a 5/4 time signature in the final section of his 1912 ballet 'Daphnis and Chloe,' the dancers of the Ballets Russes would sing 'Ser-gei-dia-ghi-lev' during rehearsals to help them maintain the challenging and correct rhythm.

Which of the following composers was NOT commissioned by Diaghilev to create original ballet music for the Ballets Russes?

Answer: Ludwig van Beethoven

Related Concepts:

  • Which notable composers did Diaghilev commission to create original ballet music for the Ballets Russes?: Diaghilev commissioned ballet music from a wide range of distinguished composers, including Nikolai Tcherepnin, Claude Debussy, Maurice Ravel, Erik Satie, Manuel de Falla, Richard Strauss, Sergei Prokofiev, Ottorino Respighi, and Francis Poulenc.

What was the financial outcome of Diaghilev's lavish 1921 London production of Tchaikovsky's 'The Sleeping Beauty'?

Answer: It was a significant financial disaster.

Related Concepts:

  • What was the outcome of Diaghilev's lavish 1921 London production of Tchaikovsky's 'The Sleeping Beauty'?: Diaghilev's 1921 London staging of Tchaikovsky's 'The Sleeping Beauty' was a production of remarkable magnificence in both settings and costumes, featuring legendary ballerinas Olga Spessivtseva and Lubov Egorova. Despite public acclaim, it proved to be a significant financial disaster for Diaghilev and the theatre owner, Oswald Stoll. Diaghilev notably insisted on calling it 'The Sleeping Princess,' quipping, 'Because I have no beauties!'

How were the Ballets Russes' productions often perceived in its later years compared to earlier seasons?

Answer: They were considered too 'intellectual' and 'stylish,' achieving less widespread success.

Related Concepts:

  • How did critical perceptions of the Ballets Russes change in its later years?: In its later years, the Ballets Russes' productions were often considered too 'intellectual' and 'stylish,' and they rarely achieved the same widespread, unconditional success as the earlier seasons. However, this period was also significant for the emergence of younger choreographers like George Balanchine, who found their stride with the company.

What was a key aspect of Diaghilev's pioneering work in adapting new musical styles to modern ballet?

Answer: He embraced developments in tonality, harmony, rhythm, and meter towards greater freedom.

Related Concepts:

  • How did Sergei Diaghilev pioneer the adaptation of new musical styles in modern ballet?: Diaghilev was a pioneer in adapting new musical styles to modern ballet, embracing developments in tonality, harmony, rhythm, and meter that moved towards greater freedom. Until then, rigid harmonic schemes had kept rhythmic patterns relatively simple, but Diaghilev's approach allowed for more complex and unpredictable rhythms, liberating the art form.

What unique method did Ballets Russes dancers use to keep rhythm in Maurice Ravel's 'Daphnis and Chloe' when faced with a 5/4 time signature?

Answer: They sang 'Ser-gei-dia-ghi-lev' during rehearsals.

Related Concepts:

  • What unique method did Ballets Russes dancers use to keep rhythm in Ravel's 'Daphnis and Chloe'?: When Maurice Ravel incorporated a 5/4 time signature in the final section of his 1912 ballet 'Daphnis and Chloe,' the dancers of the Ballets Russes would sing 'Ser-gei-dia-ghi-lev' during rehearsals to help them maintain the challenging and correct rhythm.

Personal Life and Character

Ballerinas of the Imperial Ballet affectionately called Diaghilev 'Sergypops' due to his kind and gentle demeanor.

Answer: False

Ballerinas of the Imperial Ballet called Diaghilev 'Chinchilla' due to his grey lock. While Alicia Markova later affectionately called him 'Sergypops,' his general demeanor was often described as demanding, not consistently kind and gentle.

Related Concepts:

  • How was Diaghilev perceived by the ballerinas of the Imperial Ballet, and what was his relationship with Mathilde Kschessinska?: Diaghilev's distinctive appearance, particularly his grey lock, earned him the nickname 'Chinchilla' among the ballerinas of the Imperial Ballet. He showed particular interest in the young Mathilde Kschessinska, and despite future disagreements, their friendship lasted throughout their lives.
  • What instances demonstrated Sergei Diaghilev's capacity for kindness towards his dancers?: Despite his stern reputation, Diaghilev showed great kindness. For example, when his company was stranded and bankrupt in Spain during World War I, he gave his last money to Lydia Sokolova for her daughter's medical care. Alicia Markova, who joined the Ballets Russes at a very young age, affectionately called him 'Sergypops' and recalled his promise to care for her like a daughter.

Vaslav Nijinsky was Diaghilev's only romantic partner throughout his career.

Answer: False

The source lists Vaslav Nijinsky as Diaghilev's most famous romantic partner, but also mentions Léonide Massine, Anton Dolin, Serge Lifar, and Boris Kochno as other notable lovers.

Related Concepts:

  • Who were some of Sergei Diaghilev's most significant romantic relationships?: Sergei Diaghilev's most famous romantic partner was Vaslav Nijinsky. Other notable lovers included Léonide Massine, Anton Dolin, Serge Lifar, and his secretary and librettist, Boris Kochno.

According to Serge Lifar, Léonide Massine provided Diaghilev with the most profound emotional experiences among all his lovers.

Answer: True

Serge Lifar claimed that Léonide Massine provided Diaghilev with the most profound emotional experiences among his lovers.

Related Concepts:

  • Which of Diaghilev's lovers, according to Serge Lifar, brought him the most profound emotional experiences?: According to Serge Lifar, of all Diaghilev's lovers, only Léonide Massine, who succeeded Nijinsky, provided him with 'so many moments of happiness or anguish,' indicating a deep and complex emotional connection.

Diaghilev dismissed Vaslav Nijinsky from the Ballets Russes in 1913 because Nijinsky's dancing quality had significantly declined.

Answer: False

Diaghilev dismissed Vaslav Nijinsky from the Ballets Russes in 1913 because Nijinsky married Romola de Pulszky, not due to a decline in his dancing quality.

Related Concepts:

  • What event led to Vaslav Nijinsky's dismissal from the Ballets Russes by Diaghilev in 1913?: Diaghilev summarily dismissed Vaslav Nijinsky from the Ballets Russes in 1913 after Nijinsky married Romola de Pulszky. Although Nijinsky later performed with the company again, their personal relationship was never re-established, and his dancing was affected by his developing mental illness.

Diaghilev was known for his gentle and encouraging nature during rehearsals, rarely showing displeasure.

Answer: False

Dancers described Diaghilev as a hard, demanding, and even frightening taskmaster during rehearsals, often showing displeasure with a cane or cold comments, not as gentle and encouraging.

Related Concepts:

  • How did dancers like Ninette de Valois and George Balanchine describe Diaghilev's demanding nature as a taskmaster?: Dancers described Diaghilev as a hard, demanding, and even frightening taskmaster. Ninette de Valois stated she was too afraid to ever look him in the face, while George Balanchine recalled Diaghilev carrying a cane during rehearsals and banging it angrily when displeased. Other dancers noted his ability to convey displeasure with a single look or a cold comment.

Diaghilev's personal financial habits showed he prioritized his own comfort, often having impeccably tailored suits and a lavish lifestyle.

Answer: False

Diaghilev lived paycheck to paycheck, making personal sacrifices for his company, and his impeccably cut suits often had frayed cuffs, indicating he did not prioritize his own lavish comfort.

Related Concepts:

  • How did Diaghilev's personal financial habits reflect his dedication to the Ballets Russes?: Diaghilev's personal financial habits reflected his deep dedication to the Ballets Russes, as he lived from paycheck to paycheck to finance his company. Although he acquired a splendid collection of rare books later in life, many observed that his impeccably cut suits often had frayed cuffs and trouser-ends, indicating his personal sacrifices for the company.

What nickname did the ballerinas of the Imperial Ballet give Diaghilev, and why?

Answer: 'Chinchilla' due to his distinctive grey lock.

Related Concepts:

  • How was Diaghilev perceived by the ballerinas of the Imperial Ballet, and what was his relationship with Mathilde Kschessinska?: Diaghilev's distinctive appearance, particularly his grey lock, earned him the nickname 'Chinchilla' among the ballerinas of the Imperial Ballet. He showed particular interest in the young Mathilde Kschessinska, and despite future disagreements, their friendship lasted throughout their lives.

Which of Diaghilev's romantic partners did Serge Lifar claim brought him the most profound emotional experiences?

Answer: Léonide Massine

Related Concepts:

  • Which of Diaghilev's lovers, according to Serge Lifar, brought him the most profound emotional experiences?: According to Serge Lifar, of all Diaghilev's lovers, only Léonide Massine, who succeeded Nijinsky, provided him with 'so many moments of happiness or anguish,' indicating a deep and complex emotional connection.

What event led to Vaslav Nijinsky's dismissal from the Ballets Russes by Diaghilev in 1913?

Answer: His marriage to Romola de Pulszky.

Related Concepts:

  • What event led to Vaslav Nijinsky's dismissal from the Ballets Russes by Diaghilev in 1913?: Diaghilev summarily dismissed Vaslav Nijinsky from the Ballets Russes in 1913 after Nijinsky married Romola de Pulszky. Although Nijinsky later performed with the company again, their personal relationship was never re-established, and his dancing was affected by his developing mental illness.

How did Ninette de Valois describe Diaghilev's demanding nature as a taskmaster?

Answer: She stated she was too afraid to ever look him in the face.

Related Concepts:

  • How did dancers like Ninette de Valois and George Balanchine describe Diaghilev's demanding nature as a taskmaster?: Dancers described Diaghilev as a hard, demanding, and even frightening taskmaster. Ninette de Valois stated she was too afraid to ever look him in the face, while George Balanchine recalled Diaghilev carrying a cane during rehearsals and banging it angrily when displeased. Other dancers noted his ability to convey displeasure with a single look or a cold comment.

What instance demonstrated Sergei Diaghilev's capacity for kindness towards his dancers?

Answer: He gave his last money to Lydia Sokolova for her daughter's medical care when the company was stranded.

Related Concepts:

  • What instances demonstrated Sergei Diaghilev's capacity for kindness towards his dancers?: Despite his stern reputation, Diaghilev showed great kindness. For example, when his company was stranded and bankrupt in Spain during World War I, he gave his last money to Lydia Sokolova for her daughter's medical care. Alicia Markova, who joined the Ballets Russes at a very young age, affectionately called him 'Sergypops' and recalled his promise to care for her like a daughter.

What did Diaghilev's impeccably cut suits with frayed cuffs and trouser-ends indicate about his personal financial habits?

Answer: He lived paycheck to paycheck and made personal sacrifices for his company.

Related Concepts:

  • How did Diaghilev's personal financial habits reflect his dedication to the Ballets Russes?: Diaghilev's personal financial habits reflected his deep dedication to the Ballets Russes, as he lived from paycheck to paycheck to finance his company. Although he acquired a splendid collection of rare books later in life, many observed that his impeccably cut suits often had frayed cuffs and trouser-ends, indicating his personal sacrifices for the company.

Legacy and Commemoration

The Ballets Russes had a significant cultural impact, influencing Fauvist painters and contributing to the nascent Art Deco movement.

Answer: True

The source confirms that the Ballets Russes influenced Fauvist painters and contributed to the nascent Art Deco movement, demonstrating its significant cultural impact.

Related Concepts:

  • What was the broader cultural and artistic impact of the Ballets Russes?: The exotic appeal and innovative style of the Ballets Russes had a profound impact on the art world, influencing Fauvist painters and contributing to the nascent Art Deco movement. Coco Chanel famously stated that 'Diaghilev invented Russia for foreigners,' underscoring its significant cultural influence.

After the Russian Revolution of 1917, the Soviet regime celebrated Diaghilev as a pioneer of modern Russian art.

Answer: False

After the Russian Revolution of 1917, the Soviet regime condemned Diaghilev as an example of 'bourgeois decadence,' rather than celebrating him.

Related Concepts:

  • How did the Soviet regime react to Sergei Diaghilev after the Russian Revolution of 1917?: After the Russian Revolution of 1917, Diaghilev remained abroad, leading the new Soviet regime to condemn him as an especially insidious example of 'bourgeois decadence.' As a result, Soviet art historians largely excluded him from their narratives for over 60 years.

George Balanchine, Ninette de Valois, and Marie Rambert were all instrumental in establishing significant ballet traditions in the United States and England after leaving the Ballets Russes.

Answer: True

The source confirms that George Balanchine, Ninette de Valois, and Marie Rambert, all former Ballets Russes members, established significant ballet traditions in the United States and England.

Related Concepts:

  • Which former members of the Ballets Russes went on to establish significant ballet traditions in the United States and England?: Former members of Diaghilev's Ballets Russes played foundational roles in establishing ballet traditions in other countries: George Balanchine went on to found ballet in the United States, while Ninette de Valois and Marie Rambert were instrumental in establishing ballet in England.

Serge Lifar is recognized for his efforts in saving many Jewish and other minority dancers from Nazi concentration camps during World War II.

Answer: True

The source recognizes Serge Lifar for his humanitarian efforts in saving Jewish and other minority dancers from Nazi concentration camps during World War II.

Related Concepts:

  • What were Serge Lifar's notable contributions to ballet and during World War II?: Serge Lifar, a dancer and ballet master with the Ballets Russes, later led a technical revival at the Paris Opera Ballet, which was further developed by Claude Bessy and Rudolf Nureyev in the 1980s. He is also recognized for his efforts in saving many Jewish and other minority dancers from Nazi concentration camps during World War II.

Ruth Page founded the Chicago Opera Ballet after dancing with Diaghilev's company in 1925.

Answer: True

The source states that Ruth Page, after dancing with the Ballets Russes, founded her own ballet troupes in Chicago, including the Chicago Opera Ballet.

Related Concepts:

  • Who was Ruth Page, and what was her connection to Diaghilev's company?: Ruth Page was a ballerina who danced with the Ballets Russes in 1925. After her time with Diaghilev's company, she became a founder of her own ballet troupes in Chicago, including the Chicago Opera Ballet, making significant contributions to American ballet.

The 1948 film 'The Red Shoes' explicitly states it is a direct biographical account of Sergei Diaghilev and the Ballets Russes.

Answer: False

While 'The Red Shoes' is widely believed to be inspired by Diaghilev and the Ballets Russes, the filmmakers acknowledged similarities without explicitly stating it was a direct biographical account.

Related Concepts:

  • What famous 1948 film is believed to have drawn inspiration from Sergei Diaghilev and the Ballets Russes?: The 1948 film 'The Red Shoes' is widely believed to have been inspired by Sergei Diaghilev and the Ballets Russes. Film expert Scott Salwolke noted that Diaghilev's tribute to Anna Pavlova using a spotlight and his dismissal of a dancer for marriage were recreated in the film, though the filmmakers acknowledged similarities without claiming sole inspiration.

Sergei Diaghilev died of a heart attack in Venice on August 19, 1929, after a long illness.

Answer: False

Sergei Diaghilev died of diabetes in Venice on August 19, 1929, not a heart attack.

Related Concepts:

  • What was Sergei Diaghilev's lifelong phobia, and what was the cause of his death?: Sergei Diaghilev had a severe lifelong fear of dying in water and consequently avoided traveling by boat. He died of diabetes in Venice on August 19, 1929.

Diaghilev's tomb is located on the island of San Michele, near Venice, in the Orthodox section of the cemetery.

Answer: True

The source confirms that Diaghilev's tomb is located on the island of San Michele, near Venice, in the Orthodox section of the cemetery.

Related Concepts:

  • Where is Sergei Diaghilev's final resting place?: Sergei Diaghilev's tomb is located on the island of San Michele, near Venice, in the Orthodox section of the cemetery, close to the grave of his collaborator, Igor Stravinsky.

The Ekstrom Collection, related to Diaghilev and Stravinsky, is preserved at the British Museum in London.

Answer: False

The Ekstrom Collection of the Diaghilev and Stravinsky Foundation is preserved at the Victoria and Albert Museum in London, not the British Museum.

Related Concepts:

  • What significant archival collection related to Diaghilev and Stravinsky is preserved at the Victoria and Albert Museum?: The Ekstrom Collection of the Diaghilev and Stravinsky Foundation is preserved by the Department of Theatre and Performance at the Victoria and Albert Museum in London, offering valuable insights into their work and legacy.

Alan Bates portrayed Sergei Diaghilev in the 1980 film 'Nijinsky.'

Answer: True

The source confirms that Alan Bates played the role of Sergei Diaghilev in the 1980 film 'Nijinsky.'

Related Concepts:

  • Who portrayed Sergei Diaghilev in the 1980 film 'Nijinsky'?: In the 1980 movie 'Nijinsky,' the role of Sergei Diaghilev was played by the actor Alan Bates.

The Contemporary Art Museum at Saint Petersburg State University is named in honor of Sergei Diaghilev.

Answer: True

The source states that the Contemporary Art Museum at Saint Petersburg State University is named in honor of Sergei Diaghilev.

Related Concepts:

  • What cultural institution in Saint Petersburg is named in honor of Sergei Diaghilev?: The Contemporary Art Museum at Saint Petersburg State University is named after Sergei Diaghilev, recognizing his profound impact on the arts.

Who is primarily known as the founder of the influential dance company Ballets Russes?

Answer: Sergei Pavlovich Diaghilev

Related Concepts:

  • Who was Sergei Diaghilev, and what was his primary contribution to the arts?: Sergei Pavlovich Diaghilev, also known as Serge Diaghilev, was a Russian art critic, patron, and ballet impresario. He is primarily known as the founder of the Ballets Russes, an influential dance company from which many famous dancers and choreographers emerged, significantly impacting the world of ballet and art.

According to Coco Chanel, what did Diaghilev 'invent for foreigners'?

Answer: Russia

Related Concepts:

  • What was the broader cultural and artistic impact of the Ballets Russes?: The exotic appeal and innovative style of the Ballets Russes had a profound impact on the art world, influencing Fauvist painters and contributing to the nascent Art Deco movement. Coco Chanel famously stated that 'Diaghilev invented Russia for foreigners,' underscoring its significant cultural influence.

How did the new Soviet regime react to Sergei Diaghilev after the Russian Revolution of 1917?

Answer: They condemned him as an example of 'bourgeois decadence.'

Related Concepts:

  • How did the Soviet regime react to Sergei Diaghilev after the Russian Revolution of 1917?: After the Russian Revolution of 1917, Diaghilev remained abroad, leading the new Soviet regime to condemn him as an especially insidious example of 'bourgeois decadence.' As a result, Soviet art historians largely excluded him from their narratives for over 60 years.

Which former member of the Ballets Russes went on to found ballet in the United States?

Answer: George Balanchine

Related Concepts:

  • Which former members of the Ballets Russes went on to establish significant ballet traditions in the United States and England?: Former members of Diaghilev's Ballets Russes played foundational roles in establishing ballet traditions in other countries: George Balanchine went on to found ballet in the United States, while Ninette de Valois and Marie Rambert were instrumental in establishing ballet in England.

What significant humanitarian effort is Serge Lifar recognized for during World War II?

Answer: Saving many Jewish and other minority dancers from Nazi concentration camps.

Related Concepts:

  • What were Serge Lifar's notable contributions to ballet and during World War II?: Serge Lifar, a dancer and ballet master with the Ballets Russes, later led a technical revival at the Paris Opera Ballet, which was further developed by Claude Bessy and Rudolf Nureyev in the 1980s. He is also recognized for his efforts in saving many Jewish and other minority dancers from Nazi concentration camps during World War II.

Ruth Page made significant contributions to American ballet after dancing with the Ballets Russes by doing what?

Answer: Founding her own ballet troupes in Chicago, including the Chicago Opera Ballet.

Related Concepts:

  • Who was Ruth Page, and what was her connection to Diaghilev's company?: Ruth Page was a ballerina who danced with the Ballets Russes in 1925. After her time with Diaghilev's company, she became a founder of her own ballet troupes in Chicago, including the Chicago Opera Ballet, making significant contributions to American ballet.

Which 1948 film is widely believed to have drawn inspiration from Sergei Diaghilev and the Ballets Russes, recreating elements like a spotlight tribute to Anna Pavlova?

Answer: The Red Shoes

Related Concepts:

  • What famous 1948 film is believed to have drawn inspiration from Sergei Diaghilev and the Ballets Russes?: The 1948 film 'The Red Shoes' is widely believed to have been inspired by Sergei Diaghilev and the Ballets Russes. Film expert Scott Salwolke noted that Diaghilev's tribute to Anna Pavlova using a spotlight and his dismissal of a dancer for marriage were recreated in the film, though the filmmakers acknowledged similarities without claiming sole inspiration.

What was the cause of Sergei Diaghilev's death in Venice on August 19, 1929?

Answer: Diabetes

Related Concepts:

  • What was Sergei Diaghilev's lifelong phobia, and what was the cause of his death?: Sergei Diaghilev had a severe lifelong fear of dying in water and consequently avoided traveling by boat. He died of diabetes in Venice on August 19, 1929.

Where is Sergei Diaghilev's final resting place located?

Answer: San Michele island, near Venice

Related Concepts:

  • Where is Sergei Diaghilev's final resting place?: Sergei Diaghilev's tomb is located on the island of San Michele, near Venice, in the Orthodox section of the cemetery, close to the grave of his collaborator, Igor Stravinsky.

What significant archival collection related to Diaghilev and Stravinsky is preserved at the Victoria and Albert Museum in London?

Answer: The Ekstrom Collection of the Diaghilev and Stravinsky Foundation

Related Concepts:

  • What significant archival collection related to Diaghilev and Stravinsky is preserved at the Victoria and Albert Museum?: The Ekstrom Collection of the Diaghilev and Stravinsky Foundation is preserved by the Department of Theatre and Performance at the Victoria and Albert Museum in London, offering valuable insights into their work and legacy.

Who portrayed Sergei Diaghilev in the 1980 film 'Nijinsky'?

Answer: Alan Bates

Related Concepts:

  • Who portrayed Sergei Diaghilev in the 1980 film 'Nijinsky'?: In the 1980 movie 'Nijinsky,' the role of Sergei Diaghilev was played by the actor Alan Bates.

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