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Sitting on Top of the World: A Blues Standard's Legacy

At a Glance

Title: Sitting on Top of the World: A Blues Standard's Legacy

Total Categories: 6

Category Stats

  • Origins and Initial Release (Mississippi Sheiks): 11 flashcards, 19 questions
  • Musical and Lyrical Analysis: 4 flashcards, 8 questions
  • Cultural Significance and Genre Adaptations: 4 flashcards, 8 questions
  • Howlin' Wolf's Chicago Blues Reinterpretation: 6 flashcards, 9 questions
  • Notable Cover Versions and Influences: 5 flashcards, 11 questions
  • Comparative Analysis and Distinctions: 2 flashcards, 4 questions

Total Stats

  • Total Flashcards: 32
  • True/False Questions: 30
  • Multiple Choice Questions: 29
  • Total Questions: 59

Instructions

Click the button to expand the instructions for how to use the Wiki2Web Teacher studio in order to print, edit, and export data about Sitting on Top of the World: A Blues Standard's Legacy

Welcome to Your Curriculum Command Center

This guide will turn you into a Wiki2web Studio power user. Let's unlock the features designed to give you back your weekends.

The Core Concept: What is a "Kit"?

Think of a Kit as your all-in-one digital lesson plan. It's a single, portable file that contains every piece of content for a topic: your subject categories, a central image, all your flashcards, and all your questions. The true power of the Studio is speed—once a kit is made (or you import one), you are just minutes away from printing an entire set of coursework.

Getting Started is Simple:

  • Create New Kit: Start with a clean slate. Perfect for a brand-new lesson idea.
  • Import & Edit Existing Kit: Load a .json kit file from your computer to continue your work or to modify a kit created by a colleague.
  • Restore Session: The Studio automatically saves your progress in your browser. If you get interrupted, you can restore your unsaved work with one click.

Step 1: Laying the Foundation (The Authoring Tools)

This is where you build the core knowledge of your Kit. Use the left-side navigation panel to switch between these powerful authoring modules.

⚙️ Kit Manager: Your Kit's Identity

This is the high-level control panel for your project.

  • Kit Name: Give your Kit a clear title. This will appear on all your printed materials.
  • Master Image: Upload a custom cover image for your Kit. This is essential for giving your content a professional visual identity, and it's used as the main graphic when you export your Kit as an interactive game.
  • Topics: Create the structure for your lesson. Add topics like "Chapter 1," "Vocabulary," or "Key Formulas." All flashcards and questions will be organized under these topics.

🃏 Flashcard Author: Building the Knowledge Blocks

Flashcards are the fundamental concepts of your Kit. Create them here to define terms, list facts, or pose simple questions.

  • Click "➕ Add New Flashcard" to open the editor.
  • Fill in the term/question and the definition/answer.
  • Assign the flashcard to one of your pre-defined topics.
  • To edit or remove a flashcard, simply use the ✏️ (Edit) or ❌ (Delete) icons next to any entry in the list.

✍️ Question Author: Assessing Understanding

Create a bank of questions to test knowledge. These questions are the engine for your worksheets and exams.

  • Click "➕ Add New Question".
  • Choose a Type: True/False for quick checks or Multiple Choice for more complex assessments.
  • To edit an existing question, click the ✏️ icon. You can change the question text, options, correct answer, and explanation at any time.
  • The Explanation field is a powerful tool: the text you enter here will automatically appear on the teacher's answer key and on the Smart Study Guide, providing instant feedback.

🔗 Intelligent Mapper: The Smart Connection

This is the secret sauce of the Studio. The Mapper transforms your content from a simple list into an interconnected web of knowledge, automating the creation of amazing study guides.

  • Step 1: Select a question from the list on the left.
  • Step 2: In the right panel, click on every flashcard that contains a concept required to answer that question. They will turn green, indicating a successful link.
  • The Payoff: When you generate a Smart Study Guide, these linked flashcards will automatically appear under each question as "Related Concepts."

Step 2: The Magic (The Generator Suite)

You've built your content. Now, with a few clicks, turn it into a full suite of professional, ready-to-use materials. What used to take hours of formatting and copying-and-pasting can now be done in seconds.

🎓 Smart Study Guide Maker

Instantly create the ultimate review document. It combines your questions, the correct answers, your detailed explanations, and all the "Related Concepts" you linked in the Mapper into one cohesive, printable guide.

📝 Worksheet & 📄 Exam Builder

Generate unique assessments every time. The questions and multiple-choice options are randomized automatically. Simply select your topics, choose how many questions you need, and generate:

  • A Student Version, clean and ready for quizzing.
  • A Teacher Version, complete with a detailed answer key and the explanations you wrote.

🖨️ Flashcard Printer

Forget wrestling with table layouts in a word processor. Select a topic, choose a cards-per-page layout, and instantly generate perfectly formatted, print-ready flashcard sheets.

Step 3: Saving and Collaborating

  • 💾 Export & Save Kit: This is your primary save function. It downloads the entire Kit (content, images, and all) to your computer as a single .json file. Use this to create permanent backups and share your work with others.
  • ➕ Import & Merge Kit: Combine your work. You can merge a colleague's Kit into your own or combine two of your lessons into a larger review Kit.

You're now ready to reclaim your time.

You're not just a teacher; you're a curriculum designer, and this is your Studio.

This page is an interactive visualization based on the Wikipedia article "Sitting on Top of the World" (opens in new tab) and its cited references.

Text content is available under the Creative Commons Attribution-ShareAlike 4.0 License (opens in new tab). Additional terms may apply.

Disclaimer: This website is for informational purposes only and does not constitute any kind of advice. The information is not a substitute for consulting official sources or records or seeking advice from qualified professionals.


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Study Guide: Sitting on Top of the World: A Blues Standard's Legacy

Study Guide: Sitting on Top of the World: A Blues Standard's Legacy

Origins and Initial Release (Mississippi Sheiks)

The blues standard 'Sitting on Top of the World' was originally recorded by the Mississippi Sheiks and released in 1930.

Answer: True

The Mississippi Sheiks recorded 'Sitting on Top of the World' on February 17, 1930, and it was released that same year, establishing it as a blues standard.

Related Concepts:

  • On what specific date did the Mississippi Sheiks record 'Sitting on Top of the World'?: The Mississippi Sheiks recorded 'Sitting on Top of the World' on February 17, 1930, during their studio session for the original track.
  • Which group is credited with the original recording of 'Sitting on Top of the World'?: The country blues group the Mississippi Sheiks originally recorded 'Sitting on Top of the World'.
  • Which record label issued the Mississippi Sheiks' original recording of 'Sitting on Top of the World'?: The Mississippi Sheiks' original recording of 'Sitting on Top of the World' was released on the Okeh record label, an American label founded in 1918, notable for its early jazz and blues contributions.

Walter Vinson and Lonnie Chatmon are officially credited as the primary songwriters for 'Sitting on Top of the World'.

Answer: True

Walter Vinson and Lonnie Chatmon, both members of the Mississippi Sheiks, are credited as the songwriters. Walter Vinson also provided an account of its composition.

Related Concepts:

  • Who are officially credited as the songwriters for 'Sitting on Top of the World'?: Walter Vinson and Lonnie Chatmon, both core members of the Mississippi Sheiks, are credited as the songwriters for 'Sitting on Top of the World'.
  • What is Walter Vinson's personal account regarding the composition of 'Sitting on Top of the World'?: Walter Vinson stated he composed 'Sitting on Top of the World' one morning after performing at a white dance in Greenwood, Mississippi, offering insight into the song's genesis.

The Mississippi Sheiks' original recording of 'Sitting on Top of the World' was released on the Bluebird record label.

Answer: False

The original recording by the Mississippi Sheiks was released on the Okeh record label, not Bluebird.

Related Concepts:

  • Which record label issued the Mississippi Sheiks' original recording of 'Sitting on Top of the World'?: The Mississippi Sheiks' original recording of 'Sitting on Top of the World' was released on the Okeh record label, an American label founded in 1918, notable for its early jazz and blues contributions.
  • On what specific date did the Mississippi Sheiks record 'Sitting on Top of the World'?: The Mississippi Sheiks recorded 'Sitting on Top of the World' on February 17, 1930, during their studio session for the original track.
  • Which group is credited with the original recording of 'Sitting on Top of the World'?: The country blues group the Mississippi Sheiks originally recorded 'Sitting on Top of the World'.

Walter Vinson claimed to have composed 'Sitting on Top of the World' after playing at a dance in Memphis, Tennessee.

Answer: False

Walter Vinson stated he composed the song after a dance in Greenwood, Mississippi, not Memphis, Tennessee.

Related Concepts:

  • What is Walter Vinson's personal account regarding the composition of 'Sitting on Top of the World'?: Walter Vinson stated he composed 'Sitting on Top of the World' one morning after performing at a white dance in Greenwood, Mississippi, offering insight into the song's genesis.
  • Who are officially credited as the songwriters for 'Sitting on Top of the World'?: Walter Vinson and Lonnie Chatmon, both core members of the Mississippi Sheiks, are credited as the songwriters for 'Sitting on Top of the World'.

The Mississippi Sheiks' original recording of 'Sitting on Top of the World' has a duration of 3 minutes and 10 seconds.

Answer: True

The original recording by the Mississippi Sheiks indeed has a runtime of 3 minutes and 10 seconds.

Related Concepts:

  • What is the recorded duration of the Mississippi Sheiks' original version of 'Sitting on Top of the World'?: The Mississippi Sheiks' original recording of 'Sitting on Top of the World' has a duration of 3 minutes and 10 seconds.

The B-side to the Mississippi Sheiks' single 'Sitting on Top of the World' was 'Roll and Tumble Blues'.

Answer: False

The B-side to the Mississippi Sheiks' single was 'Lonely One in This Town,' not 'Roll and Tumble Blues'.

Related Concepts:

  • What was the B-side track for the Mississippi Sheiks' single 'Sitting on Top of the World'?: The B-side to the Mississippi Sheiks' single 'Sitting on Top of the World' was 'Lonely One in This Town,' referring to the secondary song on a vinyl single.

The Mississippi Sheiks recorded 'Sitting on Top of the World' on February 17, 1930.

Answer: True

The Mississippi Sheiks' recording session for 'Sitting on Top of the World' took place on February 17, 1930.

Related Concepts:

  • On what specific date did the Mississippi Sheiks record 'Sitting on Top of the World'?: The Mississippi Sheiks recorded 'Sitting on Top of the World' on February 17, 1930, during their studio session for the original track.

The original musical genre of 'Sitting on Top of the World' is urban blues.

Answer: False

The original musical genre of the song is country blues, an earlier, rural form of blues, distinct from urban blues.

Related Concepts:

  • What is the original musical genre of 'Sitting on Top of the World'?: The original musical genre of 'Sitting on Top of the World' is country blues, an early form characterized by solo vocalists and acoustic guitar, originating in the rural American South.

Okeh Records, the label that released the original 'Sitting on Top of the World', was founded in 1918.

Answer: True

Okeh Records, the label for the original release, was indeed founded in 1918.

Related Concepts:

  • Which record label issued the Mississippi Sheiks' original recording of 'Sitting on Top of the World'?: The Mississippi Sheiks' original recording of 'Sitting on Top of the World' was released on the Okeh record label, an American label founded in 1918, notable for its early jazz and blues contributions.

The alternative title for 'Sitting on Top of the World' is 'Sittin' on Top of the World'.

Answer: True

The alternative title 'Sittin' on Top of the World' is indeed a common variant for the blues standard.

Related Concepts:

  • What are the primary and alternative titles associated with this blues standard?: The blues standard is primarily known as 'Sitting on Top of the World,' with 'Sittin' on Top of the World' serving as a common alternative title.

Who originally recorded the blues standard 'Sitting on Top of the World'?

Answer: The Mississippi Sheiks

The Mississippi Sheiks are credited with the original recording of this enduring blues standard.

Related Concepts:

  • Which group is credited with the original recording of 'Sitting on Top of the World'?: The country blues group the Mississippi Sheiks originally recorded 'Sitting on Top of the World'.

In what year was the original recording of 'Sitting on Top of the World' released?

Answer: 1930

The original recording of 'Sitting on Top of the World' was released in 1930.

Related Concepts:

  • In what year was the initial recording of 'Sitting on Top of the World' released?: The original recording of 'Sitting on Top of the World' was released in 1930, marking its first public dissemination.

Which record label released the Mississippi Sheiks' original recording of 'Sitting on Top of the World'?

Answer: Okeh record label

The Mississippi Sheiks' original recording was issued by the Okeh record label.

Related Concepts:

  • Which record label issued the Mississippi Sheiks' original recording of 'Sitting on Top of the World'?: The Mississippi Sheiks' original recording of 'Sitting on Top of the World' was released on the Okeh record label, an American label founded in 1918, notable for its early jazz and blues contributions.

Who are credited as the primary songwriters for 'Sitting on Top of the World'?

Answer: Walter Vinson and Lonnie Chatmon

Walter Vinson and Lonnie Chatmon are recognized as the songwriters for 'Sitting on Top of the World'.

Related Concepts:

  • Who are officially credited as the songwriters for 'Sitting on Top of the World'?: Walter Vinson and Lonnie Chatmon, both core members of the Mississippi Sheiks, are credited as the songwriters for 'Sitting on Top of the World'.

What was the B-side to the Mississippi Sheiks' single 'Sitting on Top of the World'?

Answer: Lonely One in This Town

The B-side of the Mississippi Sheiks' single was 'Lonely One in This Town'.

Related Concepts:

  • What was the B-side track for the Mississippi Sheiks' single 'Sitting on Top of the World'?: The B-side to the Mississippi Sheiks' single 'Sitting on Top of the World' was 'Lonely One in This Town,' referring to the secondary song on a vinyl single.

What is the duration of the Mississippi Sheiks' original recording of 'Sitting on Top of the World'?

Answer: 3 minutes and 10 seconds

The original recording by the Mississippi Sheiks has a duration of 3 minutes and 10 seconds.

Related Concepts:

  • What is the recorded duration of the Mississippi Sheiks' original version of 'Sitting on Top of the World'?: The Mississippi Sheiks' original recording of 'Sitting on Top of the World' has a duration of 3 minutes and 10 seconds.

According to Walter Vinson, where did he compose 'Sitting on Top of the World'?

Answer: After playing at a white dance in Greenwood, Mississippi

Walter Vinson recounted composing the song after a dance in Greenwood, Mississippi.

Related Concepts:

  • What is Walter Vinson's personal account regarding the composition of 'Sitting on Top of the World'?: Walter Vinson stated he composed 'Sitting on Top of the World' one morning after performing at a white dance in Greenwood, Mississippi, offering insight into the song's genesis.

What is the primary title of the blues standard discussed?

Answer: Sitting on Top of the World

The primary title of this blues standard is 'Sitting on Top of the World'.

Related Concepts:

  • What are the primary and alternative titles associated with this blues standard?: The blues standard is primarily known as 'Sitting on Top of the World,' with 'Sittin' on Top of the World' serving as a common alternative title.

What is the original musical genre of 'Sitting on Top of the World'?

Answer: Country blues

The song's original musical genre is country blues, an early form of the blues.

Related Concepts:

  • What is the original musical genre of 'Sitting on Top of the World'?: The original musical genre of 'Sitting on Top of the World' is country blues, an early form characterized by solo vocalists and acoustic guitar, originating in the rural American South.

Musical and Lyrical Analysis

The lyrical theme of the original 'Sitting on Top of the World' primarily conveys a sense of deep despair and hopelessness.

Answer: False

The lyrics of the original song express a stoic optimism in the face of emotional setbacks, rather than deep despair.

Related Concepts:

  • What is the predominant lyrical theme and general description of the original 'Sitting on Top of the World'?: The original lyrics of 'Sitting on Top of the World' express a stoic optimism despite emotional setbacks. It is characterized as a simple, yet elegant, distillation of the Blues' emotional depth.

The song 'Sitting on Top of the World' is characterized by a strophic twelve-bar blues structure.

Answer: False

The song actually features a strophic nine-bar blues structure, not a twelve-bar one.

Related Concepts:

  • What is the fundamental musical structure of 'Sitting on Top of the World'?: The song 'Sitting on Top of the World' employs a strophic nine-bar blues structure, meaning all verses or stanzas are set to the same music, providing a consistent framework.

The ninth bar in the song's structure primarily provides lyrical emphasis rather than rhythmic separation.

Answer: False

The ninth bar in the strophic nine-bar blues structure is specifically designed to provide rhythmic separation between stanzas, not lyrical emphasis.

Related Concepts:

  • What is the specific function of the ninth bar within the song's structure?: The ninth bar in the song's strophic nine-bar blues structure serves to provide rhythmic separation between stanzas, marking the conclusion of one and the distinct pickup into the next.

The lyrical structure of 'Sitting on Top of the World' consists of complex, interwoven narratives.

Answer: False

The lyrical structure is described as simple, comprising rhyming couplets followed by a two-line chorus, not complex narratives.

Related Concepts:

  • Describe the lyrical structure employed in 'Sitting on Top of the World'.: Lyrically, 'Sitting on Top of the World' features a straightforward structure of rhyming couplets, each followed by a consistent two-line chorus, contributing to its memorable and accessible quality.
  • What is the predominant lyrical theme and general description of the original 'Sitting on Top of the World'?: The original lyrics of 'Sitting on Top of the World' express a stoic optimism despite emotional setbacks. It is characterized as a simple, yet elegant, distillation of the Blues' emotional depth.

What is the primary lyrical theme of the original 'Sitting on Top of the World' song?

Answer: Stoic optimism in the face of emotional setbacks

The original lyrics convey a sense of stoic optimism, characteristic of the blues' emotional depth.

Related Concepts:

  • What is the predominant lyrical theme and general description of the original 'Sitting on Top of the World'?: The original lyrics of 'Sitting on Top of the World' express a stoic optimism despite emotional setbacks. It is characterized as a simple, yet elegant, distillation of the Blues' emotional depth.
  • Describe the lyrical structure employed in 'Sitting on Top of the World'.: Lyrically, 'Sitting on Top of the World' features a straightforward structure of rhyming couplets, each followed by a consistent two-line chorus, contributing to its memorable and accessible quality.

What is the fundamental musical structure of 'Sitting on Top of the World'?

Answer: Strophic nine-bar blues structure

The song is structured as a strophic nine-bar blues, a consistent and recognizable framework.

Related Concepts:

  • What is the fundamental musical structure of 'Sitting on Top of the World'?: The song 'Sitting on Top of the World' employs a strophic nine-bar blues structure, meaning all verses or stanzas are set to the same music, providing a consistent framework.

What is the specific purpose of the ninth bar in the song's structure?

Answer: To provide rhythmic separation between stanzas

The ninth bar functions as a rhythmic separator, marking the transition between stanzas.

Related Concepts:

  • What is the specific function of the ninth bar within the song's structure?: The ninth bar in the song's strophic nine-bar blues structure serves to provide rhythmic separation between stanzas, marking the conclusion of one and the distinct pickup into the next.

What is a key characteristic of the lyrical structure of 'Sitting on Top of the World'?

Answer: A series of rhyming couplets, each followed by a two-line chorus

The lyrical structure is characterized by rhyming couplets, each succeeded by a two-line chorus.

Related Concepts:

  • Describe the lyrical structure employed in 'Sitting on Top of the World'.: Lyrically, 'Sitting on Top of the World' features a straightforward structure of rhyming couplets, each followed by a consistent two-line chorus, contributing to its memorable and accessible quality.
  • What is the predominant lyrical theme and general description of the original 'Sitting on Top of the World'?: The original lyrics of 'Sitting on Top of the World' express a stoic optimism despite emotional setbacks. It is characterized as a simple, yet elegant, distillation of the Blues' emotional depth.

Cultural Significance and Genre Adaptations

The song 'Sitting on Top of the World' was inducted into the Grammy Hall of Fame in 2018.

Answer: False

The song was inducted into the Grammy Hall of Fame in 2008, not 2018.

Related Concepts:

  • How has 'Sitting on Top of the World' been formally recognized for its cultural significance?: 'Sitting on Top of the World' was inducted into the Grammy Hall of Fame in 2008 and selected for preservation in the National Recording Registry by the Library of Congress in 2018, acknowledging its cultural, historical, and aesthetic importance.

After its original release, 'Sitting on Top of the World' became a staple in country and bluegrass music, popularized by artists such as Bob Wills and Bill Monroe.

Answer: True

Following the Mississippi Sheiks' original, the song was indeed popularized in country and bluegrass by artists like Bob Wills and Bill Monroe, becoming a standard in those genres.

Related Concepts:

  • Which artists were instrumental in establishing 'Sitting on Top of the World' as a staple in country and bluegrass music?: Following the Mississippi Sheiks' original and a recording by Milton Brown and His Musical Brownies, artists such as Bob Wills and his Texas Playboys and Bill Monroe popularized 'Sitting on Top of the World' as a staple in country and bluegrass repertoires.
  • Across which diverse musical styles has 'Sitting on Top of the World' been extensively recorded?: The song 'Sitting on Top of the World' has been widely recorded and adapted across various genres, including folk, blues, country, bluegrass, and rock, showcasing its broad appeal and versatility.

The song 'Sitting on Top of the World' has been widely recorded in diverse styles, including folk, blues, country, bluegrass, and rock.

Answer: True

The song's versatility is evident in its extensive recordings across numerous genres such as folk, blues, country, bluegrass, and rock.

Related Concepts:

  • Across which diverse musical styles has 'Sitting on Top of the World' been extensively recorded?: The song 'Sitting on Top of the World' has been widely recorded and adapted across various genres, including folk, blues, country, bluegrass, and rock, showcasing its broad appeal and versatility.
  • What is the original musical genre of 'Sitting on Top of the World'?: The original musical genre of 'Sitting on Top of the World' is country blues, an early form characterized by solo vocalists and acoustic guitar, originating in the rural American South.
  • Which artists were instrumental in establishing 'Sitting on Top of the World' as a staple in country and bluegrass music?: Following the Mississippi Sheiks' original and a recording by Milton Brown and His Musical Brownies, artists such as Bob Wills and his Texas Playboys and Bill Monroe popularized 'Sitting on Top of the World' as a staple in country and bluegrass repertoires.

The Library of Congress selected 'Sitting on Top of the World' for preservation in the National Recording Registry in 2018.

Answer: True

The song was indeed selected for preservation in the National Recording Registry by the Library of Congress in 2018, recognizing its cultural significance.

Related Concepts:

  • How has 'Sitting on Top of the World' been formally recognized for its cultural significance?: 'Sitting on Top of the World' was inducted into the Grammy Hall of Fame in 2008 and selected for preservation in the National Recording Registry by the Library of Congress in 2018, acknowledging its cultural, historical, and aesthetic importance.

In what year was 'Sitting on Top of the World' inducted into the Grammy Hall of Fame?

Answer: 2008

The song received its induction into the Grammy Hall of Fame in 2008.

Related Concepts:

  • How has 'Sitting on Top of the World' been formally recognized for its cultural significance?: 'Sitting on Top of the World' was inducted into the Grammy Hall of Fame in 2008 and selected for preservation in the National Recording Registry by the Library of Congress in 2018, acknowledging its cultural, historical, and aesthetic importance.

Which of the following musical styles has 'Sitting on Top of the World' NOT been widely recorded in?

Answer: Jazz fusion

While widely adapted across folk, blues, country, bluegrass, and rock, the provided information does not indicate extensive recordings in jazz fusion.

Related Concepts:

  • Across which diverse musical styles has 'Sitting on Top of the World' been extensively recorded?: The song 'Sitting on Top of the World' has been widely recorded and adapted across various genres, including folk, blues, country, bluegrass, and rock, showcasing its broad appeal and versatility.
  • What is the original musical genre of 'Sitting on Top of the World'?: The original musical genre of 'Sitting on Top of the World' is country blues, an early form characterized by solo vocalists and acoustic guitar, originating in the rural American South.
  • What is the status of 'Sitting on Top of the World' within the canon of traditional American music?: 'Sitting on Top of the World' has achieved the status of a standard within traditional American music, signifying its enduring popularity and frequent performance over many years.

In what year was 'Sitting on Top of the World' selected for preservation in the National Recording Registry by the Library of Congress?

Answer: 2018

The Library of Congress selected the song for the National Recording Registry in 2018.

Related Concepts:

  • How has 'Sitting on Top of the World' been formally recognized for its cultural significance?: 'Sitting on Top of the World' was inducted into the Grammy Hall of Fame in 2008 and selected for preservation in the National Recording Registry by the Library of Congress in 2018, acknowledging its cultural, historical, and aesthetic importance.

Which of these artists significantly contributed to establishing 'Sitting on Top of the World' as a staple in country and bluegrass music after the Mississippi Sheiks' original?

Answer: Bill Monroe

Bill Monroe, along with Bob Wills, helped popularize the song in country and bluegrass genres.

Related Concepts:

  • Which artists were instrumental in establishing 'Sitting on Top of the World' as a staple in country and bluegrass music?: Following the Mississippi Sheiks' original and a recording by Milton Brown and His Musical Brownies, artists such as Bob Wills and his Texas Playboys and Bill Monroe popularized 'Sitting on Top of the World' as a staple in country and bluegrass repertoires.

Howlin' Wolf's Chicago Blues Reinterpretation

Howlin' Wolf reinterpreted 'Sitting on Top of the World' as a Chicago blues song, releasing his version in 1957.

Answer: True

Howlin' Wolf indeed reworked the song into a Chicago blues style, and his version was issued by Chess Records in 1957.

Related Concepts:

  • How did Howlin' Wolf recontextualize 'Sitting on Top of the World'?: Howlin' Wolf reinterpreted 'Sitting on Top of the World' as a Chicago blues song, a style developed in Chicago characterized by electric instruments and an urban sound.
  • When and on which record label did Howlin' Wolf release his version of 'Sitting on Top of the World'?: Howlin' Wolf's Chicago blues rendition of 'Sitting on Top of the World' was released as a single by Chess Records in 1957, an influential Chicago-based label known for blues and R&B.
  • How did 1960s rock groups engage with Howlin' Wolf's version of the song?: Howlin' Wolf's interpretation of 'Sitting on Top of the World' was adapted by numerous rock groups throughout the 1960s, demonstrating its cross-genre influence on the developing rock music scene.

Howlin' Wolf's rendition of 'Sitting on Top of the World' was included on 'The Real Folk Blues' compilation series in 1966.

Answer: True

Howlin' Wolf's version was indeed featured on 'The Real Folk Blues' compilation, released in 1966.

Related Concepts:

  • On which notable compilation album was Howlin' Wolf's interpretation of 'Sitting on Top of the World' featured?: Howlin' Wolf's rendition of 'Sitting on Top of the World' was later included in 'The Real Folk Blues' compilation series, released in 1966, which gathers previously issued tracks.
  • When and on which record label did Howlin' Wolf release his version of 'Sitting on Top of the World'?: Howlin' Wolf's Chicago blues rendition of 'Sitting on Top of the World' was released as a single by Chess Records in 1957, an influential Chicago-based label known for blues and R&B.
  • How did 1960s rock groups engage with Howlin' Wolf's version of the song?: Howlin' Wolf's interpretation of 'Sitting on Top of the World' was adapted by numerous rock groups throughout the 1960s, demonstrating its cross-genre influence on the developing rock music scene.

Howlin' Wolf's recording of 'Sitting on Top of the World' was typically backed by a blues ensemble including a saxophone and trumpet.

Answer: False

Howlin' Wolf's recording featured a typical blues ensemble of electric guitar, piano, bass, and drums, not a horn section with saxophone and trumpet.

Related Concepts:

  • Which instruments typically comprised the backing ensemble for Howlin' Wolf's recording of 'Sitting on Top of the World'?: Howlin' Wolf's recording of 'Sitting on Top of the World' featured a standard blues ensemble, including Hubert Sumlin on electric guitar, Hosea Lee Kennard on piano, Alfred Elkins on bass, and Earl Phillips on drums.

Howlin' Wolf frequently opened his live performances with 'Sitting on Top of the World' later in his career.

Answer: False

Howlin' Wolf actually often closed his live sets with 'Sitting on Top of the World' later in his career, rather than opening with it.

Related Concepts:

  • How did Howlin' Wolf typically conclude his live performances during the latter part of his career?: Later in his career, Howlin' Wolf frequently closed his live sets with 'Sitting on Top of the World,' indicating its significant role in his performance repertoire.

Rock groups in the 1960s primarily adapted the Mississippi Sheiks' original version of 'Sitting on Top of the World'.

Answer: False

Rock groups in the 1960s predominantly adapted Howlin' Wolf's Chicago blues version of the song, rather than the Mississippi Sheiks' original.

Related Concepts:

  • How did 1960s rock groups engage with Howlin' Wolf's version of the song?: Howlin' Wolf's interpretation of 'Sitting on Top of the World' was adapted by numerous rock groups throughout the 1960s, demonstrating its cross-genre influence on the developing rock music scene.

Which artist famously reinterpreted 'Sitting on Top of the World' as a Chicago blues song?

Answer: Howlin' Wolf

Howlin' Wolf is renowned for his reinterpretation of the song into the Chicago blues style.

Related Concepts:

  • How did Howlin' Wolf recontextualize 'Sitting on Top of the World'?: Howlin' Wolf reinterpreted 'Sitting on Top of the World' as a Chicago blues song, a style developed in Chicago characterized by electric instruments and an urban sound.

When did Howlin' Wolf release his Chicago blues version of 'Sitting on Top of the World'?

Answer: 1957

Howlin' Wolf's Chicago blues rendition was released as a single in 1957.

Related Concepts:

  • When and on which record label did Howlin' Wolf release his version of 'Sitting on Top of the World'?: Howlin' Wolf's Chicago blues rendition of 'Sitting on Top of the World' was released as a single by Chess Records in 1957, an influential Chicago-based label known for blues and R&B.
  • On which notable compilation album was Howlin' Wolf's interpretation of 'Sitting on Top of the World' featured?: Howlin' Wolf's rendition of 'Sitting on Top of the World' was later included in 'The Real Folk Blues' compilation series, released in 1966, which gathers previously issued tracks.
  • How did Howlin' Wolf recontextualize 'Sitting on Top of the World'?: Howlin' Wolf reinterpreted 'Sitting on Top of the World' as a Chicago blues song, a style developed in Chicago characterized by electric instruments and an urban sound.

On which compilation album was Howlin' Wolf's rendition of 'Sitting on Top of the World' included in 1966?

Answer: The Real Folk Blues

Howlin' Wolf's version was featured on 'The Real Folk Blues' compilation series in 1966.

Related Concepts:

  • On which notable compilation album was Howlin' Wolf's interpretation of 'Sitting on Top of the World' featured?: Howlin' Wolf's rendition of 'Sitting on Top of the World' was later included in 'The Real Folk Blues' compilation series, released in 1966, which gathers previously issued tracks.
  • When and on which record label did Howlin' Wolf release his version of 'Sitting on Top of the World'?: Howlin' Wolf's Chicago blues rendition of 'Sitting on Top of the World' was released as a single by Chess Records in 1957, an influential Chicago-based label known for blues and R&B.
  • How did 1960s rock groups engage with Howlin' Wolf's version of the song?: Howlin' Wolf's interpretation of 'Sitting on Top of the World' was adapted by numerous rock groups throughout the 1960s, demonstrating its cross-genre influence on the developing rock music scene.

Which instrument was played by Hubert Sumlin on Howlin' Wolf's recording of 'Sitting on Top of the World'?

Answer: Electric guitar

Hubert Sumlin contributed electric guitar to Howlin' Wolf's recording of the song.

Related Concepts:

  • Which instruments typically comprised the backing ensemble for Howlin' Wolf's recording of 'Sitting on Top of the World'?: Howlin' Wolf's recording of 'Sitting on Top of the World' featured a standard blues ensemble, including Hubert Sumlin on electric guitar, Hosea Lee Kennard on piano, Alfred Elkins on bass, and Earl Phillips on drums.

Notable Cover Versions and Influences

The Grateful Dead performed 'Sitting on Top of the World' at a very slow tempo of 44 beats per minute (bpm).

Answer: False

While Cream performed it at 44 bpm, the Grateful Dead's rock-oriented version was played at a very fast 252 bpm.

Related Concepts:

  • What notable tempo variations were observed among rock-oriented renditions of 'Sitting on Top of the World'?: Rock versions of 'Sitting on Top of the World' exhibited significant tempo diversity; for instance, the Grateful Dead performed it at a rapid 252 beats per minute (bpm), while Cream opted for a much slower 44 bpm.

Jack White recorded an acoustic version of 'Sitting on Top of the World' for the soundtrack to the 2003 film 'Cold Mountain'.

Answer: True

Jack White did record an acoustic version of the song specifically for the 'Cold Mountain' soundtrack in 2003.

Related Concepts:

  • Which artist recorded an acoustic version of the song for the 2003 'Cold Mountain' film soundtrack?: Jack White contributed an acoustic version of 'Sitting on Top of the World' to the soundtrack of the 2003 film 'Cold Mountain,' a collection of music featured in or inspired by the movie.
  • How did an AllMusic review characterize Jack White's vocal performance on 'Sitting on Top of the World' for the 'Cold Mountain' soundtrack?: An AllMusic review noted Jack White's successful adaptation to the traditional country and Americana genre on the 'Cold Mountain' soundtrack, describing his vocal delivery on 'Sittin' on Top of the World' as a 'throaty warble like a dust-bowl carny'.

The band Cream included a rendition of 'Sitting on Top of the World' on their 1968 album 'Disraeli Gears'.

Answer: False

Cream's rendition of the song was featured on their 1968 album 'Wheels Of Fire,' not 'Disraeli Gears'.

Related Concepts:

  • On which 1968 album did the band Cream include their rendition of 'Sitting on Top of the World'?: The band Cream featured their rendition of 'Sitting on Top of the World' on their 1968 album 'Wheels Of Fire,' a significant release in their discography.

Beth Hart & Joe Bonamassa featured 'Sitting on Top of the World' on their 2018 album 'Black Coffee'.

Answer: True

Beth Hart & Joe Bonamassa did include 'Sitting on Top of the World' on their 2018 album 'Black Coffee'.

Related Concepts:

  • Which 2018 album by Beth Hart & Joe Bonamassa includes 'Sitting on Top of the World'?: Beth Hart & Joe Bonamassa included 'Sitting on Top of the World' on their 2018 album 'Black Coffee,' illustrating the song's continued appeal to contemporary blues and rock artists.

An AllMusic review praised Jack White's 'Cold Mountain' performance for its authentic rock and roll energy.

Answer: False

The AllMusic review described Jack White's vocal style as a 'throaty warble like a dust-bowl carny,' noting his adaptation to traditional country and Americana, not specifically rock and roll energy.

Related Concepts:

  • How did an AllMusic review characterize Jack White's vocal performance on 'Sitting on Top of the World' for the 'Cold Mountain' soundtrack?: An AllMusic review noted Jack White's successful adaptation to the traditional country and Americana genre on the 'Cold Mountain' soundtrack, describing his vocal delivery on 'Sittin' on Top of the World' as a 'throaty warble like a dust-bowl carny'.

Which rock band performed 'Sitting on Top of the World' at a notably slow tempo of 44 bpm?

Answer: Cream

Cream performed their version of the song at a very slow tempo of 44 bpm.

Related Concepts:

  • What notable tempo variations were observed among rock-oriented renditions of 'Sitting on Top of the World'?: Rock versions of 'Sitting on Top of the World' exhibited significant tempo diversity; for instance, the Grateful Dead performed it at a rapid 252 beats per minute (bpm), while Cream opted for a much slower 44 bpm.

Who recorded an acoustic version of 'Sitting on Top of the World' for the 2003 film 'Cold Mountain' soundtrack?

Answer: Jack White

Jack White recorded an acoustic rendition specifically for the 'Cold Mountain' film soundtrack.

Related Concepts:

  • Which artist recorded an acoustic version of the song for the 2003 'Cold Mountain' film soundtrack?: Jack White contributed an acoustic version of 'Sitting on Top of the World' to the soundtrack of the 2003 film 'Cold Mountain,' a collection of music featured in or inspired by the movie.

On which 1968 album did the band Cream include a rendition of 'Sitting on Top of the World'?

Answer: Wheels Of Fire

Cream's rendition of the song was featured on their 1968 album 'Wheels Of Fire'.

Related Concepts:

  • On which 1968 album did the band Cream include their rendition of 'Sitting on Top of the World'?: The band Cream featured their rendition of 'Sitting on Top of the World' on their 1968 album 'Wheels Of Fire,' a significant release in their discography.

Which 2018 album by Beth Hart & Joe Bonamassa features 'Sitting on Top of the World'?

Answer: Black Coffee

Beth Hart & Joe Bonamassa included 'Sitting on Top of the World' on their 2018 album 'Black Coffee'.

Related Concepts:

  • Which 2018 album by Beth Hart & Joe Bonamassa includes 'Sitting on Top of the World'?: Beth Hart & Joe Bonamassa included 'Sitting on Top of the World' on their 2018 album 'Black Coffee,' illustrating the song's continued appeal to contemporary blues and rock artists.

What was the tempo of the Grateful Dead's rock-oriented version of 'Sitting on Top of the World'?

Answer: A very fast 252 bpm

The Grateful Dead's rendition was notably fast, recorded at 252 bpm.

Related Concepts:

  • What notable tempo variations were observed among rock-oriented renditions of 'Sitting on Top of the World'?: Rock versions of 'Sitting on Top of the World' exhibited significant tempo diversity; for instance, the Grateful Dead performed it at a rapid 252 beats per minute (bpm), while Cream opted for a much slower 44 bpm.

According to an AllMusic review, how did Jack White's vocal style on 'Sitting on Top of the World' for the 'Cold Mountain' soundtrack compare to traditional country?

Answer: He utilized his throaty warble like a dust-bowl carny.

The AllMusic review specifically described Jack White's vocal delivery as a 'throaty warble like a dust-bowl carny,' fitting the traditional country and Americana genre.

Related Concepts:

  • How did an AllMusic review characterize Jack White's vocal performance on 'Sitting on Top of the World' for the 'Cold Mountain' soundtrack?: An AllMusic review noted Jack White's successful adaptation to the traditional country and Americana genre on the 'Cold Mountain' soundtrack, describing his vocal delivery on 'Sittin' on Top of the World' as a 'throaty warble like a dust-bowl carny'.
  • Which artist recorded an acoustic version of the song for the 2003 'Cold Mountain' film soundtrack?: Jack White contributed an acoustic version of 'Sitting on Top of the World' to the soundtrack of the 2003 film 'Cold Mountain,' a collection of music featured in or inspired by the movie.

Comparative Analysis and Distinctions

The song 'Sitting on Top of the World' shares the same musical and lyrical composition as Al Jolson's 1926 hit 'I'm Sitting on Top of the World'.

Answer: False

Despite a similar title, the two songs are distinct compositions, both musically and lyrically.

Related Concepts:

  • How does 'Sitting on Top of the World' relate to Al Jolson's 1926 song 'I'm Sitting on Top of the World'?: Despite a similar title, 'Sitting on Top of the World' is musically and lyrically distinct from Al Jolson's popular 1926 song 'I'm Sitting on Top of the World,' indicating they are separate compositions.

Similarities have been noted between 'Sitting on Top of the World' and an earlier song by Robert Johnson.

Answer: False

Similarities were noted with an earlier song by Tampa Red, not Robert Johnson.

Related Concepts:

  • Are there any earlier musical works noted for similarities to 'Sitting on Top of the World'?: Similarities have been observed between 'Sitting on Top of the World' and an earlier song by Tampa Red, suggesting a potential influence or shared musical lineage.

Which 1920s popular song, popularized by Al Jolson, shares a similar title line but is musically and lyrically distinct from 'Sitting on Top of the World'?

Answer: I'm Sitting on Top of the World

Al Jolson's 'I'm Sitting on Top of the World' shares a title but is a distinct composition.

Related Concepts:

  • How does 'Sitting on Top of the World' relate to Al Jolson's 1926 song 'I'm Sitting on Top of the World'?: Despite a similar title, 'Sitting on Top of the World' is musically and lyrically distinct from Al Jolson's popular 1926 song 'I'm Sitting on Top of the World,' indicating they are separate compositions.

Which artist is noted to have an earlier song with musical similarities to 'Sitting on Top of the World'?

Answer: Tampa Red

Similarities have been observed between 'Sitting on Top of the World' and an earlier song by Tampa Red.

Related Concepts:

  • Are there any earlier musical works noted for similarities to 'Sitting on Top of the World'?: Similarities have been observed between 'Sitting on Top of the World' and an earlier song by Tampa Red, suggesting a potential influence or shared musical lineage.

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