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The painting under discussion is titled "The Supper at Emmaus" and is located in the National Gallery in London.
Answer: True
The artwork in question is definitively identified as 'The Supper at Emmaus,' and its permanent location is the National Gallery in London.
Caravaggio's "The Supper at Emmaus" in London was completed in the year 1601.
Answer: True
The London rendition of Caravaggio's 'The Supper at Emmaus' was completed in the year 1601.
The London version of "The Supper at Emmaus" was created using oil on canvas.
Answer: True
The artistic medium utilized for the London version of 'The Supper at Emmaus' is oil on canvas.
The painting illustrates the Gospel story of the resurrected Jesus's appearance in Emmaus, revealing himself to two disciples.
Answer: True
This painting illustrates the biblical account, found within the Gospels, of the resurrected Jesus's appearance in Emmaus, specifically the moment of his self-revelation to two disciples.
The narrative for Caravaggio's "Supper at Emmaus" is based on the account found in the Gospel of Luke.
Answer: True
The narrative underpinning Caravaggio's 'Supper at Emmaus' is drawn directly from the Gospel of Luke.
The London version of "The Supper at Emmaus" was commissioned and paid for by Ciriaco Mattei.
Answer: True
The commission and financial support for the London version of 'The Supper at Emmaus' originated from Ciriaco Mattei.
Caravaggio's "The Supper at Emmaus" in London was completed in the year 1606.
Answer: False
This assertion is factually inaccurate; the London version of 'The Supper at Emmaus' was completed in 1601, not 1606.
The painting illustrates the moment Jesus reveals himself to two disciples, Luke and Peter.
Answer: False
The depiction centers on Jesus revealing himself to Luke and Cleopas, not Peter.
The reference to 'National Gallery, London' identifies the specific museum where the painting is permanently located.
Answer: True
The reference 'National Gallery, London' accurately designates the institution where the painting is permanently housed and publicly accessible.
What is the title of the painting discussed, and where is it currently housed?
Answer: The Supper at Emmaus, National Gallery, London
The artwork under consideration is titled 'The Supper at Emmaus,' and it is permanently housed within the National Gallery in London.
In what year was Caravaggio's "The Supper at Emmaus" (London version) completed?
Answer: 1601
Caravaggio completed the London version of 'The Supper at Emmaus' in the year 1601.
What medium did Caravaggio use for the London version of "The Supper at Emmaus"?
Answer: Oil on canvas
The artistic medium utilized for the London version of 'The Supper at Emmaus' is oil on canvas.
What biblical event does Caravaggio's "The Supper at Emmaus" depict?
Answer: Jesus's appearance to two disciples after his resurrection
This painting illustrates the biblical account, found within the Gospels, of the resurrected Jesus's appearance in Emmaus, specifically the moment of his self-revelation to two disciples.
Which Gospel provides the narrative basis for the scene depicted in Caravaggio's "Supper at Emmaus"?
Answer: Gospel of Luke
The narrative foundation for the painting is derived from the Gospel of Luke.
Who are the two disciples believed to be present with Jesus in the London version of "Supper at Emmaus"?
Answer: Luke and Cleopas
The disciples present with Jesus in the London version are identified as Luke and Cleopas.
Who commissioned and paid for the London version of "The Supper at Emmaus"?
Answer: Ciriaco Mattei
The commission and financial support for the London version of 'The Supper at Emmaus' originated from Ciriaco Mattei.
Cleopas is depicted wearing a scallop shell, which traditionally symbolizes a pilgrim.
Answer: True
The scallop shell adorning Cleopas is a traditional emblem signifying a pilgrim, denoting a traveler undertaking a religious quest.
The painting features life-sized figures and a dark, blank background.
Answer: True
The composition is distinguished by its life-sized figures and a stark, dark background, thereby concentrating the viewer's attention on the pivotal moment.
The fruit basket in the painting subtly incorporates the ichthys symbol through its wicker design.
Answer: True
Within the fruit basket, the arrangement of the wicker subtly delineates the ichthys, an ancient Christian symbol of Christ.
Cleopas is depicted wearing a crown, symbolizing his royal status.
Answer: False
Cleopas is attired with a scallop shell, a symbol denoting pilgrimage, rather than a crown.
The shadow cast by the fruit onto the tablecloth creates the shape of a cross, reinforcing Christian symbolism.
Answer: False
The shadow cast by the fruit on the tablecloth assumes the form of a fish, not a cross.
The phrase 'perspectively-challenging extension of arms' implies Cleopas's gesture is conventional and static.
Answer: False
This phrase implies the contrary: Cleopas's gesture is dynamic and challenges conventional perspectival limitations.
The standing groom, with his face in darkness, is depicted as recognizing Jesus's divine revelation.
Answer: False
The groom, whose face is obscured by shadow, is portrayed as oblivious, thereby creating a contrast with the disciples' recognition of Jesus.
What symbolic item does Cleopas wear in the painting, and what does it represent?
Answer: A scallop shell, symbolizing a pilgrim
Cleopas is depicted wearing a scallop shell, a symbol traditionally associated with pilgrims.
How is Cleopas's gesture described in relation to the painting's composition?
Answer: A perspectively challenging extension of his arms
Cleopas's gesture is characterized as a perspectively challenging extension of his arms, extending both into and beyond the painting's frame.
What is depicted in the table setting that is noted for its precariousness?
Answer: A basket of food depicted teetering over the edge
The table is arranged with a still-life composition, notably featuring a basket of food depicted in a precarious state, teetering on the edge.
What subtle Christian symbol is incorporated into the fruit basket in the painting?
Answer: An ichthys (fish)
Within the fruit basket, the arrangement of the wicker subtly delineates the ichthys, an ancient symbol of Christ.
How is the ichthys symbol further represented within the painting's composition?
Answer: As a shadow cast by the fruit forming a fish shape
The shadow cast by the fruit upon the tablecloth forms the shape of a fish's body and tail, thereby reinforcing the ichthys symbolism.
What does the phrase 'perspectively-challenging extension of arms' imply about Cleopas's gesture?
Answer: It pushes the boundaries of traditional perspective and adds dynamism.
This phrase implies that Cleopas's arm movements are rendered in a manner that experiments with or extends the boundaries of traditional perspective, thereby injecting dynamism into the scene.
What is the significance of the standing groom's depiction in the painting's narrative?
Answer: His obliviousness contrasts with the disciples' recognition of Jesus.
The standing groom, characterized by his obscured face and apparent obliviousness, provides a visual contrast to the disciples' recognition of Jesus, thereby accentuating the divine revelation unfolding.
Caravaggio, the artist of the London version of "The Supper at Emmaus," is primarily associated with the Baroque artistic period.
Answer: True
Caravaggio is universally acknowledged as a pivotal figure of the Baroque era, whose innovations significantly shaped the period's artistic trajectory.
A recurring theme in Caravaggio's art, present in "The Supper at Emmaus," is the dramatic interruption of ordinary life by a significant event.
Answer: True
Caravaggio frequently explored the theme of profound or significant moments intruding upon the fabric of everyday existence.
The phrase 'unexalted humanity' suggests Caravaggio portrayed Jesus in a very human and relatable manner.
Answer: True
The descriptor 'unexalted humanity' implies Caravaggio's deliberate portrayal of Jesus emphasizing his profoundly human and accessible characteristics.
Who is the artist of the London version of "The Supper at Emmaus," and what artistic period is he associated with?
Answer: Caravaggio, Baroque
The artist responsible is Caravaggio, an Italian master celebrated for his significant contributions to the Baroque period.
Why might Caravaggio have depicted Jesus as beardless in this painting, unlike in "The Calling of Saint Matthew"?
Answer: Because the Gospel mentions he appeared 'in another form'
The depiction of Jesus as beardless in this work is often attributed to the Gospel of Mark's account of his appearance 'in another form,' a departure from his conventional representation, such as the bearded Christ in 'The Calling of Saint Matthew'.
What recurring theme in Caravaggio's work is evident in "The Supper at Emmaus"?
Answer: The dramatic interruption of ordinary life by a sublime event
A recurring thematic preoccupation in Caravaggio's oeuvre, demonstrably present in 'The Supper at Emmaus,' is the dramatic intrusion of significant events into the quotidian.
What does the phrase 'sublime interrupting the daily routine' mean in Caravaggio's context?
Answer: Showing profound moments occurring within everyday life
This phrase encapsulates Caravaggio's distinctive artistic methodology, which involves depicting profound, often spiritual, occurrences within the framework of ordinary, everyday life.
Caravaggio painted another version of "The Supper at Emmaus" in 1606.
Answer: True
Caravaggio did indeed produce a subsequent version of 'The Supper at Emmaus' in 1606.
The second version of Caravaggio's "Supper at Emmaus" is housed in the Pinacoteca di Brera in Milan.
Answer: True
The later iteration of 'The Supper at Emmaus,' dating from 1606, is housed within the Pinacoteca di Brera in Milan.
Both the London and Milan versions of "The Supper at Emmaus" utilize the trompe-l'oeil art technique.
Answer: True
Both the London and Milan versions of 'The Supper at Emmaus' incorporate the trompe-l'oeil technique, intended to generate a compelling illusion of reality.
The Milan version's restrained gestures may reflect Caravaggio's evolving artistic perspective valuing understatement.
Answer: True
The subdued gestures evident in the Milan version may signify Caravaggio's evolving artistic philosophy, which increasingly embraced subtlety and understated expression.
The second version of Caravaggio's "Supper at Emmaus" is located in the National Gallery in London.
Answer: False
The second iteration of 'The Supper at Emmaus' resides in the Pinacoteca di Brera in Milan, not the National Gallery in London.
The gestures in the Milan version are described as more exaggerated and performative compared to the London version.
Answer: False
Conversely, the gestures depicted in the Milan version are characterized as more restrained and subtle when contrasted with those in the London version.
Where is the second version of Caravaggio's "Supper at Emmaus" located?
Answer: The Pinacoteca di Brera, Milan
The later iteration of 'The Supper at Emmaus,' dating from 1606, is housed within the Pinacoteca di Brera in Milan.
How do the gestures of the figures in the Milan version of "Supper at Emmaus" compare to the London version?
Answer: More restrained and subtle in Milan
The gestures depicted in the Milan version are characterized as more restrained when contrasted with those in the London version, emphasizing presence over overt performance.
Potential reasons suggested for the differences between the two versions of "Supper at Emmaus" include Caravaggio's personal circumstances and:
Answer: His evolving artistic perspective valuing understatement
The divergences between the two versions may stem from Caravaggio's personal circumstances following his flight from Rome, or from his evolving artistic perspective that increasingly valued understatement.
What is the significance of the reference to 'The Calling of Saint Matthew' in relation to Caravaggio's work?
Answer: It serves as a comparative example of his depictions of Christ and settings.
This reference functions as a comparative example, illustrating Caravaggio's diverse portrayals of Christ and his inclination to situate religious figures within contemporary contexts.
What does the mention of 'Caravaggisti' in the Navbox signify?
Answer: Artists significantly influenced by Caravaggio's style.
The term 'Caravaggisti' denotes artists who were substantially influenced by Caravaggio's distinctive style, signifying the widespread impact and subsequent following his work engendered.
What does the reference to 'Utrecht Caravaggism' indicate?
Answer: A Dutch artistic movement influenced by Caravaggio.
Utrecht Caravaggism denotes a cohort of Dutch painters who were influenced by Caravaggio, illustrating the international dissemination and impact of his artistic style.
What does the phrase "Caravaggio's Shadow (2022 film)" suggest about the artist's legacy?
Answer: His life and work continue to inspire contemporary media.
This reference suggests that Caravaggio's life and artistic output continue to inspire contemporary media productions, evidenced by films created about him long after his demise.
The Navbox titled 'Caravaggio' lists related topics such as artistic movements and films about the artist.
Answer: True
The Navbox titled 'Caravaggio' functions as a navigational aid, enumerating related subjects such as artistic movements and cinematic representations of the artist.
The information regarding the ichthys symbol is sourced from a BBC article by Kelly Grovier.
Answer: True
The details pertaining to the ichthys symbol are attributed to a BBC article authored by Kelly Grovier.
The ISBN 8835958717 is provided for Roberto Longhi's book on Caravaggio.
Answer: True
The ISBN 8835958717 is associated with Roberto Longhi's scholarly work on Caravaggio.
What does the 'Authority control' section typically provide for a work of art?
Answer: Unique identifiers from various cataloging databases.
The 'Authority control' section enumerates unique identifiers sourced from various databases (e.g., VIAF, GND, LoC, BnF, RKD), employed for the cataloging and referencing of the painting.