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Andrew Lloyd Webber composed the music for the 1986 musical *The Phantom of the Opera*, with lyrics primarily written by Charles Hart and additional lyrics by Richard Stilgoe.
Answer: False
The original statement incorrectly attributes the lyrics to Gaston Leroux; Andrew Lloyd Webber composed the music, while Charles Hart and Richard Stilgoe wrote the lyrics.
The musical *The Phantom of the Opera* is based on a 1910 novel of the same name written by French author Gaston Leroux.
Answer: True
The musical *The Phantom of the Opera* is indeed based on the 1910 novel of the same name, authored by the French writer Gaston Leroux.
Harold Prince directed both the original London and Broadway productions of *The Phantom of the Opera*.
Answer: True
Harold Prince, a distinguished figure in musical theatre, directed both the original London and Broadway productions of *The Phantom of the Opera*.
Jim Steinman was initially approached to write the lyrics for the musical due to his 'dark obsessive side'.
Answer: True
Jim Steinman was initially considered for the lyricist role, partly due to his perceived 'dark obsessive side,' but ultimately declined due to prior commitments.
Andrew Lloyd Webber's score was partly inspired by an earlier musical version of the story by Ken Hill.
Answer: True
Andrew Lloyd Webber's musical score drew inspiration, in part, from an earlier musical adaptation of the story created by Ken Hill.
What is the foundational literary work upon which Andrew Lloyd Webber's 1986 musical, *The Phantom of the Opera*, is based?
Answer: The 1910 novel of the same name by French author Gaston Leroux
Andrew Lloyd Webber's 1986 musical adaptation is fundamentally based upon the 1910 novel of the same title, authored by French writer Gaston Leroux.
Who composed the music for the 1986 musical *The Phantom of the Opera*?
Answer: Andrew Lloyd Webber
The musical score for the 1986 production of *The Phantom of the Opera* was composed by Andrew Lloyd Webber.
Which of the following individuals wrote the lyrics for the 1986 musical *The Phantom of the Opera*?
Answer: Charles Hart, with additional lyrics by Richard Stilgoe
The primary lyricist for the 1986 musical *The Phantom of the Opera* was Charles Hart, with Richard Stilgoe contributing additional lyrics.
Who directed the original London and Broadway productions of *The Phantom of the Opera*?
Answer: Harold Prince
The directorial vision for both the original London and Broadway productions of *The Phantom of the Opera* was provided by the acclaimed Harold Prince.
What was the initial reason Jim Steinman declined to write the lyrics for *The Phantom of the Opera*?
Answer: He had prior commitments to work on a Bonnie Tyler album.
Jim Steinman initially declined the opportunity to write lyrics for *The Phantom of the Opera* due to pre-existing commitments related to a Bonnie Tyler album.
Which of the following was NOT mentioned as an inspiration for Andrew Lloyd Webber's score?
Answer: A 1950s film adaptation of the story
While inspirations such as Ken Hill's musical version, Gaston Leroux's novel, and operatic styles were mentioned, a 1950s film adaptation of the story was not cited as a source of inspiration for the score.
The original West End production of *The Phantom of the Opera* premiered on October 9, 1986, at Her Majesty's Theatre in London.
Answer: True
The premiere of the original West End production of *The Phantom of the Opera* occurred on October 9, 1986, at Her Majesty's Theatre in London.
Michael Crawford originated the role of Christine Daae, and Sarah Brightman originated the role of the Phantom in the original West End production.
Answer: False
The original West End production featured Michael Crawford originating the role of the Phantom and Sarah Brightman originating the role of Christine Daae; the statement reverses these roles.
*The Phantom of the Opera* won the Laurence Olivier Award for Best New Musical in London in 1986 and the Tony Award for Best Musical on Broadway in 1988.
Answer: True
The musical garnered significant critical acclaim, receiving the Laurence Olivier Award for Best New Musical in London in 1986 and the Tony Award for Best Musical on Broadway in 1988.
*The Phantom of the Opera* is the longest-running show in West End history, surpassing *Les Misérables*.
Answer: False
While *The Phantom of the Opera* holds a significant record for longevity, it is the second longest-running musical in West End history, surpassed by *Les Misérables*, and ranks third overall behind *The Mousetrap*.
By 2019, *The Phantom of the Opera*'s worldwide gross revenue was estimated to be over $6 billion.
Answer: True
By the year 2019, *The Phantom of the Opera* had achieved an estimated worldwide gross revenue exceeding $6 billion, solidifying its position as one of the most financially successful entertainment productions globally.
The original Broadway production of *The Phantom of the Opera* closed on April 16, 2023, after a run of over 13,000 performances.
Answer: True
The original Broadway production concluded its historic run on April 16, 2023, after accumulating an impressive 13,981 performances.
The Majestic Theatre hosted the original West End production of *The Phantom of the Opera*.
Answer: False
The original West End production was staged at Her Majesty's Theatre in London. The Majestic Theatre was the venue for the original Broadway production.
Following the COVID-19 pandemic, the West End production reopened with a reduced orchestra and revised staging to lower costs.
Answer: True
Upon its reopening post-COVID-19 pandemic, the West End production implemented a reduced orchestra and revised staging, adjustments made to manage operational costs.
The original Broadway production of *The Phantom of the Opera* played its final performance on April 16, 2023, totaling 13,981 performances.
Answer: True
The original Broadway production concluded its unprecedented run on April 16, 2023, having completed a total of 13,981 performances.
When and where did the original West End production of *The Phantom of the Opera* premiere?
Answer: October 9, 1986, at Her Majesty's Theatre
The original West End production of *The Phantom of the Opera* made its debut on October 9, 1986, at Her Majesty's Theatre in London.
Which actors originated the principal roles of the Phantom and Christine Daae in the original West End production?
Answer: Michael Crawford as the Phantom and Sarah Brightman as Christine
The originating actors for the principal roles in the original West End production were Michael Crawford as the Phantom and Sarah Brightman as Christine Daae.
What major award did *The Phantom of the Opera* win on Broadway in 1988?
Answer: The Tony Award for Best Musical
In 1988, *The Phantom of the Opera* received the prestigious Tony Award for Best Musical on Broadway.
What record does *The Phantom of the Opera* hold in terms of its Broadway run?
Answer: It is the longest-running musical in Broadway history.
*The Phantom of the Opera* holds the distinction of being the longest-running musical in Broadway history, a milestone marked by its continuous performance run.
How does *The Phantom of the Opera*'s longevity compare to other shows in the West End?
Answer: It is the second longest-running musical in West End history, after *Les Misérables*.
In the West End, *The Phantom of the Opera* ranks as the second longest-running musical, following *Les Misérables*, and the third longest-running show overall.
What was the approximate worldwide gross revenue generated by *The Phantom of the Opera* by 2019?
Answer: Over $6 billion
By 2019, the worldwide gross revenue for *The Phantom of the Opera* was estimated to have surpassed $6 billion, positioning it as one of the most commercially successful entertainment ventures.
What event caused the original West End production to suspend performances in March 2020?
Answer: The COVID-19 pandemic shutdown of theatres
The original West End production suspended performances in March 2020 as a direct consequence of the global theatre shutdowns necessitated by the COVID-19 pandemic.
How did the West End production change upon its reopening in July 2021?
Answer: It had a revised, reduced-scale staging with a smaller orchestra.
Upon reopening in July 2021, the West End production featured a revised, reduced-scale staging and a smaller orchestra, alongside updated set designs aimed at lowering operational costs.
When did the original Broadway production of *The Phantom of the Opera* play its final performance?
Answer: April 16, 2023
The original Broadway production of *The Phantom of the Opera* concluded its historic run with its final performance on April 16, 2023.
Which theatre hosted the original Broadway production of *The Phantom of the Opera*?
Answer: The Majestic Theatre
The original Broadway production of *The Phantom of the Opera* was hosted at the Majestic Theatre.
The prologue of the musical is set in 1919 at an auction in the Paris Opéra House.
Answer: True
The musical commences with a prologue set in 1919 at an auction held within the Paris Opéra House, establishing the narrative's temporal and spatial context.
Christine confesses to Meg Giry that her singing is inspired by an unseen 'Angel of Music'.
Answer: True
Following her successful debut, Christine confides in Meg Giry, revealing that her vocal prowess is attributed to an unseen tutor whom she identifies as the 'Angel of Music'.
The Phantom first reveals himself to Christine by appearing in her mirror while she is in his subterranean lair.
Answer: False
The Phantom's initial revelation to Christine occurs not within his lair, but rather through his voice and spectral appearance in her dressing room mirror, drawing her towards his subterranean domain.
When Christine unmasks the Phantom, she sees his disfigured face, and he reacts with anger and vows revenge.
Answer: False
Upon unmasking the Phantom and witnessing his disfigurement, Christine's reaction is one of pity. While the Phantom is angered by the exposure, the immediate aftermath involves his emotional reaction to her compassion, rather than a vow of revenge.
During the opera *Il Muto*, the Phantom causes chaos by making Carlotta sing perfectly while a corpse drops from the rafters.
Answer: False
The chaos during the performance of *Il Muto* involves the Phantom causing Carlotta to sing with a croaking voice, followed by the dramatic descent of Joseph Buquet's corpse from the rafters, not Carlotta singing perfectly.
The chandelier crash at the end of Act I occurs during the performance of *Il Muto*, symbolizing the Phantom's rage.
Answer: True
The dramatic chandelier crash at the end of Act I, occurring during the curtain call for *Il Muto*, serves as a potent symbol of the Phantom's rage and despair following his overhearing Christine and Raoul's romantic exchange.
At the Act II masquerade ball, the Phantom, disguised as the Red Death, demands the production of a new opera he has written called *Don Juan Triumphant*.
Answer: True
During the Act II masquerade ball, the Phantom reappears disguised as the Red Death and demands that his newly composed opera, *Don Juan Triumphant*, be produced with Christine in the lead role.
Madame Giry reluctantly informs Raoul that the Phantom was a brilliant composer who escaped from a traveling fair after being born deformed.
Answer: True
Madame Giry reluctantly divulges to Raoul that the Phantom was born with a deformed face, was exhibited in a traveling fair, and possesses exceptional talents as a scholar, magician, architect, inventor, and composer.
Christine shows compassion in the climax by refusing to kiss the Phantom, thereby saving Raoul.
Answer: False
In the climax, Christine demonstrates compassion by removing the Phantom's mask and subsequently kissing him, an act of kindness that ultimately leads the Phantom to release Raoul and allow Christine to depart.
How does the Phantom first reveal himself to Christine?
Answer: He appears in her mirror, hypnotizing her.
The Phantom's initial manifestation occurs when his voice is heard and he appears in Christine's dressing room mirror, hypnotizing her and beckoning her to his lair.
What happens when Christine unmasks the Phantom in his lair?
Answer: She sees his disfigured face, feels pity, and returns his mask.
Upon unmasking the Phantom in his lair, Christine witnesses his disfigured face and, moved by pity, returns his mask to him.
What is the significance of the chandelier crash at the end of Act I?
Answer: It symbolizes the Phantom's rage and heartbreak after hearing Christine and Raoul's declaration of love.
The dramatic chandelier crash at the end of Act I symbolizes the Phantom's intense rage and heartbreak, triggered by his overhearing Christine and Raoul's declaration of love.
How does the Phantom reappear in Act II?
Answer: As the Red Death at a masquerade ball, demanding his opera be produced.
In Act II, the Phantom reappears at a masquerade ball, costumed as the Red Death, and issues a demand for his opera, *Don Juan Triumphant*, to be staged.
What information does Madame Giry reluctantly share with Raoul about the Phantom's past?
Answer: That the Phantom was born deformed, exhibited in a fair, and is a brilliant scholar and composer.
Madame Giry reluctantly informs Raoul that the Phantom was born with a deformed face, was exhibited in a traveling fair, and possesses exceptional talents as a scholar, magician, architect, inventor, and composer.
In the climax of Act II, how does Christine Daae show compassion towards the Phantom?
Answer: She removes his mask during 'The Point of No Return' and later kisses him.
Christine demonstrates compassion in the Act II climax by removing the Phantom's mask during 'The Point of No Return' and subsequently kissing him in his lair.
The score of *The Phantom of the Opera* primarily uses contemporary pop music styles, with minimal operatic influence.
Answer: False
The score of *The Phantom of the Opera* is characterized by its operatic style and influences from grand opera composers, rather than primarily contemporary pop music.
The descending five-note run in the title song is similar to a riff from Pink Floyd's track 'Echoes'.
Answer: True
A notable similarity exists between the descending five-note motif in the title song of *The Phantom of the Opera* and a riff featured in Pink Floyd's composition 'Echoes'.
Maria Björnson designed both the elaborate sets and over 200 costumes for the original production.
Answer: True
Maria Björnson was responsible for the design of both the elaborate sets and the extensive wardrobe, which comprised over 200 costumes for the original production.
In the Sydmonton preview, the Phantom wore an iconic half-mask, which was later redesigned to cover his entire face for the final production.
Answer: False
During the Sydmonton preview, the Phantom wore a full-face mask, which was later replaced by the iconic half-mask designed by Maria Björnson for the final production.
Who designed the sets and costumes for the original production of *The Phantom of the Opera*?
Answer: Maria Björnson
The sets and over 200 costumes for the original production of *The Phantom of the Opera* were designed by Maria Björnson.
What was unique about the Phantom's mask in the Sydmonton preview compared to the final production?
Answer: It was a full-face mask in the preview; a half-mask was used later.
During the Sydmonton preview, the Phantom wore a full-face mask, which was later replaced by the iconic half-mask designed by Maria Björnson for the final production.
How many musicians were in the orchestra for the current 14-piece orchestration mentioned for the West End revival?
Answer: It was reduced from 27 musicians.
The current 14-piece orchestration for the West End revival represents a reduction from the original orchestra size of 27 musicians.
What allegations of plagiarism were made against Andrew Lloyd Webber concerning *The Phantom of the Opera*?
Answer: Similarity to Pink Floyd's 'Echoes' and an aria from Puccini's *La fanciulla del West*.
Allegations of plagiarism included claims of similarity between passages in the musical and works by Puccini (*La fanciulla del West*), Ray Repp ('Till You'), and Pink Floyd ('Echoes').
What is the title of the official sequel to *The Phantom of the Opera*?
Answer: Love Never Dies
The official sequel to *The Phantom of the Opera* is titled *Love Never Dies*, continuing the narrative years later.
What is the planned venue for the immersive Off-Broadway production announced for 2025?
Answer: 218 West 57th Street
The immersive Off-Broadway production slated for 2025 is planned to take place at 218 West 57th Street, designed to utilize the entire building.