Wiki2Web Studio

Create complete, beautiful interactive educational materials in less than 5 minutes.

Print flashcards, homework worksheets, exams/quizzes, study guides, & more.

Export your learner materials as an interactive game, a webpage, or FAQ style cheatsheet.

Unsaved Work Found!

It looks like you have unsaved work from a previous session. Would you like to restore it?


The Tube Bar Prank Calls: History and Legacy

At a Glance

Title: The Tube Bar Prank Calls: History and Legacy

Total Categories: 6

Category Stats

  • Origins and Nature of the Prank Calls: 6 flashcards, 10 questions
  • The Proprietor: Louis "Red" Deutsch: 5 flashcards, 9 questions
  • Distribution and Cultural Spread: 5 flashcards, 7 questions
  • Media Influence and Legacy: 8 flashcards, 11 questions
  • Discography and Commercial Releases: 21 flashcards, 26 questions
  • The Tube Bar Location and Demise: 5 flashcards, 9 questions

Total Stats

  • Total Flashcards: 50
  • True/False Questions: 45
  • Multiple Choice Questions: 27
  • Total Questions: 72

Instructions

Click the button to expand the instructions for how to use the Wiki2Web Teacher studio in order to print, edit, and export data about The Tube Bar Prank Calls: History and Legacy

Welcome to Your Curriculum Command Center

This guide will turn you into a Wiki2web Studio power user. Let's unlock the features designed to give you back your weekends.

The Core Concept: What is a "Kit"?

Think of a Kit as your all-in-one digital lesson plan. It's a single, portable file that contains every piece of content for a topic: your subject categories, a central image, all your flashcards, and all your questions. The true power of the Studio is speed—once a kit is made (or you import one), you are just minutes away from printing an entire set of coursework.

Getting Started is Simple:

  • Create New Kit: Start with a clean slate. Perfect for a brand-new lesson idea.
  • Import & Edit Existing Kit: Load a .json kit file from your computer to continue your work or to modify a kit created by a colleague.
  • Restore Session: The Studio automatically saves your progress in your browser. If you get interrupted, you can restore your unsaved work with one click.

Step 1: Laying the Foundation (The Authoring Tools)

This is where you build the core knowledge of your Kit. Use the left-side navigation panel to switch between these powerful authoring modules.

⚙️ Kit Manager: Your Kit's Identity

This is the high-level control panel for your project.

  • Kit Name: Give your Kit a clear title. This will appear on all your printed materials.
  • Master Image: Upload a custom cover image for your Kit. This is essential for giving your content a professional visual identity, and it's used as the main graphic when you export your Kit as an interactive game.
  • Topics: Create the structure for your lesson. Add topics like "Chapter 1," "Vocabulary," or "Key Formulas." All flashcards and questions will be organized under these topics.

🃏 Flashcard Author: Building the Knowledge Blocks

Flashcards are the fundamental concepts of your Kit. Create them here to define terms, list facts, or pose simple questions.

  • Click "➕ Add New Flashcard" to open the editor.
  • Fill in the term/question and the definition/answer.
  • Assign the flashcard to one of your pre-defined topics.
  • To edit or remove a flashcard, simply use the ✏️ (Edit) or ❌ (Delete) icons next to any entry in the list.

✍️ Question Author: Assessing Understanding

Create a bank of questions to test knowledge. These questions are the engine for your worksheets and exams.

  • Click "➕ Add New Question".
  • Choose a Type: True/False for quick checks or Multiple Choice for more complex assessments.
  • To edit an existing question, click the ✏️ icon. You can change the question text, options, correct answer, and explanation at any time.
  • The Explanation field is a powerful tool: the text you enter here will automatically appear on the teacher's answer key and on the Smart Study Guide, providing instant feedback.

🔗 Intelligent Mapper: The Smart Connection

This is the secret sauce of the Studio. The Mapper transforms your content from a simple list into an interconnected web of knowledge, automating the creation of amazing study guides.

  • Step 1: Select a question from the list on the left.
  • Step 2: In the right panel, click on every flashcard that contains a concept required to answer that question. They will turn green, indicating a successful link.
  • The Payoff: When you generate a Smart Study Guide, these linked flashcards will automatically appear under each question as "Related Concepts."

Step 2: The Magic (The Generator Suite)

You've built your content. Now, with a few clicks, turn it into a full suite of professional, ready-to-use materials. What used to take hours of formatting and copying-and-pasting can now be done in seconds.

🎓 Smart Study Guide Maker

Instantly create the ultimate review document. It combines your questions, the correct answers, your detailed explanations, and all the "Related Concepts" you linked in the Mapper into one cohesive, printable guide.

📝 Worksheet & 📄 Exam Builder

Generate unique assessments every time. The questions and multiple-choice options are randomized automatically. Simply select your topics, choose how many questions you need, and generate:

  • A Student Version, clean and ready for quizzing.
  • A Teacher Version, complete with a detailed answer key and the explanations you wrote.

🖨️ Flashcard Printer

Forget wrestling with table layouts in a word processor. Select a topic, choose a cards-per-page layout, and instantly generate perfectly formatted, print-ready flashcard sheets.

Step 3: Saving and Collaborating

  • 💾 Export & Save Kit: This is your primary save function. It downloads the entire Kit (content, images, and all) to your computer as a single .json file. Use this to create permanent backups and share your work with others.
  • ➕ Import & Merge Kit: Combine your work. You can merge a colleague's Kit into your own or combine two of your lessons into a larger review Kit.

You're now ready to reclaim your time.

You're not just a teacher; you're a curriculum designer, and this is your Studio.

This page is an interactive visualization based on the Wikipedia article "Tube Bar prank calls" (opens in new tab) and its cited references.

Text content is available under the Creative Commons Attribution-ShareAlike 4.0 License (opens in new tab). Additional terms may apply.

Disclaimer: This website is for informational purposes only and does not constitute any kind of advice. The information is not a substitute for consulting official sources or records or seeking advice from qualified professionals.


Owned and operated by Artificial General Intelligence LLC, a Michigan Registered LLC
Prompt engineering done with Gracekits.com
All rights reserved
Sitemaps | Contact

Export Options





Study Guide: The Tube Bar Prank Calls: History and Legacy

Study Guide: The Tube Bar Prank Calls: History and Legacy

Origins and Nature of the Prank Calls

The primary period during which the Tube Bar prank calls originated is identified as the early 1990s.

Answer: False

The available information indicates that the Tube Bar prank calls were primarily made between 1975 and approximately 1977 or 1978. The early 1990s may refer to a period of increased circulation or specific media attention, rather than the origin of the calls themselves.

Related Concepts:

  • What are the Tube Bar prank calls, and during what period were they primarily made?: The Tube Bar prank calls constitute a series of prank telephone calls that were originated between 1975 and approximately 1977 or 1978. These calls were directed towards the Tube Bar establishment located in Jersey City, New Jersey.

It is asserted that Jim Davidson and John Elmo were the exclusive individuals responsible for initiating the Tube Bar prank calls.

Answer: True

The historical record identifies Jim Davidson and John Elmo as the individuals who made the prank calls. They later adopted the collective alias 'Bum Bar Bastards' (BBB).

Related Concepts:

  • Who were the principal individuals responsible for executing the Tube Bar prank calls, and what collective alias did they adopt?: The prank calls were made by Jim Davidson and John Elmo. Subsequently, they became collectively known by the alias the Bum Bar Bastards, often abbreviated as the BBB.

The central prank involved requesting the bar's proprietor to connect with patrons identified by names that were commonplace and universally recognizable.

Answer: False

The core of the prank calls involved asking the proprietor to speak with non-existent customers whose names were actually puns and homophones for offensive phrases, rather than common, everyday names.

Related Concepts:

  • Describe the fundamental nature of the prank calls made to the Tube Bar.: The core prank involved Jim Davidson and John Elmo asking the proprietor of the bar, identified as "Red," to speak with various non-existent customers. The names provided for these individuals were intentionally crafted puns and homophones for offensive phrases.
  • What category of names did the pranksters employ when requesting to speak with customers at the Tube Bar?: The pranksters utilized fictitious names that functioned as puns and homophones for offensive phrases. Examples include "Pepe Roni" (phonetically similar to pepperoni), "Hal Jalykakik" (phonetically similar to 'how'd you like a kick'), "Phil Mypockets" (phonetically similar to 'fill my pockets'), "Al Coholic" (phonetically similar to alcoholic), and "Mike Hunt" (phonetically similar to 'my cunt').

The pranksters employed names such as "Bob Smith" and "Jane Doe" when requesting customers at the Tube Bar.

Answer: False

The pranksters utilized fictitious names that were puns and homophones for offensive phrases, such as "Al Coholic" or "Mike Hunt," rather than common names like "Bob Smith" or "Jane Doe."

Related Concepts:

  • What category of names did the pranksters employ when requesting to speak with customers at the Tube Bar?: The pranksters utilized fictitious names that functioned as puns and homophones for offensive phrases. Examples include "Pepe Roni" (phonetically similar to pepperoni), "Hal Jalykakik" (phonetically similar to 'how'd you like a kick'), "Phil Mypockets" (phonetically similar to 'fill my pockets'), "Al Coholic" (phonetically similar to alcoholic), and "Mike Hunt" (phonetically similar to 'my cunt').

The prank calls were made over a period of roughly ten years, from the mid-1970s to the mid-1980s.

Answer: False

The prank calls were conducted over a much shorter duration, approximately two to three years, from 1975 to around 1977 or 1978, not a decade.

Related Concepts:

  • What was the approximate duration of the period during which the Tube Bar prank calls were actively made?: The prank calls were conducted over a period of approximately two to three years, commencing in 1975 and concluding around 1977 or 1978.

The gag names utilized by the pranksters were designed to sound like innocent, everyday phrases.

Answer: False

The names employed by the pranksters were intentionally constructed as puns and homophones for offensive phrases, carrying double meanings rather than sounding innocent.

Related Concepts:

  • What category of names did the pranksters employ when requesting to speak with customers at the Tube Bar?: The pranksters utilized fictitious names that functioned as puns and homophones for offensive phrases. Examples include "Pepe Roni" (phonetically similar to pepperoni), "Hal Jalykakik" (phonetically similar to 'how'd you like a kick'), "Phil Mypockets" (phonetically similar to 'fill my pockets'), "Al Coholic" (phonetically similar to alcoholic), and "Mike Hunt" (phonetically similar to 'my cunt').
  • What was the nature of the offensive content embedded within the gag names utilized by the pranksters?: The gag names were deliberately constructed as puns and homophones for phrases considered offensive, frequently possessing dual meanings that would become apparent upon vocalization by the bar's proprietor.

Who were the primary individuals responsible for making the Tube Bar prank calls?

Answer: Jim Davidson and John Elmo

The prank calls were initiated by Jim Davidson and John Elmo, who later became known collectively as the Bum Bar Bastards (BBB).

Related Concepts:

  • What does the 'See also' section suggest about the cultural context of the Tube Bar prank calls?: The 'See also' section indicates that the Tube Bar prank calls are part of a broader culture of practical jokes and prank calls, linking them to other notable examples and resources within that domain.
  • Which popular animated television series is cited as potentially having been influenced by the Tube Bar prank calls?: The Tube Bar prank calls are referenced as a potential influence for a recurring comedic element within the animated television series *The Simpsons*, specifically the prank calls made by Bart Simpson to the bartender Moe Szyslak.
  • What are the Tube Bar prank calls, and during what period were they primarily made?: The Tube Bar prank calls constitute a series of prank telephone calls that were originated between 1975 and approximately 1977 or 1978. These calls were directed towards the Tube Bar establishment located in Jersey City, New Jersey.
  • Who were the principal individuals responsible for executing the Tube Bar prank calls, and what collective alias did they adopt?: The prank calls were made by Jim Davidson and John Elmo. Subsequently, they became collectively known by the alias the Bum Bar Bastards, often abbreviated as the BBB.

What was the approximate timeframe during which the Tube Bar prank calls were made?

Answer: 1975-1977/1978

The Tube Bar prank calls were primarily conducted over a period of approximately two to three years, from 1975 until around 1977 or 1978.

Related Concepts:

  • What are the Tube Bar prank calls, and during what period were they primarily made?: The Tube Bar prank calls constitute a series of prank telephone calls that were originated between 1975 and approximately 1977 or 1978. These calls were directed towards the Tube Bar establishment located in Jersey City, New Jersey.
  • What was the approximate duration of the period during which the Tube Bar prank calls were actively made?: The prank calls were conducted over a period of approximately two to three years, commencing in 1975 and concluding around 1977 or 1978.

What was the central element of the prank calls made to the Tube Bar?

Answer: Requesting to speak to non-existent customers with offensive-sounding names.

The core prank involved asking the proprietor to connect with fictitious customers whose names were puns or homophones for offensive phrases, designed to elicit a hostile reaction.

Related Concepts:

  • What does the 'See also' section suggest about the cultural context of the Tube Bar prank calls?: The 'See also' section indicates that the Tube Bar prank calls are part of a broader culture of practical jokes and prank calls, linking them to other notable examples and resources within that domain.
  • Which popular animated television series is cited as potentially having been influenced by the Tube Bar prank calls?: The Tube Bar prank calls are referenced as a potential influence for a recurring comedic element within the animated television series *The Simpsons*, specifically the prank calls made by Bart Simpson to the bartender Moe Szyslak.
  • Describe the fundamental nature of the prank calls made to the Tube Bar.: The core prank involved Jim Davidson and John Elmo asking the proprietor of the bar, identified as "Red," to speak with various non-existent customers. The names provided for these individuals were intentionally crafted puns and homophones for offensive phrases.
  • What category of names did the pranksters employ when requesting to speak with customers at the Tube Bar?: The pranksters utilized fictitious names that functioned as puns and homophones for offensive phrases. Examples include "Pepe Roni" (phonetically similar to pepperoni), "Hal Jalykakik" (phonetically similar to 'how'd you like a kick'), "Phil Mypockets" (phonetically similar to 'fill my pockets'), "Al Coholic" (phonetically similar to alcoholic), and "Mike Hunt" (phonetically similar to 'my cunt').

Which of the following is an example of a name used by the pranksters?

Answer: Al Coholic

"Al Coholic" is cited as an example of a fictitious name used by the pranksters, which functions as a pun for "alcoholic."

Related Concepts:

  • What category of names did the pranksters employ when requesting to speak with customers at the Tube Bar?: The pranksters utilized fictitious names that functioned as puns and homophones for offensive phrases. Examples include "Pepe Roni" (phonetically similar to pepperoni), "Hal Jalykakik" (phonetically similar to 'how'd you like a kick'), "Phil Mypockets" (phonetically similar to 'fill my pockets'), "Al Coholic" (phonetically similar to alcoholic), and "Mike Hunt" (phonetically similar to 'my cunt').

The Proprietor: Louis "Red" Deutsch

Louis "Red" Deutsch, the proprietor of the Tube Bar, was known for his background as a professional boxer.

Answer: True

Louis "Red" Deutsch, the owner of the Tube Bar, had a professional background as a heavyweight boxer.

Related Concepts:

  • Who was the proprietor of the Tube Bar, and what was his professional background?: The Tube Bar was owned by Louis "Red" Deutsch, who also possessed a background as a heavyweight boxer. He was typically the individual who answered the telephone during the prank calls.

"Red," the bar's proprietor, typically reacted with equanimity and politeness upon realizing he was the target of a prank.

Answer: False

Contrary to a calm demeanor, "Red" typically responded with extreme hostility, profanity, and threats when he realized he was being pranked.

Related Concepts:

  • Did "Red" ever extend offers of monetary incentives to the prank callers for the purpose of meeting him in person?: Yes, on certain occasions, "Red" proposed offering the two pranksters a reward, such as $100 or $500, contingent upon their arrival at his bar.
  • Describe the fundamental nature of the prank calls made to the Tube Bar.: The core prank involved Jim Davidson and John Elmo asking the proprietor of the bar, identified as "Red," to speak with various non-existent customers. The names provided for these individuals were intentionally crafted puns and homophones for offensive phrases.
  • What was the response of the pranksters to "Red's" proposals for an in-person meeting at the bar?: The pranksters consistently declined "Red's" invitations to meet him in person. In one documented instance, they countered his offer by proposing to give him $5.

"Red" issued threats to break the prank callers' legs and perform abdominal surgery.

Answer: True

The proprietor, "Red," made explicit threats of physical violence, including statements like "I'll break dem bones on you" and "I'll cut your belly open."

Related Concepts:

  • How did "Red," the proprietor of the Tube Bar, characteristically react when he discerned he was the subject of a prank?: Upon recognizing the prank, "Red" typically exhibited extreme hostility. His responses included the use of profanity, the utterance of obscene sexual references, frequently involving the caller's mother, and the issuance of threats of physical harm.
  • What specific threats did "Red" direct towards the prank callers?: Among the threats articulated by "Red" were declarations such as "I'll break dem bones on you, on your feet, you'll never be able to walk for the rest of your life!" and "I'll cut your belly open and show you all the black stuff you got in there!"

"Red" never offered the pranksters any monetary incentive to meet him at the bar.

Answer: False

On occasion, "Red" did offer financial incentives, such as $100 or $500, to the prank callers, proposing they meet him at the bar.

Related Concepts:

  • What was the response of the pranksters to "Red's" proposals for an in-person meeting at the bar?: The pranksters consistently declined "Red's" invitations to meet him in person. In one documented instance, they countered his offer by proposing to give him $5.
  • Did "Red" ever extend offers of monetary incentives to the prank callers for the purpose of meeting him in person?: Yes, on certain occasions, "Red" proposed offering the two pranksters a reward, such as $100 or $500, contingent upon their arrival at his bar.

The pranksters accepted "Red's" offers to meet him and even proposed offering him money in return.

Answer: False

The pranksters consistently declined "Red's" invitations to meet in person. In one documented instance, they counter-offered him $5.

Related Concepts:

  • What was the response of the pranksters to "Red's" proposals for an in-person meeting at the bar?: The pranksters consistently declined "Red's" invitations to meet him in person. In one documented instance, they countered his offer by proposing to give him $5.
  • Did "Red" ever extend offers of monetary incentives to the prank callers for the purpose of meeting him in person?: Yes, on certain occasions, "Red" proposed offering the two pranksters a reward, such as $100 or $500, contingent upon their arrival at his bar.
  • Describe the fundamental nature of the prank calls made to the Tube Bar.: The core prank involved Jim Davidson and John Elmo asking the proprietor of the bar, identified as "Red," to speak with various non-existent customers. The names provided for these individuals were intentionally crafted puns and homophones for offensive phrases.

"Red" Deutsch was known to occasionally offer the pranksters money to meet him.

Answer: True

Evidence suggests that "Red" Deutsch occasionally offered monetary incentives, such as $100 or $500, to the prank callers with the intention of meeting them in person.

Related Concepts:

  • What was the response of the pranksters to "Red's" proposals for an in-person meeting at the bar?: The pranksters consistently declined "Red's" invitations to meet him in person. In one documented instance, they countered his offer by proposing to give him $5.
  • Did "Red" ever extend offers of monetary incentives to the prank callers for the purpose of meeting him in person?: Yes, on certain occasions, "Red" proposed offering the two pranksters a reward, such as $100 or $500, contingent upon their arrival at his bar.

How did "Red," the bar owner, typically react upon realizing he was the target of a prank?

Answer: He responded with extreme hostility, profanity, and threats.

Upon realizing he was being pranked, "Red" characteristically responded with intense hostility, employing profanity and issuing threats of physical violence.

Related Concepts:

  • Did "Red" ever extend offers of monetary incentives to the prank callers for the purpose of meeting him in person?: Yes, on certain occasions, "Red" proposed offering the two pranksters a reward, such as $100 or $500, contingent upon their arrival at his bar.
  • Describe the fundamental nature of the prank calls made to the Tube Bar.: The core prank involved Jim Davidson and John Elmo asking the proprietor of the bar, identified as "Red," to speak with various non-existent customers. The names provided for these individuals were intentionally crafted puns and homophones for offensive phrases.
  • How did "Red," the proprietor of the Tube Bar, characteristically react when he discerned he was the subject of a prank?: Upon recognizing the prank, "Red" typically exhibited extreme hostility. His responses included the use of profanity, the utterance of obscene sexual references, frequently involving the caller's mother, and the issuance of threats of physical harm.

What incentives did "Red" sometimes offer the prank callers?

Answer: Money, such as $100 or $500, to meet them in person.

"Red" occasionally offered monetary rewards, ranging from $100 to $500, to the prank callers, proposing they meet him at the Tube Bar.

Related Concepts:

  • How did "Red," the proprietor of the Tube Bar, characteristically react when he discerned he was the subject of a prank?: Upon recognizing the prank, "Red" typically exhibited extreme hostility. His responses included the use of profanity, the utterance of obscene sexual references, frequently involving the caller's mother, and the issuance of threats of physical harm.
  • Did "Red" ever extend offers of monetary incentives to the prank callers for the purpose of meeting him in person?: Yes, on certain occasions, "Red" proposed offering the two pranksters a reward, such as $100 or $500, contingent upon their arrival at his bar.
  • What was the response of the pranksters to "Red's" proposals for an in-person meeting at the bar?: The pranksters consistently declined "Red's" invitations to meet him in person. In one documented instance, they countered his offer by proposing to give him $5.

How did the pranksters respond to "Red's" offers to meet him at the bar?

Answer: They never accepted his offers and once counter-offered him $5.

The pranksters consistently declined "Red's" invitations to meet. In one notable instance, they proposed offering him $5 instead.

Related Concepts:

  • What was the response of the pranksters to "Red's" proposals for an in-person meeting at the bar?: The pranksters consistently declined "Red's" invitations to meet him in person. In one documented instance, they countered his offer by proposing to give him $5.
  • Did "Red" ever extend offers of monetary incentives to the prank callers for the purpose of meeting him in person?: Yes, on certain occasions, "Red" proposed offering the two pranksters a reward, such as $100 or $500, contingent upon their arrival at his bar.
  • Describe the fundamental nature of the prank calls made to the Tube Bar.: The core prank involved Jim Davidson and John Elmo asking the proprietor of the bar, identified as "Red," to speak with various non-existent customers. The names provided for these individuals were intentionally crafted puns and homophones for offensive phrases.

Distribution and Cultural Spread

Initial widespread circulation of the Tube Bar prank calls was facilitated by digital downloads from early internet forums.

Answer: False

The initial widespread distribution of the Tube Bar prank calls was primarily achieved through duplicated cassette tapes, predating the common use of digital downloads from internet forums.

Related Concepts:

  • By what means did recordings of the Tube Bar prank calls initially achieve widespread circulation?: Recordings of the prank calls were widely disseminated through the process of duplication onto cassette tapes, which facilitated their spread among a broad audience prior to more formal releases.

By the 1980s, the Tube Bar tapes were being shared among staff of major league sports teams.

Answer: True

During the 1980s, dubbed cassette tapes of the Tube Bar prank calls circulated widely among personnel within various major league sports teams.

Related Concepts:

  • By the 1980s, how had the distribution channels for the Tube Bar prank call recordings evolved?: During the 1980s, dubbed cassette tapes containing the prank calls achieved significant circulation among the staff members of numerous major league sports teams, including the New York Mets, Los Angeles Dodgers, and Miami Dolphins.
  • During which decade did the dubbed copies of the Tube Bar prank calls achieve popularity among major league sports teams?: The dubbed copies, colloquially known as the *Red Tapes* or *Tube Bar Tapes*, circulated widely among the staff of major league sports teams during the 1980s.

The popularity of the prank calls spread from the music industry into sports reporting.

Answer: False

The dissemination of the prank calls' popularity occurred in the reverse direction: originating within sports leagues, then spreading to sports reporters, and subsequently entering the broader media landscape.

Related Concepts:

  • How did the popularity of the Tube Bar prank calls extend beyond the confines of sports circles?: The popularity of the prank calls expanded from within sports leagues to sports reporters, subsequently permeating into the broader media landscape.

The *Red Tapes* or *Tube Bar Tapes* gained popularity among major league sports teams during the 1970s.

Answer: False

While the tapes circulated among major league sports teams, this widespread popularity occurred during the 1980s, not the 1970s.

Related Concepts:

  • During which decade did the dubbed copies of the Tube Bar prank calls achieve popularity among major league sports teams?: The dubbed copies, colloquially known as the *Red Tapes* or *Tube Bar Tapes*, circulated widely among the staff of major league sports teams during the 1980s.

How did recordings of the Tube Bar prank calls initially achieve widespread distribution?

Answer: Through duplicated cassette tapes.

The initial widespread circulation of the Tube Bar prank calls was primarily facilitated by the duplication and sharing of cassette tapes.

Related Concepts:

  • By what means did recordings of the Tube Bar prank calls initially achieve widespread circulation?: Recordings of the prank calls were widely disseminated through the process of duplication onto cassette tapes, which facilitated their spread among a broad audience prior to more formal releases.
  • What does the 'See also' section suggest about the cultural context of the Tube Bar prank calls?: The 'See also' section indicates that the Tube Bar prank calls are part of a broader culture of practical jokes and prank calls, linking them to other notable examples and resources within that domain.
  • What does the discography, encompassing releases from 1988 to 2013, suggest regarding the commercial longevity of the Tube Bar prank call recordings?: The discography, which documents releases spanning from 1988 to 2013, indicates that the Tube Bar prank call recordings have maintained a sustained commercial presence and appeal for over two decades, evidenced by multiple releases across various labels.

What were the common unofficial names for the circulated copies of the Tube Bar prank calls?

Answer: The Red Tapes or The Tube Bar Tapes

Dubbed copies of the prank calls were widely known by the informal titles "The Red Tapes" or "The Tube Bar Tapes."

Related Concepts:

  • What were the common informal designations applied to the circulated copies of the Tube Bar prank calls?: These duplicated recordings of the prank calls were informally referred to as the *Red Tapes* or the *Tube Bar Tapes*.
  • What does the 'See also' section suggest about the cultural context of the Tube Bar prank calls?: The 'See also' section indicates that the Tube Bar prank calls are part of a broader culture of practical jokes and prank calls, linking them to other notable examples and resources within that domain.
  • What does the discography, encompassing releases from 1988 to 2013, suggest regarding the commercial longevity of the Tube Bar prank call recordings?: The discography, which documents releases spanning from 1988 to 2013, indicates that the Tube Bar prank call recordings have maintained a sustained commercial presence and appeal for over two decades, evidenced by multiple releases across various labels.

How did the popularity of the prank calls spread beyond the sports world?

Answer: To sports reporters and then the broader media world.

Following their circulation within sports leagues, the prank calls gained wider recognition as sports reporters began covering them, leading to broader media attention.

Related Concepts:

  • How did the popularity of the Tube Bar prank calls extend beyond the confines of sports circles?: The popularity of the prank calls expanded from within sports leagues to sports reporters, subsequently permeating into the broader media landscape.

Media Influence and Legacy

The animated series *The Simpsons* is confirmed to have been directly commissioned based on the Tube Bar prank calls.

Answer: False

While *The Simpsons* featured prank call gags that bore similarities to the Tube Bar calls, and creators acknowledged them as 'creative synchronicity,' the series was not directly commissioned based on them.

Related Concepts:

  • What does the term "creative synchronicity" imply regarding *The Simpsons*' prank calls and the Tube Bar tapes?: The term "creative synchronicity," as employed by Matt Groening, suggests that the similarities observed between *The Simpsons*' prank call gags and the Tube Bar calls emerged organically, rather than through direct imitation, indicating a shared creative spirit or parallel development.
  • What is the nature of the connection between animator Matt Groening and the Tube Bar prank calls?: Matt Groening, the creator of *The Simpsons*, has identified himself as an admirer of the Tube Bar tapes, particularly the "Garden Grove calls." He described the parallels between these calls and *The Simpsons'* prank call gag as "creative synchronicity."
  • Which popular animated television series is cited as potentially having been influenced by the Tube Bar prank calls?: The Tube Bar prank calls are referenced as a potential influence for a recurring comedic element within the animated television series *The Simpsons*, specifically the prank calls made by Bart Simpson to the bartender Moe Szyslak.

Matt Groening, creator of *The Simpsons*, considered the Tube Bar tapes a minor influence on his work.

Answer: False

Matt Groening described the similarity between the Tube Bar calls and *The Simpsons*' prank calls as "creative synchronicity" and cited the "Garden Grove calls" as a favorite part, indicating a significant connection rather than a minor influence.

Related Concepts:

  • What is the significance of Matt Groening's specific mention of the "Garden Grove calls"?: Matt Groening, the creator of *The Simpsons*, specifically cited the "Garden Grove calls" as a favored segment of the Tube Bar recordings, underscoring their impact on his creative work.
  • What is the nature of the connection between animator Matt Groening and the Tube Bar prank calls?: Matt Groening, the creator of *The Simpsons*, has identified himself as an admirer of the Tube Bar tapes, particularly the "Garden Grove calls." He described the parallels between these calls and *The Simpsons'* prank call gag as "creative synchronicity."
  • What does the term "creative synchronicity" imply regarding *The Simpsons*' prank calls and the Tube Bar tapes?: The term "creative synchronicity," as employed by Matt Groening, suggests that the similarities observed between *The Simpsons*' prank call gags and the Tube Bar calls emerged organically, rather than through direct imitation, indicating a shared creative spirit or parallel development.

Sam Simon stated that the prank call jokes on *The Simpsons* were intended as an homage to the classic Red tapes.

Answer: True

Sam Simon, a co-developer of *The Simpsons*, explicitly stated in 2007 that the show's prank call jokes were conceived as an "homage to or parody of the classic Red tapes."

Related Concepts:

  • How did Sam Simon, a co-developer of *The Simpsons*, characterize the intent behind the show's prank call jokes in relation to the Tube Bar tapes?: In 2007, Sam Simon communicated to *The Howard Stern Show* that the prank call jokes featured on *The Simpsons* were conceived as either an "homage to or parody of the classic Red tapes."

Billy West frequently imitated "Red" on *The Howard Stern Show* during the 1990s.

Answer: True

During the 1990s, comedian and voice actor Billy West was known to frequently impersonate "Red," the proprietor of the Tube Bar, on *The Howard Stern Show*.

Related Concepts:

  • How did Billy West engage with the legacy of the Tube Bar prank calls during the 1990s?: During the 1990s, on *The Howard Stern Show*, Billy West frequently performed imitations of "Red," the proprietor of the Tube Bar, often referring to him as "Red" when addressing inquiries.

The 'See also' section lists related topics such as The Jerky Boys and Longmont Potion Castle.

Answer: True

The 'See also' section of the source material does indeed list related prank call artists and phenomena, including The Jerky Boys and Longmont Potion Castle, contextualizing the Tube Bar calls within a broader genre.

Related Concepts:

  • What related prank call artists or phenomena are mentioned in the 'See also' section?: The 'See also' section lists related topics such as a general List of practical joke topics, Roy D. Mercer, The Jerky Boys, Touch-Tone Terrorists, and Longmont Potion Castle.
  • What does the 'See also' section suggest about the cultural context of the Tube Bar prank calls?: The 'See also' section indicates that the Tube Bar prank calls are part of a broader culture of practical jokes and prank calls, linking them to other notable examples and resources within that domain.

Matt Groening specifically mentioned the "Garden Grove calls" as a favorite part of the Tube Bar recordings.

Answer: True

Matt Groening, the creator of *The Simpsons*, explicitly stated that the "Garden Grove calls" were a favored segment of the Tube Bar recordings.

Related Concepts:

  • What is the significance of Matt Groening's specific mention of the "Garden Grove calls"?: Matt Groening, the creator of *The Simpsons*, specifically cited the "Garden Grove calls" as a favored segment of the Tube Bar recordings, underscoring their impact on his creative work.
  • What is the nature of the connection between animator Matt Groening and the Tube Bar prank calls?: Matt Groening, the creator of *The Simpsons*, has identified himself as an admirer of the Tube Bar tapes, particularly the "Garden Grove calls." He described the parallels between these calls and *The Simpsons'* prank call gag as "creative synchronicity."
  • What does the term "creative synchronicity" imply regarding *The Simpsons*' prank calls and the Tube Bar tapes?: The term "creative synchronicity," as employed by Matt Groening, suggests that the similarities observed between *The Simpsons*' prank call gags and the Tube Bar calls emerged organically, rather than through direct imitation, indicating a shared creative spirit or parallel development.

Matt Groening referred to the similarity between *The Simpsons* prank calls and the Tube Bar tapes as "direct inspiration."

Answer: False

Matt Groening characterized the connection as "creative synchronicity," suggesting an organic parallel rather than direct inspiration or imitation.

Related Concepts:

  • What does the term "creative synchronicity" imply regarding *The Simpsons*' prank calls and the Tube Bar tapes?: The term "creative synchronicity," as employed by Matt Groening, suggests that the similarities observed between *The Simpsons*' prank call gags and the Tube Bar calls emerged organically, rather than through direct imitation, indicating a shared creative spirit or parallel development.
  • What is the nature of the connection between animator Matt Groening and the Tube Bar prank calls?: Matt Groening, the creator of *The Simpsons*, has identified himself as an admirer of the Tube Bar tapes, particularly the "Garden Grove calls." He described the parallels between these calls and *The Simpsons'* prank call gag as "creative synchronicity."
  • What is the significance of Matt Groening's specific mention of the "Garden Grove calls"?: Matt Groening, the creator of *The Simpsons*, specifically cited the "Garden Grove calls" as a favored segment of the Tube Bar recordings, underscoring their impact on his creative work.

Sam Simon stated the prank call jokes on *The Simpsons* were intended as a parody of the classic Red tapes.

Answer: True

Sam Simon indicated that the prank call jokes featured in *The Simpsons* were conceived as either an homage to or a parody of the classic Tube Bar recordings, commonly known as the Red tapes.

Related Concepts:

  • How did Sam Simon, a co-developer of *The Simpsons*, characterize the intent behind the show's prank call jokes in relation to the Tube Bar tapes?: In 2007, Sam Simon communicated to *The Howard Stern Show* that the prank call jokes featured on *The Simpsons* were conceived as either an "homage to or parody of the classic Red tapes."

How did Matt Groening, creator of *The Simpsons*, describe the relationship between his show's prank calls and the Tube Bar tapes?

Answer: As "creative synchronicity."

Matt Groening characterized the parallels between *The Simpsons*' prank calls and the Tube Bar tapes as "creative synchronicity," implying an organic convergence of ideas rather than direct copying.

Related Concepts:

  • What is the significance of Matt Groening's specific mention of the "Garden Grove calls"?: Matt Groening, the creator of *The Simpsons*, specifically cited the "Garden Grove calls" as a favored segment of the Tube Bar recordings, underscoring their impact on his creative work.
  • What is the nature of the connection between animator Matt Groening and the Tube Bar prank calls?: Matt Groening, the creator of *The Simpsons*, has identified himself as an admirer of the Tube Bar tapes, particularly the "Garden Grove calls." He described the parallels between these calls and *The Simpsons'* prank call gag as "creative synchronicity."
  • What does the term "creative synchronicity" imply regarding *The Simpsons*' prank calls and the Tube Bar tapes?: The term "creative synchronicity," as employed by Matt Groening, suggests that the similarities observed between *The Simpsons*' prank call gags and the Tube Bar calls emerged organically, rather than through direct imitation, indicating a shared creative spirit or parallel development.

According to Sam Simon, what was the intention behind the prank call jokes featured on *The Simpsons*?

Answer: As an homage to or parody of the classic Red tapes.

Sam Simon stated that the prank call jokes on *The Simpsons* were intended as either an homage to or a parody of the classic Tube Bar recordings, commonly referred to as the Red tapes.

Related Concepts:

  • How did Sam Simon, a co-developer of *The Simpsons*, characterize the intent behind the show's prank call jokes in relation to the Tube Bar tapes?: In 2007, Sam Simon communicated to *The Howard Stern Show* that the prank call jokes featured on *The Simpsons* were conceived as either an "homage to or parody of the classic Red tapes."

The Tube Bar prank calls are cited as a potential inspiration for a gag in which animated television series?

Answer: The Simpsons

The Tube Bar prank calls are frequently cited as a potential source of inspiration for the prank call segments involving the character Moe Szyslak in the animated television series *The Simpsons*.

Related Concepts:

  • Which popular animated television series is cited as potentially having been influenced by the Tube Bar prank calls?: The Tube Bar prank calls are referenced as a potential influence for a recurring comedic element within the animated television series *The Simpsons*, specifically the prank calls made by Bart Simpson to the bartender Moe Szyslak.
  • What does the term "creative synchronicity" imply regarding *The Simpsons*' prank calls and the Tube Bar tapes?: The term "creative synchronicity," as employed by Matt Groening, suggests that the similarities observed between *The Simpsons*' prank call gags and the Tube Bar calls emerged organically, rather than through direct imitation, indicating a shared creative spirit or parallel development.

Discography and Commercial Releases

Edited versions of the Tube Bar tapes began appearing on vinyl LPs in the late 1970s.

Answer: False

The discography indicates that edited versions of the Tube Bar tapes first appeared on formats such as LP and CD during the 1980s, not the late 1970s.

Related Concepts:

  • During which decade did various record labels commence the release of edited versions of the Tube Bar tapes?: During the 1980s, numerous record labels initiated the release of diverse edited versions of the Tube Bar tapes across multiple formats, including CD, LP, and cassette tape.

The Bum Bar Bastards officially claimed copyright and released their own version of the tapes in the 1980s.

Answer: False

The Bum Bar Bastards claimed copyright and released their official version of the tapes in the 1990s, not the 1980s.

Related Concepts:

  • In which decade did the Bum Bar Bastards formally assert copyright and issue their own rendition of the tapes?: The Bum Bar Bastards emerged in the 1990s to claim copyright ownership of the tapes and subsequently released their own official version.

The first listed release of the Tube Bar recordings was titled *The Red Tapes* and issued in 1985.

Answer: False

The first listed release was titled *The Tube Bar*, issued on Cassette Tape in 1988 by TeenBeat Records, not *The Red Tapes* in 1985.

Related Concepts:

  • What was the title of the initial listed release of the Tube Bar recordings, and when was it issued?: The first release documented in the discography was titled *The Tube Bar*, issued on Cassette Tape on November 6, 1988, by TeenBeat Records.
  • Which record label was responsible for multiple early releases of *The Tube Bar* across various formats?: TeenBeat Records was responsible for releasing *The Tube Bar* on Cassette Tape in 1988, on LP in 1990, and on CD in 1991.
  • During which decade did various record labels commence the release of edited versions of the Tube Bar tapes?: During the 1980s, numerous record labels initiated the release of diverse edited versions of the Tube Bar tapes across multiple formats, including CD, LP, and cassette tape.

TeenBeat Records released *The Tube Bar* on CD in 1990.

Answer: False

TeenBeat Records released *The Tube Bar* on CD in 1991, not 1990. They released it on LP in 1990.

Related Concepts:

  • Which record label was responsible for multiple early releases of *The Tube Bar* across various formats?: TeenBeat Records was responsible for releasing *The Tube Bar* on Cassette Tape in 1988, on LP in 1990, and on CD in 1991.
  • What is the catalog number designated for the 1991 CD release of *The Tube Bar* by TeenBeat Records?: The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.

The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.

Answer: True

The 1991 CD release of *The Tube Bar* by TeenBeat Records is indeed cataloged under the number Teen-Beat 81.

Related Concepts:

  • What is the catalog number designated for the 1991 CD release of *The Tube Bar* by TeenBeat Records?: The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.
  • Which record label was responsible for multiple early releases of *The Tube Bar* across various formats?: TeenBeat Records was responsible for releasing *The Tube Bar* on Cassette Tape in 1988, on LP in 1990, and on CD in 1991.

Detonator Records released a CD version of *Tube Bar* in 1993 with catalog number 30414-2.

Answer: True

Detonator Records issued a CD edition of *Tube Bar* in 1993, identified by the catalog number 30414-2.

Related Concepts:

  • Which label issued a CD version of *Tube Bar* in 1993, and what was its associated catalog number?: Detonator Records released a CD version of *Tube Bar* in 1993, bearing the catalog number 30414-2.
  • What is the catalog number designated for the 1991 CD release of *The Tube Bar* by TeenBeat Records?: The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.
  • What is the catalog number for the *Tube Bar Collector's Edition*?: The catalog number for the *Tube Bar Collector's Edition* is 634479238611.

The album *Tavern Tour*, released in 1997, was exclusively available on Cassette Tape.

Answer: False

The album *Tavern Tour*, released in 1997, was available in both Cassette Tape and CD formats, not exclusively on cassette.

Related Concepts:

  • What album, released in 1997, was made available in both Cassette Tape and CD formats?: The album *Tavern Tour*, released in 1997 by Padded Cell Productions, was offered in both Cassette Tape and CD formats.

The *Tube Bar Collector's Edition* was released in 2006 by Padded Cell Productions.

Answer: False

The *Tube Bar Collector's Edition* was released in 2006, but it was issued by T.A. Productions, not Padded Cell Productions.

Related Concepts:

  • Which release is identified as the *Tube Bar Collector's Edition*, and by whom was it issued?: The *Tube Bar Collector's Edition* was released in 2006 by T.A. Productions.
  • What is the catalog number for the *Tube Bar Collector's Edition*?: The catalog number for the *Tube Bar Collector's Edition* is 634479238611.

"Drunk, Dirty And Disgraceful" was released by T.A. Productions on October 30, 2006.

Answer: True

The album *Drunk, Dirty And Disgraceful* was indeed released by T.A. Productions on October 30, 2006.

Related Concepts:

  • What album was released by T.A. Productions on October 30, 2006?: The album *Drunk, Dirty And Disgraceful* was released by T.A. Productions on October 30, 2006.
  • What is the catalog number for the 2006 release *Drunk, Dirty And Disgraceful*?: The catalog number for *Drunk, Dirty And Disgraceful* is 634479416163.

The CD release *Tube Bar Red's Bootleg Tape [Remastered]* was issued in September 2007 with catalog number 883629285993.

Answer: True

The remastered CD *Tube Bar Red's Bootleg Tape [Remastered]* was released in September 2007 and carries the catalog number 883629285993.

Related Concepts:

  • What is the catalog number for the CD release *Tube Bar Red's Bootleg Tape [Remastered]*?: The catalog number for the CD release *Tube Bar Red's Bootleg Tape [Remastered]* is 883629285993.

The *Tube Bar Legendary Prank / Crank Calls [The Ultimate Collection]* CD, released in 2008, is described as a definitive compilation.

Answer: True

The 2008 release *Tube Bar Legendary Prank / Crank Calls [The Ultimate Collection]* is indeed characterized as a definitive compilation of the prank calls.

Related Concepts:

  • Which 2008 T.A. Productions release is described as "The Ultimate Collection"?: The *Tube Bar Legendary Prank / Crank Calls [The Ultimate Collection]* CD, released on October 23, 2008, is described as "The Ultimate Collection."
  • What is the catalog number for the *Tube Bar Legendary Prank / Crank Calls [The Ultimate Collection]*?: The catalog number for the *Tube Bar Legendary Prank / Crank Calls [The Ultimate Collection]* is 883629648101.
  • What is the catalog number for the 35th Anniversary Complete Collection?: The catalog number for the *Tube Bar Prank Calls 35th Anniversary Complete Collection* is 885444445392.

The *Tube Bar Prank Calls 35th Anniversary Complete Collection* was released in 2010 by Detonator Records.

Answer: False

The *Tube Bar Prank Calls 35th Anniversary Complete Collection* was released in 2010, but it was issued by T.A. Productions, not Detonator Records.

Related Concepts:

  • What anniversary edition of the Tube Bar prank calls was released in September 2010?: The *Tube Bar Prank Calls 35th Anniversary Complete Collection* was released on CD by T.A. Productions on September 1, 2010.
  • What is the catalog number for the 35th Anniversary Complete Collection?: The catalog number for the *Tube Bar Prank Calls 35th Anniversary Complete Collection* is 885444445392.

The 2013 CD release *Tube Bar Vol. 4: Rummies, Bums & Dummies* has the catalog number 887936261862.

Answer: True

The catalog number for the 2013 CD release *Tube Bar Vol. 4: Rummies, Bums & Dummies* is correctly identified as 887936261862.

Related Concepts:

  • What is the catalog number for *Tube Bar Vol. 4: Rummies, Bums & Dummies*?: The catalog number for *Tube Bar Vol. 4: Rummies, Bums & Dummies* is 887936261862.

The discography suggests the Tube Bar recordings had a brief commercial life, with releases only in the late 1980s.

Answer: False

The discography, which spans releases from 1988 to 2013, indicates a sustained commercial presence for the Tube Bar prank call recordings over more than two decades, contradicting the notion of a brief commercial life limited to the late 1980s.

Related Concepts:

  • What does the discography, encompassing releases from 1988 to 2013, suggest regarding the commercial longevity of the Tube Bar prank call recordings?: The discography, which documents releases spanning from 1988 to 2013, indicates that the Tube Bar prank call recordings have maintained a sustained commercial presence and appeal for over two decades, evidenced by multiple releases across various labels.
  • Which record label was responsible for multiple early releases of *The Tube Bar* across various formats?: TeenBeat Records was responsible for releasing *The Tube Bar* on Cassette Tape in 1988, on LP in 1990, and on CD in 1991.
  • During which decade did various record labels commence the release of edited versions of the Tube Bar tapes?: During the 1980s, numerous record labels initiated the release of diverse edited versions of the Tube Bar tapes across multiple formats, including CD, LP, and cassette tape.
  • What is the catalog number designated for the 1991 CD release of *The Tube Bar* by TeenBeat Records?: The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.

The catalog number for the 1997 release *Tavern Tour* is bbb1111.

Answer: True

The catalog number associated with the 1997 release *Tavern Tour* is indeed bbb1111.

Related Concepts:

  • What is the catalog number associated with the 1997 release titled *Tavern Tour*?: The catalog number for *Tavern Tour* is bbb1111.

The Bum Bar Bastards released their official version of the tapes in the 1990s after claiming copyright.

Answer: True

The group known as the Bum Bar Bastards formally asserted copyright over the recordings and issued their own official version of the tapes during the 1990s.

Related Concepts:

  • In which decade did the Bum Bar Bastards formally assert copyright and issue their own rendition of the tapes?: The Bum Bar Bastards emerged in the 1990s to claim copyright ownership of the tapes and subsequently released their own official version.

In which decade did record labels begin releasing edited versions of the Tube Bar tapes on formats like CD and LP?

Answer: During the 1980s

Edited versions of the Tube Bar tapes started appearing on various formats, including CD and LP, during the 1980s.

Related Concepts:

  • During which decade did various record labels commence the release of edited versions of the Tube Bar tapes?: During the 1980s, numerous record labels initiated the release of diverse edited versions of the Tube Bar tapes across multiple formats, including CD, LP, and cassette tape.

In which decade did the Bum Bar Bastards officially claim copyright and release their own version of the tapes?

Answer: 1990s

The Bum Bar Bastards asserted copyright and released their official version of the Tube Bar tapes during the 1990s.

Related Concepts:

  • In which decade did the Bum Bar Bastards formally assert copyright and issue their own rendition of the tapes?: The Bum Bar Bastards emerged in the 1990s to claim copyright ownership of the tapes and subsequently released their own official version.

What was the first listed release of the Tube Bar recordings, and what format was it initially issued on?

Answer: The Tube Bar on Cassette Tape

The first officially listed release was titled *The Tube Bar*, which was issued on Cassette Tape by TeenBeat Records in 1988.

Related Concepts:

  • What was the title of the initial listed release of the Tube Bar recordings, and when was it issued?: The first release documented in the discography was titled *The Tube Bar*, issued on Cassette Tape on November 6, 1988, by TeenBeat Records.
  • Which record label was responsible for multiple early releases of *The Tube Bar* across various formats?: TeenBeat Records was responsible for releasing *The Tube Bar* on Cassette Tape in 1988, on LP in 1990, and on CD in 1991.
  • What is the catalog number designated for the 1991 CD release of *The Tube Bar* by TeenBeat Records?: The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.

Which record label was responsible for multiple early releases of *The Tube Bar* in different formats?

Answer: TeenBeat Records

TeenBeat Records was instrumental in the early commercialization of the recordings, releasing *The Tube Bar* on Cassette Tape (1988), LP (1990), and CD (1991).

Related Concepts:

  • Which record label was responsible for multiple early releases of *The Tube Bar* across various formats?: TeenBeat Records was responsible for releasing *The Tube Bar* on Cassette Tape in 1988, on LP in 1990, and on CD in 1991.
  • What is the catalog number designated for the 1991 CD release of *The Tube Bar* by TeenBeat Records?: The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.
  • During which decade did various record labels commence the release of edited versions of the Tube Bar tapes?: During the 1980s, numerous record labels initiated the release of diverse edited versions of the Tube Bar tapes across multiple formats, including CD, LP, and cassette tape.

What is the catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records?

Answer: Teen-Beat 81

The 1991 CD release of *The Tube Bar* by TeenBeat Records is identified by the catalog number Teen-Beat 81.

Related Concepts:

  • What is the catalog number designated for the 1991 CD release of *The Tube Bar* by TeenBeat Records?: The catalog number for the 1991 CD release of *The Tube Bar* by TeenBeat Records is Teen-Beat 81.
  • Which record label was responsible for multiple early releases of *The Tube Bar* across various formats?: TeenBeat Records was responsible for releasing *The Tube Bar* on Cassette Tape in 1988, on LP in 1990, and on CD in 1991.
  • Which label issued a CD version of *Tube Bar* in 1993, and what was its associated catalog number?: Detonator Records released a CD version of *Tube Bar* in 1993, bearing the catalog number 30414-2.

Which release is identified as the *Tube Bar Collector's Edition* and was issued in 2006?

Answer: The *Tube Bar Collector's Edition* by T.A. Productions

The release identified as the *Tube Bar Collector's Edition* was issued in 2006 by T.A. Productions.

Related Concepts:

  • Which release is identified as the *Tube Bar Collector's Edition*, and by whom was it issued?: The *Tube Bar Collector's Edition* was released in 2006 by T.A. Productions.
  • What is the catalog number for the *Tube Bar Collector's Edition*?: The catalog number for the *Tube Bar Collector's Edition* is 634479238611.

What is the catalog number for the 2006 release *Drunk, Dirty And Disgraceful*?

Answer: 634479416163

The catalog number for the 2006 release *Drunk, Dirty And Disgraceful* by T.A. Productions is 634479416163.

Related Concepts:

  • What is the catalog number for the 2006 release *Drunk, Dirty And Disgraceful*?: The catalog number for *Drunk, Dirty And Disgraceful* is 634479416163.
  • What album was released by T.A. Productions on October 30, 2006?: The album *Drunk, Dirty And Disgraceful* was released by T.A. Productions on October 30, 2006.

The CD release *Tube Bar Red's Bootleg Tape [Remastered]* was issued in September 2007. What is its catalog number?

Answer: 883629285993

The catalog number for the September 2007 CD release *Tube Bar Red's Bootleg Tape [Remastered]* is 883629285993.

Related Concepts:

  • What is the catalog number for the CD release *Tube Bar Red's Bootleg Tape [Remastered]*?: The catalog number for the CD release *Tube Bar Red's Bootleg Tape [Remastered]* is 883629285993.
  • What remastered release of the Tube Bar calls was issued by T.A. Productions in September 2007?: T.A. Productions issued *Tube Bar Red's Bootleg Tape [Remastered]* on CD on September 1, 2007.

What anniversary edition of the Tube Bar prank calls was released in September 2010?

Answer: 35th Anniversary Complete Collection

In September 2010, T.A. Productions released the *Tube Bar Prank Calls 35th Anniversary Complete Collection*.

Related Concepts:

  • What anniversary edition of the Tube Bar prank calls was released in September 2010?: The *Tube Bar Prank Calls 35th Anniversary Complete Collection* was released on CD by T.A. Productions on September 1, 2010.
  • Which 2008 T.A. Productions release is described as "The Ultimate Collection"?: The *Tube Bar Legendary Prank / Crank Calls [The Ultimate Collection]* CD, released on October 23, 2008, is described as "The Ultimate Collection."

What does the discography, spanning releases from 1988 to 2013, suggest about the commercial appeal of the Tube Bar prank call recordings?

Answer: They maintained a sustained commercial presence over more than two decades.

The extensive discography, with releases spanning from 1988 to 2013, indicates that the Tube Bar prank call recordings possessed enduring commercial appeal and maintained a presence in the market for over two decades.

Related Concepts:

  • What does the discography, encompassing releases from 1988 to 2013, suggest regarding the commercial longevity of the Tube Bar prank call recordings?: The discography, which documents releases spanning from 1988 to 2013, indicates that the Tube Bar prank call recordings have maintained a sustained commercial presence and appeal for over two decades, evidenced by multiple releases across various labels.
  • What does the 'See also' section suggest about the cultural context of the Tube Bar prank calls?: The 'See also' section indicates that the Tube Bar prank calls are part of a broader culture of practical jokes and prank calls, linking them to other notable examples and resources within that domain.
  • What is the catalog number for the 35th Anniversary Complete Collection?: The catalog number for the *Tube Bar Prank Calls 35th Anniversary Complete Collection* is 885444445392.

The Tube Bar Location and Demise

The Tube Bar was located at 12 Tube Concourse in Newark, New Jersey.

Answer: False

The Tube Bar was situated at 12 Tube Concourse, but its location was in Jersey City, New Jersey, not Newark.

Related Concepts:

  • What was the precise street address of the Tube Bar?: The Tube Bar was located at the address 12 Tube Concourse in Jersey City, New Jersey.
  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.
  • What notable entertainment venue was situated directly across the street from the Tube Bar?: The Landmark Loew's Jersey Theatre was located across the street from the Tube Bar.

The Tube Bar was situated near the entrance of the Hoboken PATH station.

Answer: False

The Tube Bar was located adjacent to the Journal Square PATH station, not the Hoboken PATH station.

Related Concepts:

  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.
  • What was the precise street address of the Tube Bar?: The Tube Bar was located at the address 12 Tube Concourse in Jersey City, New Jersey.
  • What notable entertainment venue was situated directly across the street from the Tube Bar?: The Landmark Loew's Jersey Theatre was located across the street from the Tube Bar.

A significant entertainment venue, the Landmark Loew's Jersey Theatre, was located across the street from the Tube Bar.

Answer: True

The Landmark Loew's Jersey Theatre was indeed situated across the street from the Tube Bar, providing a notable landmark in the vicinity.

Related Concepts:

  • What notable entertainment venue was situated directly across the street from the Tube Bar?: The Landmark Loew's Jersey Theatre was located across the street from the Tube Bar.
  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.
  • What was the precise street address of the Tube Bar?: The Tube Bar was located at the address 12 Tube Concourse in Jersey City, New Jersey.

The Tube Bar was located near the Journal Square PATH station.

Answer: True

The Tube Bar's location at 12 Tube Concourse in Jersey City, New Jersey, was indeed adjacent to the entrance of the Journal Square PATH station.

Related Concepts:

  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.
  • What was the precise street address of the Tube Bar?: The Tube Bar was located at the address 12 Tube Concourse in Jersey City, New Jersey.
  • What notable entertainment venue was situated directly across the street from the Tube Bar?: The Landmark Loew's Jersey Theatre was located across the street from the Tube Bar.

The building complex containing the Tube Bar was demolished in 2009 for a new residential development.

Answer: True

The commercial complex that housed the Tube Bar was demolished in early 2009 to facilitate the development project known as 1 Journal Square.

Related Concepts:

  • What fate befell the building that housed the Tube Bar?: The commercial complex that encompassed the Tube Bar was demolished in early 2009.
  • What was the stated purpose for the demolition of the Tube Bar's location?: The demolition was undertaken to facilitate the development project designated as 1 Journal Square.

The Tube Bar was located in which city and state?

Answer: Jersey City, New Jersey

The Tube Bar was situated at 12 Tube Concourse in Jersey City, New Jersey.

Related Concepts:

  • What was the precise street address of the Tube Bar?: The Tube Bar was located at the address 12 Tube Concourse in Jersey City, New Jersey.
  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.
  • What notable entertainment venue was situated directly across the street from the Tube Bar?: The Landmark Loew's Jersey Theatre was located across the street from the Tube Bar.

What major transportation hub was the Tube Bar situated near?

Answer: Journal Square PATH station

The Tube Bar was located adjacent to the entrance of the Journal Square PATH station, a significant transportation nexus.

Related Concepts:

  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.
  • What was the precise street address of the Tube Bar?: The Tube Bar was located at the address 12 Tube Concourse in Jersey City, New Jersey.

What significant entertainment venue was located directly across the street from the Tube Bar?

Answer: The Landmark Loew's Jersey Theatre

The Landmark Loew's Jersey Theatre stood directly across the street from the Tube Bar, serving as a prominent nearby establishment.

Related Concepts:

  • What notable entertainment venue was situated directly across the street from the Tube Bar?: The Landmark Loew's Jersey Theatre was located across the street from the Tube Bar.
  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.

What was the specific street address of the Tube Bar?

Answer: 12 Tube Concourse

The Tube Bar was located at the specific street address of 12 Tube Concourse in Jersey City, New Jersey.

Related Concepts:

  • What significant transportation hub was situated in proximity to the Tube Bar?: The Tube Bar was located adjacent to the entrance of the Journal Square PATH station.
  • What was the precise street address of the Tube Bar?: The Tube Bar was located at the address 12 Tube Concourse in Jersey City, New Jersey.
  • What notable entertainment venue was situated directly across the street from the Tube Bar?: The Landmark Loew's Jersey Theatre was located across the street from the Tube Bar.

Home | Sitemaps | Contact | Terms | Privacy