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AllMusic: The Definitive Digital Music Archive

An authoritative online database cataloging millions of albums, tracks, artists, and genres, providing comprehensive insights into the world of music.

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Overview

A Vast Musical Repository

AllMusic, formerly known as All-Music Guide (AMG), stands as a premier American online music database. It meticulously catalogs an extensive collection of musical works, encompassing over three million album entries and an astonishing thirty million individual tracks. Beyond recordings, it provides detailed information on musicians, bands, and their artistic contributions.

Digital Accessibility

Initiated in 1991, the database first became accessible on the Internet in 1994, initially through a text-based Gopher site. As web browsers evolved, AllMusic transitioned to the World Wide Web, becoming a readily available resource for music enthusiasts, researchers, and industry professionals worldwide.

Comprehensive Data

The platform offers more than just listings; it provides curated content including professional reviews, detailed biographies of artists, and insightful essays. This depth of information makes AllMusic an invaluable tool for understanding music history, genres, and the artists who shape them.

Historical Trajectory

Genesis and Vision

The foundation of AllMusic was laid in 1991 by Michael Erlewine, a musician and self-proclaimed "compulsive archivist." Driven by a desire to create an open-access database covering virtually all recorded music since the era of Enrico Caruso, Erlewine established the All-Music Guide. His initial motivation stemmed from frustration with inaccurate reissues of classic recordings.

Building the Database

Erlewine founded a software company, Matrix, in 1977, which provided a foundation for his later work. He recruited database engineer Vladimir Bogdanov to design the framework and writer Stephen Thomas Erlewine to develop editorial content. Chris Woodstra joined in 1993, contributing his extensive musical knowledge.

From Print to Pixels

The first iteration, published in 1992, was a substantial 1,200-page reference book. The online journey began in 1994 with a text-based Gopher site, evolving to the World Wide Web as browser technology matured. This transition democratized access to its vast musical information.

Scope and Classification

Extensive Cataloging

AllMusic's database is renowned for its sheer volume, featuring millions of album entries and tens of millions of tracks. It meticulously documents artists, bands, and their discographies, serving as a critical resource for music identification and exploration.

Genre Taxonomy

A distinctive feature of AllMusic is its sophisticated system for classifying music. The platform developed a comprehensive taxonomy of approximately 1,400 subgenres. This granular categorization allows for precise navigation and discovery, connecting artists and works across a wide spectrum of musical styles, from mainstream genres to niche subcultures like "sadcore."

Published Works

The All Music Guide Series

Beyond its online presence, AllMusic, through its parent company All Media Network, produced a significant series of print publications. These guides offered curated selections and expert recommendations across various music genres.

The series, often titled All Music Guide: The Definitive Guide to..., covered a broad range of musical styles. Vladimir Bogdanov served as the president and primary editor for these publications.

  • All Music Guide: The Definitive Guide to Popular Music (Multiple editions from 1992 to 2008)
  • All Music Guide to Classical Music: The Definitive Guide to Classical Music (2004)
  • All Music Guide to Country: The Definitive Guide to Country Music (Multiple editions from 1997 to 2003)
  • All Music Guide to Electronica: The Definitive Guide to Electronic Music (2001)
  • All Music Guide to Hip-hop: The Definitive Guide to Rap & Hip-hop (2003)
  • All Music Guide to Jazz: The Definitive Guide to Jazz Music (Multiple editions from 1994 to 2002)
  • All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul (Multiple editions from 1995 to 2002)
  • All Music Guide to Soul: The Definitive Guide to R&B and Soul (2003)
  • All Music Guide to the Blues: The Definitive Guide to the Blues (Multiple editions from 1996 to 2003)
  • All Music Guide Required Listening: Classic Rock (2007)
  • All Music Guide Required Listening: Contemporary Country (2008)
  • All Music Guide Required Listening: Old School Rap & Hip-hop (2008)
  • All Music Guide to the Music of 2002: Your Guide to the Recordings of the Year (2003)
  • All Music Guide to the Music of 2003: Your Guide to the Recordings of the Year (2004)

Ownership Evolution

Early Acquisitions

In 1996, Alliance Entertainment Corp. acquired All Music from Michael Erlewine for a reported $3.5 million. Following Alliance's bankruptcy filing in 1999, its assets were subsequently acquired by Ron Burkle's Yucaipa Equity Fund.

Transition to Rovi

In late 2007, AllMusic was purchased for $72 million by TiVo Corporation (then known as Macrovision). This entity later became Rovi Corporation in 2009, continuing its ownership until 2016.

Current Ownership

In 2015, AllMusic was acquired by BlinkX, which subsequently rebranded as RhythmOne. The underlying database technology currently utilizes a combination of MySQL and MongoDB for its operations.

Recognition

Esteemed Recognition

AllMusic's significance and comprehensive nature were acknowledged in August 2007 when PC Magazine included it in their prestigious "Top 100 Classic Websites" list. This recognition underscores its enduring value and influence as a foundational online resource for music information.

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References

References

A full list of references for this article are available at the AllMusic Wikipedia page

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Disclaimer

Important Notice

This page has been generated by an Artificial Intelligence and is intended solely for informational and educational purposes. The content is derived from a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or current.

This is not professional advice. The information provided herein is not a substitute for expert consultation in musicology, archival science, or any related field. Users should consult with qualified professionals for specific inquiries or research needs. The creators of this page assume no responsibility for any errors or omissions, or for any actions taken based on the information presented.