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The Broadway Journal: Poe's Literary Crucible

An Examination of Edgar Allan Poe's Sole Periodical Venture and its Significance in 19th-Century American Letters.

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Historical Context

Founding and Early Days

Established in New York City in 1844 by Charles Frederick Briggs and John Bisco, The Broadway Journal commenced publication in January 1845. Briggs, a known literary figure and satire novelist under the pseudonym "Harry Franco," envisioned a distinctive publication, distinct from its contemporaries. He managed editorial direction, actively seeking contributions, while Bisco oversaw the business and publishing aspects.

Poe's Editorial Tenure

A pivotal moment arrived on February 21, 1845, when Edgar Allan Poe contracted to serve as an editor for one year. His responsibilities included contributing at least one page of original material weekly, in exchange for one-third of the publication's profits. This marked the only period Poe held ownership of a periodical.

Financial Turmoil and Ownership Change

Internal friction soon arose. Briggs grew uncomfortable with Poe's critical reputation and sought to divest both Poe and Bisco. However, financial negotiations proved difficult. Briggs resigned in June 1845 due to mounting financial difficulties. Subsequently, in October, Bisco sold his share to Poe for $50, a sum secured by a note endorsed by Horace Greeley. This transaction granted Poe full editorial control and ownership.

Poe's Leadership and Closure

Under Poe's direction, The Broadway Journal featured revised versions of his works, including "The Masque of the Red Death" and "The Oval Portrait." He continued his sharp literary criticism, notably accusing Henry Wadsworth Longfellow of plagiarism. Poe also utilized the journal for a public association with Frances Sargent Osgood and to solicit funds for his ambitious, yet unrealized, magazine project, The Penn. Despite his efforts and some financial assistance from Rufus Wilmot Griswold, the journal ceased publication with its final issue dated January 3, 1846. Poe's valedictory expressed his regret over unfulfilled objectives.

Content and Intellectual Stance

Serious Intellectual Pursuits

The Broadway Journal aspired to be a more intellectually rigorous publication than many of its contemporaries. This serious orientation, while commendable, contributed to its limited readership and subsequent financial challenges.

Diverse Critical Scope

The journal's content emphasized literary reviews but extended its critical scope to encompass art, theater, and music. It also featured original poetry and articles addressing political matters of the day, reflecting a broad engagement with cultural and civic discourse.

The Challenge of Viability

Despite its intellectual depth and Poe's significant contributions, the journal struggled to achieve financial stability. The inherent difficulties of sustaining niche publications in the mid-19th century, coupled with the specific challenges faced during Poe's ownership, ultimately led to its short lifespan.

Scholarly References

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References

References

  1.  Campbell, Killis. "The Poe-Griswold Controversy", The Mind of Poe and Other Studies. New York: Russell & Russell, Inc., 1962: 66รขย€ย“67.
A full list of references for this article are available at the Broadway Journal Wikipedia page

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Important Notice

This document was generated by an Artificial Intelligence, synthesizing information from publicly available sources, primarily the Wikipedia article on The Broadway Journal. It is intended for educational and informational purposes only.

Academic Integrity Advisory: While this content aims for accuracy and depth suitable for higher education, it is derived from secondary sources. Users, particularly Master's level students, are expected to consult primary sources and original scholarly works for definitive research. This content should supplement, not replace, rigorous academic investigation.

The information provided herein is based on data available as of the last update and may not reflect the most current scholarship or historical interpretations. The creators assume no liability for errors, omissions, or actions taken based on this information.