What are the key biographical details of Cesare Maccari, including his birth and death dates and locations?

Cesare Maccari was born on May 9, 1840, in Siena, which was then part of the Grand Duchy of Tuscany. He passed away on August 7, 1919, at the age of 79 in Rome, Italy.

What was Cesare Maccari's primary artistic profession, and what is his most celebrated work?

Cesare Maccari was primarily an Italian painter and sculptor. His most famous work is the 1888 painting titled Cicerone denuncia Catilina, which is commonly translated as Cicero Accuses Catiline or Cicero Denounces Catiline.

Describe Cesare Maccari's early artistic training and education.

Maccari began his artistic education at the Institute of Fine Arts in Siena, where he studied sculpture and collaborated on the Monumento Pianigiani. He later moved to Florence to work in the atelier, or studio, of Luigi Mussini, further developing his skills.

What significant commission did Cesare Maccari undertake in Florence in 1864?

In 1864, while in Florence, Cesare Maccari was commissioned by an English society to create copies of artworks by Bernardino Pinturicchio. These copies were specifically of works found within the Cathedral of Siena.

How did Cesare Maccari secure patronage early in his career, and what were some of these early commissions?

Some of Maccari's initial patronage came from the Marquis Pieri-Nerli, who commissioned him to paint frescoes of the four evangelists for a private chapel in his home in Quinciano, a hamlet within Monteroni d'Arbia. Maccari also painted frescoes of the four evangelists for this private chapel.

What opportunity did winning a stipend to study in Rome provide for Cesare Maccari?

Winning a stipend allowed Cesare Maccari to study in Rome, and this opportunity also enabled him to travel throughout Italy, broadening his artistic experience and exposure.

What were some of Cesare Maccari's notable early oil canvases created in Rome?

Among Cesare Maccari's first significant oil paintings created in Rome was Vittoria Colonna meditates on the Poetry of Michelangelo. Another notable canvas was Sira che sacrifica la propia vita for the padrona Fabiola, which earned him a medal at the Exhibition of Termini in Rome.

Which of Maccari's paintings received a gold medal at the Exposition of Parma, and what was its subject?

Maccari's canvas titled Un palpito del passato was awarded a gold medal at the Exposition of Parma. The source text does not specify the exact subject matter of this particular painting beyond its title.

Where did Cesare Maccari paint frescoes and other figures during his mature period in Rome?

During his mature period in Rome, Cesare Maccari worked as a fresco artist decorating the interior of the church of the Sudario from 1870 to 1873. He also painted a lunette above the tomb of the Lombardi family in Campo Verano and two figures in the church of Santa Francesca Romana.

What painting by Maccari, depicting a famous Renaissance artist, won an award in 1865?

In 1863, Cesare Maccari painted Leonardo che ritrae la Gioconda, which is commonly translated as Leonardo da Vinci painting the Mona Lisa. This work received an award in 1865.

How did Maccari contribute to the public palace in his hometown of Siena?

In Siena, his hometown, Maccari decorated the Sala del Risorgimento (Room of the Risorgimento) in the public palace with frescoes. These works were met with critical acclaim.

What major project involved Maccari painting frescoes in Rome's Palazzo Madama, and what was the timeframe?

Between 1882 and 1888, Cesare Maccari painted a series of frescoes for the Sala Maccari located in the Salone d'Onore (Reception Hall) of Rome's Palazzo Madama. This building serves as the seat of the Italian Senate.

What is the overarching theme of the frescoes found in the Sala Maccari at Palazzo Madama?

The frescoes in the Sala Maccari depict famous events from the history of the Roman Senate, illustrating significant moments in ancient Roman political and legal history.

Describe the fresco depicting Appius Claudius Caecus in the Sala Maccari.

The fresco shows Appius Claudius Caecus being led into the Senate by his sons. In the scene, he is determined to deliver a speech urging the Romans to reject the peace conditions proposed by Cineas, the ambassador of Pyrrhus of Epirus.

What historical event is portrayed in the fresco featuring Marcus Papirius?

The fresco depicts Marcus Papirius, an elder senator, bravely confronting the Gauls who had occupied Rome following the Battle of the Allia. He is shown seated motionless, facing the invaders.

What is the subject of the fresco illustrating the Samnites and Curius Dentatus?

This fresco depicts an attempt by the Samnites to bribe Curius Dentatus. The bribe is intended to persuade Dentatus to convince the Roman Senate to agree to peace terms.

Explain the scene depicted in the fresco of Marcus Atilius Regulus.

The fresco portrays Marcus Atilius Regulus, who had been captured by Carthage during the First Punic War and subsequently sent back to Rome as part of a peace delegation. In the scene, he is shown urging the Roman Senate to reject the Carthaginian peace offer and even vowing to return to Carthage, knowing it would lead to his execution.

Where can the preparatory works for Maccari's Basilica di Loreto frescoes be found?

The preparatory studies and paintings related to Maccari's frescoes for the Basilica di Loreto are housed in the museum adjacent to the Basilica itself.

What personal health issue significantly impacted Maccari's artistic career?

Cesare Maccari became paralyzed in 1909 while working on the Palace of Justice in Rome. This condition unfortunately led him to cease his work as an artist.

Who were some of the notable artists who studied under Cesare Maccari?

Among Cesare Maccari's pupils were Cesare Bertolotti and Giuseppe Aureli, who continued their artistic training under his tutelage.

What historical event is the central subject of Cesare Maccari's most famous painting?

Cesare Maccari's most famous painting, Cicero Denounces Catiline, depicts Cicero's first speech against Catiline, delivered in the Roman Senate in 63 BC. This speech famously drove Catiline out of the city.

What specific aspect of Maccari's Cicero Denounces Catiline painting earned him praise from critics?

Maccari received praise for his painting's ability to capture the dramatic description of the historical event, particularly how Catiline was isolated and avoided by his fellow senators as Cicero delivered his denunciation.

What are the main criticisms regarding the historical accuracy of Maccari's Cicero Denounces Catiline?

Criticisms of the painting focus on several historical inaccuracies. Maccari depicted the Senate meeting in the wrong location, placing it in the Senate House Curia Cornelia instead of the actual site, the Temple of Jupiter Stator. Additionally, the ages and appearances of the central figures are misrepresented: Cicero appears much older than his 43 years, and Catiline, who was only two years older than Cicero, is depicted as significantly younger.

How has Maccari's depiction of the Roman Senate influenced subsequent representations?

Maccari's painting Cicero Denounces Catiline has been widely reproduced in textbooks and historical accounts of Rome. Its visual representation of the Roman Senate has notably influenced how the Senate of the Roman Republic is presented in non-fiction books and other media.

What does the source material indicate about the image identified as 'Watercolor by Cesare Maccari'?

The source material includes an image identified as a watercolor painting created by Cesare Maccari, showcasing his work in this medium.

What does the image titled 'Leonardo da Vinci Painting the Mona Lisa' represent?

The source material references a painting by Cesare Maccari titled Leonardo che ritrae la Gioconda, which depicts Leonardo da Vinci in the act of painting the Mona Lisa. This artwork was recognized with an award in 1865.

Describe the scene depicted in the 19th-century painting by Cesare Maccari showing Appius Claudius Caecus.

The source material includes an image of a 19th-century painting by Cesare Maccari depicting Appius Claudius Caecus. The scene shows him being led into the Curia Hostilia by his sons, preparing to address the Senate.

What does the image captioned 'Cicero Denounces Catiline (1888)' refer to?

The source material references the painting Cicero Denounces Catiline, created by Cesare Maccari in 1888. This is noted as his most famous work, depicting Cicero's denunciation of Catiline in the Roman Senate.

What does the presence of the Wikimedia Commons link indicate regarding Cesare Maccari?

The inclusion of a link to Wikimedia Commons suggests that there are additional media files, such as images or other multimedia content, related to Cesare Maccari available on that platform. This serves as a resource for further visual exploration of his work and life.

What kind of information is typically found under the 'Authority control' section of an article like this?

The Authority control section provides links to various international and national databases that catalog information about individuals and entities. These links, such as to ISNI, VIAF, Library of Congress, and national archives, help in uniquely identifying Cesare Maccari and accessing related curated records.

What specific historical context is provided for the fresco depicting Appius Claudius Caecus?

The fresco of Appius Claudius Caecus illustrates a moment where he was led into the Senate to deliver a speech. His objective was to persuade the Romans to reject the humiliating peace conditions offered by Cineas, the ambassador of Pyrrhus of Epirus.

What does the fresco depicting Marcus Atilius Regulus convey about his character and Roman values?

The fresco of Marcus Atilius Regulus highlights his unwavering commitment to Roman honor and duty. Despite being captured by Carthage and facing certain death upon return, he urged the Senate to reject a peace offer, demonstrating extreme patriotism and integrity.

What was the purpose of Cicero's Oratio in Catilinam Prima in Senatu Habita as depicted by Maccari?

The painting Cicero Denounces Catiline illustrates Cicero's first speech against Catiline, delivered in the Roman Senate. The purpose of this speech was to publicly denounce Catiline's conspiracy and compel him to leave Rome, which effectively drove him from the city.

Besides painting, what other artistic discipline did Cesare Maccari practice early in his career?

In addition to painting, Cesare Maccari also worked in sculpture during the early part of his career. This is evidenced by his studies at the Institute of Fine Arts in Siena and his work on the Monumento Pianigiani.

What role did Luigi Mussini play in Cesare Maccari's artistic development?

Luigi Mussini was an influential figure in Cesare Maccari's artistic journey. Maccari worked in Mussini's atelier in Florence, suggesting a period of mentorship or advanced study under Mussini's guidance.

What does the phrase 'Grand Duchy of Tuscany' signify in relation to Cesare Maccari's birth?

The phrase Grand Duchy of Tuscany indicates the political entity that governed the region of Siena at the time of Cesare Maccari's birth in 1840. Tuscany was then an independent state ruled by a Grand Duke.

What is the significance of the Sala Maccari in Rome's Palazzo Madama?

The Sala Maccari is a significant hall within Rome's Palazzo Madama, which serves as the seat of the Italian Senate. This hall was decorated with frescoes by Cesare Maccari depicting key moments in the history of the Roman Senate.

What does the term atelier mean in the context of Cesare Maccari's training?

In the context of Cesare Maccari's artistic training, an atelier refers to the studio or workshop of an artist, such as Luigi Mussini in Florence. It was a place where students learned by practicing their craft, often under the direct supervision of the master artist.

What does the term Risorgimento refer to, as mentioned in relation to Maccari's frescoes in Siena?

The term Risorgimento refers to the historical period of Italian unification in the 19th century. The Sala del Risorgimento decorated by Maccari in Siena's public palace likely commemorated significant events or figures associated with this movement.

What does the term dogma mean in relation to Maccari's frescoes in the Basilica di Loreto?

In the context of Maccari's frescoes in the Basilica di Loreto, a dogma refers to a fundamental principle or belief of a religion, officially decreed as such. The frescoes depicted events leading up to the official proclamation of the dogma of the Immaculate Conception by the Catholic Church in 1854.

What specific historical event is depicted in Maccari's painting Cicero Denounces Catiline?

Maccari's painting Cicero Denounces Catiline depicts Cicero's first speech against Catiline, delivered in the Roman Senate in 63 BC, which resulted in Catiline being driven from the city.

Cesare Maccari Wiki: Maccari's Masterpieces: An Academic Exploration of Form and History

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Profile

Cesare Maccari
[Portrait image placeholder]
Born	9 May 1840 Siena, Grand Duchy of Tuscany
Died	7 August 1919 (aged 79) Rome, Kingdom of Italy
Nationality	Italian
Known for	Painting
Notable work	Cicero Denounces Catiline

Artistic Identity

Cesare Maccari (1840–1919) was a distinguished Italian painter and sculptor, recognized for his contributions to academic art during the 19th century. His oeuvre is characterized by meticulous technique, historical subject matter, and a deep engagement with classical themes and narratives.

Origins and Enduring Legacy

Born in Siena, Grand Duchy of Tuscany, Maccari's career spanned significant periods of Italian history, from the unification of Italy to the early 20th century. He passed away in Rome, leaving behind a body of work that continues to be studied for its historical significance and artistic merit.

Formative Years

Academic Foundations

Maccari received his foundational artistic training at the Institute of the Fine Arts in Siena. During this period, he collaborated with Tito Sarrocchi, contributing to the completion of the Monumento Pianigiani in Siena. His artistic development continued under the tutelage of Luigi Mussini in Florence, where he honed his skills in painting and sculpture.

Early Commissions and Patronage

His early career was marked by significant commissions. In 1864, an English society engaged him to meticulously copy the works of Bernardino Pinturicchio within the Siena Cathedral. He also received patronage from the Marquis Pieri-Nerli, for whom he executed frescoes of the Four Evangelists in a private chapel. These early projects provided valuable experience and exposure, paving the way for his subsequent studies in Rome.

Rome and Italian Travels

Upon winning a stipend for study in Rome, Maccari embarked on travels throughout Italy. This period of exploration allowed him to immerse himself in the rich artistic heritage of the peninsula, absorbing influences that would shape his mature style and thematic choices in the years to come.

The Roman Period

Early Oil Canvases

In Rome, Maccari produced several notable oil canvases. Among these were Vittoria Colonna meditates on the Poetry of Michelangelo and Sira che sacrifica la propia vita for the padrona Fabiola, the latter earning a medal at the Exhibition of Termini. His work Un palpito del passato was awarded a gold medal at the Exposition of Parma. He also contributed figures to the church of Santa Francesca Romana and painted a Deposition commissioned by the marchesa di Cassibile.

Fresco Achievements

Maccari demonstrated considerable skill in fresco painting. Between 1870 and 1873, he decorated the interior of the church of the Sudario in Rome. He also executed tempera frescoes for the lunette above the Lombardi tomb in Campo Verano. His 1863 painting, Leonardo che ritrae la Gioconda (Leonardo Painting the Mona Lisa), received an award in 1865 and was later reproduced.

Exhibition Success

His participation in exhibitions garnered recognition. At the 1878 Turin Exposition, his oil canvas depicting The Deposition of Pope Silverius by Antonina, wife of Belisarius was purchased for the Civic Museum of Turin. His frescoes in the Sala del Risorgimento in Siena's public palace were also met with critical acclaim.

Palazzo Madama Frescoes

Historical Narratives

Between 1882 and 1888, Maccari undertook a significant commission for the Salone d'Onore (Reception Hall) of Rome's Palazzo Madama, the seat of the Italian Senate. He created a series of frescoes depicting pivotal moments in the history of the Roman Senate. These works are celebrated for their detailed historical representation and dramatic composition.

The frescoes in the "Sala Maccari" illustrate key senatorial moments:

Appius Claudius Caecus being led into the Senate to deliver a speech urging Romans to reject peace terms offered by Pyrrhus of Epirus's ambassador, Cineas.
The elder senator, Marcus Papirius, bravely confronting the Gauls occupying Rome after the Battle of the Allia.
Samnites attempting to bribe Curius Dentatus to persuade the Senate towards peace.
Marcus Atilius Regulus, returned as a prisoner from Carthage during the First Punic War, urging the Senate to reject the Carthaginian peace offer, vowing to return to Carthage where execution awaited him.

Loreto Basilica Frescoes

Devotional Artistry

In his later career, Maccari was commissioned to design and complete the frescoes for the cupola of the Basilica di Loreto. Completed between 1890 and 1907, these works replaced earlier frescoes by Cristoforo Roncalli that had deteriorated. The adjacent museum houses preparatory studies and paintings related to this significant project, which depict events leading to the proclamation of the dogma of the Immaculate Conception in 1854.

Masterpiece: Cicero Denounces Catiline

The Iconic Depiction

Maccari's most renowned work, Cicero Denounces Catiline (1888), captures the dramatic moment from Cicero's first oration against Catiline in the Roman Senate (63 BC). The painting is lauded for its vivid portrayal of the historical event, particularly the depiction of senators isolating Catiline as Cicero delivers his powerful denunciation.

Critical Reception and Historical Accuracy

While widely reproduced and influential in shaping perceptions of the Roman Senate, the painting has faced scholarly critique regarding historical accuracy. Points of contention include the depiction of the Senate meeting in the wrong location (the Senate House, Curia Cornelia, instead of the Temple of Jupiter Stator) and discrepancies in the ages and appearances of Cicero and Catiline relative to historical accounts.

Academic Connections

Scholarly Resources

Cesare Maccari's work and life are cataloged across various international and national databases, providing valuable resources for academic research. These include:

International Identifiers: ISNI, VIAF, FAST, WorldCat
National Repositories: Germany (GND), United States (LCCN), Italy (SBN), Vatican Archives
Art Databases: ULAN, RKD Artists, Musée d'Orsay
Biographical Archives: Italian People (Treccani), DeutscheBiographie, DDB, IdRef, Yale LUX

These resources offer extensive bibliographical and archival information for further study.

Teaching and Influence

In his later years, Maccari served as a lecturer at the prestigious Accademia di San Luca in Rome. His influence extended through his pupils, including notable artists such as Cesare Bertolotti and Giuseppe Aureli. Despite facing paralysis in 1909, his legacy as an educator and artist endured.

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References

Sala Maccari description in Italian Senate website.

Museo Antico Santuario di Loreto, short description.

A full list of references for this article are available at the Cesare Maccari Wikipedia page

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Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional art historical advice. The information provided on this website is not a substitute for consultation with qualified art historians, curators, or conservators. Always refer to primary sources and consult with professionals for specific research or appraisal needs.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.

Maccari's Masterpieces

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Profile 👤

🎨 Artistic Identity

🌍 Origins and Enduring Legacy

Formative Years 🌱

🎓 Academic Foundations

📜 Early Commissions and Patronage

✈️ Rome and Italian Travels

The Roman Period 🏛️

🖼️ Early Oil Canvases

🖌️ Fresco Achievements

🏆 Exhibition Success

Palazzo Madama Frescoes 🏛️

🏛️ Historical Narratives

Loreto Basilica Frescoes ⛪

✨ Devotional Artistry

Masterpiece: Cicero Denounces Catiline 👑

🗣️ The Iconic Depiction

🧐 Critical Reception and Historical Accuracy

Academic Connections 🎓

🔗 Scholarly Resources

🧑‍🏫 Teaching and Influence

Teacher's Corner 🧑‍🏫

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📜 Important Notice

Dive in with Flashcard Learning!

Profile

Artistic Identity

Origins and Enduring Legacy

Formative Years

Academic Foundations

Early Commissions and Patronage

Rome and Italian Travels

The Roman Period

Early Oil Canvases

Fresco Achievements

Exhibition Success

Palazzo Madama Frescoes

Historical Narratives

Loreto Basilica Frescoes

Devotional Artistry

Masterpiece: Cicero Denounces Catiline

The Iconic Depiction

Critical Reception and Historical Accuracy

Academic Connections

Scholarly Resources

Teaching and Influence

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice