Danny Dare
A multifaceted luminary whose artistry shaped the landscape of stage and screen through choreography, direction, and production.
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Career Overview
A Versatile Artist
Danny Dare (March 20, 1905 – November 20, 1996) was a distinguished American choreographer, actor, director, writer, and producer. His extensive career spanned the dynamic eras of stage, screen, and early television, leaving an indelible mark on the entertainment industry.
Timeline of Influence
Beginning his professional journey in the 1920s, Dare demonstrated remarkable adaptability, transitioning seamlessly from acting on the New York stage to mastering the intricacies of choreography, sketch writing, and production across various performance mediums.
Enduring Recognition
His contributions are formally recognized through extensive archival data, including listings in major databases like IMDb, the Internet Broadway Database, and international authority control systems, underscoring the significance and breadth of his professional endeavors.
Early Steps: Stage & Vaudeville
Broadway Debut
Dare commenced his acting career on the New York stage in the 1920s. His official Broadway debut occurred in 1923, performing in the musical production Dew Drop Inn. This marked the initial step in a career that would soon encompass multiple creative disciplines.
Vaudeville Acumen
Following his stage work, Dare gained invaluable experience on the vaudeville circuit. Here, he honed his skills not only as a performer but also as a choreographer, a writer of comedic sketches, and eventually, a producer, laying the groundwork for his future multifaceted roles.
Early Choreographic Roles
By 1927, Dare was already contributing as an assistant choreographer for the musical The Five O'Clock Girl, showcasing his burgeoning talent in dance direction. This period solidified his reputation as a skilled creative force within the theatrical community.
Broadway Choreography
A Prolific Choreographer
Dare became a highly sought-after choreographer on Broadway during the late 1920s and early 1930s. His innovative work contributed significantly to the success of numerous acclaimed productions, defining the musical numbers of the era.
Beyond Choreography
Dare's creative reach extended beyond dance. In 1931, he produced the play Sentinels. Later, in 1940, he took on multiple roles for the musical Meet the People, serving as producer, director, and writer of the book, demonstrating his comprehensive understanding of theatrical production.
Hollywood Choreography
Paramount Pictures Contract
In 1929, Dare's exceptional choreography skills attracted the attention of executives at Paramount Pictures, leading to a studio contract. This move marked his significant transition into the burgeoning film industry, where he would apply his talents to the silver screen.
Iconic Film Contributions
Dare choreographed numerous films for Paramount, contributing to the visual spectacle and musicality of many productions during the Golden Age of Hollywood. His work often enhanced the narrative and performance elements of these cinematic features.
Directorial Endeavors
Transition to Directing
Dare ventured into directing for the first time in 1938 with the film The Main Event. While this was his sole directorial credit for a feature film, his expertise in visual storytelling and performance direction was evident.
Television Directing
In the 1950s, Dare applied his directorial talents to the burgeoning medium of television. He directed episodes for notable shows, further expanding his creative footprint across different entertainment platforms.
Producing Films
Behind the Scenes
In addition to his creative roles, Danny Dare also engaged in film production. Between 1945 and 1952, he produced a total of eight films, demonstrating his comprehensive involvement in bringing cinematic projects to fruition from conception to completion.
Legacy and Recognition
Archival Presence
Danny Dare's extensive career is documented across various platforms, reflecting his significant impact on the performing arts and entertainment industry. His professional footprint is preserved through databases and archives.
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References
References
- Obituaries in the Performing Arts, 1996: Film, Television, Radio, Theatre By Harris M. Lentz, Page 54
- Showstoppers: Busby Berkeley and the tradition of spectacle By Martin Rubin, page 227
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Important Notice
This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.
This is not professional advice. The information provided on this website is not a substitute for professional consultation regarding entertainment history, artistic careers, or archival research. Always refer to primary sources and consult with relevant experts for specific inquiries.
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