Saga of the Sons: Girart de Vienne Unveiled
A deep dive into the late twelfth-century Old French epic, exploring its narrative, characters, and its pivotal role in defining the Carolingian literary tradition.
Explore the Plot ๐ Understand the Cycles ๐Introduction to Girart de Vienne
A Landmark Chanson de Geste
Girart de Vienne stands as a significant work within the corpus of Old French literature, specifically classified as a chanson de geste (song of deeds). Composed around the late twelfth century, approximately 1180, by the poet Bertrand de Bar-sur-Aube, this epic poem offers a rich narrative tapestry. It delves into the conflicts between the loyal vassals of Charlemagne and the emperor himself, while crucially establishing the profound friendship between two of the most celebrated heroes of the Carolingian epics: Olivier and Roland.[1]
Structure and Form
The poem is meticulously crafted, comprising over 6,000 rhymed decasyllable verses, organized into narrative segments known as laisses.[1][2] While the extant text dates from the late twelfth century, it is believed to be based on an earlier, now lost, poetic composition.[1] Its enduring appeal led to numerous adaptations, including a version in alexandrines during the 14th century and five distinct prose adaptations, showcasing its widespread influence through the medieval period and into the Renaissance.[1]
Context: The Carolingian Epics
As a chanson de geste, Girart de Vienne belongs to a tradition of epic poetry celebrating the deeds of knights and rulers, particularly those associated with the court of Charlemagne. These narratives often explore themes of loyalty, honor, warfare, and faith. The poem's contribution to solidifying the legendary status of figures like Olivier and Roland, and its role in structuring the broader cycle of Carolingian literature, marks it as a text of considerable historical and literary importance.
The Narrative Arc: Plot Summary
The Sons of Garin and Imperial Conflict
The narrative commences by introducing the four sons of Garin de Monglane: Hernaut, Girart, Renier, and Milon. Each son establishes themselves with a fief, with Renier eventually becoming the father of the renowned Olivier. The central conflict ignites when Aymeri, the son of Hernaut, becomes incensed upon hearing the Empress boast of a past humiliation inflicted upon his uncle, Girart. This perceived insult galvanizes the brothers, inciting them to challenge imperial authority.
A Fateful Duel and Enduring Friendship
In a pivotal attempt to resolve the escalating conflict, Olivier is put forth to engage in a duel against Roland, the nephew of Emperor Charlemagne. The confrontation takes place near Vienne. However, the duel concludes without a decisive victor as nightfall intervenes. An angelic intervention then advises the two heroes to conserve their strength for the impending battles against the Saracens. This divine counsel leads Olivier and Roland to swear an oath of eternal friendship. Following this pact, Roland proposes marriage to Olivier's sister, Aude.
Reconciliation and Impending Threat
Girart is subsequently reconciled with Emperor Charlemagne, seemingly resolving the internal strife. However, before the marriage of Roland and Aude can be solemnized, a messenger arrives bearing urgent news: the imminent invasion of Gascony by Saracen forces. This external threat shifts the focus from internal disputes to the defense of the realm, setting the stage for further epic confrontations.
Literary Cycles: Structuring the Epics
The Threefold Division of Carolingian Verse
Girart de Vienne holds particular significance for its role in conceptualizing the organization of the vast body of Carolingian epic poetry, often referred to as the "Matter of France." The poem itself articulates a tripartite division of these chansons de geste, based on central figures or ancestral lineages. This classification, as presented within the text, is:
Defining the Cycles
The three cycles, as described within the poem, are:
- The "Geste du roi": Centered on Emperor Charlemagne and his immediate circle of loyal knights.
- The "Geste de Doon de Mayence": Focuses on figures who rebelled against royal authority, notably Renaud de Montauban and Girart de Roussillon. This cycle often highlights themes of defiance and the complexities of feudal loyalty.
- The "Geste de Garin de Monglane": Features knights, often younger sons without inheritance, who sought glory and land through combat against Saracens. William of Orange is a prominent figure in this cycle, and Girart de Vienne itself, with its focus on the sons of Garin, is a key text within this grouping.
Scholarly Editions and Translations
Accessing the Text
The study and appreciation of Girart de Vienne are facilitated by scholarly editions and translations that make this medieval epic accessible to contemporary readers and researchers. Key scholarly works include:
- Original French Edition: Girart de Vienne, edited by Wolfgang van Emden (Published by the Sociรฉtรฉ des Anciens Textes Franรงais, Paris, 1977). This edition provides critical access to the Old French text.
- English Translation: The Song of Girart of Vienne by Bertrand de Bar-Sur-Aube: A Twelfth-Century Chanson de Geste, translated by Michael A. Newth (Published by the Arizona Center for Medieval and Renaissance Studies, Tempe, 1999). This translation offers the narrative in modern English, preserving the epic spirit.
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