What was Glenn Gould's full birth name and when and where was he born?

Glenn Gould was born Glenn Herbert Gold on September 25, 1932, in Toronto, Ontario, Canada. His family later informally changed their surname to Gould around 1939.

What is Glenn Gould most renowned for as a classical pianist?

Glenn Gould is most renowned for his interpretations of the keyboard works of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and a unique ability to articulate the complex contrapuntal textures found in Bach's music.

Which composers' works did Glenn Gould tend to favor, and which did he largely reject?

Gould favored composers like Johann Sebastian Bach and Ludwig van Beethoven, along with some late-Romantic and modernist composers. He largely rejected the Romantic piano literature of composers such as Frédéric Chopin, Robert Schumann, Franz Liszt, and Sergei Rachmaninoff, finding their style too focused on emotional display rather than structural clarity.

Beyond piano performance, what other creative and professional activities did Glenn Gould engage in?

Glenn Gould was also a writer, broadcaster, composer, and conductor. He produced television programs about classical music, created radio documentaries, and was a prolific contributor to music journals, discussing music theory and art.

Why did Glenn Gould stop giving public concerts at the age of 31?

Gould stopped giving public concerts at age 31 because he disliked public performance, viewing the concert hall as an anachronism and a 'force of evil.' He preferred the control and intimacy of the recording studio to concentrate on studio recording and media projects.

What was the origin of Glenn Gould's surname change from Gold to Gould?

The family's surname was informally changed from Gold to Gould around 1939. This change was made to avoid being mistaken for Jewish people due to the prevailing antisemitism in Toronto before World War II, although Gould himself had no Jewish ancestry.

How did Glenn Gould's parents influence his early musical development?

Both of Glenn Gould's parents were musical, but his mother, Florence Emma Gold, particularly encouraged his musical development from infancy. She taught him the piano and exposed him to music even before his birth, leading to early predictions of a musical career.

What unusual signs of musical talent did Glenn Gould exhibit as a baby and toddler?

As a baby, Gould reportedly hummed instead of crying and wiggled his fingers as if playing a keyboard. By age three, he possessed perfect pitch and would strike single piano notes, listening intently to their decay, which his father noted was unusual behavior for a child.

Who was Glenn Gould's piano teacher, and what was a key technical concept he learned?

Glenn Gould's primary piano teacher was Alberto Guerrero. A key technical concept he learned from Guerrero was to 'pull down' at the keys rather than striking them from above, which allowed for greater control and independence of the fingers.

Describe the significance of the adjustable-height chair Glenn Gould used throughout his life.

Glenn Gould used a special adjustable-height chair, designed by his father after a childhood back injury, for the rest of his life. This chair allowed him to sit very low at the piano, facilitating his unique playing technique of 'pulling down' at the keys, and it became so identified with him that a replica is displayed at Library and Archives Canada.

How did Artur Schnabel and Rosalyn Tureck influence Gould's approach to playing Bach?

As a teenager, Gould was significantly influenced by Artur Schnabel and Rosalyn Tureck's recordings of Bach. Tureck's interpretations, in particular, were described by Gould as 'upright, with a sense of repose and positiveness,' shaping his own approach to the composer's keyboard works.

What was Gould's perspective on the public concert and his reasons for abandoning it?

Gould viewed the public concert as an anachronism and a 'force of evil,' believing it devolved into a 'blood sport.' He felt that live performances led to unexceptional interpretations due to audience expectations and limitations, and he preferred the control offered by studio recordings.

When and where did Glenn Gould give his last public performance?

Glenn Gould gave his final public performance on April 10, 1964, at the Wilshire Ebell Theater in Los Angeles.

What were some of the notable pieces Glenn Gould performed in his final concert?

In his last public performance, Gould played Beethoven's Piano Sonata No. 30, selections from Bach's *The Art of Fugue*, and Hindemith's Piano Sonata No. 3.

How did Glenn Gould describe his relationship with the recording studio and the microphone?

Gould described his relationship with the recording studio as a 'love affair with the microphone.' He valued the studio environment for the total artistic control it provided, allowing him to refine musical interpretations through the selection of different takes.

What unusual habit did Glenn Gould have while playing the piano, and how did it affect his recordings?

Gould often hummed or sang while he played the piano, a habit that originated from his mother's teaching. This 'vocalizing' sometimes made it difficult for audio engineers to exclude his voice from recordings, and some critics found it intolerable, impacting the reception of certain recordings.

Describe Glenn Gould's insistence on environmental control within recording studios.

Gould insisted on absolute control over his recording environment, most notably demanding that the studio temperature be kept extremely warm, regardless of the season. This meticulous attention to his surroundings was part of his overall pursuit of the ideal recording conditions.

How did Leonard Bernstein react to Glenn Gould's unique performance style and tempo choices?

Leonard Bernstein expressed admiration for Gould, stating, 'There is nobody quite like him, and I just love playing with him.' However, Bernstein also publicly acknowledged potential differences in interpretation, famously telling an audience before a concert that he assumed no responsibility for what they were about to hear, referencing Gould's tempo preferences.

What unusual incident occurred when Gould was in Sarasota, Florida, related to his attire?

While in Sarasota, Florida, Gould, who was averse to cold and often wore heavy clothing including gloves, was possibly mistaken for a vagrant and arrested while sitting on a park bench. This highlights his eccentric approach to personal comfort and appearance.

What were some of Glenn Gould's most well-known alter egos, and for what purpose did he use them?

Gould created over two dozen alter egos, such as the German musicologist Karlheinz Klopweisser, the English conductor Sir Nigel Twitt-Thornwaite, and the American critic Theodore Slutz. He used these personas for satirical, humorous, and didactic purposes, allowing him to offer commentary or criticism on music and his own work.

What was Glenn Gould's stance on alcohol and smoking?

Glenn Gould was a teetotaller and did not smoke, adhering to a disciplined lifestyle regarding substances.

What did Glenn Gould say about the purpose of art in 1962?

In 1962, Gould stated that 'The justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations.' He believed art's purpose was the 'gradual, lifelong construction of a state of wonder and serenity,' rather than a momentary release of adrenaline.

How did Mark Kingwell summarize the paradoxical nature of Glenn Gould's artistic position?

Mark Kingwell described Gould as being 'progressive and anti-progressive at once,' and simultaneously a critic of the *Zeitgeist* (spirit of the age) and its most interesting expression. Kingwell suggested Gould was 'stranded on a beachhead of his own thinking between past and future,' embodying a genius that was both of his time and apart from it.

What was Gould's view on the authenticity of recordings created through studio techniques like splicing?

Gould challenged the notion that studio-refined recordings were less authentic, comparing his process to that of a film director. He argued that music recording should not be held to a different standard than filmmaking, suggesting that the tape 'does lie, and nearly always gets away with it,' implying that the final product was a valid artistic creation.

What was the significance of Glenn Gould's 1955 recording of Bach's Goldberg Variations?

Glenn Gould's 1955 recording of Bach's *Goldberg Variations* was his breakthrough work, receiving extraordinary praise and becoming one of the best-selling classical albums of its era. It closely associated him with the piece, which he recorded again in 1981.

How did Gould's 1955 and 1981 recordings of Bach's Goldberg Variations differ?

Gould's 1955 interpretation of the *Goldberg Variations* is described as highly energetic and often frenetic, while his 1981 rerecording is slower and more deliberate, reflecting his desire to treat the aria and its variations as a single, cohesive musical structure.

What was Gould's opinion of Bach as a composer?

Gould considered Bach 'first and last an architect, a constructor of sound.' He believed Bach was 'beyond a doubt the greatest architect of sound who ever lived,' highlighting his admiration for Bach's structural and compositional genius.

Which of Bach's works did Gould record, and which did he find less interesting?

Gould recorded most of Bach's keyboard works, including both books of *The Well-Tempered Clavier*, the partitas, French Suites, English Suites, and inventions. He found Bach's toccatas less interesting, primarily because they were less polyphonic than his other works.

What was Gould's preference regarding Beethoven's musical periods?

Gould preferred Beethoven's early and late periods, recording all five of his piano concertos and 22 of his piano sonatas, along with various bagatelles and variations.

How did Gould feel about Frédéric Chopin's music?

Gould was extremely critical of Chopin, stating he did not feel compelled to play Chopin's music, only doing so perhaps once or twice a year for himself in a 'weak moment.' While he later admitted to liking some miniatures and the first movement of Chopin's B minor sonata, his overall view was dismissive.

What was Gould's relationship with Mozart's music?

While Gould recorded all of Mozart's piano sonatas and admitted to enjoying the 'actual playing' of them, he expressed a dislike for Mozart's later works, associating them with a perceived drift toward 'hedonism' in music.

Which lesser-known composer did Gould particularly admire and record?

Gould had a fondness for lesser-known composers like Orlando Gibbons, whom he called his favorite composer. He felt a 'spiritual attachment' to Gibbons's music and recorded several of his keyboard works.

What was the nature of Gould's collaboration with soprano Elisabeth Schwarzkopf?

Gould's 1966 collaboration with soprano Elisabeth Schwarzkopf to record Strauss's *Ophelia Lieder* was considered an 'outright fiasco.' Schwarzkopf, who believed in 'total fidelity' to the score, objected to the overheated studio conditions and Gould's improvisational approach to Strauss's music during the recording sessions.

What were the key components of Gould's *Solitude Trilogy* radio documentaries?

Gould's *Solitude Trilogy* consisted of three radio documentaries: *The Idea of North*, *The Latecomers*, and *The Quiet in the Land*. He used a technique called 'contrapuntal radio,' where multiple voices were heard simultaneously, manipulated through overdubbing and editing, similar to the voices in a fugue.

What musical piece by Bach was included on the Voyager Golden Record, and why?

A performance by Glenn Gould of the Prelude and Fugue in C major from Book II of Bach's *The Well-Tempered Clavier* was selected for the Voyager Golden Record. This selection was made by a committee headed by Carl Sagan, recognizing its artistic merit and representation of human culture.

How did Gould's interest in technology influence his views on art and authenticity?

Gould embraced technology, likening his studio recording process to that of a film director. He believed technology allowed for greater artistic control and the creation of a refined final product, challenging traditional notions of authenticity in performance and art reception.

What is the mission of the Glenn Gould Foundation?

The Glenn Gould Foundation, established in 1983, aims to honor Glenn Gould by extending awareness of his legacy as a musician and communicator, and by advancing his innovative ideas into the future. Its primary activity is awarding the triennial Glenn Gould Prize.

What is the Glenn Gould Prize, and who receives it?

The Glenn Gould Prize is awarded triennially by the Glenn Gould Foundation to an individual recognized internationally for an exceptional contribution to music and its communication through any technology. The prize includes a monetary award and the responsibility of selecting a young musician to receive the Glenn Gould Protégé Prize.

Which educational institution was renamed The Glenn Gould School in honor of the pianist?

The Royal Conservatory of Music Professional School in Toronto was renamed The Glenn Gould School in 1997, recognizing its most famous alumnus.

How many Juno Awards did Glenn Gould win, and for which works?

Glenn Gould won three Juno Awards: in 1979 for Best Classical Album (*Hindemith: Das Marienleben*), in 1983 for Best Classical Album (*Bach: The Goldberg Variations*), and in 1984 for Best Classical Album (*Brahms: Ballades Op. 10, Rhapsodies Op. 79*).

How many Grammy Awards did Glenn Gould win during his lifetime and posthumously?

Glenn Gould won four Grammy Awards. He won three during his lifetime (1973 for Best Album Notes, 1982 for Best Classical Album and Best Instrumental Soloist Performance, and 1983 for Best Instrumental Soloist Performance) and received a Grammy Lifetime Achievement Award posthumously in 2013.

In what year was Glenn Gould posthumously inducted into the Canadian Music Hall of Fame?

Glenn Gould was posthumously inducted into the Canadian Music Hall of Fame in 1983.

What specific Bach piece is inscribed on Glenn Gould's grave marker?

The first few bars of Bach's *Goldberg Variations* are carved onto Glenn Gould's grave marker at Mount Pleasant Cemetery in Toronto.

How did Glenn Gould divide his estate after his death?

As an animal lover, Glenn Gould left half of his estate to the Toronto Humane Society and the other half to the Salvation Army.

What potential medical conditions have been suggested by experts to explain Gould's behavior and health issues?

Experts have suggested that Glenn Gould may have had dystonia, bipolar disorder, or possibly been on the autism spectrum. His lifelong struggles with various pains, anxieties, and eccentric behaviors have been attributed to these potential conditions, alongside his extensive use of prescription medications.

What was the nature of Gould's relationship with Cornelia Foss?

Cornelia Foss, wife of composer Lukas Foss, confirmed she had a several-year love affair with Glenn Gould starting in the mid-1960s. She stated their relationship was 'quite sexual' and that Gould was 'extremely heterosexual,' countering some public perceptions about his personal life.

What did Gould's father reportedly predict about his son's future career?

Upon observing young Glenn's fascination with the piano, his doctor predicted he would 'be either a physician or a pianist.' This reflects the early and profound connection Gould had with music.

What was Gould's view on the music of The Beatles and Petula Clark?

Gould criticized The Beatles for 'bad voice leading' but expressed admiration for popular singers like Petula Clark and Barbra Streisand. This shows his selective engagement with popular music, often prioritizing vocal clarity and structure.

What was the outcome of the collaboration between Glenn Gould and Elisabeth Schwarzkopf?

The collaboration between Glenn Gould and Elisabeth Schwarzkopf to record Richard Strauss's *Ophelia Lieder* was unsuccessful, described as an 'outright fiasco.' Their differing artistic philosophies, particularly regarding fidelity to the score and performance conditions, led to irreconcilable differences.

Glenn Gould Wiki: The Gould Variations: A Pianist's Universe

Dive in with Flashcard Learning!

When you are ready...
🎮 Play the Wiki2Web Clarity Challenge Game🎮

Life

Early Life and Origins

Born Glenn Herbert Gold on September 25, 1932, in Toronto, Ontario, Gould was the only child of Russell and Florence Gold. His family, of Scottish, English, German, and Norwegian heritage, informally changed their surname to Gould around 1939 to avoid antisemitism. His mother, a musician herself, nurtured his prodigious talent from infancy, teaching him piano and exposing him to music. Gould displayed perfect pitch at age three and learned to read music before words, showing an early aptitude for composition as well.

Musical Awakening

A pivotal moment occurred at age six when Gould heard Josef Hofmann perform live, an experience that profoundly impacted him. He later described feeling like Hofmann himself, enchanted by the orchestral sounds he imagined. This early exposure solidified his dedication to music. At age ten, he enrolled in the Toronto Conservatory of Music, studying piano with Alberto Guerrero, who influenced his unique playing technique.

Formal Training and Early Achievements

Gould's formal training at the Royal Conservatory of Music included studies in music theory and organ. He passed his final piano exams at age 12 with top marks, achieving professional standing. By 13, he made his orchestral debut with the Toronto Symphony. His association with radio and recording began early, with his first CBC recital in 1950. He also co-founded the Festival Trio chamber group and performed at the inaugural Stratford Festival.

Piano Artistry

Unique Technique and Philosophy

Gould's approach to the piano was unconventional. He favored a very low seating position, allowing him to "pull down" on the keys rather than strike from above, a technique learned from his teacher Alberto Guerrero. This, combined with a meticulously adjusted piano action, provided him with exceptional control and immediacy of response, which he felt was crucial for articulating the contrapuntal textures of Bach's music. He famously claimed to rarely practice on the instrument itself, preferring mental study, though evidence suggests he did engage in rigorous practice when necessary.

Repertoire and Interpretation

While renowned for his interpretations of Johann Sebastian Bach, Gould also explored works by Beethoven, Haydn, Mozart, and modernist composers like Schoenberg. He largely rejected the Romantic piano literature of composers like Chopin and Liszt, finding it too "hedonistic" and theatrical. His playing was characterized by remarkable technical proficiency, clarity, and intellectual rigor, often leading to interpretations that were both brilliant and controversial.

Mental Practice and Memorization

Gould possessed an extraordinary ability to memorize music, reportedly able to play vast repertoires from memory instantly. He developed techniques for mental practice, allowing him to prepare complex works without extensive physical playing. This mental acuity, coupled with his deep analytical understanding of musical scores, contributed to his distinctive and often highly personalized interpretations.

Concert Performances

International Debut and Tours

Gould made his American debut in 1955, receiving critical acclaim. His international career included a significant tour of the Soviet Union in 1957, making him the first North American to perform there post-WWII. His repertoire often included challenging works, such as Schoenberg's serial music, which had faced suppression in the Soviet Union.

Retirement from the Stage

Despite critical success, Gould grew disillusioned with public performance, viewing the concert hall as an "anachronism" and a "force of evil." He felt it fostered a competitive, non-empathetic environment that limited artistic expression. He famously retired from live concerts at the age of 31, giving his final performance on April 10, 1964, to focus entirely on studio recordings and media work.

The Studio as Sanctuary

Gould embraced the recording studio, calling it a "love affair with the microphone." He valued the control it offered, allowing him to meticulously craft performances through editing and splicing takes. This transformed the recording process into an integral part of his creative output, enabling him to realize his musical vision with a precision unattainable in live settings.

Notable Eccentricities

Vocalizations and Mannerisms

Gould was known for humming or singing along while playing, a habit attributed to his early training. This vocalization, often audible on recordings, was sometimes criticized but remained a characteristic of his playing. His physical mannerisms at the keyboard were also distinctive, often described as theatrical or peculiar.

Environmental Control

He maintained strict control over his environment, particularly regarding temperature, preferring warmth. His insistence on using a specific, low-slung chair, custom-made by his father, became legendary. This chair, adjusted to his precise height, was taken everywhere and is now preserved as a significant artifact.

Alter Egos and Communication

Gould employed numerous alter egos in his writings and broadcasts, using them for satirical and critical commentary on music and his own work. He also cultivated a private lifestyle, disliking physical contact and social functions, preferring communication through letters and telephone calls.

Health and Demise

Hypochondria and Medication

An admitted hypochondriac, Gould experienced numerous perceived ailments. While his autopsy revealed few physical causes for his complaints, his reliance on various prescription medications, potentially including antipsychotics and antidepressants, has been speculated by biographers to have negatively impacted his health and mental state.

Mental Health Speculation

Speculation has arisen regarding Gould's mental health, with diagnoses such as dystonia, bipolar disorder, or autism spectrum traits being suggested by biographers and medical professionals. His periods of intense energy, insomnia, reckless behavior, and severe depressive episodes have fueled these discussions.

Final Days and Legacy

Gould suffered a stroke on September 27, 1982, two days after his 50th birthday. His condition deteriorated rapidly, leading to his death on October 4, 1982. He passed away in Toronto, leaving half his estate to the Toronto Humane Society and the other half to the Salvation Army. His grave marker features the opening bars of Bach's Goldberg Variations.

Perspectives on Art

Writings and Critical Thought

Gould was also a prolific writer, critic, and broadcaster, articulating his views on music, art, and technology. His essays often featured sophisticated arguments, rhetorical flair, and a distinctive ironic humor. While praised for brilliant insights, his writing style was sometimes criticized for being uneven or overly formal.

Technology and Authenticity

He viewed technology, particularly recording and editing, as an integral part of the creative process, akin to a film director's work. Gould challenged traditional notions of authenticity in music, arguing that the studio allowed for a more refined realization of a musical score. He believed art's value lay in its internal impact, not its public manifestation.

The Purpose of Art

Gould famously stated, "The justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations." He saw art's purpose as the lifelong construction of wonder and serenity, rather than a mere release of adrenaline. He often positioned himself as a "puritan" in his artistic outlook.

Recordings and Media

The Goldberg Variations

Gould's 1955 recording of Bach's Goldberg Variations was his breakthrough work, achieving significant commercial success and critical acclaim. He re-recorded the piece in 1981, offering a slower, more deliberate interpretation that treated the aria and variations as a cohesive whole. This later recording was among CBS Masterworks' first digital releases.

Radio Documentaries

Gould produced innovative radio documentaries for the CBC, notably his "Solitude Trilogy" (The Idea of North, The Latecomers, The Quiet in the Land), which explored remote Canadian regions using a "contrapuntal radio" technique. His fascination with popular culture also led to works like "The Search for Petula Clark."

Television and Collaborations

He appeared in and produced television programs, collaborating with musicians like Leonard Bernstein and Yehudi Menuhin. These collaborations often showcased his unique interpretive ideas, sometimes leading to friction with artists who favored more traditional approaches, as seen in his work with Elisabeth Schwarzkopf.

Official Website

Visit the official website for more information about Glenn Gould's life and work.

Visit Website 🔗

Legacy and Honours

Enduring Influence

Glenn Gould's influence on classical music and performance is profound and inescapable. Pianists and critics alike acknowledge his impact, whether emulating or rejecting his approach. His unique perspective on Bach, his embrace of technology, and his intellectual rigor continue to inspire and provoke discussion.

Interstellar Recognition

Remarkably, Gould's performance of Bach's Prelude and Fugue in C major from The Well-Tempered Clavier was selected for the NASA Voyager Golden Record, launched into interstellar space. This inclusion highlights the universal and timeless quality of his artistry.

Cultural Recognition

Gould has been honored with numerous awards, including Juno and Grammy Awards, induction into the Canadian Music Hall of Fame, and a star on Canada's Walk of Fame. His childhood home and apartment bear heritage plaques, and the Glenn Gould Studio at the CBC Centre is named in his honor.

Awards and Accolades

Juno Awards

Gould received multiple Juno Awards throughout his career, recognizing his significant contributions to classical music in Canada. He won awards for Best Classical Album of the Year multiple times, including for his recordings of Hindemith, Bach's Goldberg Variations, Haydn's Sonatas, and Brahms' Ballades.

Year	Award	Nominated Work	Result
1979	Best Classical Album of the Year	Hindemith: Das Marienleben (with Roxolana Roslak)	Won
1981	Best Classical Album of the Year	Bach Toccatas, Vol. 2	Nominated
1982	Best Classical Album of the Year	Bach: Preludes. Fughettas & Fugues	Nominated
1983	Best Classical Album of the Year	Haydn: The Six Last Sonatas	Nominated
1983	Best Classical Album of the Year	Bach: The Goldberg Variations	Won
1984	Best Classical Album of the Year	Brahms: Ballades Op. 10, Rhapsodies Op. 79	Won

Grammy Awards

Gould's recordings also garnered significant international recognition through the Grammy Awards. He won multiple Grammys for Best Album Notes, Best Classical Album, and Best Instrumental Soloist Performance. His 1955 Goldberg Variations recording was posthumously inducted into the Grammy Hall of Fame.

Year	Award	Nominated Work	Result
1973	Best Album Notes – Classical	Hindemith: Sonatas for Piano (Complete)	Won
1982	Best Classical Album	Bach: The Goldberg Variations (with producer Samuel H. Carter)	Won
1982	Best Instrumental Soloist Performance (without orchestra)	Bach: The Goldberg Variations	Won
1983	Best Classical Performance – Instrumental Soloist or Soloists (without orchestra)	Beethoven: Piano Sonatas Nos. 12 & 13	Won
2013	Grammy Lifetime Achievement Award		Won

Other Honours

Beyond major awards, Gould was recognized with the Molson Prize and was offered the Companion of the Order of Canada, which he declined. His legacy is further cemented by his induction into the Canadian Music Hall of Fame and Canada's Walk of Fame, and his designation as a National Historic Person.

Further Exploration

Legal Case

Explore the legal precedent set by Gould Estate v Stoddart Publishing Co Ltd, a case concerning copyright and posthumous publication rights related to Gould's work.

Composers and Artists

Discover other notable Canadian composers and artists who have shaped the nation's cultural landscape.

Gould's Compositions

Delve into the list of compositions by Glenn Gould, including his string quartet, cadenzas, and vocal works.

References

Source Citations

This section lists the sources used in compiling this information, providing context and further reading opportunities.

Test Your Knowledge

Interactive Quiz

Engage with a quiz designed to reinforce key concepts and details about Glenn Gould's life and career.

Teacher's Corner

Edit and Print this course in the Wiki2Web Teacher Studio

Edit and Print Materials from this study in the wiki2web studio

Click here to open the "Glenn Gould" Wiki2Web Studio curriculum kit

Use the free Wiki2web Studio to generate printable flashcards, worksheets, exams, and export your materials as a web page or an interactive game.

True or False?

Test Your Knowledge!

Gamer's Corner

Are you ready for the Wiki2Web Clarity Challenge?

Learn about glenn_gould while playing the wiki2web Clarity Challenge game.

Unlock the mystery image and prove your knowledge by earning trophies. This simple game is addictively fun and is a great way to learn!

Play now

Explore More Topics

Discover other topics to study!

sportsworld american tv series

hainich national park

hydrographic survey

hagit borer

voskhod 2

eastern mediterranean

References

Full circumstances of the name-change can be found in Bazzana (2003, pp. 24â26).

According to Bazzana (2003, p. 27), "At least as far back as the mid-eighteenth century, there were no Jews in this particular Gold lineage."

Friedrich (1990, p. 27) dates this incident on the basis of a discussion with Gould's father, who is cited by Friedrich as stating that it occurred "when the boy was about ten".

During Gould's 1957 concert performances in Moscow, Vladimir Ashkenazy labelled him a phenomenon (Till & Tovell 1985).

Gould: "The piano was a means to an end for him, and the end was to approach Beethoven." See Tovell (1959) 07:40 minutes in.

Bazzana (2003, pp. 352â368) In a section, quotes Gould: "They say I'm a hypochondriac, and, of course, I am."

Ostwald (1997, p. 329) specifies "No physical abnormalities were found in the kidneys, prostate, bones, joints, muscles, or other parts of the body that Glenn so often had complained about."

Hafner 2009, p. 19.

Glen Gould. The Canadian Encyclopedia. Section on "Emerging career". [2]

Elliott, R. "Constructions of Identity in the Life Stories of Emma Albani and Glenn Gould." Journal of Canadian Studies/Revue d'Ã©tudes canadiennes vol. 39 no. 2, 2005, pp. 105â126. Project MUSE, doi:10.1353/jcs.2006.0017

Glenn Gould and Leopold Stokowski on Archive.org

Liam Lacey, "Genius Within: The Inner Life of Glenn Gould". The Globe and Mail, December 3, 2009.

Kingwell 2009, p. xi, "Introduction" by John Ralston Saul.

"Glenn Gould draws a $15,000 Molson Prize". The Globe and Mail, September 10, 1968. ProQuest Historical Newspapers.

A full list of references for this article are available at the Glenn Gould Wikipedia page

Feedback & Support

To report an issue with this page, or to find out ways to support the mission, please click here.

Disclaimer

Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional advice. The information provided on this website is not a substitute for professional musical consultation, historical research, or biographical analysis. Always refer to official documentation and consult with qualified professionals for specific needs.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.

The Gould Variations

💡 Dive in with Flashcard Learning! 💡

Life 🌟

👶 Early Life and Origins

🎶 Musical Awakening

🎓 Formal Training and Early Achievements

Piano Artistry 🎹

💡 Unique Technique and Philosophy

🎼 Repertoire and Interpretation

🧠 Mental Practice and Memorization

Concert Performances 🎤

🌍 International Debut and Tours

🚫 Retirement from the Stage

🎙️ The Studio as Sanctuary

Notable Eccentricities quirks

🗣️ Vocalizations and Mannerisms

🛋️ Environmental Control

🎭 Alter Egos and Communication

Health and Demise ❤️‍🩹

💊 Hypochondria and Medication

🧠 Mental Health Speculation

🕊️ Final Days and Legacy

Perspectives on Art 🤔

✍️ Writings and Critical Thought

💻 Technology and Authenticity

✨ The Purpose of Art

Recordings and Media 🎧

💿 The Goldberg Variations

📻 Radio Documentaries

🎬 Television and Collaborations

🌐 Official Website

Legacy and Honours 🏆

🌟 Enduring Influence

🚀 Interstellar Recognition

🏛️ Cultural Recognition

Awards and Accolades 🏅

🇨🇦 Juno Awards

🇺🇸 Grammy Awards

🎖️ Other Honours

Further Exploration 🔍

⚖️ Legal Case

🎵 Composers and Artists

📚 Gould's Compositions

References 📚

🔗 Source Citations

Test Your Knowledge ❓

📝 Interactive Quiz

Teacher's Corner 🧑‍🏫

Edit and Print this course in the Wiki2Web Teacher Studio

True or False? 🤔

❓ Test Your Knowledge! ❓

Gamer's Corner 🎮

Are you ready for the Wiki2Web Clarity Challenge?

Explore More Topics

📜 Discover other topics to study!

References

📜 References

Feedback & Support 👍

To report an issue with this page, or to find out ways to support the mission, please click here.

Disclaimer ⚠️

📜 Important Notice

Dive in with Flashcard Learning!

Life

Early Life and Origins

Musical Awakening

Formal Training and Early Achievements

Piano Artistry

Unique Technique and Philosophy

Repertoire and Interpretation

Mental Practice and Memorization

Concert Performances

International Debut and Tours

Retirement from the Stage

The Studio as Sanctuary

Notable Eccentricities

Vocalizations and Mannerisms

Environmental Control

Alter Egos and Communication

Health and Demise

Hypochondria and Medication

Mental Health Speculation

Final Days and Legacy

Perspectives on Art

Writings and Critical Thought

Technology and Authenticity

The Purpose of Art

Recordings and Media

The Goldberg Variations

Radio Documentaries

Television and Collaborations

Official Website

Legacy and Honours

Enduring Influence

Interstellar Recognition

Cultural Recognition

Awards and Accolades

Juno Awards

Grammy Awards

Other Honours

Further Exploration

Legal Case

Composers and Artists

Gould's Compositions

References

Source Citations

Test Your Knowledge

Interactive Quiz

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice