Who was Jérémie Pauzié?

Jérémie Pauzié was a Genevan diamond jeweler, artist, and memoirist who lived from 1716 to 1779. He is particularly known for his significant contributions to the Russian Imperial court, most notably his work on the Imperial Crown of Russia.

What were Jérémie Pauzié's primary occupations and roles?

Jérémie Pauzié's primary occupations were those of a diamond jeweler and goldsmith. He also worked as an artist and a memoirist, documenting his experiences.

Where was Jérémie Pauzié born and where did he spend his final years?

Jérémie Pauzié was born in Geneva, within the Republic of Geneva, in 1716. He died in Geneva in 1779, returning to his homeland after his work in Russia.

What nationality is associated with Jérémie Pauzié?

Jérémie Pauzié is associated with the nationality of the Republic of Geneva, reflecting his place of origin and eventual citizenship.

What is the most significant piece of jewelry associated with Jérémie Pauzié?

Jérémie Pauzié is most famously associated with his work on the Great Imperial Crown of Russia, which he helped create in collaboration with the Russian Imperial court's jeweler, Georg Friedrich Ekart.

What title did Jérémie Pauzié hold during his working period in Russia?

During his working life in Russia, specifically from 1740 to 1764, Jérémie Pauzié held the prestigious title of Principal Diamond Expert and Court Jeweller.

Who were the primary recipients of the jewelry and gifts created by Jérémie Pauzié?

Jérémie Pauzié created exquisite jewelry and gifts for the Russian nobility, courtiers, and members of the Imperial family during his tenure.

How did Jérémie Pauzié document his life and career for posterity?

Jérémie Pauzié documented his life and career in his personal writings, which were later published as the *Memoirs of a Court Jeweller Pauzié*. These memoirs were published in 1870 by the Russian history journal *Russkaya starina*.

Where did Jérémie Pauzié receive his formal training in the art of jewelry making?

Jérémie Pauzié underwent a seven-year apprenticeship with Benedict Gravero in Saint Petersburg, Russia, where he honed his skills.

When did Jérémie Pauzié establish his own jewelry workshop?

Jérémie Pauzié began his independent career by starting his own jewelry workshop in the late 1730s.

What was Jérémie Pauzié's particular area of expertise within jewelry making?

Jérémie Pauzié's specialization was in the intricate work with diamonds and other precious jewels, rather than in the manipulation of noble metals.

How did Jérémie Pauzié manage the aspects of jewelry making that were outside his specialization?

For tasks involving noble metals, which were not his primary expertise, Jérémie Pauzié utilized subcontractors to ensure the quality and completion of his commissions.

What was Jérémie Pauzié's professional standing with the Imperial court in his early career?

In the initial phase of his career, Jérémie Pauzié primarily produced jewelry for local noblemen and had limited access to the Imperial court.

What specific event marked a turning point in Jérémie Pauzié's career, granting him access to the Russian Imperial court?

Jérémie Pauzié gained access to the Imperial court after being commissioned to repair a funeral crown made by the chief court jeweler, Georg Friedrich Ekart, following Empress Elizabeth's death in 1761.

How did Jérémie Pauzié's professional relationship with Georg Friedrich Ekart evolve?

After repairing the funeral crown, Jérémie Pauzié became recognized as Ekart's chief rival, indicating a significant shift in their professional standing and competition within the court.

What was Jérémie Pauzié's specific contribution to the creation of the Great Imperial Crown of Russia?

While Georg Friedrich Ekart was tasked with making the Great Imperial Crown, Jérémie Pauzié was responsible for decorating it with jewels, a contribution made reportedly against Ekart's wishes.

When did Jérémie Pauzié depart from Saint Petersburg to return to Switzerland?

Jérémie Pauzié left Saint Petersburg in 1764, concluding his significant period of work in Russia and returning to his native Switzerland.

In what year did Jérémie Pauzié officially become a citizen of Geneva?

Jérémie Pauzié became a citizen of Geneva in 1770, formalizing his residency in his homeland after his return from Russia.

For which significant royal event was the Great Imperial Crown of Russia created?

The Great Imperial Crown of Russia was created specifically for the coronation of Catherine the Great, which took place in 1762.

What artistic style characterized the design of the Great Imperial Crown of Russia?

The Great Imperial Crown of Russia was designed in the style of classicism, reflecting the aesthetic sensibilities of the period.

How many pearls and diamonds adorned the Great Imperial Crown of Russia?

The Great Imperial Crown of Russia was richly embellished with 75 pearls and 4,936 Indian diamonds.

What did the laurel and oak leaves, formed by diamonds on the crown, symbolize?

The laurel and oak leaves, meticulously crafted from diamonds on the Great Imperial Crown, were chosen to symbolize power and strength, attributes befitting an emperor.

What significant gemstone crowned the Great Imperial Crown of Russia, and what was its provenance?

The Great Imperial Crown was surmounted by a large 398.62 carat ruby spinel, a gemstone that had previously belonged to Empress Elizabeth.

For how long was the Great Imperial Crown of Russia utilized as the official coronation crown?

The Great Imperial Crown served as the coronation crown for all subsequent Romanov emperors, continuing its use until the abolition of the monarchy in 1918, marked by the death of Nicholas II.

Where is the Great Imperial Crown of Russia currently housed and displayed?

The Great Imperial Crown of Russia is now preserved and displayed as one of the Romanov dynasty's main treasures in the Moscow Kremlin Armoury Museum in Russia.

In which notable art jewelry exhibitions has Jérémie Pauzié's work been showcased?

Jérémie Pauzié's craftsmanship has been featured in exhibitions such as 'The Art of the Goldsmith & the Jeweler' at A La Vieille Russie in New York in 1968, and 'Carl Fabergé and Masters of Stone Carving: Gem Masterpieces of Russia' at the Moscow Kremlin Museums in 2011.

What commercial development occurred regarding the Jérémie Pauzié name in 2013?

In 2013, the brand name 'Jérémie Pauzié' was acquired by Vendôme Private Trading, a French luxury group, indicating the enduring value of his name in the luxury market.

What was the nature of the professional relationship between Jérémie Pauzié and Georg Friedrich Ekart?

Jérémie Pauzié was initially trained by an associate of Ekart and later became Ekart's principal rival within the Russian Imperial court, particularly noted for their work on imperial crowns.

What does the phrase 'against Ekart's will' suggest about the professional dynamic between Pauzié and Ekart?

This phrase implies a degree of professional contention or disagreement, suggesting that Pauzié asserted his own creative decisions or expertise in decorating the crown, potentially overriding Ekart's preferences.

What does Pauzié's return to Switzerland and subsequent citizenship in Geneva signify about his life?

Pauzié's return to Switzerland and becoming a citizen of Geneva marks the conclusion of his significant career period in Russia and his re-establishment in his homeland, signifying a return to his roots.

What does the reference to 'local noblemen' in Pauzié's early career suggest about his client base before gaining court access?

The reference to 'local noblemen' indicates that even before being admitted to the Imperial court, Pauzié catered to a clientele of high social standing and wealth, demonstrating an early reputation for quality craftsmanship.

How did the death of Empress Elizabeth impact the careers of court jewelers like Ekart and Pauzié?

Empress Elizabeth's death created a demand for ceremonial items like funeral crowns, offering opportunities for court jewelers. It also led to scrutiny of their work, as seen when Pauzié was called upon to repair Ekart's suboptimal funeral crown.

What does the phrase 'Principal Diamond Expert and Court Jeweller' signify about Pauzié's professional standing?

This title signifies that Pauzié was recognized as a leading specialist in diamond work and held a high-ranking, official position within the Russian Imperial court's jewelry department.

What does the mention of 'classicism' in relation to the Great Imperial Crown suggest about its design?

The mention of classicism suggests that the crown's design adhered to the principles of classical art and architecture, likely emphasizing balance, symmetry, and order, possibly drawing inspiration from ancient styles.

What does the reference to the ruby spinel's previous ownership by Empress Elizabeth imply?

The fact that the ruby spinel previously belonged to Empress Elizabeth suggests it was a significant and valuable gemstone, possibly inherited or repurposed, linking the new crown to the previous reign and its treasures.

What does the article indicate about the longevity of the Great Imperial Crown's use as a coronation symbol?

The article indicates that the Great Imperial Crown was continuously used as the coronation crown for all Romanov emperors from Catherine the Great's reign until the end of the monarchy in 1918.

What does the inclusion of the 'Authority control' section signify about Jérémie Pauzié?

The 'Authority control' section signifies that Jérémie Pauzié is a recognized historical figure whose identity and works are cataloged in various international and national databases, confirming his significance in art history and cultural records.

What is the purpose of the 'Bibliography' section in the article about Jérémie Pauzié?

The 'Bibliography' section lists the various sources, such as books, journal articles, and exhibition catalogs, that were used to compile the information about Jérémie Pauzié, serving as references for further study.

What does the mention of 'Memoirs of a Court Jeweller Pauzié' tell us about his personal perspective?

The existence of his memoirs suggests that Pauzié provided a firsthand account of his experiences as a jeweler at the Russian court, offering valuable personal insights into his life, work, and the era.

What specific aspect of Pauzié's work is highlighted by his specialization in diamonds and jewels?

His specialization highlights his exceptional skill and expertise in handling, cutting, and setting diamonds and other precious stones, which were crucial elements in the creation of high-value imperial regalia and luxury items.

How did the death of Empress Elizabeth create a professional challenge for Georg Friedrich Ekart?

Following Empress Elizabeth's death, Ekart was tasked with creating a funeral crown, but his solution was deemed suboptimal, leading to the involvement of Jérémie Pauzié and highlighting potential issues with Ekart's execution.

What does the acquisition of the Jérémie Pauzié name by Vendôme Private Trading suggest about his legacy?

This acquisition suggests that the Jérémie Pauzié name is recognized as a valuable brand associated with historical craftsmanship and luxury, indicating a continued marketability and relevance of his legacy in the modern luxury goods sector.

What information is provided by the image caption accompanying the article?

The image caption identifies the accompanying portrait as being of Jérémie Pauzié, dated 1762, offering a visual representation of the jeweler during his active period of work.

What does the reference to *Russkaya starina* in relation to Pauzié's memoirs indicate about the publication's nature?

The reference to *Russkaya starina* (Russian Antiquity) indicates that Pauzié's memoirs were published in a historical journal, suggesting they were presented as a valuable historical account and primary source.

What does the mention of the '398.62 carat ruby spinel' tell us about the scale and value of the Imperial Crown?

The substantial carat weight of the ruby spinel indicates that the Imperial Crown was adorned with a significant and valuable gemstone, underscoring the opulence, importance, and immense value of the piece.

What is the historical context of the 'eastern and western Roman empires' reference in the crown's description?

This reference likely alludes to the historical concept of the Roman Empire's division and the continuation of its imperial legacy, with Catherine the Great's rule often viewed within the context of imperial succession and power.

What does the inclusion of the 'Historical Dictionary of Switzerland' reference suggest about Pauzié's place in history?

This reference indicates that Pauzié is recognized as a notable figure within Swiss history, likely due to his Genevan origins and his significant contributions to the arts and crafts on an international stage.

What does the bibliography entry 'Notes of the Court Jeweler Jeremie Posier [Pauzie] 1729-64, ed. A A Kunin, in Russkaya Starina, 1870' reveal?

This entry reveals that an edited version of Pauzié's notes or memoirs, covering his career from 1729 to 1764 and compiled by A.A. Kunin, was published in the journal *Russkaya Starina* in 1870, providing a key primary source about his work.

What does the reference to 'Anonyme, Ecole suisse' in the bibliography suggest about some of his works?

This reference suggests that some of Jérémie Pauzié's works may have been initially attributed to an anonymous Swiss artist or school, indicating potential challenges in attribution or cataloging for certain pieces in art history.

What does the acquisition by Vendôme Private Trading imply about the market for historical jewelry names?

It implies that historical names associated with significant craftsmanship and luxury goods hold considerable commercial value and are actively sought after by modern luxury groups for branding and marketing purposes.

J U00e9r U00e9mie Pauzi U00e9 Wiki: The Gilded Hand: Jérémie Pauzié and the Art of Imperial Adornment

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Biography

Jérémie Pauzié
Portrait, circa 1762
Born	1716 Geneva, Republic of Geneva
Died	1779 Geneva, Republic of Geneva
Nationality	Republic of Geneva^[1]
Occupation(s)	Diamond jeweler and goldsmith
Known For	Imperial Crown of Russia

Early Life and Training

Jérémie Pauzié, born in Geneva in 1716, embarked on a rigorous apprenticeship under Benedict Gravero in Saint Petersburg. For seven years, he honed his craft, specializing primarily in the intricate work of diamonds and precious gemstones. While adept with jewels, Pauzié relied on subcontractors for metalwork, reflecting the specialized nature of high-end jewelry creation in the 18th century. During his early career in the late 1730s, he established his own workshop, catering mainly to the local Genevan nobility and gaining limited access to the Imperial court.

Ascendancy at the Russian Court

Pauzié's career trajectory shifted dramatically following the death of Empress Elizabeth in 1761. Initially tasked with rectifying a suboptimal funeral crown created by the chief court jeweler, Georg Friedrich Ekart, Pauzié's skill earned him recognition and access to the Imperial court. He soon emerged as Ekart's principal rival. Upon Catherine the Great's ascension, Pauzié was commissioned to contribute to the creation of the Great Imperial Crown, a significant undertaking that solidified his reputation, despite Ekart's reservations.

Return to Geneva

After his impactful tenure in Russia, Pauzié departed Saint Petersburg in 1764. He returned to his native Switzerland, where he continued his life and work. In 1770, he was granted citizenship in Geneva, marking a full circle in his personal and professional journey. He passed away in Geneva in 1779, leaving behind a legacy of exceptional craftsmanship.

The Great Imperial Crown

A Symbol of Power and Style

The Great Imperial Crown of Russia, created for Catherine the Great's coronation in 1762, stands as a testament to the collaborative artistry of the era. Pauzié worked alongside Georg Friedrich Ekart, the court's leading jeweler, on this magnificent piece. The crown exemplifies the prevailing classicism style, featuring two gold and silver half-spheres symbolizing the Eastern and Western Roman Empires, elegantly divided by a sculpted foliate garland and secured by a low hoop.

Exquisite Materials and Craftsmanship

This masterpiece is adorned with an astonishing 75 pearls and 4,936 meticulously set Indian diamonds. These stones form intricate laurel and oak leaf motifs, traditional symbols of power and strength. Capping the crown is a striking 398.62-carat ruby spinel, a gem previously belonging to Empress Elizabeth, crowned by a diamond cross. The combination of precious materials and Pauzié's detailed execution created a symbol of unparalleled imperial grandeur.

Enduring Legacy

Following Catherine the Great's coronation, the Great Imperial Crown continued its role as the official coronation crown for all subsequent Romanov emperors until the monarchy's end in 1918. It remains one of the most significant treasures of the Romanov dynasty and is currently preserved and displayed in the Moscow Kremlin Armoury Museum, a lasting monument to the artistry of jewelers like Jérémie Pauzié.

Exhibitions and Recognition

Artistic Showcases

The exceptional quality of Jérémie Pauzié's work has been recognized through its inclusion in significant art jewelry exhibitions. His creations were featured in "The Art of the Goldsmith & the Jeweler" at A La Vieille Russie in New York in 1968. More recently, his contributions were highlighted in the "Carl Fabergé and Masters of Stone Carving: Gem Masterpieces of Russia" exhibition at the Dormition Belfry of the Moscow Kremlin Museums in 2011, underscoring his place among esteemed historical jewelers.^[4]

Commercial Legacy

In a modern context, the esteemed name of Jérémie Pauzié was acquired in 2013 by the French luxury group Vendôme Private Trading. This acquisition signifies the enduring value and recognition associated with his historical contributions to the world of fine jewelry and luxury goods.^[5]

Memoirs of a Court Jeweler

A Glimpse into the Past

Beyond his tangible creations, Jérémie Pauzié left a valuable written record of his life and experiences. He documented his career in a book titled "Memoirs of a Court Jeweller Pauzié." These personal accounts offer unique insights into the workings of the Russian Imperial court, the challenges and triumphs of a master jeweler, and the social dynamics of the 18th century. The memoirs were first published posthumously in 1870 by the Russian history journal Russkaya starina.^[3]

Historical Context

The memoirs provide firsthand accounts of Pauzié's professional life, including his apprenticeship, his relationship with Georg Friedrich Ekart, and his involvement in creating significant pieces like the Imperial Crown. They serve as a primary source for understanding the techniques, materials, and patronage systems prevalent in 18th-century European jewelry making, particularly within the context of the Russian aristocracy.

References

Source Citations

^ Pauzié, Jérémie, in the Historical Dictionary of Switzerland.
^ ^a ^b ^c ^d Kuznetsova, L. K. (1990). Георг-Фридрих Экaрт и Алмазная мастерская. Его отношение с Позье и работа над короной Екатерини II. Памятники культуры: новые открытия. Письменность, искусство, археология. Ежегодник, 1990. Moscow: Nauka.
^ "Memoirs of Court Jeweller Jérémie Pauzié - Literature - Russian Artworks". RusArtNet.com. Retrieved 2014-06-11.
^ "Artists - Switzerland - Information". Swissworld.org. Archived from the original on 2009-05-29. Retrieved 2014-06-11.
^ "Jérémie Pauzié | Vendôme Private Trading". Vendomeprivatetrading.com. Archived from the original on 2015-05-18. Retrieved 2014-06-11.

The full list of references and bibliography is managed programmatically.

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References

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This page was generated by an Artificial Intelligence, drawing upon historical data and scholarly information. It is intended for educational and informational purposes only, aiming to provide a comprehensive overview of Jérémie Pauzié's life and work.

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The Gilded Hand

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Biography 📜

💎 Early Life and Training

👑 Ascendancy at the Russian Court

🇨🇭 Return to Geneva

The Great Imperial Crown 👑

✨ A Symbol of Power and Style

💎 Exquisite Materials and Craftsmanship

🏛️ Enduring Legacy

Exhibitions and Recognition 🖼️

🏛️ Artistic Showcases

🏷️ Commercial Legacy

Memoirs of a Court Jeweler ✍️

📖 A Glimpse into the Past

🔍 Historical Context

References 📚

🔗 Source Citations

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Dive in with Flashcard Learning!

Biography

Early Life and Training

Ascendancy at the Russian Court

Return to Geneva

The Great Imperial Crown

A Symbol of Power and Style

Exquisite Materials and Craftsmanship

Enduring Legacy

Exhibitions and Recognition

Artistic Showcases

Commercial Legacy

Memoirs of a Court Jeweler

A Glimpse into the Past

Historical Context

References

Source Citations

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice