Chronicles of the Thames
A scholarly exploration of the London Museum's vast collections and its journey through the city's rich history, from prehistoric times to the modern era.
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What is the London Museum?
A Repository of Urban History
The London Museum, formerly known as the Museum of London from 1976 to 2024, serves as a pivotal institution dedicated to chronicling the extensive history of London. Its mandate encompasses the city's narrative from its prehistoric origins through to contemporary times, with a pronounced emphasis on the social history of its inhabitants. Established in December 1976, the museum was formed through the strategic amalgamation of two significant predecessor institutions: the Guildhall Museum and the original London Museum.
Evolution and Relocation
Initially situated in the City of London on London Wall, adjacent to the Barbican Centre, the museum occupied a site integral to the post-war redevelopment of a bomb-damaged area. However, in 2015, plans were unveiled for a significant relocation to the Smithfield General Market. This move, driven by challenges in visitor accessibility at the former site and the ambition to expand exhibition space from 17,000 to 27,000 square meters, aims to showcase a larger proportion of its extensive collection. The London Wall site officially closed in December 2022, with the new Smithfield location anticipated to open in 2026, coinciding with its rebranding as the "London Museum."
The World's Largest Urban Collection
Boasting the largest urban history collection globally, the London Museum houses an impressive repository of over seven million objects. This vast collection spans archaeological artifacts, such as prehistoric flint handaxes and Roman marble statues from the London Mithraeum, to significant Elizabethan and Jacobean jewellery like the Cheapside Hoard. Modern acquisitions include diverse items ranging from decorative objects and historical costumes to contemporary social history artifacts, oral histories, and even unique pieces like the Whitechapel fatberg and the Trump baby blimp, reflecting a continuous engagement with London's evolving narrative.
Historical Trajectory
The Guildhall Museum (1826–1976)
The Guildhall Museum was established in 1826 by the City of London Corporation, initiated by the donation of a Roman mosaic. Its initial purpose was to serve as a repository for antiquities related to the City of London and its environs. Primarily focused on archaeological discoveries and objects linked to the Corporation, it developed a particularly strong collection of Roman artifacts. Initially largely inaccessible to the public, it gained dedicated premises in Basinghall Street in 1872. Following its closure during World War II and a temporary reopening in the Royal Exchange in 1955, discussions for a merger with the London Museum began in earnest in 1960.
The London Museum (1912–1976)
The original London Museum was founded in 1911 by Viscount Esher and Lewis Harcourt, 1st Viscount Harcourt, initially residing in the State Apartments of Kensington Palace and opening to the public in April 1912. It achieved National Museum status in 1913. In 1914, it relocated to Lancaster House, a gift to the nation from William Lever, 1st Viscount Leverhulme. This iteration featured a chronological display, including a Roman boat, the Duke of Wellington's carriage, and a Stuart-style parlour. After closing during World War II, it returned to Kensington Palace in 1951, expanding its displays to include historical shop fronts, prints, theatre memorabilia, glass collections, and royal costumes.
Amalgamation and the Museum of London (1976–2022)
The vision for merging the London Museum and the Guildhall Museum, first proposed in 1927 by Sir Mortimer Wheeler, materialized in 1960. The Museum of London Act 1965 facilitated this union, leading to the establishment of a new institution jointly funded by the government, the City of London Corporation, and the Greater London Council. The new purpose-built facility, designed by Philip Powell and Hidalgo Moya, opened in December 1976 at the corner of London Wall and Aldersgate Street. Its innovative design featured a single chronological route through London's history, culminating with the Lord Mayor of London's State Coach.
The Future: London Museum at Smithfield (2022–Present)
In 2016, the museum announced its ambitious move to the Smithfield General Market, citing the former London Wall site's difficult accessibility and the need for expanded display space. The new site, designed by Stanton Williams and Asif Khan, is projected to open in 2026 with an estimated cost of £337 million. Plans for the new museum include a transparent section of the Thameslink train tunnel, a revived St Bartholomew's Fair, and spiral escalators leading to underground historical galleries. Discoveries during the development include the remains of a Victorian Temperance Cocoa Room and a previously unknown freshwater spring. The London Wall site closed in December 2022, and the institution officially rebranded as the "London Museum" in July 2024 in anticipation of its grand reopening.
Curated Collections
Pre-Modern Artifacts
The museum's foundational collections span millennia, offering a tangible link to London's earliest inhabitants. With over 13,000 prehistoric objects, highlights include the Havering Hoard, the largest Bronze Age hoard discovered in London, comprising 453 bronze items from 900-800 BCE. The Roman collection is even more extensive, with over 47,000 objects, including the UK's largest collection of terra sigillata, complete wall paintings, and unique items like leather "bikini bottoms." The marble carvings from the London Mithraeum, a Roman temple discovered in 1954, are also a significant part of this collection. The medieval period is represented by approximately 12,000 objects, notably 700 Saxon artifacts and over 1,350 pewter pilgrim badges.
Early Modern & Modern Treasures
The museum's holdings from the early modern and modern periods illuminate London's evolving social and economic landscape. Over 1,500 pieces of Tudor and Stuart cutlery, largely recovered from the Thames, offer insights into daily life. The renowned Cheapside Hoard, a cache of nearly 500 Elizabethan and Jacobean jewellery pieces discovered in 1912, is a centerpiece, with a permanent display secured by a £10 million donation from the Worshipful Company of Goldsmiths. The museum also showcases London's manufacturing heritage through items from Whitefriars Glass and Martin Brothers, alongside objects related to trades like clockmaking and silversmithing. Social history is richly documented with shop fronts, food packaging, vehicles, "penny toys," and internationally important suffragette material.
Contemporary Acquisitions
The London Museum actively engages in contemporary collecting, acquiring objects that reflect current events and societal shifts. This includes items connected to national news stories, such as tweets from the 2012 London Summer Olympics and the "Collecting Covid" project, which gathered objects and oral histories related to the COVID-19 pandemic. Other notable contemporary acquisitions include a section of the Whitechapel fatberg, the giant inflatable "Trump baby blimp" from 2018 protests, and a Black Lives Matter shirt donated by Arsenal football player Pierre-Emerick Aubameyang. In a significant recent development, Museum of London Archaeology (MOLA) completed the reconstruction of a fully intact Roman fresco from Southwark, featuring rare yellow-panel designs and preserved graffiti.
Costume and Textiles
With 23,000 pieces of dress and textiles, the museum boasts a significant costume collection. It was the first British museum to catalogue its costume holdings in 1933. The collection features works by celebrated designers such as Lucile, Hardy Amies, Norman Hartnell, Mary Quant, Katharine Hamnett, and Vivienne Westwood. Royal clothing, including a shirt attributed to Charles I and dresses belonging to Queen Victoria, provides a glimpse into regal fashion. Theatrical, ballet, circus, music hall, and opera costumes further enrich this section. Beyond garments, the collection includes banners and sashes from the female suffrage campaign, the Kindred of the Kibbo Kift, and dockworker trade unions, offering a broad social context to dress and textiles.
Art and Photography
The museum's art and photography collections provide a visual narrative of London through various artistic lenses. Over 100,000 paintings, prints, and drawings include works by Wenceslaus Hollar, Paul Sandby, Canaletto, and Henry Moore. Portraits of influential London figures like Oliver Cromwell and Sylvia Pankhurst are also featured. The Rhinebeck Panorama, an 180-degree aerial view of London from around 1806, offers a unique historical perspective. The photography collection, comprising approximately 150,000 images, documents everyday life in London from as early as 1845, with works by pioneers like Henry Fox Talbot and Roger Fenton. It also includes Bill Brandt's series from World War II air raid shelters, images of the London Underground's construction, and photographs of suffragette protests by Christina Broom.
Notable Exhibitions
A Chronology of Engagement
The London Museum has consistently hosted a diverse array of exhibitions, reflecting its commitment to exploring various facets of the city's history and culture. These temporary displays often delve into specific themes, historical periods, or social movements, complementing the permanent collections and offering fresh perspectives to visitors.
Other Locations
London Museum Docklands
Opened in 2003, the London Museum Docklands is a vital extension of the main museum, housed in a Grade I listed 19th-century warehouse at West India Quay, near Canary Wharf. This site is dedicated to exploring London's rich history as a port, tracing its evolution from a Roman trading post on the Thames 2,000 years ago to its zenith as the world's largest port. A significant permanent gallery, "London, Sugar & Slavery," opened in November 2007, providing an in-depth examination of the capital's complex involvement in the transatlantic slave trade.
Museum of London Archaeology (MOLA)
The Museum of London Archaeology (MOLA) originated as an integral part of the London Museum but transitioned into an independent charity in November 2011. MOLA is a leading archaeology and built heritage practice, employing 310 staff. While based at Mortimer Wheeler House in Shoreditch, its operations extend across the UK and internationally. MOLA plays a crucial role in uncovering and preserving London's archaeological past, with its findings frequently enriching the main museum's collections, such as the recently reconstructed Roman fresco from Southwark.
Governance and Leadership
Joint Control and Funding
Since April 1, 2008, the London Museum and its associated sites, including the London Museum Docklands, have been jointly controlled and funded by two prominent civic bodies: the City of London Corporation and the Greater London Authority. This collaborative governance model ensures broad support and strategic direction for the institution. Prior to this arrangement, the museum was jointly overseen by the City of London and the Department for Culture, Media and Sport, reflecting its status as a significant cultural asset with both local and national importance.
Directorial Leadership
The museum's operations and strategic vision are guided by its Director, a role that has seen a succession of distinguished leaders since the museum's inception. These individuals are instrumental in shaping the museum's collection policies, exhibition programs, and public engagement initiatives, ensuring its continued relevance and impact as a leading institution for urban history.
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Important Notice
This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.
This is not professional historical or curatorial advice. The information provided on this website is not a substitute for consulting official museum documentation, academic historical research, or seeking advice from qualified historians, archaeologists, or museum professionals. Always refer to primary sources and expert opinions for specific historical inquiries or curatorial practices. Never disregard professional advice because of something you have read on this website.
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