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Matera: Echoes in Stone

Journey through the millennia of Italy's ancient cave city, from prehistoric dwellings to a UNESCO World Heritage site.

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What is Matera?

A City Carved in Rock

Matera, the capital of its namesake province in Basilicata, Southern Italy, is globally recognized for its distinctive rock-cut urban core, collectively known as the Sassi. These ancient dwellings, excavated directly into the soft limestone, represent one of the earliest continuously inhabited human settlements in Italy, with evidence of occupation dating back to the eighth millennium BC. This remarkable longevity positions Matera as a potential contender for one of the world's oldest continuously inhabited sites.[16][17]

Geological Setting and Urban Structure

The city is strategically situated on the right bank of the Gravina river, a canyon that forms a natural geological boundary between the Basilicata hill country to the southwest and the Murgia plateau of Apulia to the northeast.[3] The Sassi began as cave habitations carved into the western, Lucanian face of the gorge.[4] Two streams, locally termed grabiglioni, flow into the ravine, creating a naturally defensible promontory. This central high ground, known as Civita, became home to the city's cathedral and administrative buildings, while the residential districts scaling down and burrowing into the rock faces formed the Sassi.[5]

The Sassi: Two Districts

The Sassi are divided into two primary districts: Sasso Barisano, facing north towards Bari, and Sasso Caveoso, facing south towards Montescaglioso.[5] These districts comprise approximately twelve levels, spanning a height of 380 meters, intricately connected by a labyrinthine network of paths, stairways, and communal courtyards known as vicinati.[6] From the western approach, the medieval city, clinging to the canyon's edge for defense, remains largely concealed.[7]

Evolution and Transformation

The unique tripartite urban structure of Civita and the two Sassi remained relatively isolated until the sixteenth century, when public life began to shift to the open plain (the Piano) to the west, specifically to Piazza Sedile.[9] By the eighteenth century, a distinct class divide emerged, with the overcrowded Sassi inhabited by peasants and the new, more organized Piano housing the social elite.[10] This led to the Sassi being declared unfit for modern habitation in the early twentieth century, culminating in the forced relocation of its residents to new public housing between 1952 and the 1970s.[11][12]

Renaissance and Recognition

A pivotal law in 1986 initiated the restoration and reoccupation of the Sassi, primarily benefiting the wealthy middle class through a process of gentrification.[13] This revitalization was significantly bolstered by the recognition of the Sassi, often referred to as "the underground city" (la cittร  sotterranea), along with the rupestrian churches across the Gravina, as a UNESCO World Heritage Site in December 1993. This designation has been instrumental in attracting tourism and accelerating the site's reclamation.[13] Further enhancing its global profile, Matera was designated a European Capital of Culture in 2019.[14]

Historical Tapestry

Ancient Roots and Roman Influence

Matera's history is a complex tapestry woven from the threads of numerous civilizations. Before its integration into modern Italy, the city experienced the dominion of Romans, Lombards, Arabs, Byzantine Greeks, Swabians, Angevins, Aragonese, and Bourbons.

While the precise date of the Sassi's initial occupation remains debated, the region is believed to have been settled since the Palaeolithic era (tenth millennium BC), making it one of the world's potentially oldest continuously inhabited settlements.[16] Alternatively, some scholars suggest continuous occupation for at least three millennia.[17] The town, built upon an entrenched prehistoric village, likely has Greek origins, maintaining close ties with Magna Graecia. During Roman times, it became a crucial trade and transit route, named Matheola by Lucius Caecilius Metellus in 251 BC.[18]

Medieval Conflicts and Shifting Powers

The medieval period saw Matera as a strategic prize. In AD 664, the Lombards conquered Matera, incorporating it into the Duchy of Benevento. The seventh and eighth centuries witnessed the colonization of nearby grottos by Benedictine and Basilian monastic orders.[19][20] Following the Arab conquest of Bari in 840, Matera briefly fell under Islamic rule, gaining regional prominence.[21][22]

The city endured numerous sieges and conflicts, including being burned by Louis II's imperial troops in 867[24] and temporarily captured by Arabs in 994 after a four-month siege.[37] Byzantine rule was precarious, contending with Lombard ambitions and Arab incursions from Sicily. Matera's local Lombard elite adopted Byzantine titles, and its Greek inhabitants formed part of the Byzantine garrison of Naples.[30]

Norman Conquest and Later Dynasties

The Norman incursions in the 11th century further reshaped Matera's fate. After Apulian rebels, supported by Normans, defeated the Byzantine katepano at Cannae in 1041, Matera strategically allied with the invaders.[44] It briefly elected William Iron Arm as its count in 1042[47] but remained largely under Byzantine influence for a time. The city was later seized by Robert, Count of Montescaglioso, in 1064, and subsequently by his brother Geoffrey of Conversano.[53][56]

In the fifteenth century, Matera became an Aragonese possession, but its population famously rebelled and assassinated Count Giovanni Carlo Tramontano in 1514 due to oppression.[64] The city later passed to the Orsini family and became part of the Terra d'Otranto in Apulia. It served as the capital of Basilicata until 1806, when Joseph Bonaparte transferred this status to Potenza.[65] Matera regained its provincial capital status in 1927.

The Sassi: Ancient Dwellings

Troglodyte Origins

Matera's international renown stems primarily from its ancient town, the "Sassi di Matera." These unique dwellings originated as a prehistoric troglodyte settlement, believed to be among the earliest human habitations in Italy. The Sassi are essentially habitations meticulously dug into the calcareous rock, a geological feature prevalent in both Basilicata and Apulia. A striking characteristic of these structures is their multi-layered nature, where in some areas, a street might literally lie atop another cluster of dwellings, creating a complex vertical urban fabric.

Decline and Relocation

The ancient town developed along one slope of the rocky ravine carved by the Gravina river. Despite its historical significance, by the 1950s, the Sassi had become synonymous with extreme poverty. The Italian government initiated a policy to address this, forcibly relocating most of the Sassi's population to new public housing in the developing modern city between 1952 and the 1970s. This drastic measure aimed to alleviate the dire living conditions, as many of the dwellings were, and in many cases still are, considered uninhabitable and dangerous.[12]

Regeneration and Global Recognition

The perception of the Sassi began to transform in the late 1980s. The local administration, recognizing its unique heritage, adopted a tourism-oriented approach, promoting the regeneration of the Sassi as a picturesque tourist attraction. This effort was significantly supported by the Italian government, UNESCO, and even gained attention from Hollywood filmmakers. In December 1993, the Sassi, often dubbed "the underground city," along with the rupestrian churches across the Gravina, were designated a UNESCO World Heritage Site.[13] This recognition has been a catalyst for attracting global tourism and accelerating the site's revitalization. In 2019, Matera was further celebrated as a European Capital of Culture.[66] Today, the Sassi host a vibrant array of businesses, pubs, and hotels, contributing to Matera's status as one of Southern Italy's fastest-growing cities.

Main Sights

Monasteries & Churches

Matera boasts an extensive and diverse collection of Christian religious structures, notably a significant number of rupestrian churches. These churches are carved directly into the calcarenite rock, a geological feature common to the region. Many of these unique rock-cut churches, also found in neighboring Apulia, were recognized and listed in the 1998 World Monuments Watch by the World Monuments Fund.[67]

  • Matera Cathedral (1268โ€“1270): Dedicated to Santa Maria della Bruna since 1389, this cathedral exemplifies the Apulian Romanesque architectural style. It features a prominent 52-meter-tall bell tower and a main gate adorned with a statue of Maria della Bruna, flanked by Saints Peter and Paul. The faรงade's most striking element is its rose window, intricately divided by sixteen small columns. The interior, laid out in a Latin cross plan with a nave and two aisles, primarily reflects an eighteenth-century Baroque restoration. However, a significant fourteenth-century Byzantine-style fresco depicting the Last Judgement has been recently uncovered.
  • San Pietro Caveoso: Located within the Sasso Caveoso district.
  • San Pietro Barisano: Situated in the Sasso Barisano district, this church recently underwent restoration by the World Monuments Fund, with funding from American Express. The project involved cleaning the main altar and interior frescoes, and reconstructing missing architectural elements from photographic archives and surrounding fragments.[68]

Beyond these prominent structures, Matera is home to numerous other churches and monasteries spanning Christian history. These range from simple caves with a single altar and occasional frescoes, often found on the opposite side of the ravine, to complex underground cave networks with large chambers, believed to have served as meditation spaces for rupestrian and cenobitic monks.

Other Architectural Landmarks

Beyond the Sassi and its churches, Matera offers other significant architectural points of interest that speak to its layered history.

  • Tramontano Castle: Initiated in the early sixteenth century by Gian Carlo Tramontano, Count of Matera, this castle remains an unfinished testament to his ambition. Its construction ceased after his assassination during a popular uprising on December 29, 1514. The castle currently features three large towers, though the original design likely envisioned twelve. During recent restoration efforts in the town's main square, workers initially believed they had discovered the footings of another castle tower. However, further excavation revealed extensive Roman cisterns and even entire house structures, offering a fascinating glimpse into the daily life of that era.
  • Palazzo dell'Annunziata: This historical building, prominently located on the main square, now serves as the seat of the Provincial Library, a hub for local knowledge and culture.

Cisterns & Water Collection

Ingenious Water Systems

Matera's location above the deep Gravina ravine, while offering natural defense, presented a significant challenge: providing a reliable water supply to its inhabitants. Early dwellers demonstrated remarkable ingenuity, investing immense energy in constructing elaborate cisterns and intricate systems of water channels to sustain their community.

The Palombaro Lungo

The most impressive example of Matera's water infrastructure is the Palombaro Lungo, a colossal cistern discovered beneath Piazza Vittorio Veneto, built in 1832.[69] This "water cathedral" features solid pillars carved directly from the rock and a vault soaring over fifteen meters high, so vast it can be navigated by boat. Like other cisterns throughout the town, it was designed to collect rainwater, which was then meticulously filtered and channeled in a controlled manner to the Sassi dwellings below.

Evolving Collection Methods

Beyond the grand Palombaro Lungo, the city utilized a network of smaller, superficial canals that fed various pools and hanging gardens. Many bell-shaped cisterns, integrated into the dug-out houses, were naturally filled by seepage from the surrounding rock. As the population expanded, many of these original cisterns were ingeniously converted into living spaces, necessitating the development of new and diverse water-harvesting systems. Some of these later facilities even took the unique form of houses submerged within the earth, reflecting a continuous adaptation to the challenging environment.[70]

Natural Areas

Murgia National Park

The Murgia National Park (Parco della Murgia Materana), established as a regional park in 1990, encompasses the dramatic territory of the Gravina di Matera. This protected area is home to approximately 150 rock churches, which are scattered across the slopes of the ravines and the expansive Murgia plateau. The park's landscape, continuously inhabited since prehistoric times, preserves significant archaeological sites dating back to the Paleolithic era, such as the Grotta dei pipistrelli (Cave of the Bats), and the Neolithic period.[71][72] The park's emblematic species is the lesser kestrel, a small falcon.

San Giuliano Reserve

The San Giuliano Regional Reserve, a protected area established in 2000, centers around Lake San Giuliano. This artificial reservoir was created by damming the Bradano river, and the reserve includes both the upstream and downstream sections of the river. It provides a vital habitat for diverse flora and fauna, offering a contrasting natural landscape to Matera's ancient urban core.[73]

Timmari Plateau

Approximately 15 kilometers from Matera lies the Colle di Timmari, a verdant plateau that offers panoramic views of the Bradano valley and Lake San Giuliano. This area serves as a pleasant residential zone and is also significant for its historical and archaeological value. Atop the hill, visitors can find the small Sanctuary of San Salvatore, dating back to 1310, alongside an important archaeological site that hints at earlier human presence and activity in the region.

Cultural Vibrancy

European Capital of Culture

Matera's cultural significance received international acclaim on October 17, 2014, when it was officially declared a European Capital of Culture for 2019, sharing the honor with Plovdiv, Bulgaria. This designation highlighted Matera's unique heritage and its commitment to cultural development and innovation, drawing global attention to its ancient roots and contemporary artistic expressions.

Religious Traditions

The Feast of the Madonna della Bruna, celebrated annually in Matera on July 2nd, is a deeply rooted religious tradition renowned for its vibrant procession. A key highlight is the ceremonial destruction of an elaborately ornamented chariot by spectators, a practice steeped in local lore.

The origins of this festival are shrouded in various legends:

  • One tale recounts a woman, believed to be Christ's mother, who requested a farmer to transport her to Matera on his wagon. Upon reaching the city's periphery, she disembarked and instructed the farmer to deliver a message to the bishop, revealing her identity. The bishop, clergy, and populace rushed to greet the Virgin, only to find a statue, which was then carried into the city on a triumphal wagon.
  • Another legend suggests that during a Saracen siege, citizens, to protect a painting of the Madonna, concealed it on a small wagon and subsequently destroyed the wagon to prevent the Saracens from seizing the sacred artwork.

The name "Madonna della Bruna" itself has several proposed etymologies:

  • It may derive from the Lombard High-Medieval term brรนnja, meaning "armor" or "protection of knights," thus signifying "Madonna of defense."
  • Another hypothesis links it to "Herbon," a city in Judea where the Virgin Mary visited her cousin Elisabetta.
  • A simpler explanation attributes the name to the color of the Virgin's face in the icon.

The festival's blend of sacred solemnity with "profane" elements, such as the ceremonial destruction of the navalis wagon, suggests deep roots in ancient Mediterranean traditions, reminiscent of Greek wedding celebrations featuring richly designed "ships on wheels." The Madonna's sculpture and a thirteenth-century Byzantine fresco portraying her are housed in a case within the cathedral's transept.[82][83][84]

Culinary Heritage

Cucina Povera & Local Delights

Matera's cuisine is a quintessential example of Southern Italian cucina povera, or "cuisine of the poor." Situated in a border region, it beautifully blends culinary traditions from both Basilicata and Apulia. Among its most celebrated specialties are peperoni cruschi, a sweet and dry pepper variety highly popular in Basilicata, and Pane di Matera, a distinctive bread known for its intense flavor and conical shape, which has been granted Protected Geographical Indication (PGI) status.[74] Matera also produces an eponymous wine that holds the Denominazione di origine controllata (DOC) designation.[75]

Notable dishes from Matera's local culinary tradition include:

  • Crapiata: A hearty peasant soup featuring chickpeas, beans, broad beans, wheat, lentils, and cicerchie. This ancient recipe, dating back to the Roman period, was later enriched with ingredients like potatoes. It is central to a communal ritual celebrated in the Sassi di Matera on August 1st.[76]
  • Orecchiette alla materana: Baked orecchiette pasta, generously seasoned with tomatoes, tender lamb, creamy mozzarella, and sharp Pecorino cheese.
  • Pasta con i peperoni cruschi: A flavorful pasta dish prepared with the signature peperoni cruschi and crispy fried breadcrumbs. Grated cheese or turnip greens can be added for extra depth.
  • Cialedda: A frugal recipe primarily utilizing stale bread. It can be served "calda" (hot) with additions like egg, bay leaves, garlic, and olives, or "fredda" (cold) with fresh tomatoes and garlic.[77]
  • Pignata: A slow-cooked dish featuring sheep meat, potatoes, onion, tomatoes, and celery, traditionally prepared in a "pignata," a distinctive amphora-shaped terracotta pot.[78]
  • Strazzate: Crumbly biscuits made with egg, almonds, and coffee, offering a delightful local sweet treat.

Matera in Cinema

The "Little Jerusalem"

Matera has become a highly sought-after filming location, frequently dubbed the "Little Jerusalem" by filmmakers due to its ancient, evocative landscapes that bear a striking resemblance to biblical settings.[79] This unique aesthetic has made it a natural backdrop for numerous religious-themed films.

Notable films shot in Matera include:

  • Religious-themed films:
    • The Gospel According to St. Matthew (1964)
    • King David (1985)
    • The Passion of the Christ (2004)
    • Mary (2005)
    • The Nativity Story (2006)
    • The Omen (2006)
  • Films evoking an archaic and isolated world:
    • La lupa (1953)
    • Il demonio (1963)
    • Christ Stopped at Eboli (1979)
  • Action/adventure blockbusters:
    • Wonder Woman (2017)
    • No Time to Die (2021)
  • Bollywood productions (since the late 2010s):
    • War (2019)
    • Salaar (2023)

Music Videos

Matera's captivating scenery has also extended its appeal to the music industry, serving as the visual setting for several music videos. Its dramatic backdrops and unique atmosphere provide a compelling visual narrative for musical storytelling.

Among the music videos filmed in Matera are:

  • Robin Schulz's Sun Goes Down (2014)[80]
  • Metallica's Spit Out the Bone (2016)[81]

Notable People

Figures of Matera

Matera has been the birthplace or home to a variety of distinguished individuals who have made significant contributions in fields ranging from sports and arts to academia and philosophy.

  • Franco Selvaggi (1953): A renowned football Serie A player, member of the Italy National Team, and a World Cup 1982 winner.
  • Luigi De Canio (1957): A prominent football manager.
  • Cristiana De Filippis (1992): A notable mathematician.
  • Egidio Romualdo Duni (1708โ€“1775): An influential composer.
  • Emanuele Gaudiano (1986): An accomplished show jumping rider.
  • Cosimo Fusco (1962): A recognized actor.
  • John of Matera (1070โ€“1139): A revered Benedictine monk and saint.
  • Enzo Masiello (1969): A distinguished Paralympic athlete.
  • Antonio Persio (1542โ€“1612): A significant philosopher.
  • Tommaso Stigliani (1573โ€“1651): A celebrated poet and writer.
  • Giovanni Carlo Tramontano (1451โ€“1514): A nobleman whose life ended in a popular uprising in Matera.

Transportation

Rail Connections

Matera serves as the terminal station for the Bariโ€“Matera narrow-gauge railroad, managed by Ferrovie Appulo Lucane. This rail link provides a crucial connection for residents and visitors traveling to and from the region, integrating Matera into the broader Apulian and Lucanian transport network.

Air and Road Access

The nearest major airport serving Matera is Bari Karol Wojtyล‚a Airport, offering domestic and international flights. For road travelers, Matera is well-connected to Italy's national motorway system. It is linked to the A14 Bologna-Taranto motorway via the SS99 national road and is also served by the SS407, SS665, and SS106 national roads, facilitating access from various parts of the country. Additionally, private firms provide bus connections to Italy's main cities, offering convenient long-distance travel options.

Sport

Local Teams

Matera is home to several sports teams that represent the city in various disciplines, fostering local pride and community engagement.

  • FC Matera: The city's primary football club, competing in national leagues.
  • Olimpia Matera: A basketball team that represents Matera in regional and national basketball competitions.

Twin Cities

International Partnerships

Matera actively participates in international cultural exchange and cooperation through its sister city relationships, fostering bonds with communities across the globe.

Matera is twinned with the following cities:[85][86]

  • Oulu, Finland: A city in Northern Ostrobothnia, known for its technological innovation and cultural vibrancy.
  • Petra, Jordan: An ancient city renowned for its rock-cut architecture, sharing a profound connection with Matera's own Sassi.
  • Toms River, United States: A township in Ocean County, New Jersey, fostering transatlantic cultural and economic ties.

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References

References

  1.  Leonardo A. Chisena, Matera dalla civita al piano: stratificazione, classi sociali e costume politico, Congedo, 1984, p.7
  2.  Colin Amery and Brian Curran, Vanishing Histories, Harry N. Abrams, New York, NY: 2001, p. 44.
  3.  World Monuments Fund รขย€ย“ Rupestrian Churches of Puglia and the City of Matera
A full list of references for this article are available at the Matera Wikipedia page

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