Who was Richard L. Coe, and what was his primary professional role?

Richard L. Coe, whose full name was Richard Livingston Coe, was an American theatre and cinema critic. He is primarily known for his extensive work with The Washington Post.

What were the birth and death dates and locations for Richard L. Coe?

Richard L. Coe was born on November 8, 1914, in New York City, New York, U.S., and he died on November 12, 1995, in Washington, D.C., U.S., at the age of 81.

For how long did Richard L. Coe serve as a critic for The Washington Post?

Richard L. Coe was a critic for The Washington Post for more than forty years, establishing a long and influential career with the publication.

How influential was Richard L. Coe within the theatre criticism landscape outside of New York City?

Richard L. Coe was recognized as one of the most influential theatre critics operating outside of New York City during his career.

What was Richard L. Coe's significance as a theatre reviewer in Washington D.C. during the postwar era?

During the postwar period, when Washington D.C. was a major tryout location for shows destined for Broadway, Coe served as the leading theatre reviewer in the city. His reviews were highly regarded and often utilized by directors.

How did Richard L. Coe's reviews impact Broadway productions?

Directors frequently consulted Coe's reviews to help refine and improve theatrical productions before they transferred to the more demanding environment of Broadway, highlighting the critical role his assessments played in the pre-Broadway development process.

Can you name some specific notable productions Richard L. Coe reviewed at Washington's National Theater?

Among the significant original productions Richard L. Coe reviewed at Washington's National Theater were David Merrick's "Hello, Dolly!" and "Carnival."

Which prominent American playwrights had their works premiered and reviewed by Richard L. Coe?

Richard L. Coe reviewed the premiere performances of plays by acclaimed playwrights such as Neil Simon, Tennessee Williams, and William Inge.

What early experiences influenced Richard L. Coe's interest in theater and music?

Richard L. Coe's interest in music and theater reportedly began during his formative years attending the choir school of the Cathedral of St. John the Divine in Manhattan.

When did Richard L. Coe begin his professional career with The Washington Post?

Richard L. Coe joined The Washington Post immediately after graduating from university in 1938.

What were Richard L. Coe's initial positions at The Washington Post?

Upon joining The Washington Post in 1938, Richard L. Coe initially worked as a radio editor and also served as an assistant drama critic.

How did Richard L. Coe contribute during World War II?

During World War II, Richard L. Coe served in the United States Army Air Forces. In this capacity, he worked as a writer and editor for the military newspaper *Stars and Stripes*, reporting from Cairo.

When did Richard L. Coe return to The Washington Post and take on the role of drama critic?

Richard L. Coe returned to The Washington Post in 1946, resuming his work in the arts section as the drama critic.

Beyond theatre, what other areas did Richard L. Coe review?

In addition to his primary focus on theatre, Richard L. Coe also reviewed motion pictures and other forms of entertainment during his career.

When did Richard L. Coe retire from The Washington Post, and what title was he granted?

Richard L. Coe retired from his position in 1979. Following his retirement, he was honored with the title of critic emeritus.

When did Christine Sadler, the wife of Richard L. Coe, pass away?

Christine Sadler died in the year 1983.

How did *The Oxford Companion to American Theatre* characterize Richard L. Coe's approach to theatre criticism?

*The Oxford Companion to American Theatre* described Richard L. Coe as a warm and knowledgeable advocate for quality theatre, noting that he was considered a generous reviewer.

Were Richard L. Coe's critical opinions valued by the Broadway theatre community?

Yes, Richard L. Coe's views were highly sought after by Broadway producers, even for shows that did not undergo tryouts in Washington D.C., indicating his significant influence.

Besides The Washington Post, what other publications featured Richard L. Coe's writing?

Richard L. Coe contributed his writing to numerous other publications, including prominent outlets like *The New York Times* and *The New Republic*.

Did Richard L. Coe limit his professional activities to print journalism?

No, Richard L. Coe also engaged in public commentary beyond print, serving as a regular radio and television commentator on arts and entertainment.

What award did Richard L. Coe receive from the Directors' Guild of America?

In 1963, Richard L. Coe was honored by the Directors' Guild of America, receiving the award for Critic of the Year.

What distinction was Richard L. Coe given in 1980?

In 1980, Richard L. Coe was recognized as "Washingtonian of the Year."

What social issues did Richard L. Coe address in his writings beyond theatre reviews?

Richard L. Coe used his platform to address significant social issues, including writing articles that condemned racial segregation at the National Theater in the early 1950s and advocating for the repeal of a child labor law that restricted performances by children.

Which specific new theatrical institutions in Washington D.C. did Richard L. Coe champion?

Richard L. Coe was a strong supporter of emerging theatrical institutions in Washington D.C., notably advocating for Arena Stage and the Kennedy Center for the Performing Arts.

What was Richard L. Coe's relationship with the National Press Club?

Richard L. Coe held the distinction of being an honorary member of the National Press Club.

What was the cause of Richard L. Coe's death?

Richard L. Coe died from lymphoma.

What external resources related to Richard L. Coe are mentioned in the text?

The text mentions a photograph of Richard Coe with actress Helen Hayes and the Richard L. Coe Theatre Programs Collection, which is housed at the Library of Congress.

What does the 'Authority control' section indicate about Richard L. Coe's cataloging in databases?

The 'Authority control' section indicates that Richard L. Coe is recognized and cataloged in major international and national databases, including VIAF, FAST, WorldCat, the U.S. Library of Congress, and SNAC, signifying his established presence in archival and library systems.

What does the term 'critic emeritus' imply about Richard L. Coe's status after retirement?

The title 'critic emeritus' suggests that Richard L. Coe retained an honorary status and recognition from his former institution, The Washington Post, acknowledging his significant past contributions even after ceasing active duties.

What was the significance of Washington D.C. as a theatre tryout city during Coe's tenure?

Washington D.C. was a crucial city for pre-Broadway tryouts, meaning shows often had their initial runs there before moving to New York. This made Coe's role as the leading reviewer particularly important for shaping these productions.

How might Coe's early education at a choir school have influenced his career path?

His attendance at the choir school of the Cathedral of St. John the Divine, where his interest in music and theater began, likely provided an early foundation and passion that guided him toward a career in arts criticism.

What was the function of *Stars and Stripes* during World War II?

*Stars and Stripes* was a newspaper specifically for members of the U.S. military serving overseas during World War II. Richard L. Coe worked as a writer and editor for this publication while stationed in Cairo.

What does the description of Coe as a 'warm, knowledgeable advocate of all good theater' suggest about his critical philosophy?

This description implies that Coe possessed a deep understanding and appreciation for the theatrical arts. His role as an 'advocate' suggests he actively supported and promoted quality productions, rather than solely focusing on critique.

In what ways did Richard L. Coe's advocacy extend beyond the realm of theatre reviews?

Coe demonstrated a commitment to social issues by writing articles that actively condemned racial segregation within the National Theater and by campaigning for the repeal of a child labor law that restricted opportunities for young performers.

What does the establishment of an award in Richard L. Coe's name signify about his legacy?

The creation of an award by the New Playwrights' Theater in his honor signifies that Richard L. Coe was highly respected within the theatrical community, particularly for his support of new works and emerging playwrights.

What is the likely significance of the Richard L. Coe Theatre Programs Collection at the Library of Congress?

This collection likely comprises theatre programs that Coe gathered throughout his career, potentially offering valuable historical documentation of performances he reviewed or was associated with, serving as a resource for studying theatre history.

What does the mention of a photograph with Helen Hayes suggest about Coe's professional life?

The mention of a photograph with Helen Hayes, a celebrated actress, suggests that Richard L. Coe interacted with prominent figures in the performing arts, possibly indicating professional relationships or friendships within the theatre world.

How did Richard L. Coe's career evolve from his initial roles at The Washington Post?

Starting as a radio editor and assistant drama critic, Coe progressed to become the main drama critic for The Washington Post. His responsibilities later expanded to include reviewing motion pictures and other forms of entertainment.

What was the context of the 'postwar period' being described as Broadway's 'last golden era of prolific production'?

This description refers to a time following World War II when Broadway experienced a peak in the number and variety of theatrical productions, marking a highly active and creative phase in its history.

What does the reference to 'harsher lights of Broadway' imply about the transition from Washington tryouts to New York?

The phrase suggests that Broadway represented a more critical, competitive, and demanding stage compared to the tryout venues like Washington D.C. Shows needed to be polished and successful in tryouts to withstand the scrutiny of the New York critics and audiences.

What does the mention of Christine Sadler's book *America's First Ladies* reveal about her journalistic career?

This indicates that Christine Sadler was a successful journalist and author with a focus on American history and prominent figures, particularly the nation's First Ladies, showcasing her own significant career.

What does the inclusion of authority control links (like VIAF, FAST, WorldCat, LoC, SNAC) signify about Richard L. Coe?

These links signify that Richard L. Coe is recognized as a notable individual whose biographical and professional information is systematically cataloged and accessible through major international and national library and archival systems, confirming his historical significance.

What was Richard L. Coe's role in advocating against racial segregation in theaters?

Richard L. Coe actively used his platform as a critic to condemn racial segregation at the National Theater in the early 1950s, using his influence to speak out against discriminatory practices.

How did Richard L. Coe support the development of new theatrical venues in Washington D.C.?

He was an enthusiastic advocate for the establishment and growth of new theatrical institutions in Washington D.C., specifically mentioning his support for Arena Stage and the Kennedy Center for the Performing Arts.

What was the nature of Richard L. Coe's contribution to the newspaper *Stars and Stripes*?

During World War II, Richard L. Coe served as a writer and editor for *Stars and Stripes*, the newspaper distributed to American military personnel serving abroad. His reporting duties during this time were based in Cairo.

What does the fact that Coe reviewed premieres of plays by Neil Simon, Tennessee Williams, and William Inge indicate about his career?

This indicates that Richard L. Coe was critically engaged with the work of major contemporary American playwrights during a significant period of American theatre, reviewing important new works as they debuted.

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About Richard L. Coe

Richard L. Coe
Born	Richard Livingston Coe November 8, 1914 New York City, New York, U.S.
Died	November 12, 1995 (aged 81) Washington, D.C., U.S.
Occupation	Theatre and cinema critic

A Life in Criticism

Richard Livingston Coe was a distinguished American theatre and cinema critic whose career spanned over four decades, primarily with The Washington Post. Born in New York City in 1914, Coe developed an early appreciation for the arts, which would later define his professional life. His tenure at the Post established him as a significant voice in cultural commentary, particularly within the vibrant theatrical landscape of Washington, D.C.

Washington D.C. Roots

Coe's formative years included attending the choir school of the Cathedral of St. John the Divine in Manhattan, an experience that he credited with igniting his passion for music and theatre. He pursued higher education at George Washington University, graduating in 1938. This academic foundation prepared him for his immediate entry into journalism, beginning his long association with The Washington Post.

A Pillar of the Post

Four Decades of Review

Richard L. Coe joined The Washington Post in 1938, initially serving as a radio editor and assistant drama critic. His career trajectory was significantly shaped by the post-war era, often referred to as Broadway's last golden age. During this period, Washington, D.C. was a crucial stop for theatrical productions undergoing tryouts before their New York premieres. Coe's role as the leading theatre reviewer in this influential city meant his critiques were closely watched by directors and producers, often serving as a barometer for a show's potential success on Broadway.

Broadening Horizons

Following his military service during World War II, Coe returned to The Washington Post in 1946, assuming the role of chief drama critic. His purview expanded beyond theatre to include motion pictures and other forms of entertainment, reflecting the evolving media landscape and his comprehensive interest in the performing arts. His reviews were characterized by a deep knowledge and a generous spirit, making him a respected figure not just in Washington but across the national theatre scene.

Shaping the Stage

Premieres and Playwrights

Coe's critical assessments were instrumental during a pivotal time for American theatre. He reviewed numerous significant productions at Washington's National Theatre, including David Merrick's original staging of the iconic musical "Hello, Dolly!" and the acclaimed "Carnival." His critical eye also captured the premieres of seminal works by some of the era's most celebrated playwrights, such as Neil Simon, Tennessee Williams, and William Inge. His thoughtful commentary provided valuable insights that often guided the refinement of these productions before their crucial New York debuts.

A Critic's Insight

Beyond reviewing, Coe was recognized for his advocacy of theatrical innovation and excellence. His views were frequently sought by Broadway producers, underscoring his influence even outside of Washington's tryout circuit. He contributed to numerous other publications, including The New York Times and The New Republic, and was a regular commentator on radio and television. This broad engagement solidified his position as a leading cultural commentator of his time.

Beyond the Review

Championing Equity and Access

Richard L. Coe's influence extended beyond critical analysis into active social advocacy. In the early 1950s, he penned columns that powerfully condemned racial segregation at the National Theatre, challenging discriminatory practices within the cultural institutions of the capital. Furthermore, he advocated for the repeal of a child labor law in Washington that restricted performances involving children, recognizing the importance of young talent in theatrical productions.

Fostering New Institutions

Coe was a fervent supporter of emerging theatrical organizations in Washington, D.C. He actively championed the establishment and growth of institutions such as Arena Stage and the John F. Kennedy Center for the Performing Arts. His enthusiastic advocacy played a role in solidifying Washington's status as a significant center for the performing arts. In recognition of his dedication to nurturing new talent, the New Playwrights' Theater in Washington established an award in his name in 1980.

Enduring Recognition

Honors and Recognition

Coe's contributions to journalism and the arts were widely acknowledged. He was honored as Critic of the Year by the Directors' Guild of America in 1963 and recognized as "Washingtonian of the Year" in 1980. His dedication to his profession and his community left an indelible mark. He was also an honorary member of the National Press Club, a testament to his standing within the journalistic fraternity.

Personal Life and Passing

In 1946, Richard L. Coe married Christine Sadler, a prominent Washington journalist who later served as the Washington editor for McCall's magazine and authored the book America's First Ladies. Mrs. Coe passed away in 1983. Richard L. Coe died at his home in Washington, D.C., on November 12, 1995, at the age of 81, following a battle with lymphoma. His passing marked the end of an era for arts criticism in the nation's capital.

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The Critic's Lens

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About Richard L. Coe ℹ️

👤 A Life in Criticism

🏛️ Washington D.C. Roots

A Pillar of the Post 📰

🖋️ Four Decades of Review

🎬 Broadening Horizons

Shaping the Stage 🎭

🌟 Premieres and Playwrights

💡 A Critic's Insight

Beyond the Review 📣

⚖️ Championing Equity and Access

🏛️ Fostering New Institutions

Enduring Recognition 🏆

🎖️ Honors and Recognition

💍 Personal Life and Passing

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Dive in with Flashcard Learning!

About Richard L. Coe

A Life in Criticism

Washington D.C. Roots

A Pillar of the Post

Four Decades of Review

Broadening Horizons

Shaping the Stage

Premieres and Playwrights

A Critic's Insight

Beyond the Review

Championing Equity and Access

Fostering New Institutions

Enduring Recognition

Honors and Recognition

Personal Life and Passing

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice