What is the current primary focus of Sadler's Wells Theatre?

The current Sadler's Wells Theatre is chiefly known as a dance venue, serving as both a host for visiting dance companies and a producing house for original works.

Where is Sadler's Wells Theatre located?

Sadler's Wells Theatre is situated on Rosebery Avenue in Islington, London, England.

When did Sadler's Wells Theatre first open its doors as a theatre building?

Sadler's Wells Theatre opened as a theatre building in the 1680s, evolving from a late 17th-century pleasure garden.

What types of performances were common at Sadler's Wells Theatre in its early years due to licensing restrictions?

Due to lacking the license for straight drama, Sadler's Wells became known for performances such as dancing, shows featuring performing animals, pantomime, and spectacular entertainments like sea battles staged in a large water tank.

Which historical period saw Sadler's Wells gain renown for Shakespearean plays, and who was the manager during this time?

In the mid-19th century, specifically between 1844 and 1862, Sadler's Wells became celebrated for its seasons of plays by Shakespeare and others, managed by Samuel Phelps.

Who was instrumental in buying and rebuilding Sadler's Wells Theatre in 1926, and what significant companies later developed from the theatre's association with her?

The philanthropist Lilian Baylis bought and rebuilt Sadler's Wells Theatre in 1926. The companies she supported there developed into the Royal Ballet, the National Theatre, and English National Opera.

What is the capacity of the main auditorium and the Lilian Baylis Studio at the current Sadler's Wells Theatre?

The current Sadler's Wells Theatre has a 1,500-seat main auditorium and a smaller Lilian Baylis Studio with a capacity of 200.

What is the official website for Sadler's Wells Theatre?

The official website for Sadler's Wells Theatre can be found at www.sadlerswells.com.

What designation does Sadler's Wells Theatre hold regarding its historical significance?

Sadler's Wells Theatre holds a Grade II listing, indicating its status as a building of special architectural or historic interest.

What is the stated type of venue for Sadler's Wells Theatre?

Sadler's Wells Theatre is classified as a dance, production, and receiving house.

Who is the current owner of Sadler's Wells Theatre?

The owner of Sadler's Wells Theatre is the Sadlers Wells Trust.

What are the geographic coordinates for Sadler's Wells Theatre?

The geographic coordinates for Sadler's Wells Theatre are 51°31′46″N 0°06′22″W.

What was the origin of Sadler's Wells Theatre, and who is credited with its founding?

Sadler's Wells Theatre originated from a late 17th-century pleasure garden. While details of the founder are disputed, many sources suggest the founder was named Dick Sadler.

What was the nature of the water discovered on Sadler's land that contributed to its early popularity?

A well with water from a mineral spring was discovered on Sadler's land in Islington. After an eminent physician praised its health-giving properties, Sadler marketed the water, attracting visitors to his 'Musick-House'.

Who was Sadler's business partner in the early days of the Musick-House, and what was his role?

Sadler's business partner was a violinist named Francis Forcer, who served as both dancing-master and composer for the entertainments.

How did the initial popularity of Sadler's spa decline, and what became the main draw for visitors?

The popularity of Sadler's spa declined by 1691, leading him to sell some wells. The entertainments provided at the Musick-House subsequently became the primary attraction for the remaining public interest.

What kind of entertainments were offered at Sadler's Wells under the management of Forcer and Miles?

Under Forcer and Miles, the entertainments at Sadler's Wells included ballad singers, jugglers, wrestlers, fighters, dancing dogs, and even a singing duck.

How was Sadler's Wells Theatre depicted in the mid-18th century, and what was the general sentiment regarding its clientele?

By the time Hogarth depicted it in 1736, the theatre had lost its fashionability and was satirized as having an audience of tradesmen and their wives. Ned Ward described the clientele in 1699 as including various disreputable characters.

What legal restriction did theatres like Sadler's Wells face in the mid-18th century regarding spoken dialogue, and how did they circumvent it?

The Minor Theatres Act (1751) obliged theatres like Sadler's Wells to avoid spoken dialogue, as only patent companies could stage straight drama. To bypass this, managers had actors speak against continuous instrumental music, presenting the performances as musical entertainments.

What significant change occurred in 1764 regarding the performers at Sadler's Wells, and who was the new Ballet Master?

In 1764, Rosoman engaged dancers from the Theatre Royal, Drury Lane, to perform at Sadler's Wells. This engagement was beneficial as the new Ballet Master was Giuseppe Grimaldi.

What was the nature of the second theatre built at Sadler's Wells, and when did it open?

The second theatre, built by Thomas Rosoman, was a brick structure that replaced the original wooden building. It opened in April 1765 after a rapid seven-week construction period.

Who acquired the management of Sadler's Wells in 1771, and what type of performances did he emphasize?

Thomas King acquired three-quarters of the theatre's share in 1771 and took over management. Although he favored drama, he catered to audience tastes by featuring pantomimes, establishing the theatre as a rival to the Theatre Royal, Haymarket in that genre.

When did Joseph Grimaldi, a famous clown, make his debut at Sadler's Wells?

Joseph Grimaldi made his debut at Sadler's Wells in 1781 at the age of two, dancing with his sister.

What was the condition of the theatre in the 1790s, and what plans were made for its renovation?

In the 1790s, the theatre was in need of renovation, particularly concerning safety. Proprietors, led by William Siddons, proposed an 'Entire new inside' to ensure the building's stability for future use.

What major addition was made to Sadler's Wells in 1802, and what kind of spectacles did it enable?

In 1802, Sadler's Wells reopened with a completely rebuilt interior. It acquired a new attraction called the Aqua-show, featuring a large water tank installed under the stage for aquatic spectacles, which led to the theatre becoming known for 'nautical drama'.

Who was the principal clown at Sadler's Wells in the early 19th century, and what was his dual career?

Joseph Grimaldi, by the early 19th century established as 'the unchallenged king of clowns', continued as the theatre's principal clown until 1820, while also pursuing a parallel career at Drury Lane.

What significant legislative change in 1843 allowed Sadler's Wells to present serious drama?

The Theatres Act 1843 repealed the law that restricted non-musical drama to the two patent theatres, enabling Sadler's Wells to present serious drama from the following year.

What was Samuel Phelps's vision for Sadler's Wells when he managed it from 1844 to 1862?

Samuel Phelps intended to bring Shakespeare to the masses, believing the theatre should be a 'place for justly representing the works of our great dramatic poets,' especially since major London theatres were not adequately presenting English drama.

What was the approximate capacity of Sadler's Wells during Samuel Phelps's management, and what were its economic advantages?

During Samuel Phelps's management, Sadler's Wells had a large capacity of 2,500. Its economic advantages included this large seating capacity and a low rent.

How did Samuel Phelps's productions of Shakespeare's plays differ from earlier interpretations?

Phelps's productions purged Shakespeare's texts of 18th-century alterations and additions, and he presented the plays with attention to period detail and dramatic veracity.

Which notable literary figures visited Sadler's Wells during Samuel Phelps's tenure?

During Samuel Phelps's management, literary figures such as Charles Dickens and John Forster visited the theatre.

What happened to Sadler's Wells Theatre after Samuel Phelps's departure in 1862, and what were the plans in 1874?

After Phelps's withdrawal, the theatre presented various shows but struggled to gain impact. In 1874, it closed due to a perilous state of repair, with plans even being considered to convert it into baths and washhouses.

Who purchased the lease of Sadler's Wells in 1878, and what was his intention for the theatre?

Sidney Bateman, who managed the Lyceum Theatre in the West End, purchased the unexpired lease of Sadler's Wells in August 1878. He hoped to restore the theatre's reputation as a classical playhouse.

What architectural changes were made to Sadler's Wells in 1879 by C. J. Phipps?

C. J. Phipps was commissioned to design a new interior for the theatre, which involved remodelling the auditorium with a stronger horseshoe profile for the dress circle and gallery, thereby increasing the theatre's capacity.

How did the accessibility of Sadler's Wells change by the late 19th century?

By the late 19th century, Islington had become an inner suburb of London, and Sadler's Wells was easily accessible, with omnibuses and trams from various directions passing nearby.

What was the general sentiment regarding the gallery audience at Sadler's Wells in the 1880s, according to one writer quoted by Philip Temple?

According to a writer quoted by Philip Temple, in the 1880s, the Saturday night gallery at Sadler's Wells contained 'the most villainous, desperate, hatchet-faced assembly of ruffians to be found in all London'.

What architectural addition was made to Sadler's Wells in 1894, and by whom?

In 1894, architect Bertie Crewe added a new portico to Sadler's Wells, aligning it with the newly completed Rosebery Avenue.

What dual role did Sadler's Wells serve in the early 20th century, and what was its success level?

In the early 20th century, the theatre doubled as a cinema, showing films on Sundays, while hosting live shows described as 'cowboy melodramas' during the week. However, it did not prosper.

What plan was proposed in 1914 to save Sadler's Wells, and why was it abandoned?

In 1914, a plan was put forward, supported by figures like Bernard Shaw, to save Sadler's Wells and transform it into 'a people's theatre.' This plan was abandoned due to the outbreak of the First World War.

What was the condition of Sadler's Wells after WWI, and when did it finally close?

After WWI, Sadler's Wells declined into dereliction and closed in 1915, not reopening after the war.

What was the significance of Lilian Baylis's campaign to reopen Sadler's Wells in 1925?

Lilian Baylis's campaign in 1925 aimed to reopen the derelict Sadler's Wells on a similar basis to her Old Vic theatre, providing affordable access to the arts for a working-class audience. She successfully raised the necessary funds for its rebuilding.

Who designed the new Sadler's Wells Theatre that opened in 1931?

The new Sadler's Wells Theatre, which opened in 1931, was designed by F. G. M. Chancellor, who had succeeded Frank Matcham as senior partner of Matcham and Co.

What was the opening production of the 1931 Sadler's Wells Theatre, and who starred in it?

The new Sadler's Wells Theatre opened on January 6, 1931, with a gala performance of Shakespeare's 'Twelfth Night,' starring John Gielgud as Malvolio and Ralph Richardson as Toby Belch.

How did Sadler's Wells become a home for dance under Lilian Baylis's influence?

Acquiring Sadler's Wells allowed Lilian Baylis to establish a dance company, fulfilling a wish she had since engaging Ninette de Valois to improve dancing in her Old Vic productions.

What was the established pattern for the 'Vic-Wells' companies by 1935 regarding their performance venues?

By 1935, the established pattern was for drama to be presented at the Old Vic, while opera and ballet companies performed at Sadler's Wells.

Which opera company held numerous London seasons at Sadler's Wells from the 1930s to the 1980s?

The D'Oyly Carte Opera Company held 21 London seasons at Sadler's Wells, returning in every decade from the 1930s until the 1980s.

What significant event occurred at Sadler's Wells in 1945, and what was the consequence for the ballet company?

In 1945, Sadler's Wells hosted the world premiere of Benjamin Britten's 'Peter Grimes.' Following the war, the main ballet company moved to Covent Garden, leaving Sadler's Wells with a smaller company known as the Sadler's Wells Theatre Ballet.

Which opera ensemble, founded by Benjamin Britten, had its London seasons at Sadler's Wells between 1954 and 1975?

Benjamin Britten's ensemble, the English Opera Group, had its London seasons at Sadler's Wells between 1954 and 1975.

What was the primary focus of Sadler's Wells after the opera company moved to the London Coliseum in 1968?

After the opera company relocated, Sadler's Wells shifted its primary focus to dance, diversifying its program significantly by the 1970s.

What was the goal of Ian Albery's campaign in 1994 regarding Sadler's Wells?

In 1994, Ian Albery led a campaign to transform Sadler's Wells into a purpose-built dance theatre.

Who designed the current Sadler's Wells Theatre that opened in 1998?

The current Sadler's Wells Theatre, which opened in 1998, was designed by the Arts Team division of the architects RHWL.

Sadler S Wells Theatre Wiki: Sadler's Wells: A Chronicle of London's Stage

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A Storied Past

The First Theatre: c. 1683–1765

Sadler's Wells originated as a pleasure garden in the late 17th century, featuring mineral springs. The first theatre building opened in the 1680s. Lacking a drama license, it became known for diverse entertainments: dancing, pantomime, animal performances, and aquatic spectacles. Early clientele ranged from fashionable visitors to a more rowdy crowd, reflecting its evolving reputation.

The Phelps Era: 1844–1862

Following the Theatres Act of 1843, which removed restrictions on staging drama, Samuel Phelps managed the theatre. He revitalized it with seasons of Shakespeare and other classic plays, aiming to bring quality theatre to a wider audience. This period is considered one of the theatre's most glorious reigns, attracting literary figures and a more discerning audience.

Lilian Baylis's Vision: 1931–1998

Philanthropist Lilian Baylis purchased and rebuilt the derelict theatre in 1931. Her vision was to create a "people's theatre" with affordable prices, mirroring her success at the Old Vic. This era saw Sadler's Wells become a crucible for major arts companies, including the foundations of the Royal Ballet, National Theatre, and English National Opera.

A Dance Destination: 1970s–Present

After the English National Opera relocated, Sadler's Wells increasingly focused on dance. It became a primary venue for resident and visiting international dance companies, fostering new works and establishing itself as a leading global dance theatre. The current building, dating from 1998, was specifically designed to enhance its role as a dance hub.

Venue Details

Location & Ownership

Address: Rosebery Avenue, London, EC1, England.

Owner: Sadler's Wells Trust.

Coordinates: 51.529444°N 0.106111°W

Capacity & Designation

The main auditorium seats 1,500 patrons across three levels. Additionally, the Lilian Baylis Studio offers space for 200.

The theatre is a Grade II listed building, recognized for its architectural and historical significance.

Online Presence

The official website, www.sadlerswells.com, provides comprehensive information on current and upcoming performances, ticketing, and theatre news.

A Legacy of Arts

Foundation of Major Companies

Under Lilian Baylis, Sadler's Wells became instrumental in nurturing nascent artistic companies. The theatre provided a home and development ground for ensembles that would evolve into globally recognized institutions.

Birthplace of Dance Excellence

It served as the crucial London base for Ninette de Valois's ballet company, which eventually became the Royal Ballet. The theatre's commitment to dance has continued, making it a primary venue for contemporary and international dance productions.

Opera and Drama Roots

Beyond dance, Sadler's Wells hosted seasons for opera and drama companies. It was the venue for premieres of significant works and provided a platform for artists who would later form the core of the National Theatre and English National Opera.

Looking Ahead

Sadler's Wells East

In anticipation of future growth, a new venue, Sadler's Wells East Theatre, is set to open in Stratford, London, within the Queen Elizabeth Olympic Park. Designed by O'Donnell & Tuomey, it is slated to commence operations in early 2025, further expanding the theatre's reach and commitment to dance.

Cultural Resonance

Literary and Artistic Influence

Sadler's Wells has inspired various forms of cultural expression. It served as the setting for children's fiction series focusing on ballet students and influenced plays that captured the essence of its theatrical life and performers.

Authority Control

Identifiers

The theatre's unique identity is cataloged across various international and national databases, facilitating research and archival access.

International: ISNI, VIAF
National: United States (Library of Congress), France (BnF data), Israel, Catalonia
Other: IdRef, Yale LUX

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References

Other sources give Sadler the full forename Richard.[3]

Carey, p. 105; Craine and Mackrell, p. 380; Jarman, p. 3; Rice, p. 67; Thomson, p. 128; and Urban, p. 798

"News", Lloyd's Evening Post, 6 March 1765, p. 7; and "News", Lloyd's Evening Post, 12 April 1765, p. 3

"Cologne Opera for Wells", The Times, 22 March 1969, p. 18; and "Koanga", The Times, 18 May 1972, p. 11

"For Sale Privately", The Stage, 19 October 1989, p. 11; and "Romantic renaissance in Bitter Sweet", Illustrated London News, 1 April 1988, p. 70

English Heritage listing details. Retrieved 28 April 2007

"Welsh National Opera", The Times, 12 March 1999, p. 35; and "Dance/Opera", The Times, 6 October 2001, p. 253

"Heydays, a little bit of a drag", The Stage, 6 May 1999, p. 9

A full list of references for this article are available at the Sadler's Wells Theatre Wikipedia page

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Disclaimer

Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on publicly available data and may not be entirely accurate, complete, or up-to-date.

This is not professional arts or theatre advice. The information provided on this website is not a substitute for professional consultation regarding theatre history, management, or artistic direction. Always refer to official sources and consult with qualified professionals for specific inquiries.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.

Sadler's Wells: A Chronicle of London's Stage

💡 Dive in with Flashcard Learning! 💡

A Storied Past 📜

💧 The First Theatre: c. 1683–1765

🎭 The Phelps Era: 1844–1862

🌟 Lilian Baylis's Vision: 1931–1998

💃 A Dance Destination: 1970s–Present

Venue Details 🏛️

📍 Location & Ownership

📏 Capacity & Designation

🌐 Online Presence

A Legacy of Arts ✨

🏗️ Foundation of Major Companies

🩰 Birthplace of Dance Excellence

🎶 Opera and Drama Roots

Looking Ahead 🚀

📍 Sadler's Wells East

Cultural Resonance 🎬

📚 Literary and Artistic Influence

Authority Control ⚖️

🔗 Identifiers

Teacher's Corner 🧑‍🏫

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References

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📜 Important Notice

Dive in with Flashcard Learning!

A Storied Past

The First Theatre: c. 1683–1765

The Phelps Era: 1844–1862

Lilian Baylis's Vision: 1931–1998

A Dance Destination: 1970s–Present

Venue Details

Location & Ownership

Capacity & Designation

Online Presence

A Legacy of Arts

Foundation of Major Companies

Birthplace of Dance Excellence

Opera and Drama Roots

Looking Ahead

Sadler's Wells East

Cultural Resonance

Literary and Artistic Influence

Authority Control

Identifiers

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice