The Art of Soumak
An In-depth Exploration of a Rich Weaving Tradition.
What is Soumak? ๐ Explore Techniques ๐งตDive in with Flashcard Learning!
๐ฎ Play the Wiki2Web Clarity Challenge Game๐ฎ
What is Soumak?
A Distinct Weaving Technique
Soumak, also known by variations such as soumakh, sumak, sumac, or soumac, refers to a specific tapestry weaving technique. It is employed to create robust and decorative fabrics, primarily utilized for carpets, rugs, domestic bags, and bedding. Fabrics specifically designed for bedding are often termed 'soumak mafrash'.
Resemblance and Distinction from Kilim
Soumak is classified as a type of flat weave, sharing similarities with kilim. However, it is distinguished by its stronger, thicker weave. The front face is smooth, while the reverse side is characteristically ragged. Unlike kilim, which often features slits where colors meet, Soumak typically incorporates supplementary weft threads that act as continuous supports, thereby avoiding these slits and enhancing durability.
The Weaving Process
The fundamental technique involves wrapping colored weft threads over and under the warp threads. This process not only adds significant strength to the fabric but also creates intricate, embroidery-like patterns, contributing to the aesthetic appeal of the finished textile.
The Soumak Technique
Method of Construction
The Soumak technique is executed by wrapping weft threads over a specific number of warp threads, typically four, before drawing them back under the last two. This procedure is systematically repeated from one selvedge to the other. The wefts used in this method are discontinuous; weavers select colored threads sequentially, wrapping each within the designated area for that particular color.
Structural Integrity and Finish
A key characteristic differentiating Soumak from Kilim is the absence of slits. This is achieved through the use of a supplementary or structural weft that supports the colored pattern weft. Consequently, the reverse side of a Soumak textile is left ragged, with the loose ends of the differently colored weft threads visible, often extending several inches. This feature contributes to the fabric's thickness and warmth.
Variations and Adaptations
While the standard technique involves a structural weft, some later Soumak pieces, particularly those created by Kurdish weavers, are 'weftless'. In these instances, the stitches naturally overlap without the need for a separate structural weft. The colored weft wrapping frequently covers the entire surface of a bag or rug, but it can also be applied in decorative strips, interspersed with plainer, thinner flatweave sections, offering a contrast in texture and appearance.
Etymology
Origins of the Name
The term 'Soumak' likely originates from the historical town of Shemakja, situated in Azerbaijan. This town was once a significant trading hub in the Eastern Caucasus region. Alternative etymological theories suggest a derivation from the Turkish verb 'sekmek', meaning 'to skip up and down', referring to the weaving process itself. Another plausible origin points to the Arabic and Syriac word 'summฤq', meaning 'red', potentially linking the name to the red dyes derived from plants in the sumac family (Anacardiaceae), which were historically used in textile coloration.
Geographical Origins
Areas of Production
Soumak textiles are traditionally produced across several key regions, reflecting a rich cultural heritage in weaving:
- The Caucasus: Particularly prominent in the Shirvan region.
- Persia (Iran): Including Luristan, and areas inhabited by the Shahsavan tribe and Kurdish people in the northwest.
- Anatolia (Turkey): Specifically in the southern and western parts.
- The Baloch People: Found along the Persia-Afghanistan border.
These diverse geographical origins contribute to the stylistic variations observed in Soumak weaving.
Visual Examples
Soumak Mafrash (bedding bag) panel from Borchali, Georgia (late 19th century).
Features motifs like the eye, cross, and hook for protection, and a central diamond representing a dragon.
Soumak Saddle Bag from Luristan (late 20th century) - Front View.
Showcases decorative motifs and potential combination with pile weaving.
Soumak Saddle Bag from Luristan - Detail of Woollen Handle.
Illustrates the construction of functional elements.
Soumak Saddle Bag from Luristan - Simple Rear.
Features a plain red and blue striped rear, without weft wrapping.
Soumak Saddle Bag from Luristan - Detail of Weft Wrapping.
Demonstrates how weft yarns can be manipulated to form patterns.
Soumak Saddle Bag from Luristan - Detail of Motif on Front.
Highlights the intricate patterns achievable with the Soumak technique.
Soumak Saddle Bag - Detail of Decorative Border.
Shows slits designed for rope closure and securing the bag.
Soumak Saddle Bag from Luristan - Shown Open.
Reveals the interior structure and construction.
Soumak Saddle Bag - Detail of Edge with Pile Carpet Strip.
Illustrates the combination of Soumak with pile carpet weaving techniques.
Soumak Saddle Bag from Luristan - Detail of Reverse.
Shows the characteristic ragged ends of weft threads of different colors.
References
Source Material
The content presented herein is derived from and meticulously fact-checked against the provided source material. For detailed bibliographic information, please refer to the programmatically generated reference list.
Teacher's Corner
Edit and Print this course in the Wiki2Web Teacher Studio

Click here to open the "Soumak" Wiki2Web Studio curriculum kit
Use the free Wiki2web Studio to generate printable flashcards, worksheets, exams, and export your materials as a web page or an interactive game.
True or False?
Test Your Knowledge!
Gamer's Corner
Are you ready for the Wiki2Web Clarity Challenge?
Unlock the mystery image and prove your knowledge by earning trophies. This simple game is addictively fun and is a great way to learn!
Play now
References
References
Feedback & Support
To report an issue with this page, or to find out ways to support the mission, please click here.
Disclaimer
Important Notice
This page has been generated by an Artificial Intelligence model. The content is based exclusively on the provided Source of Truth document and is intended for educational and informational purposes only. While efforts have been made to ensure accuracy and adherence to the source, the information may not be exhaustive or reflect the most current understanding of the subject matter.
This content is not professional advice. The information provided does not constitute expert consultation in textile arts, cultural history, or any related field. Users should consult with qualified professionals and original sources for specific applications or detailed academic research. The creators of this page assume no liability for any errors, omissions, or actions taken based on the information presented.