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The Art of Soumak

An In-depth Exploration of a Rich Weaving Tradition.

What is Soumak? ๐Ÿ‘‡ Explore Techniques ๐Ÿงต

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What is Soumak?

A Distinct Weaving Technique

Soumak, also known by variations such as soumakh, sumak, sumac, or soumac, refers to a specific tapestry weaving technique. It is employed to create robust and decorative fabrics, primarily utilized for carpets, rugs, domestic bags, and bedding. Fabrics specifically designed for bedding are often termed 'soumak mafrash'.

Resemblance and Distinction from Kilim

Soumak is classified as a type of flat weave, sharing similarities with kilim. However, it is distinguished by its stronger, thicker weave. The front face is smooth, while the reverse side is characteristically ragged. Unlike kilim, which often features slits where colors meet, Soumak typically incorporates supplementary weft threads that act as continuous supports, thereby avoiding these slits and enhancing durability.

The Weaving Process

The fundamental technique involves wrapping colored weft threads over and under the warp threads. This process not only adds significant strength to the fabric but also creates intricate, embroidery-like patterns, contributing to the aesthetic appeal of the finished textile.

The Soumak Technique

Method of Construction

The Soumak technique is executed by wrapping weft threads over a specific number of warp threads, typically four, before drawing them back under the last two. This procedure is systematically repeated from one selvedge to the other. The wefts used in this method are discontinuous; weavers select colored threads sequentially, wrapping each within the designated area for that particular color.

Structural Integrity and Finish

A key characteristic differentiating Soumak from Kilim is the absence of slits. This is achieved through the use of a supplementary or structural weft that supports the colored pattern weft. Consequently, the reverse side of a Soumak textile is left ragged, with the loose ends of the differently colored weft threads visible, often extending several inches. This feature contributes to the fabric's thickness and warmth.

Variations and Adaptations

While the standard technique involves a structural weft, some later Soumak pieces, particularly those created by Kurdish weavers, are 'weftless'. In these instances, the stitches naturally overlap without the need for a separate structural weft. The colored weft wrapping frequently covers the entire surface of a bag or rug, but it can also be applied in decorative strips, interspersed with plainer, thinner flatweave sections, offering a contrast in texture and appearance.

Etymology

Origins of the Name

The term 'Soumak' likely originates from the historical town of Shemakja, situated in Azerbaijan. This town was once a significant trading hub in the Eastern Caucasus region. Alternative etymological theories suggest a derivation from the Turkish verb 'sekmek', meaning 'to skip up and down', referring to the weaving process itself. Another plausible origin points to the Arabic and Syriac word 'summฤq', meaning 'red', potentially linking the name to the red dyes derived from plants in the sumac family (Anacardiaceae), which were historically used in textile coloration.

Geographical Origins

Areas of Production

Soumak textiles are traditionally produced across several key regions, reflecting a rich cultural heritage in weaving:

  • The Caucasus: Particularly prominent in the Shirvan region.
  • Persia (Iran): Including Luristan, and areas inhabited by the Shahsavan tribe and Kurdish people in the northwest.
  • Anatolia (Turkey): Specifically in the southern and western parts.
  • The Baloch People: Found along the Persia-Afghanistan border.

These diverse geographical origins contribute to the stylistic variations observed in Soumak weaving.

References

Source Material

The content presented herein is derived from and meticulously fact-checked against the provided source material. For detailed bibliographic information, please refer to the programmatically generated reference list.

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References

References

A full list of references for this article are available at the Soumak Wikipedia page

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Important Notice

This page has been generated by an Artificial Intelligence model. The content is based exclusively on the provided Source of Truth document and is intended for educational and informational purposes only. While efforts have been made to ensure accuracy and adherence to the source, the information may not be exhaustive or reflect the most current understanding of the subject matter.

This content is not professional advice. The information provided does not constitute expert consultation in textile arts, cultural history, or any related field. Users should consult with qualified professionals and original sources for specific applications or detailed academic research. The creators of this page assume no liability for any errors, omissions, or actions taken based on the information presented.