The Rhythmic Square
A Comprehensive Study of Global Square Dance Traditions and Their Cultural Significance.
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What is Square Dance?
The Core Formation
Square dance is a vibrant social dance form typically involving four couples, or eight dancers, arranged in a square formation with one couple on each side facing the center. It encompasses a wide spectrum of dances often referred to by various names, including country dances, traditional dances, folk dances, barn dances, ceilidh dances, and contra dances.
Global Presence & Status
While strongly associated with the United States, square dance traditions exist globally, appearing in over 100 different formations. In many regions, it has attained the status of a folk dance, reflecting its deep cultural roots and community engagement. Its romanticized image, particularly in the 20th century, has led to its designation as the official state dance in numerous U.S. states.
Rhythmic Coordination
The dance relies on coordinated movements, often guided by a caller who directs dancers through a sequence of steps to the beat of the music. In other variations, dancers perform memorized routines without a caller. The music itself varies significantly, ranging from traditional folk tunes to contemporary popular music.
Historical Evolution
European Roots
The origins of square dance trace back to traditional folk and social dances from various European countries. Influences include the English Morris dance and, significantly, English country dances documented as early as the 17th century. John Playford's 1651 publication, The English Dancing Master, featured early square dance formations.
American Development
European settlers brought these dances to North America, where they evolved considerably. The French quadrille, popular in the early 1800s, merged with existing forms. Initially danced from memory, the practice of calling out steps emerged, influenced by African American musicians, leading to the modern caller tradition by the early 20th century.
Diverse Global Styles
United States & Canada
This region hosts distinct styles:
- Traditional Square Dance: Also known as old-time square dance, it's not standardized and includes regional variations like Northeast/New England, Southeast/Appalachian, and Western styles. Often alternated with contra dances.
- Modern Western Square Dance (MWSD): Evolved from the western style, it is highly standardized by Callerlab, taught globally, and uses a defined program of calls (e.g., Mainstream).
United Kingdom & Ireland
These regions feature unique traditions:
- Playford Dances: Based on John Playford's The English Dancing Master, these include surviving square dances and new compositions in the Playford style.
- Regional Folk Dances: Traditional dances from specific English villages (e.g., Goathland Square Eight) performed in square formations.
- Ceili Dances: Irish social gatherings featuring various formations, including square dances, often with energetic steps.
- Irish Set Dance: Square dances with strong regional ties, characterized by specific stepping patterns and couple designations (tops/sides).
- Scottish Country Dance: Standardized by the Royal Scottish Country Dance Society, these include numerous square dance formations with precise steps and sequences.
Continental Europe
Many European countries have their own square dance traditions, often characterized by fixed, memorized sequences rather than callers. Examples include German Bekedorfer, French Carré de Campagne, and Eastern European Jewish Sher. Variations like double squares (e.g., Danish Sonderborger Doppelkadril) also exist.
The Dance Set: Structure & Roles
The Square Formation
A standard square dance involves four couples arranged in a square. Each couple is designated a number, typically starting with "Couple 1" (the head couple) nearest the musicians or caller. Numbering usually proceeds counterclockwise: Couple 2 is to the right of Couple 1, Couple 3 is opposite, and Couple 4 is to the left.
Head vs. Side Couples
In many American traditions, Couples 1 and 3 are designated as the head couples (or "heads"), while Couples 2 and 4 are the side couples (or "sides"). This distinction influences how figures are danced, with head couples often initiating movements that side couples then repeat or respond to.
Dance Dynamics
The interaction between couples is central. In dances derived from the quadrille, the couple opposite the first is the "second couple," forming head couples with the first. In Irish set dances, couples are designated "tops" or "sides," with four couples typically dancing together on the sides of the square.
Callers and Calls: The Language of Dance
The Role of the Caller
In many square dance forms, particularly Traditional and Modern Western Square Dance, a caller directs the dancers. The caller announces a sequence of movements, known as calls, to which the dancers respond. While callers are central to MWSD, in some traditional forms, the caller might be a dancer or musician, or the dance may proceed without a caller using memorized routines.
Timing and Standardization
Calls vary in duration, typically requiring between 4 and 32 musical counts (steps). In traditional styles, timing often aligns with musical phrases. Modern Western Square Dance standardizes call durations and sequences. Participants learn a defined set of calls within a program (e.g., Mainstream), allowing for varied combinations rather than fixed routines.
Musical Accompaniment
Traditional Styles
Traditional square dance music often features live ensembles playing acoustic instruments like fiddles, banjos, guitars, and double basses. Repertoire frequently draws from Scottish and Irish jigs and reels, adapted into styles like old-time music or regional folk traditions (e.g., Quebecois). Tempos can range widely (approx. 108-150 bpm).
Modern Western Styles
MWSD typically uses recorded music spanning genres like pop, country, Broadway show tunes, rock, and hip-hop. The tempo is more uniform, generally between 120-128 bpm, with dancers taking one step per beat. This standardization allows for consistent execution of learned calls.
Regional Variations
Irish and Scottish dances are usually performed to traditional tunes. English dances may use traditional music but also incorporate contemporary styles, especially at ceilidhs. Some communities use popular songs from the mid-20th century, played on instruments like saxophones and electric guitars.
Community and Attire
Organization and Events
Square dance events are organized through various means: bands and callers for traditional dances, and dedicated square dance clubs for MWSD. Clubs often host classes, social dances, and larger events open to the public. International organizations like Callerlab help standardize MWSD globally.
Dress Codes
Attire varies significantly. Traditional groups often have no specific dress code. MWSD events may request traditional square dance attire (a style popularized in the late 1950s/early 1960s, not truly traditional), proper attire, or be casual. Many dancers in Britain wear traditional attire, but codes are often relaxed. Folk and barn dance events may encourage dressing up, but not necessarily in specific square dance clothing.
Beyond the Square: Interesting Variations
Expanded Formations
While four couples in a square is standard, numerous variations exist:
- Ninepins: A square with one extra person in the center.
- Winter Solstice: A square with an additional couple in the middle.
- Hexitation: A square where two couples occupy each head position.
- Twelve Reel: Features three people per side, typically a man flanked by two women.
Advanced & Hybrid Forms
More complex variations cater to experienced dancers:
- Hexagon Dancing: Six couples arranged in a hexagon, with three head and three side couples.
- Bigon: Four people, each dancing their own part and their opposite's part simultaneously, demanding high skill.
- Morphing Dances: Choreography that transitions between formations, such as contra or longways sets evolving into square dance segments and back.
- Grid Squares: Squares arranged in a grid pattern, with dancers moving between sets according to intricate calls.
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References
References
- Friedland, LeeEllen (1998). "Square Dancing". In Cohen, Selma Jeanne (ed). International Encyclopedia of Dance, vol. 5. New York: Oxford University Press. p. 685-89.
- Playford, John (1651). The English dancing master: or, Plaine and easie rules for the dancing of country dances, with the tune to each dance. London: Printed by Thomas Harper. Accessed through ProQuest Database: Early Modern Books. p. 81.
- Cf. Cantwell, Robert, When We Were Good (1996), Harvard University Press, pp. 110, 253.
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Academic Disclaimer
Important Notice
This educational resource was generated by Artificial Intelligence, drawing information from publicly available data, primarily the Wikipedia article on Square Dance. While efforts have been made to ensure accuracy and comprehensiveness based on the provided source, it is intended for informational and academic purposes only.
This content does not constitute professional dance instruction or advice. The information presented is not a substitute for hands-on learning, guidance from qualified instructors, or adherence to specific community traditions. Users seeking to learn or practice square dancing should consult with local clubs, experienced callers, and follow established teaching methodologies.
The creators assume no responsibility for errors, omissions, or actions taken based on the information herein. Always verify critical details with primary sources or qualified professionals.