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Millie's Metropolis

An academic examination of the iconic 1967 musical comedy, exploring its narrative, artistic contributions, and cultural context.

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About the Film

A Cinematic Gem of 1967

Thoroughly Modern Millie is a distinguished 1967 American musical romantic comedy film, masterfully directed by George Roy Hill. The screenplay, penned by Richard Morris and drawing inspiration from the 1956 British musical Chrysanthemum, chronicles the ambitious journey of a naive young woman determined to marry her wealthy employer. The film features a stellar cast, including Julie Andrews in the titular role, alongside Mary Tyler Moore, Carol Channing, James Fox, John Gavin, and Beatrice Lillie.

Musical Tapestry

The film's soundtrack is notable for its innovative blend of newly composed songs by Jimmy Van Heusen and Sammy Cahn ("Thoroughly Modern Millie," "The Tapioca") with beloved standards from the 1910s and 1920s, such as "Baby Face" and "Jazz Baby." The acquisition of rights for the latter melody, which had been used for over four decades by General Mills to promote Wheaties, highlights the careful curation of the musical elements.

Critical Acclaim and Legacy

Thoroughly Modern Millie garnered significant recognition, earning nominations for seven Academy Awards and five Golden Globe Awards. It achieved considerable commercial success, ranking as the eighth highest-grossing film in North America for 1967. Its enduring appeal led to its adaptation into a successful stage musical of the same name in 2000.

Narrative Synopsis

Ambition in the Roaring Twenties

Set in New York City in 1922, the narrative follows Millie Dillmount, a spirited young woman embodying the "flapper" ethos. Her primary objective is to secure employment as a stenographer for a prosperous businessman, with the ultimate aim of marrying him—a distinctly "thoroughly modern" aspiration for the era. Millie forms a bond with Miss Dorothy Brown, a fellow resident at the Priscilla Hotel, unaware of the sinister activities orchestrated by the hotel's housemother, Mrs. Meers, who systematically exploits vulnerable tenants for nefarious purposes.

Romantic Entanglements and Deception

At a social gathering, Millie encounters Jimmy Smith, a charming paperclip salesman, sparking an immediate connection. Despite this burgeoning romance, Millie remains committed to her plan of marrying wealth. She secures a position at Sincere Trust, setting her sights on the attractive Trevor Graydon. A pivotal excursion to Long Island introduces the girls to the eccentric widow Muzzy Van Hossmere. As Millie develops feelings for Jimmy, her suspicions are aroused when she witnesses him meeting Miss Dorothy late at night, leading her to misinterpret the situation.

Unraveling the Conspiracy

Millie's resolve to marry Trevor intensifies, but her attempts at seduction prove unsuccessful. Meanwhile, Trevor finds himself falling for Miss Dorothy, leaving Millie disheartened. Jimmy's persistent efforts to communicate with Millie are repeatedly obstructed by Miss Flannary, her stern supervisor. Mrs. Meers' attempts to abduct Miss Dorothy are consistently thwarted by Millie's unwitting interventions. The mystery deepens as Millie discovers that Miss Dorothy, like several other girls, has vanished, leaving behind all possessions. Recognizing a common thread—that the missing girls were orphans—Millie, Trevor, and Jimmy begin to piece together the conspiracy.

Climax and Resolution

Jimmy infiltrates the Priscilla Hotel disguised as a woman, inadvertently alerting Mrs. Meers, who incapacitates him with a tranquilizer dart. Millie follows Mrs. Meers and her accomplices to Chinatown, discovering the unconscious Jimmy and Miss Dorothy in a fireworks factory. Millie's actions inadvertently trigger an explosion, allowing her to rescue the captive girls and escape with Jimmy and Miss Dorothy to Muzzy's mansion. There, it is revealed that Jimmy and Miss Dorothy are wealthy siblings, and Muzzy is their stepmother guiding them to find partners based on genuine affection. The film concludes with Millie marrying Jimmy, Miss Dorothy marrying Trevor, and Muzzy remarrying.

Principal Cast

Key Performers

  • Julie Andrews as Millie Dillmount
  • James Fox as Jimmy Smith/James Van Hossmere
  • Mary Tyler Moore as Miss Dorothy Brown
  • Carol Channing as Muzzy Van Hossmere
  • John Gavin as Trevor Graydon
  • Jack Soo as Ching Ho / Oriental No. 1
  • Pat Morita as Bun Foo / Oriental No. 2
  • Philip Ahn as Tea, Muzzy's head butler
  • Lisabeth Hush as Judith Tremaine
  • Ann Dee as a singer ("Rose of Washington Square")
  • Anthony Dexter as Juarez
  • Beatrice Lillie as Mrs. Meers

Additionally, Jimmy Bryant provided the singing voice for James Fox's character.

Production Insights

Genesis and Development

Producer Ross Hunter initially intended to adapt the stage musical The Boy Friend, but the prohibitive cost of film rights led him to develop an original concept inspired by the same era. He successfully secured Julie Andrews, fresh from her success in The Sound of Music, to star in the project. The film's production involved careful consideration of its period setting and musical numbers.

Casting and Creative Decisions

Notable casting choices included Pat Morita and Jack Soo, both of Japanese descent, portraying Chinese characters, reflecting certain casting practices of the era. Jimmy Bryant served as the uncredited singing voice for James Fox. Director George Roy Hill reportedly experienced creative differences with the studio regarding artistic control, particularly concerning the film's score and final edits, leading to his temporary withdrawal from the project before its completion.

Musical Score and Songs

Composition and Arrangement

The film's score was composed by Elmer Bernstein, who earned an Academy Award for his work. The songs were arranged and conducted by the esteemed André Previn. The soundtrack features a dynamic mix of original compositions and popular tunes from the 1920s, contributing significantly to the film's vibrant atmosphere and period authenticity.

Act 1
"Prelude: Thoroughly Modern Millie" Julie Andrews
  • Music by Jimmy Van Heusen and lyrics by Sammy Cahn
"Overture: (A) Baby Face (B) Do It Again (C) Poor Butterfly (D) Stumbling (E) Japanese Sandman" Orchestra
  • Stumbling: Composed by Zez Confrey
"Jimmy" Julie Andrews
  • Music and lyrics by Jay Thompson
"The Tapioca" Julie Andrews, James Fox
  • Music by Jimmy Van Heusen and lyrics by Sammy Cahn
"Jazz Baby" Carol Channing
"Jewish Wedding Song (Trinkt Le Chaim)" Julie Andrews
Act 2
"Intermission Melody: (A) Thoroughly Modern Millie (B) Jimmy (C) Jewish Wedding Song (D) Baby Face" Julie Andrews
"Poor Butterfly" Julie Andrews, John Gavin
"Rose of Washington Square" Ann Dee
  • Composed by James F. Hanley
"Baby Face" Julie Andrews
"Do It Again!" Carol Channing
"Reprise: Thoroughly Modern Millie" Julie Andrews
"Exit Music: (A) Jazz Baby (B) Jimmy (C) Thoroughly Modern Millie" Orchestra

Critical and Commercial Reception

Box Office Performance

Upon its release, Thoroughly Modern Millie achieved significant commercial success. It generated approximately $40 million in worldwide box office revenue, with distributor rentals in North America alone reaching $8.5 million in 1967. This performance solidified its status as a major hit, particularly for star Julie Andrews during that period of her career.

Critical Analysis

Contemporary reviews offered a generally positive, albeit nuanced, assessment. Bosley Crowther of The New York Times lauded the film as "a thoroughly delightful movie" and a "joyously syncopated frolic," praising Julie Andrews' performance while noting minor flaws in specific scenes and the overall length. Variety acknowledged the film's successful first half, characterized by wit and satirical recall of the flapper era, though it found the latter half's slapstick elements less convincing. Critics like Charles Champlin and Clifford Terry similarly commended the film's initial charm and Andrews' performance, while expressing reservations about the pacing and comedic effectiveness of the concluding segments. Despite some criticisms regarding its narrative structure and comedic execution in later parts, the film was widely recognized for its vibrant energy, engaging performances, and nostalgic portrayal of the 1920s.

On the review aggregator Rotten Tomatoes, the film holds an approval rating of 85%, based on 13 reviews, indicating a strong consensus among critics.

Accolades and Recognition

Major Award Nominations and Wins

Thoroughly Modern Millie received substantial recognition from major award bodies, reflecting its artistic and technical achievements.

Award Category Recipient(s) Result Ref.
Academy Awards Best Supporting Actress Carol Channing Nominated [18]
Best Art Direction Art direction: Alexander Golitzen and George C. Webb;
Set decoration: Howard Bristol
Nominated
Best Costume Design Jean Louis Nominated
Best Original Score Elmer Bernstein Won
Best Original Song Score or Adaptation Score Andr%C3%A9 Previn and Joseph Gershenson Nominated
Best Song "Thoroughly Modern Millie"
Music by Jimmy Van Heusen;
Lyrics by Sammy Cahn
Nominated
Best Sound Ronald Pierce, William Russell, and Waldon O. Watson
(for Universal City Studio Sound Department)
Nominated
Golden Globe Awards Best Motion Picture – Musical or Comedy Nominated [19]
Best Actress in a Motion Picture – Musical or Comedy Julie Andrews Nominated
Best Supporting Actress – Motion Picture Carol Channing Won
Best Original Score – Motion Picture Elmer Bernstein Nominated
Best Original Song – Motion Picture "Thoroughly Modern Millie"
Music by Jimmy Van Heusen;
Lyrics by Sammy Cahn
Nominated
Laurel Awards Top Comedy Won
Top Female Comedy Performance Julie Andrews Won
Top Female Supporting Performance Carol Channing Nominated
Writers Guild of America Awards Best Written American Musical Richard Morris Won [20]

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References

References

A full list of references for this article are available at the Thoroughly Modern Millie Wikipedia page

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Disclaimer

Important Notice

This page has been generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is derived from a snapshot of publicly available data and may not encompass all nuances or subsequent developments related to the film.

This is not professional film criticism or advice. The information provided herein is not a substitute for expert analysis or consultation. While efforts have been made to ensure accuracy based on the source material, interpretations and historical context may vary. Always consult primary sources and scholarly works for definitive academic research.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided.