Millie's Metropolis
An academic examination of the iconic 1967 musical comedy, exploring its narrative, artistic contributions, and cultural context.
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About the Film
A Cinematic Gem of 1967
Thoroughly Modern Millie is a distinguished 1967 American musical romantic comedy film, masterfully directed by George Roy Hill. The screenplay, penned by Richard Morris and drawing inspiration from the 1956 British musical Chrysanthemum, chronicles the ambitious journey of a naive young woman determined to marry her wealthy employer. The film features a stellar cast, including Julie Andrews in the titular role, alongside Mary Tyler Moore, Carol Channing, James Fox, John Gavin, and Beatrice Lillie.
Musical Tapestry
The film's soundtrack is notable for its innovative blend of newly composed songs by Jimmy Van Heusen and Sammy Cahn ("Thoroughly Modern Millie," "The Tapioca") with beloved standards from the 1910s and 1920s, such as "Baby Face" and "Jazz Baby." The acquisition of rights for the latter melody, which had been used for over four decades by General Mills to promote Wheaties, highlights the careful curation of the musical elements.
Critical Acclaim and Legacy
Thoroughly Modern Millie garnered significant recognition, earning nominations for seven Academy Awards and five Golden Globe Awards. It achieved considerable commercial success, ranking as the eighth highest-grossing film in North America for 1967. Its enduring appeal led to its adaptation into a successful stage musical of the same name in 2000.
Narrative Synopsis
Ambition in the Roaring Twenties
Set in New York City in 1922, the narrative follows Millie Dillmount, a spirited young woman embodying the "flapper" ethos. Her primary objective is to secure employment as a stenographer for a prosperous businessman, with the ultimate aim of marrying him—a distinctly "thoroughly modern" aspiration for the era. Millie forms a bond with Miss Dorothy Brown, a fellow resident at the Priscilla Hotel, unaware of the sinister activities orchestrated by the hotel's housemother, Mrs. Meers, who systematically exploits vulnerable tenants for nefarious purposes.
Romantic Entanglements and Deception
At a social gathering, Millie encounters Jimmy Smith, a charming paperclip salesman, sparking an immediate connection. Despite this burgeoning romance, Millie remains committed to her plan of marrying wealth. She secures a position at Sincere Trust, setting her sights on the attractive Trevor Graydon. A pivotal excursion to Long Island introduces the girls to the eccentric widow Muzzy Van Hossmere. As Millie develops feelings for Jimmy, her suspicions are aroused when she witnesses him meeting Miss Dorothy late at night, leading her to misinterpret the situation.
Unraveling the Conspiracy
Millie's resolve to marry Trevor intensifies, but her attempts at seduction prove unsuccessful. Meanwhile, Trevor finds himself falling for Miss Dorothy, leaving Millie disheartened. Jimmy's persistent efforts to communicate with Millie are repeatedly obstructed by Miss Flannary, her stern supervisor. Mrs. Meers' attempts to abduct Miss Dorothy are consistently thwarted by Millie's unwitting interventions. The mystery deepens as Millie discovers that Miss Dorothy, like several other girls, has vanished, leaving behind all possessions. Recognizing a common thread—that the missing girls were orphans—Millie, Trevor, and Jimmy begin to piece together the conspiracy.
Climax and Resolution
Jimmy infiltrates the Priscilla Hotel disguised as a woman, inadvertently alerting Mrs. Meers, who incapacitates him with a tranquilizer dart. Millie follows Mrs. Meers and her accomplices to Chinatown, discovering the unconscious Jimmy and Miss Dorothy in a fireworks factory. Millie's actions inadvertently trigger an explosion, allowing her to rescue the captive girls and escape with Jimmy and Miss Dorothy to Muzzy's mansion. There, it is revealed that Jimmy and Miss Dorothy are wealthy siblings, and Muzzy is their stepmother guiding them to find partners based on genuine affection. The film concludes with Millie marrying Jimmy, Miss Dorothy marrying Trevor, and Muzzy remarrying.
Principal Cast
Key Performers
Production Insights
Genesis and Development
Producer Ross Hunter initially intended to adapt the stage musical The Boy Friend, but the prohibitive cost of film rights led him to develop an original concept inspired by the same era. He successfully secured Julie Andrews, fresh from her success in The Sound of Music, to star in the project. The film's production involved careful consideration of its period setting and musical numbers.
Casting and Creative Decisions
Notable casting choices included Pat Morita and Jack Soo, both of Japanese descent, portraying Chinese characters, reflecting certain casting practices of the era. Jimmy Bryant served as the uncredited singing voice for James Fox. Director George Roy Hill reportedly experienced creative differences with the studio regarding artistic control, particularly concerning the film's score and final edits, leading to his temporary withdrawal from the project before its completion.
Musical Score and Songs
Composition and Arrangement
The film's score was composed by Elmer Bernstein, who earned an Academy Award for his work. The songs were arranged and conducted by the esteemed André Previn. The soundtrack features a dynamic mix of original compositions and popular tunes from the 1920s, contributing significantly to the film's vibrant atmosphere and period authenticity.
Critical and Commercial Reception
Box Office Performance
Upon its release, Thoroughly Modern Millie achieved significant commercial success. It generated approximately $40 million in worldwide box office revenue, with distributor rentals in North America alone reaching $8.5 million in 1967. This performance solidified its status as a major hit, particularly for star Julie Andrews during that period of her career.
Critical Analysis
Contemporary reviews offered a generally positive, albeit nuanced, assessment. Bosley Crowther of The New York Times lauded the film as "a thoroughly delightful movie" and a "joyously syncopated frolic," praising Julie Andrews' performance while noting minor flaws in specific scenes and the overall length. Variety acknowledged the film's successful first half, characterized by wit and satirical recall of the flapper era, though it found the latter half's slapstick elements less convincing. Critics like Charles Champlin and Clifford Terry similarly commended the film's initial charm and Andrews' performance, while expressing reservations about the pacing and comedic effectiveness of the concluding segments. Despite some criticisms regarding its narrative structure and comedic execution in later parts, the film was widely recognized for its vibrant energy, engaging performances, and nostalgic portrayal of the 1920s.
On the review aggregator Rotten Tomatoes, the film holds an approval rating of 85%, based on 13 reviews, indicating a strong consensus among critics.
Accolades and Recognition
Major Award Nominations and Wins
Thoroughly Modern Millie received substantial recognition from major award bodies, reflecting its artistic and technical achievements.
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Disclaimer
Important Notice
This page has been generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is derived from a snapshot of publicly available data and may not encompass all nuances or subsequent developments related to the film.
This is not professional film criticism or advice. The information provided herein is not a substitute for expert analysis or consultation. While efforts have been made to ensure accuracy based on the source material, interpretations and historical context may vary. Always consult primary sources and scholarly works for definitive academic research.
The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided.