This is an analytical overview based on the Wikipedia article for R.E.M.'s album 'Up'. Read the full source article here. (opens in new tab)

R.E.M.'s Sonic Evolution

A scholarly exploration of the band's eleventh studio album, Up, examining its transition, influences, and impact.

Album Context ๐Ÿ‘‡ Musical Analysis ๐ŸŽถ

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Context: The Preceding Era

Post-Monster Tour Challenges

Following the extensive touring for their 1994 album Monster, R.E.M. faced significant personal health challenges. Drummer Bill Berry suffered an aneurysm during a 1995 concert in Lausanne, Switzerland, leading to the cancellation of the remainder of the tour. Bassist Mike Mills had an intestinal tumor removed, and vocalist Michael Stipe experienced a hernia. These events cast a shadow over the band's subsequent activities.

Landmark Record Deal

In 1996, R.E.M. secured a reported $80 million deal with Warner Bros. Records, which was, at the time, the largest recording contract ever awarded. This financial security provided a foundation for their future creative endeavors.

New Adventures in Hi-Fi Performance

The band's 1996 album, New Adventures in Hi-Fi, recorded partly live during the Monster tour, achieved critical and commercial success, reaching number two in the US and number one in the UK. However, its commercial performance, particularly in terms of single sales, did not match the heights of previous releases, signaling a potential shift in their market reception.

The Recording Process: A New Direction

Departure of Bill Berry

The most significant change during the Up sessions was the departure of founding drummer Bill Berry in October 1997. The band decided not to replace him, opting instead to utilize session drummers like Joey Waronker and Barrett Martin, alongside extensive use of drum machines. This marked a pivotal moment, signaling a departure from their established sound.

Producer and Creative Exploration

The album was produced by Pat McCarthy, marking the first R.E.M. studio album since Lifes Rich Pageant (1986) not to be produced by Scott Litt. The band explored a more electronic sound, incorporating significant keyboard and programming elements. Lyrically, Michael Stipe focused on themes contrasting the "religious-spiritual versus science-technology-modern-age," aiming for an "automatic, unconscious" writing style.

Tumultuous Creation

The making of Up was reportedly a difficult process, with the band members admitting they came close to disbanding during its creation. Initial sessions in Hawaii and San Francisco were marked by creative uncertainty and Stipe's writer's block, highlighting the challenges of redefining their sound without a core member.

Sonic Landscape: Electronica and Introspection

Electronic Integration

Up is characterized by a pronounced electronic influence, utilizing drum machines and synthesizers more prominently than on previous R.E.M. albums. This shift integrated electronic textures into their signature alternative rock sound, creating a more atmospheric and sometimes experimental listening experience.

Influences and Comparisons

Critics frequently drew parallels between certain tracks on Up and the work of Brian Wilson, particularly the Beach Boys' Pet Sounds (1966), evident in songs like "At My Most Beautiful." The album's introspective and sometimes melancholic tone, coupled with its electronic elements, also invited comparisons to Radiohead's OK Computer (1997).

  • Brian Wilson/Beach Boys: Noted in tracks like "At My Most Beautiful" and "Why Not Smile."
  • Radiohead: Comparisons made regarding themes of alienation and sonic textures, particularly with OK Computer.
  • Brian Eno/Patti Smith: Influences cited for specific tracks and lyrical approaches.

Lyrical Themes

Michael Stipe explored themes of spiritual versus technological existence and personal resilience ("people falling down and getting back up again"). The lyrics often adopted a character-driven perspective, offering nuanced observations on modern life and introspection.

Release and Chart Performance

Initial Reception

Released on October 26, 1998, Up debuted at number three on the US Billboard 200 and number two on the UK Albums Chart. While commercially successful, its sales figures were noted as being lower than some of the band's previous major releases, particularly in the US market.

International Success

The album found greater commercial success in Europe, topping the charts in Germany, Austria, and Norway, and reaching number two in Sweden and the UK. Sales in Italy were particularly strong, exceeding 90,000 units in the first week.

Singles

Four singles were released from Up: "Daysleeper," "Lotus," "At My Most Beautiful," and "Suspicion." "Daysleeper" and "At My Most Beautiful" achieved notable success in the UK, reaching the top 10, while "Daysleeper" topped the US Adult Alternative Songs chart.

Critical Assessment

Contemporary Reviews

Initial critical reception was generally positive, with many publications praising the album's cohesive sound and thematic depth. Reviewers noted the band's successful integration of electronic elements and Stipe's introspective lyrics. However, some, like Pitchfork, found the sonic shift somewhat contrived, while others noted the album might challenge casual listeners accustomed to the band's more accessible hits.

Retrospective Views

Over time, Up has been viewed more favorably by many critics and fans, often considered an underrated or transitional album in R.E.M.'s discography. Retrospective reviews frequently highlight its artistic merit, emotional resonance, and its role in the band's evolution following Bill Berry's departure.

Tracklist Analysis

Album Structure

Up is divided into two conceptual sides, "Upside" and "Downside," featuring 14 tracks. The album opens with the experimental "Airportman" and closes with the reflective "Falls to Climb."

Upside:

  1. Airportman โ€“ 4:12
  2. Lotus โ€“ 4:30
  3. Suspicion โ€“ 5:36
  4. Hope (Buck, Mills, Stipe, Leonard Cohen) โ€“ 5:02
  5. At My Most Beautiful โ€“ 3:35
  6. The Apologist โ€“ 4:30
  7. Sad Professor โ€“ 4:01
  8. You're in the Air โ€“ 5:22

Downside:

  1. Walk Unafraid โ€“ 4:31
  2. Why Not Smile โ€“ 4:03
  3. Daysleeper โ€“ 3:40
  4. Diminished โ€“ 6:01 (includes hidden track "I'm Not Over You")
  5. Parakeet โ€“ 4:09
  6. Falls to Climb โ€“ 5:06

Key Personnel

Core Band Members

The album features the remaining members of R.E.M.:

  • Michael Stipe: Lead vocals, guitar, percussion
  • Peter Buck: Guitar, bass guitar, keyboards, drums, percussion
  • Mike Mills: Bass guitar, keyboards, guitar, backing vocals, percussion

Additional Contributions

Significant contributions came from:

  • Pat McCarthy: Production, Engineering
  • Joey Waronker: Drums, Percussion
  • Barrett Martin: Drums, Percussion
  • Scott McCaughey: Keyboards, Percussion
  • Nigel Godrich: Engineering
  • Eddie Horst: String arrangements
  • John Sharpley: String arrangements
  • Bruce Kaphan: Pedal steel
  • Paul Murphy: Viola, Leader
  • Jun-Chin Ling, David Arenz, David Braitberg, Willard Shull, Sou-Chun Su, Ellie Arenz, Jay Christy, Anne Page, Helen Porter: Violin
  • Reid Harris, Heidi Nitchie, Patti Gouvas: Viola
  • Daniel Laufer, Elizabeth Murphy, Christopher Rex, Nan Maddox: Cello
  • Douglas Sommer: Double bass

R.E.M.:

  • Peter Buck โ€“ guitar, bass guitar, keyboards, drums, percussion
  • Mike Mills โ€“ bass guitar, keyboards, guitar, backing vocals, percussion
  • Michael Stipe โ€“ lead vocals, guitar, cowbell

Additional Musicians:

  • Eddie Horst โ€“ string arrangements on "Suspicion" and "You're in the Air"
  • Bruce Kaphan โ€“ pedal steel
  • John Keane
  • Barrett Martin โ€“ drums, percussion
  • Scott McCaughey โ€“ keyboards, percussion
  • John Sharpley โ€“ string arrangements on "Lotus"
  • Joey Waronker โ€“ drums, percussion
  • Paul Murphy โ€“ viola, leader
  • Jere Flint โ€“ conductor
  • Jun-Chin Ling, David Arenz, David Braitberg, Willard Shull, Sou-Chun Su, Ellie Arenz, Jay Christy, Anne Page, Helen Porter โ€“ violin
  • Reid Harris, Heidi Nitchie, Patti Gouvas โ€“ viola
  • Daniel Laufer, Elizabeth Murphy, Christopher Rex, Nan Maddox โ€“ cello
  • Douglas Sommer โ€“ double bass

Technical Personnel:

  • Nigel Godrich โ€“ engineering
  • R.E.M. โ€“ production, string arrangements on "Suspicion" and "You're in the Air"
  • Pat McCarthy โ€“ production

Chart Performance Data

International Rankings

Up charted significantly across global music markets, demonstrating R.E.M.'s international appeal.

Chart (1998)Peak Position
Australian ARIA Albums Chart5
Austrian Albums Chart1
Belgian Albums Chart (Flanders)4
Belgian Albums Chart (Wallonia)25
Canadian RPM Albums Chart2
Dutch Albums Chart16
Finnish Albums Chart10
French SNEP Albums Chart9
German Media Control Albums Chart1
Hungarian Albums Chart35
Japanese Oricon Albums Chart47
New Zealand Albums Chart8
Norwegian VG-lista Albums Chart1
Scottish Albums Chart2
Spanish Albums Chart17
Swedish Albums Chart2
Swiss Albums Chart7
UK Albums Chart2
U.S. Billboard 2003

Certifications and Sales Figures

Global Recognition

The album achieved various certifications worldwide, reflecting its commercial performance.

RegionCertificationCertified Units/Sales
Australia (ARIA)Gold35,000^
Austria (IFPI Austria)Gold25,000*
Belgium (BRMA)Gold25,000*
France (SNEP)Gold100,000*
Italyโ€”150,000
New Zealand (RMNZ)Gold7,500^
Norway (IFPI Norway)Platinum50,000*
Spain (PROMUSICAE)Gold50,000^
Sweden (GLF)Gold40,000^
Switzerland (IFPI Switzerland)Gold25,000^
United Kingdom (BPI)Platinum300,000^
United States (RIAA)Gold664,000
Europe (IFPI)Platinum1,000,000*
Worldwide (Oct-Dec 1998)โ€”1,500,000

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Critical Acclaim and Rankings

Decade and Year-End Lists

Up received recognition in various critical lists shortly after its release and in subsequent retrospectives.

  • Ranked #74 in Nude as the News' "The 100 Most Compelling Albums of the Decade" (1999).
  • Ranked #38 in Juice magazine's "100 Greatest Albums of the '90s" (1999).
  • Included in The Word's "Hidden Treasure: Great Underrated Albums of Our Time" list.
  • Appeared on numerous year-end best-of lists for 1998 from various publications.

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References

References

A full list of references for this article are available at the Up (R.E.M. album) Wikipedia page

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Academic Disclaimer

Important Contextualization

This document was generated by an AI language model, synthesizing information from publicly available sources, primarily Wikipedia. While striving for academic rigor and accuracy, it is intended for educational and informational purposes only.

This is not professional music criticism or historical analysis. The content presented here should not substitute consultation with music historians, critics, or official band documentation. The interpretation of artistic merit and historical significance can be subjective and may evolve over time.

The creators of this page are not responsible for any errors, omissions, or interpretations derived from the information provided.