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Echoes of the Hand

A scholarly exploration into the unique historical, artistic, and legal significance of documents penned by their creators.

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What is an Autograph?

The Creator's Own Hand

An autograph, often interchangeably used with holograph, refers to a manuscript or document meticulously written in the hand of its original author or composer.[1] This distinguishes it from works that are typeset or transcribed by a copyist or scribe other than the content's creator. These unique documents offer direct insight into the creative process and the mind of their originators.

Scholarly and Collectable Value

Autograph manuscripts are invaluable resources for scholars, including historians and paleographers, who study them to understand historical contexts, textual evolution, and individual writing styles.[1] Beyond academia, they are highly sought-after collectable objects, often commanding significant prices at auction due to their rarity and direct connection to historical figures. Furthermore, certain holographic documents possess specific legal standing in various jurisdictions, underscoring their unique importance.[1]

Related Textual Concepts

In textual criticism, several related terms help classify manuscript lineages:

  • Archetype: The hypothesized original form of an autograph, from which all extant copies are believed to descend.
  • Protograph: The common ancestor of two closely related textual witnesses, which themselves ultimately derive from the same autograph.
  • Paradosis: A proposed "best-reading" of a text, postulated during attempts to reconstruct the original autograph.

These concepts are crucial for understanding the transmission and evolution of texts over time.

Defining the Terms

Lexical Distinctions

While "autograph" and "holograph" are often used interchangeably, dictionaries offer nuanced distinctions:

  • The Oxford English Minidictionary defines an autograph as "a manuscript in the author's handwriting," and a holograph as a "(document) written wholly in the handwriting of the person in whose name it appears."[2]
  • The 1911 Encyclopædia Britannica notes that while "autograph" can mean a document signed by its emanator, it also refers to one "written entirely in the hand of such a person," with the latter being "more technically described as a holograph."[3]
  • Webster's Third New International Dictionary specifies an autograph as "an original handwritten manuscript (as of an author's or composer's work)" and a holograph as "a document (as a letter, deed, or will) wholly in the handwriting of the person from whom it proceeds and whose act it purports to be."[5]

Scholarly Interpretations

Specialized fields often apply more precise definitions:

  • In The New Grove Dictionary of Music and Musicians, Stanley Boorman defines a holograph as "a document written in the hand of the author or composer." He distinguishes this from autograph, which, strictly speaking, means the document is merely written by someone who can be named, not necessarily the author of the content.[6]
  • Yō Tomita, in The Routledge Research Companion to Johann Sebastian Bach, suggests that "autograph" and "holograph" can be considered synonyms when the writer is also the author of the work, with "autograph" generally preferred in manuscript studies.[8] He emphasizes that a composer's copies of other composers' works should not be called "autographs," even if entirely in their hand.

Practical Application

For clarity, when the explicitly named scribe of a manuscript or document is also the creator of its content:

  • The term autograph is typically used for a manuscript, such as an author's literary work or a composer's musical score.
  • The term holograph is reserved for documents like letters, deeds, or wills.

It is important to note that "autograph letters" which are merely signed by the author but not entirely handwritten by them, such as in certain Vatican usages, are not considered within the scope of autograph manuscripts.[13]

Textual Autographs

Preserving Literary & Historical Voices

Autograph texts, whether featuring illustrations, calculations, or pure prose, provide an unparalleled connection to the original thought and creative process of their authors. These documents are crucial for understanding the evolution of ideas, the nuances of language, and the personal touch of historical figures.

From ancient philosophical treatises to modern literary drafts, the physical act of writing by the author's hand imbues these manuscripts with profound historical and cultural significance.

Notable Examples Across Eras

The legacy of autograph texts spans centuries, offering a tangible link to the intellectual and artistic giants of history. Here are some prominent examples:

  • Middle Ages: Matthew of Aquasparta[18]
  • Renaissance: Leonardo da Vinci (e.g., the Codex Leicester), Martin Luther[15][19]
  • 17th Century: Cardinal Richelieu, John Dryden[20][21]
  • 18th Century: Johann Sebastian Bach (reports on his choir/orchestra, letters to Georg Erdmann), Voltaire[22][24][25]
  • 19th Century: Mary and Percy Bysshe Shelley, Jane Austen (draft of 'The Watsons'), the Brontë sisters (including Emily Brontë's diary), Abraham Lincoln (his last address as president)[26][27][28][17]
  • 20th Century: André Breton ('Manifeste du surréalisme'), Béla Bartók (calculations, though golden ratio hypothesis was later rejected), Albert Einstein (letter to Eric Gutkind), Francis Crick (letter to his son on DNA structure), J.R.R. Tolkien (manuscripts for 'The Lord of the Rings III', letters), Bob Dylan (lyrics for "Like a Rolling Stone")[30][32][33][34][35][38]
  • 21st Century: J.K. Rowling (autograph copies of 'The Tales of Beedle the Bard')[39]

Musical Autographs

Stages of Composition

Musical autographs exist in various stages of a composer's creative process, each offering unique insights into their artistic development:

  • Sketch: Early musical ideas, often just a few bars, capturing the initial spark of a composition. Examples include Franz Schubert's D 309A and D 769A.[44]
  • Draft: More developed than a sketch, a draft may contain corrections and is not necessarily a complete composition. Schubert's D 840 piano sonata, for instance, exists as an incomplete autograph draft.[44]
  • Composing Score: The primary score written by the composer, often including initial sketches and drafts within it. Many of Bach's cantatas survive as autograph composing scores.[8]
  • Fair Copy: A clear, legible version of the music intended for performance or publication. While not always written by the composer, a fair copy can be considered an original source if the composer had control over its production and added corrections or completions in their own hand, such as Bach's partial autograph of the BWV 210 cantata.[45] Performance parts for individual musicians may also exist as fair copies.[47]

Complex Creative Journeys

Composers often employed intricate processes involving multiple stages of autograph creation:

  • Richard Wagner's compositional method, for example, involved several distinct sketch and draft stages, culminating in a "Partiturerstschrift" (first complete score) before the final fair copy.[48]
  • Johann Sebastian Bach sometimes began directly with a composing score, integrating sketches and drafts as he wrote, without always producing a separate fair copy.[8] In other instances, he would transcribe an earlier work, developing it into a revision score before creating a fair copy.[8]
  • An autograph can even transition between stages within a single manuscript. Bach's Fantasia and Fugue in C minor, BWV 906, begins as a fair copy for the Fantasia but gradually shifts into a draft with corrections halfway through the Fugue.[41]

Scholarly Analysis

The meticulous study of musical autographs is fundamental to musicology. Scholars utilize these documents to:

  • Establish Authenticity: Confirming whether a composition is genuinely by a particular composer or determining its precise date of origin.[8]
  • Discern Intentions: Uncovering the composer's true artistic intentions, which might differ from published editions or later copies. For instance, John Tyrrell argued that Leoš Janáček's autograph score for his last opera was less authoritative than the fair copy produced by his scribes under his direction, which included his final corrections.[50]

Advanced techniques, such as X-ray technology, have been employed to distinguish a composer's original autograph from later revisions by others, as seen in Uwe Wolf's work on J.S. Bach's Mus.ms. Bach P 180 manuscript to differentiate Bach's hand from his son C.P.E. Bach's additions.[8][9]

Autographs as Collectables

Rarity and Value

Autograph manuscripts are among the most prized possessions for collectors, often representing a direct, tangible link to historical figures and their creative genius. Their rarity, especially for older works, significantly drives their market value.

For instance, the vast majority of Johann Sebastian Bach's hundreds of extant autograph compositions are held in institutional collections, primarily the Berlin State Library. Only a small fraction of his complete autograph manuscripts are privately owned, making their appearance at auction a rare and significant event.[51]

Record-Breaking Sales

The market for significant autograph manuscripts can reach extraordinary figures, reflecting their immense cultural and historical value:

  • An autograph music manuscript by Johann Sebastian Bach, the Prelude, Fugue and Allegro for lute or keyboard in E-flat major, BWV 998, sold for over £2.5 million in 2016.[51]
  • Ludwig van Beethoven's autographs have commanded considerable prices since shortly after his death in 1827. His autograph of the Große Fuge (version for four hands) fetched £1.1 million at Sotheby's in 2005.[52][53]
  • In November 2016, the autograph score of Gustav Mahler's Second Symphony set a record, selling for £4,546,250, making it the highest price ever paid for an autograph symphony.[43]
  • A page of J.R.R. Tolkien's autograph manuscript for The Lord of the Rings III sold for US$81,250 in December 2018.[36]
  • One of only seven autograph copies of J.K. Rowling's The Tales of Beedle the Bard sold for £1,950,000 in 2007.[39]

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References

References

  1.  (D-B) Mus.ms. Bach P 180 at Berlin State Library website
  2.  D-Dl Mus. 2405-T-52 at Bach Digital website.
  3.  D-B Mus.ms. Bach St 112 VI, Fascicle 1 at Bach Digital website
A full list of references for this article are available at the Autograph (manuscript) Wikipedia page

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This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

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