Who was Balthasar Moretus and what was his primary role?

Balthasar Moretus, also known as Balthasar I Moretus, was a Flemish printer who lived from July 23, 1574, to July 6, 1641. He served as the head of the Officina Plantiniana, a prominent printing company.

What was Balthasar Moretus's familial connection to the Plantin printing company?

Balthasar Moretus was the head of the Officina Plantiniana, the printing company established by his grandfather, Christophe Plantin. He was the son of Martina Plantin and Jan Moretus, both of whom had worked for the company.

When and where was Balthasar I Moretus born and when did he die?

Balthasar I Moretus was born on July 23, 1574, and died on July 6, 1641. The context of the article suggests his activities were centered in Antwerp, Belgium.

Who were Balthasar I Moretus's parents and what was their involvement in the family business?

Balthasar I Moretus's parents were Jan Moretus and Martina Plantin. Both of his parents had been actively involved in the family's printing business, the Officina Plantiniana.

What physical challenge did Balthasar Moretus experience?

Balthasar Moretus was paralyzed on his right side. Despite this condition, he played a significant role in managing and expanding the family's printing enterprise.

What was Balthasar Moretus's early educational and professional path within the printing business?

Balthasar Moretus briefly studied under the scholar Justus Lipsius. However, he fell ill and returned home to work in the office, starting as a proofreader before gradually taking on more responsibilities.

When did Balthasar Moretus assume leadership of the Officina Plantiniana, and with whom did he initially share this role?

Balthasar Moretus took over the leadership of the Officina Plantiniana after his father, Jan Moretus, died in 1610. He initially shared this responsibility with his brother, Jan II.

How did the leadership of the Officina Plantiniana evolve after Jan II Moretus's death?

Following his brother Jan II's death in 1619, Balthasar I Moretus entered into a partnership with Jan van Meurs, whose wife was the sister of Jan II's wife. This partnership lasted until 1629.

Who was assisting Balthasar I Moretus in the company by the time of his death?

By 1629, Balthasar II Moretus, the son of Jan II Moretus, was assisting his uncle, Balthasar I Moretus. Balthasar II was positioned to eventually take over the company after Balthasar I's death in 1641.

Was Balthasar I Moretus married?

No, Balthasar I Moretus never married.

Which engraver's workshop did Balthasar I Moretus continue to commission illustrations from?

Balthasar I Moretus continued to commission illustrations from the workshop of the engraver Theodore Galle. Galle's atelier produced engravings that enhanced the visual quality of the printed books.

Who was the prominent artist Balthasar I Moretus commissioned for title pages and other illustrations?

Balthasar I Moretus commissioned the renowned artist Peter Paul Rubens to design title pages and provide other illustrations for the books published by the Officina Plantiniana. This collaboration highlighted the artistic quality of the press's output.

What was the personal and professional relationship between Balthasar I Moretus and Peter Paul Rubens?

Balthasar I Moretus and Peter Paul Rubens were lifelong friends. Moretus knew Rubens from his school days, and their enduring friendship led to significant artistic collaborations.

Besides book illustrations, what other type of artistic commission did Balthasar I Moretus place with Peter Paul Rubens?

In addition to designing book illustrations and title pages, Balthasar I Moretus commissioned 19 portraits from Peter Paul Rubens. These portraits were significant artistic undertakings for the printer.

Where are many of the portraits commissioned by Balthasar I Moretus from Rubens currently housed?

Many of the portraits commissioned by Balthasar I Moretus from Peter Paul Rubens are preserved today in the Plantin-Moretus Museum. This museum serves as a repository for artifacts related to the printing house's history.

What contribution did Balthasar I Moretus make to the physical infrastructure of the Plantin company?

Balthasar I Moretus was responsible for the expansion and completion of the buildings that housed the Plantin company. These structures now form the basis of the Plantin-Moretus Museum.

In what architectural style were the buildings associated with the Plantin company developed under Balthasar I Moretus?

The buildings of the Plantin company, managed by Balthasar I Moretus, were constructed in the Renaissance style. This architectural style was characteristic of significant civil building projects of the early seventeenth century in Antwerp.

What international recognition has been given to the Plantin-Moretus Museum?

The Plantin-Moretus Museum, including both its building and interior, has been designated as a UNESCO World Heritage Site. This status acknowledges its outstanding universal value.

How comprehensive is the list of works published during Balthasar I Moretus's tenure?

The provided list of works is described as a 'very partial list.' It includes both reprints of earlier publications and new, first impressions of various texts.

What were the official printing arrangements for the Plantin company's books until 1616?

Until 1616, the books published by the Plantin company were officially printed under the names of the widow and sons of Jan Moretus. This indicated a continuation of the family's management structure.

Who were the official printers of the Plantin company's books between 1616 and 1618?

Between 1616 and 1618, the books were officially printed by Jan and Balthasar Moretus. This period signifies the direct involvement of both brothers in the printing operations.

Which entities might have been listed as co-printers for Plantin company books between 1618 and 1629?

From 1618 to 1629, both the widow of Jan II Moretus and Jan van Meurs could be mentioned as co-printers for the company's publications. This reflects the business partnerships active during those years.

Who was the sole printer credited for the Plantin company's publications from 1629 until Balthasar I Moretus's death?

From 1629 until Balthasar I Moretus's death in 1641, he was the sole printer mentioned for the company's publications. This indicates his singular leadership in the final decade of his management.

What significant work celebrating the Jesuit congregation was published in 1640?

In 1640, the Plantin company published *Imago primi saeculi Societatis Iesu*, a work commemorating the 100th anniversary of the founding of the Jesuit congregation. This publication marked a centenary milestone for the religious order.

Which 1613 publication, featuring illustrations by Rubens, was also reprinted in 1618?

The *Missale Romanum*, a Roman Missal featuring illustrations by Peter Paul Rubens, was published in 1613 and subsequently reprinted in 1618. This liturgical book demonstrated the press's capability in producing beautifully illustrated religious texts.

What work on optics was published in 1613 with illustrations designed by Rubens?

François d'Aguilon's *Opticorum libri sex*, a significant work on optics, was published in 1613. It included illustrations created by Peter Paul Rubens, contributing to its visual and scientific value.

Which classical author's complete works were published in 1614 with illustrations by Rubens?

The complete works of the Roman philosopher and statesman Seneca the Younger, titled *Opera, quae exstant omnia*, were published in 1614. These works featured illustrations designed by Peter Paul Rubens.

What work concerning the Roman military was published by Justus Lipsius in 1614?

Justus Lipsius published *De militia romana* in 1614, a study focused on the Roman military system. Lipsius was a respected scholar whom Moretus had briefly studied under.

Which book by Leonardus Lessius, published in 1617, included illustrations by Rubens?

Leonardus Lessius's *De iustitia et iure*, a work addressing justice and law, was published in 1617 with illustrations provided by Peter Paul Rubens. This theological and ethical treatise was a notable publication.

What theological work by Robert Bellarmine, published in 1615, focused on the mind's ascent to God?

Robert Bellarmine's *De ascensione mentis in Deum*, which translates to 'The Mind's Ascent to God,' was published in 1615. This devotional work guides the reader on a spiritual journey.

What was the subject of the 1621 publication *Litaniae omnium Sanctorum*?

*Litaniae omnium Sanctorum*, published in 1621, is a collection of litanies invoking all saints. This religious text featured engravings produced by the atelier of Theodore Galle.

Which 1622 publication by Aubert Miraeus provided a commentary on a Belgian prince?

Aubert Miraeus published *De vita Alberti pii, sapientis, prudentis Belgarum principis commentarius* in 1622. This work offered a commentary on the life of a pious and wise Belgian prince.

What work by Augustinus Mascardus, published in 1622, included illustrations by Rubens?

Augustinus Mascardus's *Silvarum* was published in 1622 and featured illustrations designed by Peter Paul Rubens. The title suggests a collection of diverse writings or literary pieces.

What important biblical text was published by the Plantin company in 1624?

In 1624, the Plantin company published the *Biblia Sacra Vulgatae editionis*, which is the Latin Vulgate version of the Holy Bible. This was a significant undertaking for the printing house.

Which 1626 publication by Balthasar Cordier, featuring Rubens' illustrations, focused on the Gospel of Luke?

Balthasar Cordier's *Catena Sexaginta quinque Graecorum Patrum in S. Lucam* was published in 1626 with illustrations by Peter Paul Rubens. This work compiled commentaries by Greek Church Fathers on the Gospel of Luke.

What was the subject of Joannes Malder's 1626 publication?

Joannes Malder's 1626 publication was titled *Tractatus de sigillo confessionis sacramentalis*. This treatise concerned the seal of confession within the sacrament of penance, a key aspect of Catholic practice.

What liturgical book was published in 1627 under papal authority?

The *Pontificale Romanum iussu Clementis VIII Pont. Max.* was published in 1627. This refers to the Roman Pontifical, a book containing rites performed by bishops, issued by order of Pope Clement VIII.

What work on meteorology was published by Libert Froidmont in 1627?

Libert Froidmont published *Meteorologicorum* in 1627. This title indicates a work related to the study of atmospheric phenomena, commonly known as meteorology.

Which work by Justus Lipsius, published in 1628, is mentioned in the list of publications?

Justus Lipsius's *De constantia*, a philosophical work on steadfastness and resilience, was published in 1628. It explores how to maintain inner strength amidst external challenges.

What work by Balthasar Cordier, published in 1630, focused on commentaries on the Gospel of John?

Balthasar Cordier's *Catena patrum graecorum in Sanctum Joannem* was published in 1630. This compilation presents commentaries by Greek Church Fathers on the Gospel of John.

What was the subject of Libert Froidmont's 1631 publication titled *Labyrinthus*?

Libert Froidmont's 1631 publication, *Labyrinthus*, likely refers to a complex or intricate work, possibly philosophical or theological in nature. The title suggests a maze-like structure or argument.

What work describing a specific location and devotion was published by Erycius Puteanus in 1631?

Erycius Puteanus published *Diva virgo Bellifontana in Sequanis: loci ac pietatis descriptio* in 1631. This work describes a location associated with a holy fountain and devotion to the Virgin Mary.

Which work by Edmund Campion, published in 1631, presented arguments related to faith?

Edmund Campion's *Decem rationes propositae in causa fidei, et opuscula eius selecta* was published in 1631. This collection includes his famous 'Ten Reasons' presented in defense of the Catholic faith.

What work by Jodocus à Castro, published in 1633, contained sermons for the winter part of the year?

Jodocus à Castro's *Conciones super Evangelia dominicalia. Pars Hiemalis* was published in 1633. This volume contains sermons based on the Sunday Gospels specifically for the winter season.

What collection of writings attributed to Dionysius the Areopagite was published in 1633 with illustrations by Rubens?

Balthasar Cordier compiled and published *Opera S. Dionysii Areopagitae* in 1633, featuring illustrations by Peter Paul Rubens. This collection contains the influential writings attributed to Dionysius the Areopagite, an early Christian theologian.

What book featuring Marian images was published in 1634 by Pedro de Bivero?

Pedro de Bivero published *Sacrum oratorium piarum imaginum immaculatae Mariae* in 1634. This work is described as a sacred oratory containing pious images of the immaculate Virgin Mary.

What book on heroic symbols was published in 1634 by Silvester Petra Sancta?

Silvester Petra Sancta's *De symbolis heroicis* was published in 1634. This book explores the subject of heroic symbols, which are emblems or devices used to represent virtues or achievements.

What work by Benedictus van Haeften, published in 1635, focused on the path of the cross?

Benedictus van Haeften published *Regia via Crucis* in 1635. The title translates to 'The Royal Road of the Cross,' suggesting a devotional text related to Christ's passion and suffering.

What manual for exorcisms was published in 1635 by Maximilianus ab Eynatten?

Maximilianus ab Eynatten published *Manuale exorcismorum* in 1635. This manual would have provided instructions and rites for the practice of exorcism.

What comprehensive collection of Justus Lipsius's writings was published in 1637?

In 1637, Justus Lipsius's *Opera omnia, postremum ab ipso aucta et recensita* was published. This represents the complete works of Lipsius, which were revised and expanded by himself before his death.

Balthasar I Moretus Wiki: The Legacy of the Press: Balthasar I Moretus and the Plantin Dynasty

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Life and Work

A Printer's Lineage

Balthasar Moretus, also known as Balthasar I Moretus (23 July 1574 – 6 July 1641), was a distinguished Flemish printer. He helmed the esteemed Officina Plantiniana, the printing enterprise founded by his grandfather, Christophe Plantin, in Antwerp in 1555. Balthasar was the son of Martina Plantin and Jan Moretus, both integral figures in the continuation of the Plantin printing legacy.

Personal Circumstances and Business Acumen

Balthasar Moretus faced a significant personal challenge, being paralysed on his right side. Despite this, he pursued scholarly interests, studying briefly under the renowned humanist Justus Lipsius. However, illness led him to return home, where he began his career within the family's printing office, initially as a proofreader. His dedication and capability soon saw him assume greater responsibilities, demonstrating remarkable business acumen.

Succession and Partnerships

Following the passing of his father, Jan Moretus, in 1610, Balthasar assumed leadership of the Officina Plantiniana alongside his brother, Jan II. After Jan II's death in 1619, Balthasar formed a crucial partnership with Jan van Meurs. This collaboration continued until 1629, after which Balthasar's nephew, Balthasar II Moretus, began assisting, eventually taking over the company after Balthasar I's death in 1641. Balthasar I himself never married, dedicating his life to the family business.

Artistic Collaborations and Patronage

Under Balthasar I Moretus's direction, the Officina Plantiniana flourished, notably through significant artistic collaborations. He commissioned illustrations from the workshop of engraver Theodore Galle and, crucially, engaged the celebrated artist Peter Paul Rubens. Knowing Rubens from their shared school days, Balthasar maintained a lifelong friendship with him. Rubens designed numerous title pages and other illustrations for the press, and Balthasar commissioned 19 portraits from him. Many of these portraits, including those of Christophe Plantin, Jan I Moretus, and Justus Lipsius, are preserved today in the Plantin-Moretus Museum.

Architectural Heritage

Balthasar I Moretus was also instrumental in the expansion and completion of the company's buildings in Antwerp. These structures, now forming the Plantin-Moretus Museum, were built in the Renaissance style. Considered architectural highlights of early seventeenth-century civil building in Antwerp, they stand alongside Rubens' own Baroque house as testaments to the era's artistic and architectural achievements. The museum, encompassing both the building and its interior, is recognized as a UNESCO World Heritage Site, preserving this rich cultural legacy.

Notable Publications

A Selection from the Officina Plantiniana

The following is a curated selection of works published during Balthasar I Moretus's tenure at the helm of the Plantin company. While some represent reprints of earlier works, the majority are first impressions, showcasing the breadth of the press's output and its continued engagement with significant scholarly and artistic endeavors.

1613: Balthasar Moretus, Iusti Lipsi sapientiæ et litterarum antistitis fama postuma
1613: Pedro de Ribadeneira, Catalogus scriptorum religionis Societatis Iesu
1613: Thomas Stapleton, Promptuarium morale super Evangelia dominicalia
1613: Missale Romanum, with illustrations by Rubens, reprinted 1618
1613: François d'Aguilon, Opticorum libri sex, with illustrations by Rubens
1614: Seneca the Younger, Opera, quae exstant omnia, with illustrations by Rubens
1614: Justus Lipsius, De militia romana
1614: Leonardus Lessius, Quae fides et religio sit capessenda
1614: Breviarium Romanum, with illustrations by Rubens
1615: Robert Bellarmine, De ascensione mentis in Deum
1617: Leonardus Lessius, De iustitia et iure, with illustrations by Rubens
1620: Henricus Culens, Spiritualium Strenarum ac variarum Concionum manipulus
1620: Robert Bellarmine, De arte bene moriendi
1621: Justus Lipsius, De Vesta et vestalibus syntagma
1621: Litaniae omnium Sanctorum, with engravings by the atelier of Theodore Galle
1622: Aubert Miraeus, De vita Alberti pii, sapientis, prudentis Belgarum principis commentarius
1622: Augustinus Mascardus, Silvarum, with illustrations by Rubens
1622: Henricus Culens, Thesaurus locorum communium, de nova et vetera proferuntur
1624: Biblia Sacra Vulgatae editionis
1626: Balthasar Cordier, Catena Sexaginta quinque Graecorum Patrum in S. Lucam, with illustrations by Rubens
1626: Joannes Malder, Tractatus de sigillo confessionis sacramentalis
1627: Pontificale Romanum iussu Clementis VIII Pont. Max.
1627: Libert Froidmont, Meteorologicorum
1628: Justus Lipsius, De constantia
1630: Balthasar Cordier, Catena patrum graecorum in Sanctum Joannem
1631: Libert Froidmont, Labyrinthus
1631: Erycius Puteanus, Diva virgo Bellifontana in Sequanis: loci ac pietatis descriptio
1631: Edmund Campion, Decem rationes propositae in causa fidei, et opuscula eius selecta
1633: Jodocus à Castro, Conciones super Evangelia dominicalia. Pars Hiemalis
1633: Balthasar Cordier, Opera S. Dionysii Areopagitae, with illustrations by Rubens
1634: Pedro de Bivero, Sacrum oratorium piarum imaginum immaculatae Mariae
1634: Silvester Petra Sancta, De symbolis heroicis
1635: Benedictus van Haeften, Regia via Crucis
1635: Maximilianus ab Eynatten, Manuale exorcismorum
1637: Justus Lipsius, Opera omnia, postremum ab ipso aucta et recensita
1637: Vincentius Guinisius, Lvcensis e Soc. Iesv Poesis
1638: Carolus Neapolis, Anaptyxis ad fastos P. Ovidii Nasonis
1640: Imago primi saeculi Societatis Iesu, celebrating 100 years of the Jesuit congregation

Reference Notes

Scholarly Citations

The following notes provide the specific sources and references cited within this document, offering further avenues for academic inquiry into the life and work of Balthasar I Moretus and the Officina Plantiniana.

Authority Control

Standardized Identifiers

These databases provide standardized identifiers for Balthasar I Moretus, facilitating cross-referencing and academic research across various collections and catalogs.

Authority control databases
International	ISNI VIAF FAST WorldCat
National	Germany United States France BnF data Italy Czech Republic Netherlands Norway Belgium
Artists	ULAN RKD Artists
People	Netherlands DeutscheBiographie DDB
Other	IdRef Yale LUX

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References

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The Legacy of the Press

Dive in with Flashcard Learning!

Life and Work

A Printer's Lineage

Personal Circumstances and Business Acumen

Succession and Partnerships

Artistic Collaborations and Patronage

Architectural Heritage

Notable Publications

A Selection from the Officina Plantiniana

Reference Notes

Scholarly Citations

Further Reading

Consulted Materials

Authority Control

Standardized Identifiers

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The Legacy of the Press

💡 Dive in with Flashcard Learning! 💡

Life and Work 👨‍💼

🏛️ A Printer's Lineage

🚶 Personal Circumstances and Business Acumen

🤝 Succession and Partnerships

🎨 Artistic Collaborations and Patronage

🏗️ Architectural Heritage

Notable Publications 📚

📖 A Selection from the Officina Plantiniana

Reference Notes 📝

📜 Scholarly Citations

Further Reading 📄

📚 Consulted Materials

Authority Control 🏛️

🔗 Standardized Identifiers

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Disclaimer ⚠️

📜 Important Notice

Dive in with Flashcard Learning!

Life and Work

A Printer's Lineage

Personal Circumstances and Business Acumen

Succession and Partnerships

Artistic Collaborations and Patronage

Architectural Heritage

Notable Publications

A Selection from the Officina Plantiniana

Reference Notes

Scholarly Citations

Further Reading

Consulted Materials

Authority Control

Standardized Identifiers

Teacher's Corner

True or False?

Test Your Knowledge!

Gamer's Corner

Discover other topics to study!

References

Feedback & Support

Disclaimer

Important Notice