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Echoes of Assisi: The Canticle of the Sun's Enduring Legacy

An academic exploration into Saint Francis of Assisi's seminal work, its theological underpinnings, linguistic significance, and profound cultural impact.

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Introduction to the Canticle

A Seminal Work of Devotion

The Canticle of the Sun, also known as the Canticle of the Creatures or Laudes Creaturarum, stands as a profound religious song composed by Saint Francis of Assisi. This work is not merely a hymn but a foundational piece of literature, recognized for its spiritual depth and historical significance. It is widely regarded as the first known literary work written in the Italian language with an identifiable author, marking a pivotal moment in the development of Italian vernacular literature.

Linguistic Landmark

Composed in an Umbrian dialect of Italian, the Canticle's linguistic choice was revolutionary for its time, predating the widespread use of Tuscan as the literary standard. Its existence provides invaluable insight into the early forms of the Italian language and its capacity for sophisticated poetic expression. The Canticle has since transcended its original dialect, being translated into numerous languages, allowing its message to resonate globally.

Origins in Assisi

The composition of this revered text is primarily attributed to two significant locations in Assisi: San Damiano and the Vescovado. These sites, deeply intertwined with Saint Francis's life and spiritual journey, provided the contemplative backdrop for the creation of a work that would echo through centuries, celebrating the divine presence in all aspects of creation.

Compositional Context

Genesis at San Damiano

Saint Francis is believed to have composed the majority of the Canticle in late 1224. This period found him in a state of physical vulnerability, recovering from an illness in a modest cottage at San Damiano. This dwelling was thoughtfully constructed for him by Saint Clare and the women of her Order of Poor Ladies, providing a sanctuary for reflection and creation during his convalescence. The serene environment and the care he received likely contributed to the contemplative spirit imbued in the Canticle.

The Final Verse: Sister Death

A poignant tradition holds that the Canticle was first sung in its entirety by Francis himself, alongside his original companions, Brothers Angelo and Leo, on his deathbed. The final, powerful verse, which praises "Sister Death," was reportedly added just moments before his passing. This addition underscores the profound spiritual journey of Francis, embracing even mortality as a part of God's creation, and completing the comprehensive praise of all creatures.

The Inner Eye of Perception

A compelling legend suggests that Saint Francis did not physically write the Canticle due to blindness caused by an eye disease. Instead, he dictated it, perceiving nature not with his physical sight but through the "eye of the mind." Father Eric Doyle eloquently describes this phenomenon: "Though physically blind, he was able to see more clearly than ever with the inner eye of his mind. With unparalleled clarity he perceived the basic unity of all creation and his own place as a friar in the midst of God's creatures." This perspective highlights Francis's deep spiritual insight and his ability to find communion with all existence.

Franciscan Theology

Affirmation of Divine Creation

The Canticle of the Sun serves as a profound affirmation of Saint Francis's personal theology, which centered on a deep reverence for God's creation. Through its verses, Francis expresses gratitude for elements such as "Brother Fire" and "Sister Water," personifying natural phenomena and recognizing them as integral parts of the divine tapestry. This approach reflects a theology that sees God's glory manifested in every creature and natural force.

Brotherhood with Creation

A cornerstone of Franciscan spirituality, as articulated in the Canticle, is the concept of kinship with all living beings. Francis consistently referred to animals and natural elements as "brothers" and "sisters" to humankind, extending the familial bond beyond human relationships to encompass the entire created order. This perspective fosters a sense of interconnectedness and mutual respect within the ecosystem of God's design.

Embracing "Lady Poverty"

Complementing his praise of creation, Francis's theology also championed "Lady Poverty," advocating for a rejection of material accumulation and sensual comforts. This embrace of simplicity and detachment from worldly possessions allowed him to more fully appreciate the intrinsic value of God's gifts, finding richness not in wealth but in the spiritual and natural world. The Canticle, in its unadorned praise, embodies this spirit of humble gratitude.

Linguistic Significance

The Dawn of Italian Literature

The Canticle of the Sun holds a unique and critical position in the history of Italian literature. It is widely recognized as the first work of literature written in the Italian language with a known author. Prior to this, literary works in the Italian peninsula were predominantly in Latin or various regional dialects without clear authorship attributed to a unified 'Italian' literary tradition. Francis's choice to compose in the Umbrian vernacular was a groundbreaking act, elevating a regional dialect to a vehicle for profound spiritual and poetic expression.

Vernacular Innovation

The Canticle's composition in the Umbrian dialect of Italian signifies a crucial moment in the transition from Latin as the dominant literary language to the emergence of vernacular tongues. This shift was instrumental in making religious and poetic texts accessible to a broader populace, moving away from the exclusive domain of the educated elite. Its early date and clear authorship provide scholars with a vital benchmark for studying the evolution of the Italian language and its literary forms.

The Canticle: Original & Translation

The Sacred Verses

Presented here are the original verses of the Canticle of the Sun in its Umbrian dialect, alongside a faithful English translation. This allows for a direct appreciation of its linguistic beauty and spiritual depth.

Original Text in Umbrian Dialect:


Altissimu, omnipotente bon Signore,
Tue so le laude, la gloria e l'honore et onne benedictione.

Ad Te solo, Altissimo, se konfano,
et nullu homo ène dignu te mentouare.

Laudato sie, mi Signore cum tucte le Tue creature,
spetialmente messor lo frate Sole,
lo qual è iorno, et allumini noi per lui.
Et ellu è bellu e radiante cum grande splendore:
de Te, Altissimo, porta significatione.

Laudato si, mi Signore, per sora Luna e le stelle:
in celu l'ài formate clarite et pretiose et belle.

Laudato si, mi Signore, per frate Uento
et per aere et nubilo et sereno et onne tempo,
per lo quale, a le Tue creature dài sustentamento.

Laudato si, mi Signore, per sor'Acqua,
la quale è multo utile et humile et pretiosa et casta.

Laudato si, mi Signore, per frate Focu,
per lo quale ennallumini la nocte:
ed ello è bello et iucundo et robustoso et forte.

Laudato si, mi Signore, per sora nostra matre Terra,
la quale ne sustenta et gouerna,
et produce diuersi fructi con coloriti fior et herba.

Laudato si, mi Signore, per quelli ke perdonano per lo Tuo amore
et sostengono infirmitate et tribulatione.

Beati quelli ke 'l sosterranno in pace,
ka da Te, Altissimo, sirano incoronati.

Laudato si mi Signore, per sora nostra Morte corporale,
da la quale nullu homo uiuente pò skappare:
guai a quelli ke morrano ne le peccata mortali;
beati quelli ke trouarà ne le Tue sanctissime uoluntati,
ka la morte secunda no 'l farrà male.

Laudate et benedicete mi Signore et rengratiate
e seruiteli cum grande humilitate.

Notes: so=sono (are), si=sii (be!), mi=mio (my), ka=perché (because), u and v are both written as u, sirano=saranno (will be).

English Translation:


The Highest, all powerful, good Lord,
Yours are the praises, the glory, the honour, and all blessing.

To You alone, The Highest, do they belong,
and no man is worthy to mention Your name.

Be praised, my Lord, through all your creatures,
especially Sir Brother Sun,
who brings the day; and you give light through him.
And he is beautiful and radiant in all his splendour!
Of you, The Highest, he bears the likeness.

Praised be You, my Lord, through Sister Moon and the stars,
in heaven you formed them clear and precious and beautiful.

Praised be You, my Lord, through Brother Wind,
and through the air, cloudy and serene,
and every kind of weather through which you give sustenance to Your creatures.

Praised be You, my Lord, through Sister Water,
which is very useful and humble and precious and chaste.

Praised be You, my Lord, through Brother Fire,
through whom you light the night and he is beautiful
and playful and robust and strong.

Praised be You, my Lord, through Sister Mother Earth,
who sustains us and governs us and who produces
varied fruits with coloured flowers and herbs.

Praised be You, my Lord, through those who give pardon for Your love,
and bear infirmity and tribulation.

Blessed are those who endure in peace
for by You, The Highest, they shall be crowned.

Praised be You, my Lord, through our Sister Bodily Death,
from whom no living man can escape.
Woe to those who die in mortal sin.
Blessed are those who will find Your most holy will,
for the second death shall do them no harm.

Praise and bless my Lord, and give Him thanks and serve Him with great humility.

Enduring Influence

Musical Interpretations

The profound spiritual and poetic qualities of the Canticle of the Sun have inspired numerous musical compositions across centuries. Notable composers who have drawn from Francis's work include:

  • Franz Liszt (1811–1886): Composed several pieces titled "Cantico del sol di Francesco d'Assisi," with versions for solo piano, organ, and orchestra, created between 1862 and 1882.
  • William H. Draper (1855–1933): His hymn "All Creatures of Our God and King" is a well-known paraphrase of Saint Francis's song, set to the 17th-century German hymn tune "Lasst uns erfreuen."
  • Richard Purvis: The San Francisco organist-composer included "Canticle of the Sun" as the concluding movement of his 1964 St. Francis Suite.
  • Howard Blake: The British composer created a setting titled "The Song of St Francis" in 1977.

Literary Echoes

Beyond music, the Canticle's themes and spirit have resonated within the literary world, inspiring poets and writers. American poet Robert Lax, for instance, titled his 1959 poem "The Circus of the Sun" as a direct tribute to the Canticle, demonstrating its lasting impact on artistic expression and spiritual reflection.

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References

References

A full list of references for this article are available at the Canticle of the Sun Wikipedia page

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