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Chhota Katra: Mughal Architectural Echoes in Dhaka

An academic exploration of a historic caravan sarai, its origins, and enduring legacy on the banks of the Buriganga River.

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Understanding Chhota Katra

A Mughal Caravan Sarai

Chhota Katra, meaning "Small Katra," is a significant historical structure located in Dhaka, Bangladesh. It stands as a testament to the architectural and urban planning practices of the Mughal Empire during its regime in Dhaka. Constructed in 1663 by the Subahdar Shaista Khan, it served as a vital accommodation facility for officials and members of Shaista Khan's expanding household.

Strategic Riverside Location

Situated on Hakim Habibur Rahman lane, Chhota Katra commands a prominent position on the banks of the Buriganga River. Its location underscores the importance of riverine transport and trade during the Mughal period. It is positioned approximately 185 meters east of its larger counterpart, Bara Katra, suggesting a planned urban development within the historical cityscape.

The 'Katra' Architectural Form

The term "Katra" refers to a specific architectural typology originating in Persia, characterized by a cellular dormitory built around an oblong courtyard. This form, introduced to the subcontinent by the Mughals, provided sheltered accommodation. The term itself may derive from the Arabic word 'Katara' (colonnaded building) or potentially from French and Hindi terms related to 'umbrella,' signifying a place of shelter.

Etymology and Origins of the Katra

Persian Roots and Mughal Adaptation

The 'Katra' architectural style, exemplified by Chhota Katra, has its origins in Persia. This design, featuring a courtyard surrounded by rooms or cells, was adopted by the Mughals and integrated into the urban fabric of their territories. It served practical purposes, offering organized and secure lodging.

Linguistic Interpretations

The nomenclature "Katra" invites several etymological interpretations. It is posited to derive from the Arabic word 'Katara', meaning a colonnaded building. Alternatively, it could stem from a corrupted French term, or from Hindi and French words like 'Chuttre' and 'Chatrra', all related to 'umbrella,' metaphorically suggesting a sheltered space for travelers and pilgrims.

Historical Trajectory

Construction and Prominence

Chhota Katra was constructed between 1663 and 1671 during the tenure of Shaista Khan, the Subahdar of Bengal. This period was marked by significant civic and religious construction, contributing to the distinct architectural style bearing his name. The Katra's presence was indicative of the prominence of its builders and residents within the Mughal Dhaka cityscape.

Decline and Transformation

Following the shift of the Mughal capital in 1713, Chhota Katra, along with Dhaka itself, experienced a decline in importance. Despite this, it briefly housed the Naib Nazim before his new palace was built. The structure later saw additions by the British and was utilized for various purposes, including housing the first English Medium School in Dhaka (1816) and later a normal school (1857). The Nawabs of Dhaka also used parts of it as storage facilities.

Challenges to Preservation

Historical accounts from Charles D'Oyly in 1822 describe the beauty of the partially surviving structures, noting their plundering by inhabitants. Subsequent attempts by the archaeology department to restore Chhota Katra have been largely unsuccessful. These efforts were reportedly thwarted by the illegal occupation of parts of the structure by a madrasa, highlighting the ongoing challenges in heritage preservation amidst urban development and community use.

Architectural Design

Exterior Features

Chhota Katra is characterized by its rectangular plan, measuring approximately 101.20 meters by 92.05 meters externally and 81.07 meters by 69.19 meters internally. The outer walls possess a substantial thickness ranging from 0.91 to 1.00 meters, with bastion walls reaching up to 1.22 meters. The structure features two gateways, one on the north and a principal entrance on the south. Two octagonal towers are situated at the outer corners of the south wall.

The surrounding structures within the courtyard have undergone significant renovation and repair over time, leading to a loss of some original features and durability. Modern extensions have been integrated into the original building. Notably, the three-storied gateway on the river side exhibits colonial influences, evident in its triple windows and elevated angle towers, reflecting subsequent restoration efforts.

Interior Elements

Within the enclosure of Chhota Katra, several notable interior features exist. These include the tomb of Champa Bibi, though her precise identity remains historically ambiguous. A small mosque, now in ruins, was also part of the complex. The one-domed square Mausoleum of Champa Bibi, a listed building, was originally located within the enclosure before being relocated and reconstructed by archaeologists.

The Mausoleum of Champa Bibi, as depicted by Charles D'Oyly (who initially mistook it for a mosque), featured a multi-foil saucer dome with slender corner spandrels. Historical accounts suggest Champa Bibi was either a daughter or a concubine of Shaista Khan, and his Bengali heirs continued to reside in Choto Katra for many years, as the property remained under Shaista Khan's ownership.

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References

References

A full list of references for this article are available at the Chhota Katra Wikipedia page

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Academic Disclaimer

Important Notice for Scholars

This document has been generated by an Artificial Intelligence, synthesizing information from a singular source for academic and educational purposes. While efforts have been made to ensure accuracy and clarity, the content is based on a specific snapshot of data and may not encompass all nuances or the most current scholarly perspectives.

This is not a substitute for primary source research or expert consultation. The information provided herein should be used as a foundational reference. For rigorous academic work, direct engagement with primary historical documents, archaeological reports, and peer-reviewed architectural history scholarship is essential. Always consult with qualified historians, archaeologists, and conservation experts for definitive interpretations and guidance.

The creators of this content are not liable for any inaccuracies, omissions, or actions taken based on the information presented. Users are encouraged to critically evaluate the content and cross-reference with established academic resources.