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Jean-Baptiste Pigalle

An exploration of the life, works, and artistic legacy of Jean-Baptiste Pigalle, a pivotal figure in 18th-century French sculpture.

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Overview

Foundations: Birth and Early Career

Born on January 26, 1714, in Rueil-Malmaison, Jean-Baptiste Pigalle was the seventh child of a carpenter. Despite facing significant challenges, including failing to secure the prestigious Prix de Rome, Pigalle eventually gained entry into the esteemed Académie Royale. His early works, though less commonly known today, demonstrated a unique artistic sensibility that bridged the gap between the prevailing Baroque style and the emerging Neo-Classical trends.

Artistic Identity: Baroque and Neo-Classicism

Pigalle is celebrated primarily for his contributions to sculpture. His artistic output reflects a dynamic interplay between the ornate dynamism of the Baroque period and the structured elegance of Neo-classicism. This dual influence allowed him to create works that were both emotionally resonant and formally refined, securing his position as one of the most popular sculptors of his era.

Legacy and Notoriety

Pigalle's influence extended beyond his artistic creations. He mentored notable sculptors, including Louis-Philippe Mouchy, who closely emulated his style. While his artistic achievements are significant, his name is perhaps most widely recognized today due to the famous Parisian district, Quartier Pigalle, and the adjacent Place Pigalle, named in his honor.

Life and Career

Early Struggles and Academic Success

Jean-Baptiste Pigalle was born in Paris on January 26, 1714, the seventh child in a family of modest means, with his father working as a carpenter. His path toward artistic recognition was arduous. He faced the disappointment of not being awarded the Prix de Rome, a crucial stepping stone for aspiring artists. Nevertheless, through sheer determination and talent, he eventually gained admission to the prestigious Académie Royale de peinture et de sculpture, marking a significant turning point in his career.

Artistic Evolution

Pigalle's artistic journey saw him navigate the stylistic currents of the mid-18th century. His earlier works, such as the model for Child with Cage (associated with Sèvres) and Mercury Fastening his Sandals (represented in Berlin and as a lead cast in the Louvre), exhibit a distinct character. However, it was his later pieces that cemented his reputation. His nude statue of Voltaire (1776) and the monumental tombs of Comte d'Harcourt (c. 1764) in Notre-Dame de Paris and Marshal Saxe (completed 1777) in Strasbourg are considered exemplary achievements of French sculpture during the period, showcasing his mastery and evolving style.

Mentorship and Influence

Beyond his own creative output, Pigalle played a role in nurturing future talent. He instructed the sculptor Louis-Philippe Mouchy, who was also his nephew. Mouchy's work often closely mirrored Pigalle's distinctive style, testament to the effectiveness of his tutelage. Pigalle is also believed to have taught the painter Madeleine-Élisabeth Pigalle, potentially a distant relative from Sens, further extending his influence within the artistic community.

Parisian Legacy

Pigalle's enduring connection to Paris is cemented by the naming of the vibrant Pigalle district and the adjacent Place Pigalle. This area, known for its lively atmosphere, carries the sculptor's name, ensuring his historical presence in the city where he lived and worked. Pigalle passed away in Paris on August 20, 1785.

Monumental Works

Mercury Fastening his Sandals (1753)

This dynamic sculpture captures the messenger god in a moment of preparation. Pigalle's rendition emphasizes Mercury's agility and divine speed. The original is housed in the Louvre Museum, with a lead cast also available for viewing, showcasing the artist's skill in depicting movement and form.

Chapel of the Virgin, Church of Saint-Sulpice, Paris

Pigalle contributed significantly to the decorative program of the Church of Saint-Sulpice in Paris. His work within the Chapel of the Virgin exemplifies his ability to create devotional art that is both spiritually evocative and artistically sophisticated, integrating seamlessly with the church's architecture.

Voltaire Nude (1777)

This striking, unadorned statue of the renowned philosopher Voltaire caused considerable stir upon its creation. Pigalle's decision to depict the intellectual figure in a state of natural nudity was bold for its time. Initially housed in the Institut de France, it is now a prominent piece in the Louvre Museum's collection, representing a powerful statement on humanism and reason.

Funerary Monument of Maurice de Saxe

Completed in 1777 for the Saint-Thomas Lutheran church in Strasbourg, this grand funerary monument honors Marshal Maurice de Saxe. The work is a powerful example of 18th-century funerary sculpture, conveying themes of glory, mortality, and remembrance through dramatic composition and masterful execution.

Notable Busts

Portrait of Voltaire

Pigalle created several portraits of the influential Enlightenment figure Voltaire. This particular bust, held by the Los Angeles County Museum of Art, captures the philosopher's intellectual intensity and distinct features, reflecting Pigalle's skill in psychological portraiture through sculpture.

Madame de Pompadour

This bust, dating from 1748-1751 and housed at the Metropolitan Museum of Art, portrays Jeanne Antoinette Poisson, Marquise de Pompadour, the influential mistress of King Louis XV. Pigalle's work captures her elegance and status, reflecting the sophisticated tastes of the French court.

Self-Portrait (1770s)

Created in the 1770s and housed in the Louvre, Pigalle's self-portrait offers a direct glimpse into the artist's own persona. It showcases his mature style and provides insight into how he wished to be perceived by posterity—a distinguished artist of his time.

Authority Control

International Databases

These resources provide standardized identifiers and information across international library and archival systems.

  • Virtual International Authority File (VIAF)
  • Gemeinsame Normdatei (GND)

National Databases

Identifiers linking to national library and archival records, particularly relevant for French figures.

  • Library of Congress Authorities
  • Bibliothèque nationale de France (BnF) data

Artist Registries

Specialized databases focusing on artists and their works.

  • Union List of Artist Names (ULAN)
  • RKD Artists (Netherlands Institute for Art History)
  • KulturNav
  • National Gallery of Victoria (NGV) Artist Index

Biographical Resources

Comprehensive biographical databases offering detailed life information.

  • Deutsche Biographie
  • SNAC (Social Networks and Archival Context)

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References

References

  1.  Profile of Madeleine-Élisabeth Pigalle at the Dictionary of Pastellists Before 1800.
A full list of references for this article are available at the Jean-Baptiste Pigalle Wikipedia page

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Disclaimer

Important Notice

This page has been generated by an Artificial Intelligence and is intended for informational and educational purposes exclusively. The content is derived from a snapshot of publicly available data, primarily from Wikipedia, and may not be entirely comprehensive, current, or free from inaccuracies.

This is not professional art historical advice. The information provided herein should not substitute for consultation with qualified art historians, curators, or appraisers for specific assessments of artworks, provenance, or market value. Always consult with professionals for expert opinions.

The creators of this page assume no liability for any errors or omissions, nor for any actions taken based on the information presented.