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The New York Chronicle

Exploring the evolution of a seminal publication that shaped discourse from Manhattan to the global stage.

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About New York Magazine

Urban Pulse

New York is an American biweekly magazine that critically examines life, culture, politics, and style, with a distinct emphasis on the dynamics of New York City.[1] It has established itself as a significant voice in contemporary media, reflecting and influencing urban and national discourse.

Journalistic Innovation

Founded in 1968 by Clay Felker and Milton Glaser, New York emerged as a direct competitor to established publications like The New Yorker and The New York Times Magazine. Its distinctive approach was characterized by a bolder voice, a closer connection to contemporary urban life, and a pivotal role in the development of New Journalism.[3]

Evolving Scope

While initially focused almost exclusively on its namesake city, New York progressively broadened its scope throughout the 1970s and beyond. It began to feature in-depth reporting and commentary on national politics and broader American culture, publishing influential pieces by a roster of acclaimed writers and solidifying its position as a nationally recognized publication.

A Chronicle of Influence

Foundational Years

New York originated in 1963 as the Sunday magazine supplement for the New York Herald Tribune. Following the newspaper's closure, Clay Felker and Milton Glaser acquired the rights to the nameplate, relaunching it as an independent glossy weekly in April 1968. This iteration quickly became a hub for New Journalism, featuring prominent writers and artists who defined its distinctive voice.

Growth and Transition

The 1970s saw New York expand its coverage beyond city-specific issues to national politics and cultural trends, notably with reporting on Watergate and the influential "Radical Chic" article by Tom Wolfe. The magazine also launched New West, a sister publication. In 1976, Rupert Murdoch acquired the magazine, leading to a series of editorial shifts throughout the 1980s, during which it achieved profitability and became known for its coverage of the city's evolving social and financial scenes.

  • 1963: Launched as a supplement to the New York Herald Tribune.
  • 1968: Relaunched as an independent weekly by Clay Felker and Milton Glaser.
  • 1970s: Became a crucible for New Journalism; expanded national coverage.
  • 1976: Acquired by Rupert Murdoch.
  • 1980s: Achieved profitability, covering the city's dynamic 80s culture.
  • 1991: Sold to K-III Communications, later becoming part of Rent Group.
  • 2004: Acquired by Bruce Wasserstein; Adam Moss appointed editor, leading to a significant redesign.
  • 2006-2016: Won multiple National Magazine Awards, including Magazine of the Year.
  • 2011-2013: Expanded digital presence with new verticals like Vulture and The Cut.
  • 2019: Acquired by Vox Media.

Digital Transformation

The early 21st century marked a significant shift towards digital platforms. New York launched subject-specific websites such as Vulture, The Cut, Intelligencer, The Strategist, Curbed, and Grub Street. This diversification strategy aimed to adapt the magazine's editorial voice for a national and international online audience, eventually leading to a digital subscription model and the acquisition by Vox Media in 2019.

Voices of Influence

Literary Pillars

New York has been a platform for some of the most influential writers of the past half-century. Their contributions have shaped the magazine's identity and extended its reach into broader cultural and political conversations.

  • Tom Wolfe: Pioneer of New Journalism, known for pieces like "Radical Chic."
  • Nora Ephron: Celebrated essayist and filmmaker.
  • Jimmy Breslin: Pulitzer Prize-winning journalist known for his gritty urban reporting.
  • Gloria Steinem: Feminist icon and influential columnist.
  • Michael Wolff: Prolific writer on media and politics.
  • Jonathan Chait: Political commentator.
  • Olivia Nuzzi: Political journalist covering the White House.
  • Gail Sheehy: Author and journalist, known for "The Search for Grey Gardens."
  • Adam Platt: Award-winning food critic.
  • Jerry Saltz: Pulitzer Prize winner for Criticism.
  • Andrea Long Chu: Pulitzer Prize winner for Criticism.

Digital Ecosystem

Expanding Horizons

The magazine's digital strategy has been instrumental in its sustained relevance. By launching dedicated websites, New York has cultivated distinct online communities and expanded its editorial footprint across various cultural and informational domains.

  • Intelligencer: Focuses on national politics and news analysis.
  • The Cut: Covers women's issues, fashion, beauty, and culture.
  • Vulture: Dedicated to pop culture, entertainment, and media criticism.
  • Grub Street: Explores food, restaurants, and culinary trends.
  • The Strategist: Offers product reviews and shopping guidance.
  • Curbed: Reports on real estate, urbanism, and design.
  • Eater: Covers the food and restaurant industry.
  • Thrillist: Focuses on lifestyle, entertainment, and travel.
  • Vox: The flagship site for the parent company, covering news and culture.

Recognition and Accolades

Editorial Excellence

New York magazine has consistently been recognized for its high-quality journalism and design. It has garnered numerous prestigious awards, underscoring its impact and influence in the media landscape.

  • National Magazine Awards: Multiple wins for General Excellence, Magazine of the Year, Single-Topic Issue, and various writing and design categories (e.g., 2006, 2007, 2010, 2011, 2013, 2014, 2016).
  • Pulitzer Prize for Criticism: Awarded to critics Jerry Saltz (2018) and Andrea Long Chu (2023).
  • American Society of Magazine Editors (ASME) Awards: Multiple accolades, including Cover of the Year.
  • Society of Publication Designers (SPD) Awards: Recognized for design excellence.

Engaging Content

Literary Competitions

Beyond its feature articles, New York has a long-standing tradition of engaging its readership through literary competitions and distinctive puzzles. These elements have become a hallmark of the magazine's unique editorial voice.

  • Cryptic Crosswords: Initially contributed by composer Stephen Sondheim, later by Richard Maltby, Jr.
  • Literary Competitions: Edited by Mary Ann Madden for over 30 years, featuring witty wordplay and humorous entries on various themes.
  • American-Style Crosswords: Constructed by Maura B. Jacobson for many years, followed by Cathy Allis Millhauser and Matt Gaffney.
  • Daily 10x10 Crosswords: Published by Vulture, created by Malaika Handa and Stella Zawistowski.

From Page to Screen

Media Adaptations

The compelling narratives and investigative pieces published in New York have frequently served as the basis for successful film and television productions, demonstrating the enduring power of its storytelling.

  • Film: Saturday Night Fever (from Nik Cohn's "Tribal Rites of the New Saturday Night"), American Gangster (from Mark Jacobson's "The Return of Superfly"), Hustlers (from Jessica Pressler's "The Hustlers at Scores").
  • Television Series: Taxi (from Mark Jacobson's "Night-Shifting for the Hip Fleet"), Inventing Anna (from Jessica Pressler's "Maybe She Had So Much Money She Just Lost Track of It"), The Watcher (from Reeves Wiedeman's "The Haunting of a Dream House").

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References

References

A full list of references for this article are available at the New York (magazine) Wikipedia page

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Disclaimer

Important Notice

This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.

This is not professional advice. The information provided on this website is not a substitute for professional editorial, journalistic, or media analysis consultation. Always refer to the official publications and consult with qualified professionals for specific needs. Never disregard professional advice because of something you have read on this website.

The creators of this page are not responsible for any errors or omissions, or for any actions taken based on the information provided herein.